Sept. 23, 2025
FUTURETECH Featuring ETC - Brighter Ideas in Architectural Lighting
Chris and Lacy discuss ETC's latest additions to their architectural lighting portfolio, three high-output display luminaires redefining how spaces are illuminated. They explore key features, new mounting and control options, and where these fixtures shine in real-world applications.
1
00:00:19,560 --> 00:00:23,920
Welcome back to Geezers of Gear,
Future Tech Chris here, and of
2
00:00:23,920 --> 00:00:26,640
course, Lacey's with me.
As always, we've got a good one
3
00:00:26,640 --> 00:00:29,720
today, especially for you folks
who are into architectural
4
00:00:29,720 --> 00:00:32,680
lighting.
Though honestly, who isn't?
5
00:00:32,680 --> 00:00:37,800
At least a little bit?
So Lacey ETC's rolled out not
6
00:00:37,800 --> 00:00:40,800
one, but three new display
fixtures for their architectural
7
00:00:40,800 --> 00:00:43,520
range.
We've got the Iridium FPZ Plus,
8
00:00:44,000 --> 00:00:48,840
WLZ Plus, and the ever iconic
source for Mini LED Plus.
9
00:00:49,320 --> 00:00:52,640
All three just dropped and
apparently they're much, much
10
00:00:52,640 --> 00:00:56,520
brighter than the originals.
Yeah, I feel like ETC has really
11
00:00:56,520 --> 00:01:00,200
leaned into the whole brighter
is better philosophy, which,
12
00:01:00,200 --> 00:01:03,600
honestly, when you're lighting a
massive lobby or those cavernous
13
00:01:03,600 --> 00:01:06,920
museum spaces, is kind of
exactly what you want.
14
00:01:07,560 --> 00:01:10,920
But Chris, I have to ask, when
they say dramatic boost and
15
00:01:10,920 --> 00:01:15,120
output, are we talking like a
little boost or are these going
16
00:01:15,120 --> 00:01:17,200
to burn retinas if you point
them the wrong way?
17
00:01:17,760 --> 00:01:20,960
Ha, thankfully no one's getting
blinded just walking past a
18
00:01:20,960 --> 00:01:23,320
painting, but these are
substantial jumps.
19
00:01:23,880 --> 00:01:28,800
Take the Iridium FPZ Plus.
It cranks out 1600 lumens, which
20
00:01:28,800 --> 00:01:30,680
is properly brighter than the
standard version.
21
00:01:31,320 --> 00:01:35,120
The WLZ Plus is even more up to
2600 lumens.
22
00:01:35,600 --> 00:01:38,560
So if you're after punchy beams
or a really soft wash in a space
23
00:01:38,560 --> 00:01:40,280
that needs it, they've got you
covered.
24
00:01:40,760 --> 00:01:45,400
And all three fits straight onto
235 E track using one track by U
25
00:01:45,400 --> 00:01:48,320
track.
Now, finally, which is big for
26
00:01:48,320 --> 00:01:51,120
installs in Europe or anywhere
with that voltage.
27
00:01:51,720 --> 00:01:55,480
That's super useful and I
noticed the source 4 mini LED
28
00:01:55,520 --> 00:01:58,160
plus is only like 9 inches long
now.
29
00:01:58,560 --> 00:02:01,160
That's tiny.
You could pretty much tuck it
30
00:02:01,160 --> 00:02:04,640
into any corner way easier when
you're fighting with weird
31
00:02:04,640 --> 00:02:07,960
ceiling lines or those display
cabinets that just do not play
32
00:02:07,960 --> 00:02:11,000
nice with bigger fixtures.
Yeah, the mini's always been a
33
00:02:11,000 --> 00:02:13,360
favorite for that reason, but
now it's been completely
34
00:02:13,360 --> 00:02:17,520
reworked for architectural use,
better optics, and even brighter
35
00:02:17,520 --> 00:02:20,240
field.
Genuinely, I remember lighting
36
00:02:20,240 --> 00:02:22,320
this tiny museum exhibit way
back.
37
00:02:22,640 --> 00:02:25,840
Had to wrangle a mini onto one
of those ancient tracks.
38
00:02:26,240 --> 00:02:28,560
The old ones struggled in high
ambient spaces.
39
00:02:29,080 --> 00:02:31,600
These plus versions would have
given us so much more
40
00:02:31,600 --> 00:02:35,600
flexibility, Brighter, prettier
images and choices for how you
41
00:02:35,600 --> 00:02:37,800
hang them.
