Oct. 28, 2025
        
        FUTURETECH Featuring Elation - Lighting the Future: Atlas and Radius Take Center Stage
 
    
    
    
        
    Chris and Lacy explore Elation’s revolutionary PROTEUS ATLAS and RADIUS fixtures, digging deep into their groundbreaking technology and real-world performance. From outdoor arenas and major festivals to televised halftime shows, these lights are shaping how designers create magic everywhere, and in any weather.
1
00:00:19,480 --> 00:00:22,440
All right, welcome back to
Geezers of Gear Future Tech.
2
00:00:22,880 --> 00:00:26,320
I'm Chris, and as ever, Lacey's
here with me, ready to chase
3
00:00:26,320 --> 00:00:30,320
some beams into the future.
Hi everyone, I got to admit
4
00:00:30,320 --> 00:00:32,960
Chris, this week's episode is a
bit intimidating.
5
00:00:33,400 --> 00:00:36,000
So many specs and features it
makes my brain hurt.
6
00:00:36,640 --> 00:00:39,080
But I love what these new lights
are doing for the industry.
7
00:00:39,600 --> 00:00:42,160
Well, today we're talking about
two proper show stoppers
8
00:00:42,560 --> 00:00:45,400
elations, Proteus Atlas and
Radius.
9
00:00:45,920 --> 00:00:48,200
Let's kick off with some engine
talks since that's where all the
10
00:00:48,200 --> 00:00:51,720
magic starts.
The Atlas uses a 500 Watt
11
00:00:51,720 --> 00:00:55,840
solid-state phosphor converted
SSPC light engine.
12
00:00:56,240 --> 00:00:59,520
That's not your average LED.
You get razor sharp beams and
13
00:00:59,520 --> 00:01:02,560
honestly the outputs punched my
retinas more than once.
14
00:01:03,160 --> 00:01:06,400
And the radius, the name makes
you think it's circular, which,
15
00:01:06,960 --> 00:01:10,600
OK, it spins.
But the real trick is this Lily
16
00:01:10,600 --> 00:01:15,680
engine laser illuminated
lighting, something I always
17
00:01:15,680 --> 00:01:17,520
forget what the I stands for
Chris.
18
00:01:17,920 --> 00:01:22,480
Instrument Laser Illuminated
Lighting Instrument Both Lily
19
00:01:22,680 --> 00:01:26,200
laser illumination lighting
engines, the Atlas and Radius
20
00:01:26,480 --> 00:01:29,440
are fully FDA approved by the
Center for Devices and
21
00:01:29,440 --> 00:01:33,760
Radiological Health CDRH.
While the Atlas model requires a
22
00:01:33,760 --> 00:01:37,520
user variance, the Radius is
user variance free thanks to its
23
00:01:37,520 --> 00:01:40,680
unique optical design.
Due to their extreme output
24
00:01:40,680 --> 00:01:45,000
power, both units do require FAA
clearance when used outdoors in
25
00:01:45,000 --> 00:01:49,440
non terminated applications.
Each Lili engine utilizes high
26
00:01:49,440 --> 00:01:53,160
power blue laser diodes to
excite phosphor panels, which
27
00:01:53,160 --> 00:01:56,080
are then combined to create an
exceptionally bright white
28
00:01:56,080 --> 00:01:58,840
lighting source.
The Atlas additionally features
29
00:01:58,840 --> 00:02:02,480
an advanced internal safety zone
control system, allowing
30
00:02:02,480 --> 00:02:06,080
operators to define audience
safe areas and prevent solid
31
00:02:06,080 --> 00:02:08,080
beams from entering restricted
zones.
32
00:02:08,600 --> 00:02:11,480
Best of all, this can be managed
directly from your lighting
33
00:02:11,480 --> 00:02:14,200
console, no special software
required.
34
00:02:15,720 --> 00:02:18,360
There we go.
Basically you've got a super
35
00:02:18,360 --> 00:02:22,880
compact 100 Watt laser unit that
fires off an ultra intense 0.9°
36
00:02:22,880 --> 00:02:25,000
beam.
It's cut through more haze and
37
00:02:25,000 --> 00:02:27,320
daylight than any small fixture
I've ever seen.
38
00:02:27,720 --> 00:02:31,360
It's got a lamp life of 10,000
hours too, which is honestly a
39
00:02:31,360 --> 00:02:34,480
gift for rental companies.
