April 25, 2025
FutureTech - The Versatility and Impact of the Elation PULSE

Learn about the transformative power of Elation PULSE technology, from dazzling New Year’s Eve displays at the Seattle Space Needle to the revitalization of Truth Nightclub in Johannesburg. Discover how cutting-edge fixtures like the PULSE Bar and PULSE Panel conquer logistical challenges and enhance audience experiences worldwide. Chris and Lacy share practical insights on the many uses of these versatile fixtures across live events and installs alike!
1
00:00:19,560 --> 00:00:22,240
All right, let's dive right into
future tech with the Elation
2
00:00:22,240 --> 00:00:27,000
Pulse series, the Pulse panel
Pulse Bar L, and the Pulse panel
3
00:00:27,000 --> 00:00:29,320
FX.
These are lighting beasts.
4
00:00:29,520 --> 00:00:32,800
We're talking about over 100,000
lumens of outputs.
5
00:00:33,240 --> 00:00:35,960
That's enough to blow even the
most seasoned production guys
6
00:00:35,960 --> 00:00:38,120
away.
A. 100,000 lumens.
7
00:00:38,160 --> 00:00:40,280
OK, break that down for us
regular folks.
8
00:00:40,840 --> 00:00:42,680
Is that like stadium lights on
Max or?
9
00:00:42,720 --> 00:00:44,040
Sort of.
But it's not just brute
10
00:00:44,040 --> 00:00:48,000
brightness, it's precision too.
You've got R GB LEDs and cool
11
00:00:48,000 --> 00:00:50,240
white LEDs, all controllable in
zones.
12
00:00:50,800 --> 00:00:53,400
And here's the kicker.
Silent operation.
13
00:00:53,920 --> 00:00:56,120
No fans.
You know, traditional concert
14
00:00:56,120 --> 00:00:57,360
lights humming in the
background.
15
00:00:58,480 --> 00:01:00,200
Gone.
No fans.
16
00:01:00,200 --> 00:01:02,320
That's huge for like, quieter
events, right?
17
00:01:02,320 --> 00:01:05,600
Like acoustic sets or gala
dinners where every sound
18
00:01:05,600 --> 00:01:07,040
counts.
Exactly.
19
00:01:07,040 --> 00:01:10,000
I had this gig recently, a
theatre production where the
20
00:01:10,000 --> 00:01:12,120
ambient noise was a major deal
breaker.
21
00:01:13,000 --> 00:01:15,360
We brought in these pulse bars
and they saved the day.
22
00:01:15,720 --> 00:01:18,520
Zero noise and they lit up the
stage like magic.
23
00:01:18,920 --> 00:01:22,280
Silent but deadly effective.
So they're ready for what?
24
00:01:22,320 --> 00:01:26,320
Outdoor concerts, too.
Absolutely fully IP65 rated so
25
00:01:26,320 --> 00:01:29,200
rain dust coastal locations
doesn't faze them.
26
00:01:29,520 --> 00:01:31,040
These fixtures are built for
battle.
27
00:01:31,360 --> 00:01:33,800
You could throw a monsoon their
way and they'd shrug it off.
28
00:01:34,240 --> 00:01:36,200
That's brilliant.
What about effects though?
29
00:01:36,200 --> 00:01:38,680
Sounds like a lot of setups,
maybe tricky programming, no?
30
00:01:38,680 --> 00:01:40,400
Not at all.
That's what's killer about
31
00:01:40,400 --> 00:01:43,280
these.
They've got DMXRDM, Artnet,
32
00:01:43,640 --> 00:01:46,480
SACN, and Clingnet.
All these protocols let
33
00:01:46,480 --> 00:01:50,240
designers go wild with effects.
You want zone controlled bursts
34
00:01:50,240 --> 00:01:52,200
of light that ripple In Sync
with music?
35
00:01:52,640 --> 00:01:54,600
Easy.