Makes me a little jealous of
42
00:02:37,800 --> 00:02:39,840
folks doing installs now, not
going to lie.
43
00:02:40,880 --> 00:02:43,240
And it's not just about sticking
them on the track and calling it
44
00:02:43,240 --> 00:02:46,920
a day.
These come with what, both DMX
45
00:02:46,960 --> 00:02:48,760
and daily control options,
right?
46
00:02:49,520 --> 00:02:53,560
I saw the mention about F Drive
2 for people like me, to be
47
00:02:53,560 --> 00:02:57,400
honest, who always mixed up
control systems, why does that
48
00:02:57,400 --> 00:03:00,120
matter so much?
And Chris, can you walk me
49
00:03:00,120 --> 00:03:01,880
through this whole daylight
thing?
50
00:03:02,440 --> 00:03:05,360
Because I always hear designers
getting way too excited about
51
00:03:05,360 --> 00:03:07,000
remote drivers in these
projects.
52
00:03:07,520 --> 00:03:08,200
Sure.
Yeah.
53
00:03:08,680 --> 00:03:12,520
So DMX is kind of the industry
workhorse, stage events,
54
00:03:12,520 --> 00:03:15,360
installations, basically
everywhere we came up in the
55
00:03:15,360 --> 00:03:17,760
live world.
But Dali's a bit more tailored
56
00:03:17,760 --> 00:03:22,360
to architectural settings.
It's sort of think addressable
57
00:03:22,360 --> 00:03:25,200
smart building stuff.
You can control loads of
58
00:03:25,200 --> 00:03:29,840
fixtures individually, dim them,
automate scenes all via a single
59
00:03:29,840 --> 00:03:33,360
two wire bus instead of those
massive DMX universes.
60
00:03:34,320 --> 00:03:37,120
A lot more granular now with
these fixtures.
61
00:03:37,440 --> 00:03:40,640
Daily support means you can drop
them right into an architectural
62
00:03:41,000 --> 00:03:43,400
ecosystem with all the bells and
whistles.
63
00:03:44,080 --> 00:03:47,760
And with F Drive, that's ET CS
centralized remote driver
64
00:03:47,760 --> 00:03:50,200
system, you've got even more
flexibility.
65
00:03:50,560 --> 00:03:53,640
Stick your drivers in a rack
somewhere accessible, run low
66
00:03:53,640 --> 00:03:56,960
voltage lines, and managing or
servicing the installs is much
67
00:03:56,960 --> 00:03:59,360
easier.
Building on what we talked about
68
00:03:59,360 --> 00:04:02,840
back in the F Drive RX episode,
you can see how this streamlines
69
00:04:02,840 --> 00:04:05,400
things for big, complex
buildings.
70
00:04:06,040 --> 00:04:08,320
I get it.
So the fixers talk to the track
71
00:04:08,320 --> 00:04:10,480
and driver with whatever
protocol matches the job.
72
00:04:11,360 --> 00:04:14,040
Makes sense.
And color wise you're still
73
00:04:14,040 --> 00:04:19,640
getting the big picks. 2700 K up
to 5000 K and both 80 and 90
74
00:04:19,640 --> 00:04:22,200
CRI.
So like if you're in a gallery
75
00:04:22,200 --> 00:04:25,040
and colour pop is everything, or
you're doing a hotel bar and
76
00:04:25,040 --> 00:04:27,280
want that warmer white.
It's flexible.
77
00:04:27,840 --> 00:04:30,040
Precisely.
If you're in a gallery and need
78
00:04:30,040 --> 00:04:33,640
true colour accuracy, say
showing paintings or textiles,
79
00:04:34,120 --> 00:04:38,200
the high CRI, especially the
Gallery 90 option, is what you
80
00:04:38,200 --> 00:04:40,360
want.
It's almost mandatory for a
81
00:04:40,360 --> 00:04:44,360
proper art reveal, and in retail
or hospitality you can still go
82
00:04:44,360 --> 00:04:48,320
for the softer ambient vibes or
crank it up for high visibility,
83
00:04:48,680 --> 00:04:52,600
all with just the right fixture.
Everything's modular control
84
00:04:52,600 --> 00:04:56,320
color track, and it really means
designers aren't boxed in.
85
00:04:57,000 --> 00:04:59,760
And that flexibility kind of
leads us straight into where
86
00:04:59,760 --> 00:05:02,760
these actually shine, pun fully
intended.