No swapping lamps halfway
40
00:02:34,480 --> 00:02:37,920
through a tour, right?
Right, and both of these are
41
00:02:37,920 --> 00:02:41,800
IP66 rated.
So rain, dust, even salty beach
42
00:02:41,800 --> 00:02:43,280
air, they'll stand up to all of
it.
43
00:02:43,840 --> 00:02:46,960
The Atlas and Radius both ship
with foam inlay packaging too,
44
00:02:47,280 --> 00:02:50,000
which means you're not playing
Tetris with cases at 2:00 AM.
45
00:02:50,440 --> 00:02:53,520
Fantastic for fast load outs or
when you need to throw them on a
46
00:02:53,520 --> 00:02:56,120
truck in a hurry.
And then there's that continuous
47
00:02:56,120 --> 00:03:01,040
pan and tilt.
Atlas does 360 pan radius does
48
00:03:01,040 --> 00:03:05,120
both pan and tilt non-stop.
Designers can create these wild
49
00:03:05,120 --> 00:03:07,800
moving looks that just weren't
possible back in the day, right?
50
00:03:08,240 --> 00:03:11,160
Absolutely, and you're not
sacrificing color or effects
51
00:03:11,160 --> 00:03:13,360
either.
You've got full CMY color
52
00:03:13,360 --> 00:03:17,600
mixing, a massive color wheel,
25 positions, and a ridiculous
53
00:03:17,600 --> 00:03:20,080
collection of gobos and prisms
for both units.
54
00:03:20,440 --> 00:03:23,120
If you want flexible looks,
these boxes deliver.
55
00:03:23,560 --> 00:03:25,640
Right.
Let's talk about the big jobs.
56
00:03:26,400 --> 00:03:30,200
The Proteus Atlas made a huge
splash at the National Medal of
57
00:03:30,200 --> 00:03:32,960
Honor Museum's opening night
down in Arlington, TX.
58
00:03:33,400 --> 00:03:36,720
They put out 32 Atlas fixtures
lining rooftops in the Art
59
00:03:36,720 --> 00:03:40,520
Museum, all working In Sync with
fireworks and a massive drone
60
00:03:40,520 --> 00:03:43,800
display.
The designer Ryan Stump needed
61
00:03:43,800 --> 00:03:47,360
those beams to fill the Texas
sky, and even in crystal clear
62
00:03:47,600 --> 00:03:51,120
cold air with almost no haze,
those Atlas beams just didn't
63
00:03:51,120 --> 00:03:53,080
fade.
Even when the smoke from
64
00:03:53,080 --> 00:03:56,360
fireworks blew away, you still
saw these massive columns of
65
00:03:56,360 --> 00:03:59,800
light wrapping the crowd.
It looked regal, honestly, like
66
00:03:59,800 --> 00:04:02,160
the lights were honoring the
whole story of the museum.
67
00:04:02,840 --> 00:04:04,560
That was such a breathtaking
show.
68
00:04:05,200 --> 00:04:08,080
I read about how they organized
4 separate events that day.
69
00:04:08,800 --> 00:04:12,000
The Atlas wasn't just used for
the big night spectacle, but for
70
00:04:12,000 --> 00:04:14,880
all the parties, ribbon cutting,
everything.
71
00:04:15,600 --> 00:04:17,680
That versatility kind of blows
my mind.
72
00:04:18,240 --> 00:04:21,160
It's the kind of fixture where
you can do Moody wash or a
73
00:04:21,160 --> 00:04:22,920
straight up arena level beam
effect.
74
00:04:23,440 --> 00:04:27,120
Exactly, and let's not forget
Coldplay's Music of the Spheres
75
00:04:27,360 --> 00:04:30,120
World tour sooner.
Ruthia was looking for a way to
76
00:04:30,120 --> 00:04:32,880
get Searchlight effect without
all that xenon power
77
00:04:32,880 --> 00:04:35,640
consumption.
She landed on Atlas for that
78
00:04:35,640 --> 00:04:38,240
reason.
It does the work of A7K Xenon,
79
00:04:38,480 --> 00:04:41,480
but at 500 watts, so it fits the
whole environmental ethos
80
00:04:41,480 --> 00:04:44,040
Coldplay's been known for.
Plus you don't have to drag
81
00:04:44,040 --> 00:04:47,360
around huge auxiliary power or
swap bulbs constantly.