You want dramatic washes or
36
00:01:54,600 --> 00:01:56,320
strobe hits?
Done.
37
00:01:56,960 --> 00:01:59,880
OK, OK, I'm seeing why these are
on riders for every major gig
38
00:01:59,880 --> 00:02:01,920
now.
Yeah, once you've run a rig with
39
00:02:01,920 --> 00:02:04,200
pulse panels or bars, you're
never going back.
40
00:02:04,520 --> 00:02:07,680
They're like, how do I put this?
They're the Swiss Army knives of
41
00:02:07,680 --> 00:02:11,240
lighting gear, except industrial
strength, and they actually
42
00:02:11,240 --> 00:02:15,640
deliver no compromises.
Speaking of real world uses, did
43
00:02:15,640 --> 00:02:18,640
you see anything about the New
Year's Eve show at the Seattle
44
00:02:18,640 --> 00:02:20,880
Space Needle?
That's where Illuminate
45
00:02:20,880 --> 00:02:23,800
Production Services turn the
night into a jaw-dropping
46
00:02:23,800 --> 00:02:28,440
spectacle of light and colour,
all thanks to the Pulse Bar L.
47
00:02:28,920 --> 00:02:31,600
Wait, isn't that the one with
fireworks and a drone display
48
00:02:31,600 --> 00:02:33,680
too?
How did lights even stand out
49
00:02:33,680 --> 00:02:35,080
against all of that?
Exactly.
50
00:02:35,080 --> 00:02:37,240
That's the point.
The pulse bars weren't just
51
00:02:37,280 --> 00:02:41,080
accent lights, they were the
backbone, creating bold flashes
52
00:02:41,080 --> 00:02:43,600
and colours that danced with the
fireworks and drones.
53
00:02:44,040 --> 00:02:46,760
They even managed to cut through
the smoke left by the pyro,
54
00:02:47,200 --> 00:02:51,040
which is no easy feat, trust me.
Whoa, so the lights didn't just
55
00:02:51,040 --> 00:02:52,840
get lost in the action?
That's impressive.
56
00:02:53,360 --> 00:02:56,560
Impressive, yeah, but expected
with Pulse tech.
57
00:02:57,080 --> 00:03:00,800
These fixtures delivered over
100,000 lumens across the 600
58
00:03:00,800 --> 00:03:04,240
foot needle.
I mean, the direct view RGB
59
00:03:04,240 --> 00:03:06,960
effects alone were enough to
frame the structure beautifully,
60
00:03:07,400 --> 00:03:09,240
like it was glowing from the
inside out.
61
00:03:10,040 --> 00:03:13,240
OK, so that's Seattle.
What about something more, I
62
00:03:13,360 --> 00:03:15,520
don't know, interactive, where
the audience feels more
63
00:03:15,520 --> 00:03:17,040
immersed?
Glad you brought that up.
64
00:03:17,480 --> 00:03:20,200
Check out the We Belong Here
festival in Central Park.
65
00:03:20,760 --> 00:03:26,080
It's got this 360° stage pulse
bars lined across 26 staggered
66
00:03:26,080 --> 00:03:28,880
Truss towers mimicking New
York's skyline.
67
00:03:29,760 --> 00:03:33,080
During the day, those bars
looked vibrant even in sunlight,
68
00:03:33,280 --> 00:03:35,720
but by night, absolute
brilliance.
69
00:03:35,880 --> 00:03:38,240
It was like an evolving light
show In Sync with the whole
70
00:03:38,240 --> 00:03:42,480
environment. 26 Truss towers.
That's a lot of gear.
71
00:03:42,800 --> 00:03:44,760
Did it blend OK with the whole
skyline vibe?
72
00:03:45,160 --> 00:03:47,720
Oh, perfectly.
The staggered heights added
73
00:03:47,720 --> 00:03:52,440
depth, and the pulse bars work
triple duty as strobes, washes
74
00:03:52,440 --> 00:03:55,440
and eye candy.