87
00:05:03,440 --> 00:05:07,160
These three from what ET CS
putting out, seem aimed straight
88
00:05:07,160 --> 00:05:10,800
at museums, fancy lobbies, maybe
high end retail.
89
00:05:11,160 --> 00:05:13,320
Like, where do you see them
doing their thing, Chris?
90
00:05:13,760 --> 00:05:18,040
Absolutely all the above museums
for sure, especially with that
91
00:05:18,040 --> 00:05:22,160
beam control from the FPZ Plus.
You can frame artwork precisely,
92
00:05:22,440 --> 00:05:25,440
keep spill off the floor or
adjust the spread for changing
93
00:05:25,440 --> 00:05:28,480
exhibits.
The WLZ Plus is brilliant for
94
00:05:28,480 --> 00:05:31,200
filling large lobby areas with
soft, welcoming light.
95
00:05:31,920 --> 00:05:37,280
Think washes but more refined.
And the Mini LED Plus it's
96
00:05:37,280 --> 00:05:39,320
genuinely perfect for tight
spaces.
97
00:05:39,800 --> 00:05:44,040
Those display nooks tricky
angles in a window display or
98
00:05:44,040 --> 00:05:47,360
little alcoves where a big
fixture just won't go, but you
99
00:05:47,360 --> 00:05:50,040
still get proper even
illumination and sharp
100
00:05:50,040 --> 00:05:53,760
projection if you need it.
Yeah so I had this hotel grand
101
00:05:53,760 --> 00:05:57,200
opening gig a while ago and the
lobby had these awkward little
102
00:05:57,200 --> 00:06:00,240
overhangs everywhere.
Never enough room for real
103
00:06:00,240 --> 00:06:03,240
fixtures and the last thing you
want is a light just blinding
104
00:06:03,240 --> 00:06:06,320
someone at the check in desk.
I remember chasing the
105
00:06:06,320 --> 00:06:09,560
maintenance guy trying to figure
out track adapters, praying we
106
00:06:09,560 --> 00:06:13,160
didn't fry the system.
I'm just thinking having those
107
00:06:13,160 --> 00:06:16,960
mini LED pluses, especially with
the right mounting and real nice
108
00:06:16,960 --> 00:06:20,080
field would have made my life a
heck of a lot easier.
109
00:06:20,800 --> 00:06:23,400
Drop them in, pick the colour
temp you want and control it how
110
00:06:23,400 --> 00:06:27,160
the architect wants done.
It's that exact pick your
111
00:06:27,160 --> 00:06:30,720
adventure approach, right?
So many mounting colour and
112
00:06:30,720 --> 00:06:33,960
control possibilities without
compromising on the actual light
113
00:06:33,960 --> 00:06:36,720
quality.
If you're retrofitting new
114
00:06:36,720 --> 00:06:40,240
build, museum or boutique hotel,
there's something here for you.
115
00:06:41,160 --> 00:06:43,600
ETC's really just made these
tools a whole lot more
116
00:06:43,600 --> 00:06:45,840
adaptable.
We're going to see these pop up
117
00:06:45,880 --> 00:06:49,200
everywhere, I think.
And honestly, every time these
118
00:06:49,200 --> 00:06:52,200
companies make it a bit easier
for us, it's one less thing to
119
00:06:52,200 --> 00:06:54,760
lose sleep over.
I'm all for it.
120
00:06:55,600 --> 00:06:58,280
All right, that's a wrap for
this week's brighter ideas and
121
00:06:58,280 --> 00:07:00,880
architectural lighting.
Thanks for hanging with us,
122
00:07:00,880 --> 00:07:03,040
Chris, and thanks to everyone
listening.
123
00:07:03,680 --> 00:07:06,360
Next time maybe we'll dive into
some eye popping outdoor kit.
124
00:07:06,880 --> 00:07:08,920
Sounds good to me Laci, can't
wait.
125
00:07:08,920 --> 00:07:12,160
Cheers and see you all next time
on Geezers of Gear Future Tech
126
00:07:12,320 --> 00:07:14,200
take care.
Bye everyone.
127
00:07:20,080 --> 00:07:26,320
Future tech is here.
Come on man, you make the specs
128
00:07:26,440 --> 00:07:32,600
so clear.
Oh La La with music to your
129
00:07:32,680 --> 00:07:33,560
ears.
Hey, hey.
130
00:07:33,800 --> 00:07:39,160
Yeah, let's go.