82
00:04:47,800 --> 00:04:50,400
Now Radius got its own time in
the spotlight too.
83
00:04:50,960 --> 00:04:53,680
TMS rolled it out at the Hangout
festival in Alabama.
84
00:04:54,240 --> 00:04:55,880
You know, right on the sandy
beach.
85
00:04:56,520 --> 00:04:59,560
No side walls or curtains.
The gear is just out there
86
00:04:59,560 --> 00:05:02,960
getting pounded by salt spray.
Full on summer chaos.
87
00:05:03,680 --> 00:05:06,560
If they'd used non IP rated
lights, half the rig would have
88
00:05:06,560 --> 00:05:08,040
been fried before the first
night.
89
00:05:08,520 --> 00:05:10,520
But the Radius just kept doing
its thing.
90
00:05:10,760 --> 00:05:14,120
Cutting through the sunlight and
all daytime visibility was a big
91
00:05:14,120 --> 00:05:15,960
deal.
Yeah, that's pretty much the
92
00:05:15,960 --> 00:05:20,120
dream for festivals.
Ben from TMS said going punch
93
00:05:20,120 --> 00:05:22,560
for punch with daylight was a
first for them, and when the sun
94
00:05:22,560 --> 00:05:25,440
dropped, Radius was still the
brightest thing on the deck.
95
00:05:26,000 --> 00:05:28,640
That flexibility, beach or
arena.
96
00:05:28,960 --> 00:05:31,360
Radius and Atlas just keep
working regardless of the
97
00:05:31,360 --> 00:05:35,080
weather, which opens up creative
options for designers and Peace
98
00:05:35,080 --> 00:05:38,240
of Mind for anyone worrying
about repairs on Monday morning.
99
00:05:38,800 --> 00:05:40,320
Can't get more legendary than
that.
100
00:05:40,520 --> 00:05:44,240
Stadiums, museums, beaches,
these are the kinds of places
101
00:05:44,240 --> 00:05:47,440
where lights usually fail.
But this tech is making sure the
102
00:05:47,440 --> 00:05:51,120
show literally goes on come
rain, sun or wind.
103
00:05:51,480 --> 00:05:54,000
Now, it's all well and good to
talk about what these fixtures
104
00:05:54,000 --> 00:05:57,920
can do under ideal conditions,
but big events rarely give you
105
00:05:57,920 --> 00:06:00,680
that luxury.
Take the Orange Bowl halftime
106
00:06:00,680 --> 00:06:04,640
show, a massive live gig in
Miami Gardens where you get 5
107
00:06:04,640 --> 00:06:08,640
minutes to push a full set and
lighting rig onto the field, and
108
00:06:08,640 --> 00:06:12,240
after the artist's last note, 4
minutes to strike and clear out.
109
00:06:12,800 --> 00:06:16,480
Used to be you'd see fireworks,
but this year the team skipped
110
00:06:16,480 --> 00:06:20,640
pyrotechnics for a fully kinetic
all lighting spectacle.
111
00:06:21,200 --> 00:06:24,160
That's bananas.
It's one thing to have a great
112
00:06:24,160 --> 00:06:27,160
concept on paper, but when you
have to fit Truss cards through
113
00:06:27,160 --> 00:06:30,440
stadium tunnels in under 5
minutes and the weather's as
114
00:06:30,440 --> 00:06:34,080
unpredictable as ever.
The fact that they used Proteus
115
00:06:34,280 --> 00:06:40,160
Radius, Maximus Hybrid Max, all
those IP66 rated units, it makes
116
00:06:40,160 --> 00:06:42,320
a difference.
You don't even flinch at the
117
00:06:42,320 --> 00:06:45,440
idea of a sudden downpour.
Plus the light show ended up
118
00:06:45,440 --> 00:06:47,880
replacing the fireworks.
That says a lot.
119
00:06:47,880 --> 00:06:49,640
Doesn't.
It it really does.
120
00:06:50,200 --> 00:06:51,920
The radius played a starring
role.
121
00:06:52,320 --> 00:06:57,000
Those endless rotations, ultra
fast movements, A4 prism set up
122
00:06:57,280 --> 00:07:01,920
with gobos and frosts for washes
or aerial effects, Tight CMY
123
00:07:01,920 --> 00:07:06,360
color mixing, a 25 position
color wheel, two gobo wheels for
124
00:07:06,360 --> 00:07:09,640
swapping looks mid show, and the
ability to layer effects all at
125
00:07:09,640 --> 00:07:11,800
once.