Designers ran effects pixel by
75
00:03:55,440 --> 00:03:58,920
pixel, creating layered looks
that transitioned seamlessly
76
00:03:58,920 --> 00:04:02,960
from day into night.
Wow, that's serious versatility.
77
00:04:03,680 --> 00:04:07,400
And I think actually, yeah, I
experienced something like this
78
00:04:07,400 --> 00:04:11,880
recently.
It was maybe 3 months ago, mid
79
00:04:11,880 --> 00:04:15,080
size venue gig, but they had
these pulse bars rigged all
80
00:04:15,080 --> 00:04:17,640
around.
The way they synced lighting
81
00:04:17,640 --> 00:04:21,320
with the artists buildups and
breaks gave me chills.
82
00:04:21,640 --> 00:04:23,640
Ha, that's exactly what they're
made for.
83
00:04:24,040 --> 00:04:26,920
It's that emotional punch where
the lighting becomes part of the
84
00:04:26,920 --> 00:04:29,600
performance.
Makes total sense why audiences
85
00:04:29,600 --> 00:04:32,240
rave about these fixtures.
Totally.
86
00:04:32,520 --> 00:04:34,880
And like, it's not just the
audience, it makes the whole
87
00:04:34,880 --> 00:04:37,960
venue feel alive, you know,
Definitely a game changer.
88
00:04:38,320 --> 00:04:41,400
Speaking of transformations that
make a space come alive, let's
89
00:04:41,400 --> 00:04:44,680
talk about one of the most
ambitious uses of the pulse bars
90
00:04:44,680 --> 00:04:49,240
yet, the Floozer Bricker Bridge
transformation during UEFA EUR
91
00:04:49,440 --> 00:04:52,320
2024.
Oh, that historic bridge in
92
00:04:52,320 --> 00:04:55,120
Frankfurt, right?
I saw some pictures, it was
93
00:04:55,120 --> 00:04:57,920
dripping in national colors.
How did they even pull that off?
94
00:04:58,200 --> 00:05:01,640
It was an insane set up.
They had 48 pulse barrel
95
00:05:01,640 --> 00:05:05,560
fixtures extending those colors
vertically like beams into the
96
00:05:05,560 --> 00:05:08,400
night sky.
But here's the cool part, It
97
00:05:08,400 --> 00:05:10,160
wasn't just about throwing light
around.
98
00:05:10,520 --> 00:05:14,360
These bars danced In Sync with
music playing like a giant
99
00:05:14,360 --> 00:05:16,760
instrument.
Reflections of the water made
100
00:05:16,760 --> 00:05:19,960
the whole thing come alive.
I can imagine the reflections
101
00:05:19,960 --> 00:05:22,920
just doubling the vibe.
It sounds like the visuals
102
00:05:22,920 --> 00:05:25,360
weren't just background, they
were the show almost.
103
00:05:25,720 --> 00:05:28,080
Exactly.
It was immersive, like stepping
104
00:05:28,080 --> 00:05:30,840
inside the concept.
Even with all that brightness,
105
00:05:30,840 --> 00:05:33,920
they only ran those fixtures at
20% capacity.
106
00:05:34,760 --> 00:05:37,080
Can you believe that they're
that potent?
107
00:05:37,800 --> 00:05:40,480
Wow, it makes you wonder how
many other events could benefit
108
00:05:40,480 --> 00:05:44,720
from that kind of creativity.
Like I'm thinking clubs?
109
00:05:45,480 --> 00:05:47,760
Any big post renovation projects
stand out.
110
00:05:48,160 --> 00:05:50,680
You're spot on.
Truth Nightclub in Johannesburg.
111
00:05:51,000 --> 00:05:54,160
They hit the jackpot with
Elation Pulse after a complete
112
00:05:54,160 --> 00:05:56,240
rebuild.