New gear vibes, new tech jive
131
00:07:40,240 --> 00:07:44,680
gear hits you night.
We keep it live.
132
00:07:44,680 --> 00:07:46,520
Oh yeah, the latest gear.
00:00:19,560 --> 00:00:23,920
Welcome back to Geezers of Gear,
Future Tech Chris here, and of
2
00:00:23,920 --> 00:00:26,640
course, Lacey's with me.
As always, we've got a good one
3
00:00:26,640 --> 00:00:29,720
today, especially for you folks
who are into architectural
4
00:00:29,720 --> 00:00:32,680
lighting.
Though honestly, who isn't?
5
00:00:32,680 --> 00:00:37,800
At least a little bit?
So Lacey ETC's rolled out not
6
00:00:37,800 --> 00:00:40,800
one, but three new display
fixtures for their architectural
7
00:00:40,800 --> 00:00:43,520
range.
We've got the Iridium FPZ Plus,
8
00:00:44,000 --> 00:00:48,840
WLZ Plus, and the ever iconic
source for Mini LED Plus.
9
00:00:49,320 --> 00:00:52,640
All three just dropped and
apparently they're much, much
10
00:00:52,640 --> 00:00:56,520
brighter than the originals.
Yeah, I feel like ETC has really
11
00:00:56,520 --> 00:01:00,200
leaned into the whole brighter
is better philosophy, which,
12
00:01:00,200 --> 00:01:03,600
honestly, when you're lighting a
massive lobby or those cavernous
13
00:01:03,600 --> 00:01:06,920
museum spaces, is kind of
exactly what you want.
14
00:01:07,560 --> 00:01:10,920
But Chris, I have to ask, when
they say dramatic boost and
15
00:01:10,920 --> 00:01:15,120
output, are we talking like a
little boost or are these going
16
00:01:15,120 --> 00:01:17,200
to burn retinas if you point
them the wrong way?
17
00:01:17,760 --> 00:01:20,960
Ha, thankfully no one's getting
blinded just walking past a
18
00:01:20,960 --> 00:01:23,320
painting, but these are
substantial jumps.
19
00:01:23,880 --> 00:01:28,800
Take the Iridium FPZ Plus.
It cranks out 1600 lumens, which
20
00:01:28,800 --> 00:01:30,680
is properly brighter than the
standard version.
21
00:01:31,320 --> 00:01:35,120
The WLZ Plus is even more up to
2600 lumens.
22
00:01:35,600 --> 00:01:38,560
So if you're after punchy beams
or a really soft wash in a space
23
00:01:38,560 --> 00:01:40,280
that needs it, they've got you
covered.
24
00:01:40,760 --> 00:01:45,400
And all three fits straight onto
235 E track using one track by U
25
00:01:45,400 --> 00:01:48,320
track.
Now, finally, which is big for
26
00:01:48,320 --> 00:01:51,120
installs in Europe or anywhere
with that voltage.
27
00:01:51,720 --> 00:01:55,480
That's super useful and I
noticed the source 4 mini LED
28
00:01:55,520 --> 00:01:58,160
plus is only like 9 inches long
now.
29
00:01:58,560 --> 00:02:01,160
That's tiny.
You could pretty much tuck it
30
00:02:01,160 --> 00:02:04,640
into any corner way easier when
you're fighting with weird
31
00:02:04,640 --> 00:02:07,960
ceiling lines or those display
cabinets that just do not play
32
00:02:07,960 --> 00:02:11,000
nice with bigger fixtures.
Yeah, the mini's always been a
33
00:02:11,000 --> 00:02:13,360
favorite for that reason, but
now it's been completely
34
00:02:13,360 --> 00:02:17,520
reworked for architectural use,
better optics, and even brighter
35
00:02:17,520 --> 00:02:20,240
field.
Genuinely, I remember lighting
36
00:02:20,240 --> 00:02:22,320
this tiny museum exhibit way
back.
37
00:02:22,640 --> 00:02:25,840
Had to wrangle a mini onto one
of those ancient tracks.
38
00:02:26,240 --> 00:02:28,560
The old ones struggled in high
ambient spaces.
39
00:02:29,080 --> 00:02:31,600
These plus versions would have
given us so much more
40
00:02:31,600 --> 00:02:35,600
flexibility, Brighter, prettier
images and choices for how you
41
00:02:35,600 --> 00:02:37,800
hang them.
Makes me a little jealous of
42
00:02:37,800 --> 00:02:39,840
folks doing installs now, not
going to lie.