That's proper flexibility.
126
00:07:12,600 --> 00:07:16,760
And with remote local control of
the sky motion system, Atlas and
127
00:07:16,760 --> 00:07:19,880
Radius can do standalone
Searchlight chases or pattern
128
00:07:19,880 --> 00:07:22,480
sweeps.
You can program dramatic sweeps
129
00:07:22,480 --> 00:07:25,520
or chase effects on the fly.
Even if you're not a lighting
130
00:07:25,520 --> 00:07:27,480
person.
The fact that you can use a
131
00:07:27,480 --> 00:07:29,720
touch panel on the fixture
itself and not have to find a
132
00:07:29,720 --> 00:07:32,840
control desk, that's saving time
in panic mode.
133
00:07:33,400 --> 00:07:36,920
So from fast installs to cutting
through daylight to on the fly
134
00:07:36,920 --> 00:07:40,360
programming, these fixtures kind
of redefine what's possible for
135
00:07:40,360 --> 00:07:42,640
live events.
That's probably where we'll wrap
136
00:07:42,640 --> 00:07:44,800
for now.
Plenty more innovations to come,
137
00:07:45,000 --> 00:07:47,680
so stay tuned for our next
future tech episode.
138
00:07:47,960 --> 00:07:50,240
Cheers, Laci.
Thanks, Chris, and thanks
139
00:07:50,240 --> 00:07:52,480
everyone for listening.
We'll catch you next time.
140
00:07:52,600 --> 00:08:01,000
Goodbye.
Future tech is here.
141
00:08:01,040 --> 00:08:06,800
Come on, you make the specs so
clear.
142
00:08:07,400 --> 00:08:11,720
Oh La La with music to your
ears.
143
00:08:11,960 --> 00:08:13,840
Hey, hey, yay.
Let's go.
144
00:08:14,200 --> 00:08:20,560
New gear vibes, new tech jive
gearheads unite.
145
00:08:21,480 --> 00:08:24,800
We keep it live.
Oh yeah, the leaders gear.
146
00:08:24,920 --> 00:08:28,080
The leaders gear.
We got it here, got it here.
                00:00:19,480 --> 00:00:22,440
All right, welcome back to
Geezers of Gear Future Tech.
2
00:00:22,880 --> 00:00:26,320
I'm Chris, and as ever, Lacey's
here with me, ready to chase
3
00:00:26,320 --> 00:00:30,320
some beams into the future.
Hi everyone, I got to admit
4
00:00:30,320 --> 00:00:32,960
Chris, this week's episode is a
bit intimidating.
5
00:00:33,400 --> 00:00:36,000
So many specs and features it
makes my brain hurt.
6
00:00:36,640 --> 00:00:39,080
But I love what these new lights
are doing for the industry.
7
00:00:39,600 --> 00:00:42,160
Well, today we're talking about
two proper show stoppers
8
00:00:42,560 --> 00:00:45,400
elations, Proteus Atlas and
Radius.
9
00:00:45,920 --> 00:00:48,200
Let's kick off with some engine
talks since that's where all the
10
00:00:48,200 --> 00:00:51,720
magic starts.
The Atlas uses a 500 Watt
11
00:00:51,720 --> 00:00:55,840
solid-state phosphor converted
SSPC light engine.
12
00:00:56,240 --> 00:00:59,520
That's not your average LED.
You get razor sharp beams and
13
00:00:59,520 --> 00:01:02,560
honestly the outputs punched my
retinas more than once.
14
00:01:03,160 --> 00:01:06,400
And the radius, the name makes
you think it's circular, which,
15
00:01:06,960 --> 00:01:10,600
OK, it spins.
But the real trick is this Lily
16
00:01:10,600 --> 00:01:15,680
engine laser illuminated
lighting, something I always
17
00:01:15,680 --> 00:01:17,520
forget what the I stands for
Chris.
18
00:01:17,920 --> 00:01:22,480
Instrument Laser Illuminated
Lighting Instrument Both Lily
19
00:01:22,680 --> 00:01:26,200
laser illumination lighting
engines, the Atlas and Radius
20
00:01:26,480 --> 00:01:29,440
are fully FDA approved by the
Center for Devices and
21
00:01:29,440 --> 00:01:33,760
Radiological Health CDRH.