That venue already has a
113
00:05:56,240 --> 00:05:58,640
legendary status, but the
lighting took it to another
114
00:05:58,640 --> 00:06:00,240
level.
Legendary.
115
00:06:00,240 --> 00:06:01,200
How so?
What makes truth?
116
00:06:01,200 --> 00:06:04,320
Stand out With five dance floors
and a reputation for hosting
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00:06:04,320 --> 00:06:06,600
underground music legends, it is
an icon.
118
00:06:07,120 --> 00:06:09,760
Post renovation they
incorporated everything from
119
00:06:09,760 --> 00:06:14,040
pulse bars to panels.
Flexible, ridiculously bright
120
00:06:14,240 --> 00:06:17,920
and with insane control options,
the setup enhanced every corner
121
00:06:17,920 --> 00:06:21,400
of the club, elevating the
energy to match DJ beats or
122
00:06:21,400 --> 00:06:24,280
creating Moody, atmospheric
vibes when needed.
123
00:06:24,920 --> 00:06:28,240
And I bet the flexibility is a
lifesaver when you have a mix of
124
00:06:28,240 --> 00:06:30,560
events on the calendar, right?
Exactly.
125
00:06:30,560 --> 00:06:33,200
And it's not just flexibility
but efficiency.
126
00:06:33,720 --> 00:06:36,280
Their drop bar system let them
hide and reveal lights
127
00:06:36,280 --> 00:06:41,240
dynamically, almost like magic,
and the strobing completely
128
00:06:41,240 --> 00:06:43,680
immersive.
They nailed the balance between
129
00:06:43,680 --> 00:06:47,120
lighting, spectacle and
maintaining that intimate
130
00:06:47,120 --> 00:06:49,800
underground feel.
I mean, the way these fixtures
131
00:06:49,800 --> 00:06:52,680
keep popping up in global
hotspots, it's clear they've got
132
00:06:52,680 --> 00:06:55,200
people's attention.
From bridges to nightclubs,
133
00:06:55,800 --> 00:06:58,360
where do they go next?
Well, that's the beauty, isn't
134
00:06:58,360 --> 00:07:00,440
it?
Pulse fixtures prove that when
135
00:07:00,440 --> 00:07:03,960
you have versatile tools, there
are no ceilings, only
136
00:07:03,960 --> 00:07:06,920
possibilities.
Whether it's lighting icons like
137
00:07:06,920 --> 00:07:11,000
the Space Needle, festivals in
Central Park or nightclubs in
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00:07:11,000 --> 00:07:13,440
South Africa, the impact is
universal.
139
00:07:14,080 --> 00:07:16,160
And that's what makes this text
so exciting.
140
00:07:16,880 --> 00:07:18,720
It's not just about the
fixtures, it's about the
141
00:07:18,720 --> 00:07:21,160
experiences they shape for
people around the world.
142
00:07:21,480 --> 00:07:24,160
Truly global.
Couldn't have said it better
143
00:07:24,160 --> 00:07:26,360
myself.
All right folks, that wraps
144
00:07:26,360 --> 00:07:28,720
another episode.
Thanks for tuning into another
145
00:07:28,720 --> 00:07:32,560
look into lighting innovation,
Laci, always a pleasure chatting
146
00:07:32,560 --> 00:07:35,240
with you.
Likewise, Chris and to our
147
00:07:35,240 --> 00:07:37,960
listeners, keep an eye out for
these fixtures at your next gig
148
00:07:37,960 --> 00:07:40,040
or event.
You might not notice them at
149
00:07:40,040 --> 00:07:42,320
first, but they're definitely
making magic happen.
150
00:07:42,680 --> 00:07:45,440
Absolutely, take care everyone
and we'll see you next time on
151
00:07:45,440 --> 00:07:47,720
Geezers of Gear Future Tech
Cheers.
152
00:08:03,840 --> 00:08:07,040
Music to your ears.
Hey, hey, hey.
153
00:08:07,880 --> 00:08:12,720
Let's go.