43
00:02:40,880 --> 00:02:43,240
And it's not just about sticking
them on the track and calling it
44
00:02:43,240 --> 00:02:46,920
a day.
These come with what, both DMX
45
00:02:46,960 --> 00:02:48,760
and daily control options,
right?
46
00:02:49,520 --> 00:02:53,560
I saw the mention about F Drive
2 for people like me, to be
47
00:02:53,560 --> 00:02:57,400
honest, who always mixed up
control systems, why does that
48
00:02:57,400 --> 00:03:00,120
matter so much?
And Chris, can you walk me
49
00:03:00,120 --> 00:03:01,880
through this whole daylight
thing?
50
00:03:02,440 --> 00:03:05,360
Because I always hear designers
getting way too excited about
51
00:03:05,360 --> 00:03:07,000
remote drivers in these
projects.
52
00:03:07,520 --> 00:03:08,200
Sure.
Yeah.
53
00:03:08,680 --> 00:03:12,520
So DMX is kind of the industry
workhorse, stage events,
54
00:03:12,520 --> 00:03:15,360
installations, basically
everywhere we came up in the
55
00:03:15,360 --> 00:03:17,760
live world.
But Dali's a bit more tailored
56
00:03:17,760 --> 00:03:22,360
to architectural settings.
It's sort of think addressable
57
00:03:22,360 --> 00:03:25,200
smart building stuff.
You can control loads of
58
00:03:25,200 --> 00:03:29,840
fixtures individually, dim them,
automate scenes all via a single
59
00:03:29,840 --> 00:03:33,360
two wire bus instead of those
massive DMX universes.
60
00:03:34,320 --> 00:03:37,120
A lot more granular now with
these fixtures.
61
00:03:37,440 --> 00:03:40,640
Daily support means you can drop
them right into an architectural
62
00:03:41,000 --> 00:03:43,400
ecosystem with all the bells and
whistles.
63
00:03:44,080 --> 00:03:47,760
And with F Drive, that's ET CS
centralized remote driver
64
00:03:47,760 --> 00:03:50,200
system, you've got even more
flexibility.
65
00:03:50,560 --> 00:03:53,640
Stick your drivers in a rack
somewhere accessible, run low
66
00:03:53,640 --> 00:03:56,960
voltage lines, and managing or
servicing the installs is much
67
00:03:56,960 --> 00:03:59,360
easier.
Building on what we talked about
68
00:03:59,360 --> 00:04:02,840
back in the F Drive RX episode,
you can see how this streamlines
69
00:04:02,840 --> 00:04:05,400
things for big, complex
buildings.
70
00:04:06,040 --> 00:04:08,320
I get it.
So the fixers talk to the track
71
00:04:08,320 --> 00:04:10,480
and driver with whatever
protocol matches the job.
72
00:04:11,360 --> 00:04:14,040
Makes sense.
And color wise you're still
73
00:04:14,040 --> 00:04:19,640
getting the big picks. 2700 K up
to 5000 K and both 80 and 90
74
00:04:19,640 --> 00:04:22,200
CRI.
So like if you're in a gallery
75
00:04:22,200 --> 00:04:25,040
and colour pop is everything, or
you're doing a hotel bar and
76
00:04:25,040 --> 00:04:27,280
want that warmer white.
It's flexible.
77
00:04:27,840 --> 00:04:30,040
Precisely.
If you're in a gallery and need
78
00:04:30,040 --> 00:04:33,640
true colour accuracy, say
showing paintings or textiles,
79
00:04:34,120 --> 00:04:38,200
the high CRI, especially the
Gallery 90 option, is what you
80
00:04:38,200 --> 00:04:40,360
want.
It's almost mandatory for a
81
00:04:40,360 --> 00:04:44,360
proper art reveal, and in retail
or hospitality you can still go
82
00:04:44,360 --> 00:04:48,320
for the softer ambient vibes or
crank it up for high visibility,
83
00:04:48,680 --> 00:04:52,600
all with just the right fixture.
Everything's modular control
84
00:04:52,600 --> 00:04:56,320
color track, and it really means
designers aren't boxed in.
85
00:04:57,000 --> 00:04:59,760
And that flexibility kind of
leads us straight into where
86
00:04:59,760 --> 00:05:02,760
these actually shine, pun fully
intended.