While the Atlas model requires a
22
00:01:33,760 --> 00:01:37,520
user variance, the Radius is
user variance free thanks to its
23
00:01:37,520 --> 00:01:40,680
unique optical design.
Due to their extreme output
24
00:01:40,680 --> 00:01:45,000
power, both units do require FAA
clearance when used outdoors in
25
00:01:45,000 --> 00:01:49,440
non terminated applications.
Each Lili engine utilizes high
26
00:01:49,440 --> 00:01:53,160
power blue laser diodes to
excite phosphor panels, which
27
00:01:53,160 --> 00:01:56,080
are then combined to create an
exceptionally bright white
28
00:01:56,080 --> 00:01:58,840
lighting source.
The Atlas additionally features
29
00:01:58,840 --> 00:02:02,480
an advanced internal safety zone
control system, allowing
30
00:02:02,480 --> 00:02:06,080
operators to define audience
safe areas and prevent solid
31
00:02:06,080 --> 00:02:08,080
beams from entering restricted
zones.
32
00:02:08,600 --> 00:02:11,480
Best of all, this can be managed
directly from your lighting
33
00:02:11,480 --> 00:02:14,200
console, no special software
required.
34
00:02:15,720 --> 00:02:18,360
There we go.
Basically you've got a super
35
00:02:18,360 --> 00:02:22,880
compact 100 Watt laser unit that
fires off an ultra intense 0.9°
36
00:02:22,880 --> 00:02:25,000
beam.
It's cut through more haze and
37
00:02:25,000 --> 00:02:27,320
daylight than any small fixture
I've ever seen.
38
00:02:27,720 --> 00:02:31,360
It's got a lamp life of 10,000
hours too, which is honestly a
39
00:02:31,360 --> 00:02:34,480
gift for rental companies.
No swapping lamps halfway
40
00:02:34,480 --> 00:02:37,920
through a tour, right?
Right, and both of these are
41
00:02:37,920 --> 00:02:41,800
IP66 rated.
So rain, dust, even salty beach
42
00:02:41,800 --> 00:02:43,280
air, they'll stand up to all of
it.
43
00:02:43,840 --> 00:02:46,960
The Atlas and Radius both ship
with foam inlay packaging too,
44
00:02:47,280 --> 00:02:50,000
which means you're not playing
Tetris with cases at 2:00 AM.
45
00:02:50,440 --> 00:02:53,520
Fantastic for fast load outs or
when you need to throw them on a
46
00:02:53,520 --> 00:02:56,120
truck in a hurry.
And then there's that continuous
47
00:02:56,120 --> 00:03:01,040
pan and tilt.
Atlas does 360 pan radius does
48
00:03:01,040 --> 00:03:05,120
both pan and tilt non-stop.
Designers can create these wild
49
00:03:05,120 --> 00:03:07,800
moving looks that just weren't
possible back in the day, right?
50
00:03:08,240 --> 00:03:11,160
Absolutely, and you're not
sacrificing color or effects
51
00:03:11,160 --> 00:03:13,360
either.
You've got full CMY color
52
00:03:13,360 --> 00:03:17,600
mixing, a massive color wheel,
25 positions, and a ridiculous
53
00:03:17,600 --> 00:03:20,080
collection of gobos and prisms
for both units.
54
00:03:20,440 --> 00:03:23,120
If you want flexible looks,
these boxes deliver.
55
00:03:23,560 --> 00:03:25,640
Right.
Let's talk about the big jobs.
56
00:03:26,400 --> 00:03:30,200
The Proteus Atlas made a huge
splash at the National Medal of
57
00:03:30,200 --> 00:03:32,960
Honor Museum's opening night
down in Arlington, TX.
58
00:03:33,400 --> 00:03:36,720
They put out 32 Atlas fixtures
lining rooftops in the Art
59
00:03:36,720 --> 00:03:40,520
Museum, all working In Sync with
fireworks and a massive drone
60
00:03:40,520 --> 00:03:43,800
display.
The designer Ryan Stump needed
61
00:03:43,800 --> 00:03:47,360
those beams to fill the Texas
sky, and even in crystal clear
62
00:03:47,600 --> 00:03:51,120
cold air with almost no haze,
those Atlas beams just didn't
63
00:03:51,120 --> 00:03:53,080
fade.
Even when the smoke from
64
00:03:53,080 --> 00:03:56,360
fireworks blew away, you still
saw these massive columns of
65
00:03:56,360 --> 00:03:59,800
light wrapping the crowd.