New gear vibes, new tech jive
154
00:08:13,800 --> 00:08:17,680
gearheads unite.
We keep it live.
155
00:08:17,680 --> 00:08:19,760
Oh yeah, the lunar ski.
The lunar ski.
156
00:08:19,880 --> 00:08:22,360
We got it here.
Got it here.
00:00:19,560 --> 00:00:22,240
All right, let's dive right into
future tech with the Elation
2
00:00:22,240 --> 00:00:27,000
Pulse series, the Pulse panel
Pulse Bar L, and the Pulse panel
3
00:00:27,000 --> 00:00:29,320
FX.
These are lighting beasts.
4
00:00:29,520 --> 00:00:32,800
We're talking about over 100,000
lumens of outputs.
5
00:00:33,240 --> 00:00:35,960
That's enough to blow even the
most seasoned production guys
6
00:00:35,960 --> 00:00:38,120
away.
A. 100,000 lumens.
7
00:00:38,160 --> 00:00:40,280
OK, break that down for us
regular folks.
8
00:00:40,840 --> 00:00:42,680
Is that like stadium lights on
Max or?
9
00:00:42,720 --> 00:00:44,040
Sort of.
But it's not just brute
10
00:00:44,040 --> 00:00:48,000
brightness, it's precision too.
You've got R GB LEDs and cool
11
00:00:48,000 --> 00:00:50,240
white LEDs, all controllable in
zones.
12
00:00:50,800 --> 00:00:53,400
And here's the kicker.
Silent operation.
13
00:00:53,920 --> 00:00:56,120
No fans.
You know, traditional concert
14
00:00:56,120 --> 00:00:57,360
lights humming in the
background.
15
00:00:58,480 --> 00:01:00,200
Gone.
No fans.
16
00:01:00,200 --> 00:01:02,320
That's huge for like, quieter
events, right?
17
00:01:02,320 --> 00:01:05,600
Like acoustic sets or gala
dinners where every sound
18
00:01:05,600 --> 00:01:07,040
counts.
Exactly.
19
00:01:07,040 --> 00:01:10,000
I had this gig recently, a
theatre production where the
20
00:01:10,000 --> 00:01:12,120
ambient noise was a major deal
breaker.
21
00:01:13,000 --> 00:01:15,360
We brought in these pulse bars
and they saved the day.
22
00:01:15,720 --> 00:01:18,520
Zero noise and they lit up the
stage like magic.
23
00:01:18,920 --> 00:01:22,280
Silent but deadly effective.
So they're ready for what?
24
00:01:22,320 --> 00:01:26,320
Outdoor concerts, too.
Absolutely fully IP65 rated so
25
00:01:26,320 --> 00:01:29,200
rain dust coastal locations
doesn't faze them.
26
00:01:29,520 --> 00:01:31,040
These fixtures are built for
battle.
27
00:01:31,360 --> 00:01:33,800
You could throw a monsoon their
way and they'd shrug it off.
28
00:01:34,240 --> 00:01:36,200
That's brilliant.
What about effects though?
29
00:01:36,200 --> 00:01:38,680
Sounds like a lot of setups,
maybe tricky programming, no?
30
00:01:38,680 --> 00:01:40,400
Not at all.
That's what's killer about
31
00:01:40,400 --> 00:01:43,280
these.
They've got DMXRDM, Artnet,
32
00:01:43,640 --> 00:01:46,480
SACN, and Clingnet.
All these protocols let
33
00:01:46,480 --> 00:01:50,240
designers go wild with effects.
You want zone controlled bursts
34
00:01:50,240 --> 00:01:52,200
of light that ripple In Sync
with music?
35
00:01:52,640 --> 00:01:54,600
Easy.
You want dramatic washes or
36
00:01:54,600 --> 00:01:56,320
strobe hits?
Done.