87
00:05:03,440 --> 00:05:07,160
These three from what ET CS
putting out, seem aimed straight
88
00:05:07,160 --> 00:05:10,800
at museums, fancy lobbies, maybe
high end retail.
89
00:05:11,160 --> 00:05:13,320
Like, where do you see them
doing their thing, Chris?
90
00:05:13,760 --> 00:05:18,040
Absolutely all the above museums
for sure, especially with that
91
00:05:18,040 --> 00:05:22,160
beam control from the FPZ Plus.
You can frame artwork precisely,
92
00:05:22,440 --> 00:05:25,440
keep spill off the floor or
adjust the spread for changing
93
00:05:25,440 --> 00:05:28,480
exhibits.
The WLZ Plus is brilliant for
94
00:05:28,480 --> 00:05:31,200
filling large lobby areas with
soft, welcoming light.
95
00:05:31,920 --> 00:05:37,280
Think washes but more refined.
And the Mini LED Plus it's
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00:05:37,280 --> 00:05:39,320
genuinely perfect for tight
spaces.
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00:05:39,800 --> 00:05:44,040
Those display nooks tricky
angles in a window display or
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00:05:44,040 --> 00:05:47,360
little alcoves where a big
fixture just won't go, but you
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00:05:47,360 --> 00:05:50,040
still get proper even
illumination and sharp
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00:05:50,040 --> 00:05:53,760
projection if you need it.
Yeah so I had this hotel grand
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00:05:53,760 --> 00:05:57,200
opening gig a while ago and the
lobby had these awkward little
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00:05:57,200 --> 00:06:00,240
overhangs everywhere.
Never enough room for real
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00:06:00,240 --> 00:06:03,240
fixtures and the last thing you
want is a light just blinding
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00:06:03,240 --> 00:06:06,320
someone at the check in desk.
I remember chasing the
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00:06:06,320 --> 00:06:09,560
maintenance guy trying to figure
out track adapters, praying we
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00:06:09,560 --> 00:06:13,160
didn't fry the system.
I'm just thinking having those
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00:06:13,160 --> 00:06:16,960
mini LED pluses, especially with
the right mounting and real nice
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00:06:16,960 --> 00:06:20,080
field would have made my life a
heck of a lot easier.
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00:06:20,800 --> 00:06:23,400
Drop them in, pick the colour
temp you want and control it how
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00:06:23,400 --> 00:06:27,160
the architect wants done.
It's that exact pick your
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00:06:27,160 --> 00:06:30,720
adventure approach, right?
So many mounting colour and
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00:06:30,720 --> 00:06:33,960
control possibilities without
compromising on the actual light
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00:06:33,960 --> 00:06:36,720
quality.
If you're retrofitting new
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00:06:36,720 --> 00:06:40,240
build, museum or boutique hotel,
there's something here for you.
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00:06:41,160 --> 00:06:43,600
ETC's really just made these
tools a whole lot more
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00:06:43,600 --> 00:06:45,840
adaptable.
We're going to see these pop up
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00:06:45,880 --> 00:06:49,200
everywhere, I think.
And honestly, every time these
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00:06:49,200 --> 00:06:52,200
companies make it a bit easier
for us, it's one less thing to
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00:06:52,200 --> 00:06:54,760
lose sleep over.
I'm all for it.
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00:06:55,600 --> 00:06:58,280
All right, that's a wrap for
this week's brighter ideas and
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00:06:58,280 --> 00:07:00,880
architectural lighting.
Thanks for hanging with us,
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00:07:00,880 --> 00:07:03,040
Chris, and thanks to everyone
listening.
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00:07:03,680 --> 00:07:06,360
Next time maybe we'll dive into
some eye popping outdoor kit.
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00:07:06,880 --> 00:07:08,920
Sounds good to me Laci, can't
wait.
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00:07:08,920 --> 00:07:12,160
Cheers and see you all next time
on Geezers of Gear Future Tech
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00:07:12,320 --> 00:07:14,200
take care.
Bye everyone.
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00:07:20,080 --> 00:07:26,320
Future tech is here.
Come on man, you make the specs
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00:07:26,440 --> 00:07:32,600
so clear.
Oh La La with music to your
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00:07:32,680 --> 00:07:33,560
ears.
Hey, hey.
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00:07:33,800 --> 00:07:39,160
Yeah, let's go.
New gear vibes, new tech jive
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00:07:40,240 --> 00:07:44,680
gear hits you night.
We keep it live.
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00:07:44,680 --> 00:07:46,520
Oh yeah, the latest gear.