37
00:01:56,960 --> 00:01:59,880
OK, OK, I'm seeing why these are
on riders for every major gig
38
00:01:59,880 --> 00:02:01,920
now.
Yeah, once you've run a rig with
39
00:02:01,920 --> 00:02:04,200
pulse panels or bars, you're
never going back.
40
00:02:04,520 --> 00:02:07,680
They're like, how do I put this?
They're the Swiss Army knives of
41
00:02:07,680 --> 00:02:11,240
lighting gear, except industrial
strength, and they actually
42
00:02:11,240 --> 00:02:15,640
deliver no compromises.
Speaking of real world uses, did
43
00:02:15,640 --> 00:02:18,640
you see anything about the New
Year's Eve show at the Seattle
44
00:02:18,640 --> 00:02:20,880
Space Needle?
That's where Illuminate
45
00:02:20,880 --> 00:02:23,800
Production Services turn the
night into a jaw-dropping
46
00:02:23,800 --> 00:02:28,440
spectacle of light and colour,
all thanks to the Pulse Bar L.
47
00:02:28,920 --> 00:02:31,600
Wait, isn't that the one with
fireworks and a drone display
48
00:02:31,600 --> 00:02:33,680
too?
How did lights even stand out
49
00:02:33,680 --> 00:02:35,080
against all of that?
Exactly.
50
00:02:35,080 --> 00:02:37,240
That's the point.
The pulse bars weren't just
51
00:02:37,280 --> 00:02:41,080
accent lights, they were the
backbone, creating bold flashes
52
00:02:41,080 --> 00:02:43,600
and colours that danced with the
fireworks and drones.
53
00:02:44,040 --> 00:02:46,760
They even managed to cut through
the smoke left by the pyro,
54
00:02:47,200 --> 00:02:51,040
which is no easy feat, trust me.
Whoa, so the lights didn't just
55
00:02:51,040 --> 00:02:52,840
get lost in the action?
That's impressive.
56
00:02:53,360 --> 00:02:56,560
Impressive, yeah, but expected
with Pulse tech.
57
00:02:57,080 --> 00:03:00,800
These fixtures delivered over
100,000 lumens across the 600
58
00:03:00,800 --> 00:03:04,240
foot needle.
I mean, the direct view RGB
59
00:03:04,240 --> 00:03:06,960
effects alone were enough to
frame the structure beautifully,
60
00:03:07,400 --> 00:03:09,240
like it was glowing from the
inside out.
61
00:03:10,040 --> 00:03:13,240
OK, so that's Seattle.
What about something more, I
62
00:03:13,360 --> 00:03:15,520
don't know, interactive, where
the audience feels more
63
00:03:15,520 --> 00:03:17,040
immersed?
Glad you brought that up.
64
00:03:17,480 --> 00:03:20,200
Check out the We Belong Here
festival in Central Park.
65
00:03:20,760 --> 00:03:26,080
It's got this 360° stage pulse
bars lined across 26 staggered
66
00:03:26,080 --> 00:03:28,880
Truss towers mimicking New
York's skyline.
67
00:03:29,760 --> 00:03:33,080
During the day, those bars
looked vibrant even in sunlight,
68
00:03:33,280 --> 00:03:35,720
but by night, absolute
brilliance.
69
00:03:35,880 --> 00:03:38,240
It was like an evolving light
show In Sync with the whole
70
00:03:38,240 --> 00:03:42,480
environment. 26 Truss towers.
That's a lot of gear.
71
00:03:42,800 --> 00:03:44,760
Did it blend OK with the whole
skyline vibe?
72
00:03:45,160 --> 00:03:47,720
Oh, perfectly.
The staggered heights added
73
00:03:47,720 --> 00:03:52,440
depth, and the pulse bars work
triple duty as strobes, washes
74
00:03:52,440 --> 00:03:55,440
and eye candy.
Designers ran effects pixel by
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00:03:55,440 --> 00:03:58,920
pixel, creating layered looks
that transitioned seamlessly
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00:03:58,920 --> 00:04:02,960
from day into night.
Wow, that's serious versatility.
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00:04:03,680 --> 00:04:07,400
And I think actually, yeah, I
experienced something like this
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00:04:07,400 --> 00:04:11,880
recently.
It was maybe 3 months ago, mid
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00:04:11,880 --> 00:04:15,080
size venue gig, but they had
these pulse bars rigged all
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00:04:15,080 --> 00:04:17,640
around.
The way they synced lighting
81
00:04:17,640 --> 00:04:21,320
with the artists buildups and
breaks gave me chills.
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00:04:21,640 --> 00:04:23,640
Ha, that's exactly what they're
made for.
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00:04:24,040 --> 00:04:26,920
It's that emotional punch where
the lighting becomes part of the
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00:04:26,920 --> 00:04:29,600
performance.
Makes total sense why audiences
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00:04:29,600 --> 00:04:32,240
rave about these fixtures.
Totally.
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00:04:32,520 --> 00:04:34,880
And like, it's not just the
audience, it makes the whole
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00:04:34,880 --> 00:04:37,960
venue feel alive, you know,
Definitely a game changer.
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00:04:38,320 --> 00:04:41,400
Speaking of transformations that
make a space come alive, let's
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00:04:41,400 --> 00:04:44,680
talk about one of the most
ambitious uses of the pulse bars
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00:04:44,680 --> 00:04:49,240
yet, the Floozer Bricker Bridge
transformation during UEFA EUR
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00:04:49,440 --> 00:04:52,320
2024.
Oh, that historic bridge in
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00:04:52,320 --> 00:04:55,120
Frankfurt, right?
I saw some pictures, it was
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00:04:55,120 --> 00:04:57,920
dripping in national colors.
How did they even pull that off?
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00:04:58,200 --> 00:05:01,640
It was an insane set up.
They had 48 pulse barrel
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00:05:01,640 --> 00:05:05,560
fixtures extending those colors
vertically like beams into the
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00:05:05,560 --> 00:05:08,400
night sky.
But here's the cool part, It
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00:05:08,400 --> 00:05:10,160
wasn't just about throwing light
around.
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00:05:10,520 --> 00:05:14,360
These bars danced In Sync with
music playing like a giant
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00:05:14,360 --> 00:05:16,760
instrument.
Reflections of the water made
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00:05:16,760 --> 00:05:19,960
the whole thing come alive.
I can imagine the reflections
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00:05:19,960 --> 00:05:22,920
just doubling the vibe.
It sounds like the visuals
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00:05:22,920 --> 00:05:25,360
weren't just background, they
were the show almost.
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00:05:25,720 --> 00:05:28,080
Exactly.
It was immersive, like stepping
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00:05:28,080 --> 00:05:30,840
inside the concept.
Even with all that brightness,
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00:05:30,840 --> 00:05:33,920
they only ran those fixtures at
20% capacity.
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00:05:34,760 --> 00:05:37,080
Can you believe that they're
that potent?
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00:05:37,800 --> 00:05:40,480
Wow, it makes you wonder how
many other events could benefit
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00:05:40,480 --> 00:05:44,720
from that kind of creativity.
Like I'm thinking clubs?
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00:05:45,480 --> 00:05:47,760
Any big post renovation projects
stand out.
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00:05:48,160 --> 00:05:50,680
You're spot on.
Truth Nightclub in Johannesburg.
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00:05:51,000 --> 00:05:54,160
They hit the jackpot with
Elation Pulse after a complete
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00:05:54,160 --> 00:05:56,240
rebuild.
That venue already has a
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00:05:56,240 --> 00:05:58,640
legendary status, but the
lighting took it to another
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00:05:58,640 --> 00:06:00,240
level.
Legendary.
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00:06:00,240 --> 00:06:01,200
How so?
What makes truth?
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00:06:01,200 --> 00:06:04,320
Stand out With five dance floors
and a reputation for hosting
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00:06:04,320 --> 00:06:06,600
underground music legends, it is
an icon.
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00:06:07,120 --> 00:06:09,760
Post renovation they
incorporated everything from
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00:06:09,760 --> 00:06:14,040
pulse bars to panels.
Flexible, ridiculously bright
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00:06:14,240 --> 00:06:17,920
and with insane control options,
the setup enhanced every corner
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00:06:17,920 --> 00:06:21,400
of the club, elevating the
energy to match DJ beats or
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00:06:21,400 --> 00:06:24,280
creating Moody, atmospheric
vibes when needed.
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00:06:24,920 --> 00:06:28,240
And I bet the flexibility is a
lifesaver when you have a mix of
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00:06:28,240 --> 00:06:30,560
events on the calendar, right?
Exactly.
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00:06:30,560 --> 00:06:33,200
And it's not just flexibility
but efficiency.
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00:06:33,720 --> 00:06:36,280
Their drop bar system let them
hide and reveal lights
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00:06:36,280 --> 00:06:41,240
dynamically, almost like magic,
and the strobing completely
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00:06:41,240 --> 00:06:43,680
immersive.
They nailed the balance between
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00:06:43,680 --> 00:06:47,120
lighting, spectacle and
maintaining that intimate
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00:06:47,120 --> 00:06:49,800
underground feel.
I mean, the way these fixtures
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00:06:49,800 --> 00:06:52,680
keep popping up in global
hotspots, it's clear they've got
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00:06:52,680 --> 00:06:55,200
people's attention.
From bridges to nightclubs,
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00:06:55,800 --> 00:06:58,360
where do they go next?
Well, that's the beauty, isn't
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00:06:58,360 --> 00:07:00,440
it?
Pulse fixtures prove that when
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00:07:00,440 --> 00:07:03,960
you have versatile tools, there
are no ceilings, only
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00:07:03,960 --> 00:07:06,920
possibilities.
Whether it's lighting icons like
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00:07:06,920 --> 00:07:11,000
the Space Needle, festivals in
Central Park or nightclubs in
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00:07:11,000 --> 00:07:13,440
South Africa, the impact is
universal.
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00:07:14,080 --> 00:07:16,160
And that's what makes this text
so exciting.
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00:07:16,880 --> 00:07:18,720
It's not just about the
fixtures, it's about the
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00:07:18,720 --> 00:07:21,160
experiences they shape for
people around the world.
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00:07:21,480 --> 00:07:24,160
Truly global.
Couldn't have said it better
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00:07:24,160 --> 00:07:26,360
myself.
All right folks, that wraps
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00:07:26,360 --> 00:07:28,720
another episode.
Thanks for tuning into another
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00:07:28,720 --> 00:07:32,560
look into lighting innovation,
Laci, always a pleasure chatting
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00:07:32,560 --> 00:07:35,240
with you.
Likewise, Chris and to our
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00:07:35,240 --> 00:07:37,960
listeners, keep an eye out for
these fixtures at your next gig
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00:07:37,960 --> 00:07:40,040
or event.
You might not notice them at
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00:07:40,040 --> 00:07:42,320
first, but they're definitely
making magic happen.
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00:07:42,680 --> 00:07:45,440
Absolutely, take care everyone
and we'll see you next time on
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00:07:45,440 --> 00:07:47,720
Geezers of Gear Future Tech
Cheers.
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00:08:03,840 --> 00:08:07,040
Music to your ears.
Hey, hey, hey.
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00:08:07,880 --> 00:08:12,720
Let's go.
New gear vibes, new tech jive
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00:08:13,800 --> 00:08:17,680
gearheads unite.
We keep it live.
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00:08:17,680 --> 00:08:19,760
Oh yeah, the lunar ski.
The lunar ski.
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00:08:19,880 --> 00:08:22,360
We got it here.
Got it here.