It looked regal, honestly, like
66
00:03:59,800 --> 00:04:02,160
the lights were honoring the
whole story of the museum.
67
00:04:02,840 --> 00:04:04,560
That was such a breathtaking
show.
68
00:04:05,200 --> 00:04:08,080
I read about how they organized
4 separate events that day.
69
00:04:08,800 --> 00:04:12,000
The Atlas wasn't just used for
the big night spectacle, but for
70
00:04:12,000 --> 00:04:14,880
all the parties, ribbon cutting,
everything.
71
00:04:15,600 --> 00:04:17,680
That versatility kind of blows
my mind.
72
00:04:18,240 --> 00:04:21,160
It's the kind of fixture where
you can do Moody wash or a
73
00:04:21,160 --> 00:04:22,920
straight up arena level beam
effect.
74
00:04:23,440 --> 00:04:27,120
Exactly, and let's not forget
Coldplay's Music of the Spheres
75
00:04:27,360 --> 00:04:30,120
World tour sooner.
Ruthia was looking for a way to
76
00:04:30,120 --> 00:04:32,880
get Searchlight effect without
all that xenon power
77
00:04:32,880 --> 00:04:35,640
consumption.
She landed on Atlas for that
78
00:04:35,640 --> 00:04:38,240
reason.
It does the work of A7K Xenon,
79
00:04:38,480 --> 00:04:41,480
but at 500 watts, so it fits the
whole environmental ethos
80
00:04:41,480 --> 00:04:44,040
Coldplay's been known for.
Plus you don't have to drag
81
00:04:44,040 --> 00:04:47,360
around huge auxiliary power or
swap bulbs constantly.
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00:04:47,800 --> 00:04:50,400
Now Radius got its own time in
the spotlight too.
83
00:04:50,960 --> 00:04:53,680
TMS rolled it out at the Hangout
festival in Alabama.
84
00:04:54,240 --> 00:04:55,880
You know, right on the sandy
beach.
85
00:04:56,520 --> 00:04:59,560
No side walls or curtains.
The gear is just out there
86
00:04:59,560 --> 00:05:02,960
getting pounded by salt spray.
Full on summer chaos.
87
00:05:03,680 --> 00:05:06,560
If they'd used non IP rated
lights, half the rig would have
88
00:05:06,560 --> 00:05:08,040
been fried before the first
night.
89
00:05:08,520 --> 00:05:10,520
But the Radius just kept doing
its thing.
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00:05:10,760 --> 00:05:14,120
Cutting through the sunlight and
all daytime visibility was a big
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00:05:14,120 --> 00:05:15,960
deal.
Yeah, that's pretty much the
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00:05:15,960 --> 00:05:20,120
dream for festivals.
Ben from TMS said going punch
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00:05:20,120 --> 00:05:22,560
for punch with daylight was a
first for them, and when the sun
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00:05:22,560 --> 00:05:25,440
dropped, Radius was still the
brightest thing on the deck.
95
00:05:26,000 --> 00:05:28,640
That flexibility, beach or
arena.
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00:05:28,960 --> 00:05:31,360
Radius and Atlas just keep
working regardless of the
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00:05:31,360 --> 00:05:35,080
weather, which opens up creative
options for designers and Peace
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00:05:35,080 --> 00:05:38,240
of Mind for anyone worrying
about repairs on Monday morning.
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00:05:38,800 --> 00:05:40,320
Can't get more legendary than
that.
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00:05:40,520 --> 00:05:44,240
Stadiums, museums, beaches,
these are the kinds of places
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00:05:44,240 --> 00:05:47,440
where lights usually fail.
But this tech is making sure the
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00:05:47,440 --> 00:05:51,120
show literally goes on come
rain, sun or wind.
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00:05:51,480 --> 00:05:54,000
Now, it's all well and good to
talk about what these fixtures
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00:05:54,000 --> 00:05:57,920
can do under ideal conditions,
but big events rarely give you
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00:05:57,920 --> 00:06:00,680
that luxury.
Take the Orange Bowl halftime
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00:06:00,680 --> 00:06:04,640
show, a massive live gig in
Miami Gardens where you get 5
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00:06:04,640 --> 00:06:08,640
minutes to push a full set and
lighting rig onto the field, and
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00:06:08,640 --> 00:06:12,240
after the artist's last note, 4
minutes to strike and clear out.
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00:06:12,800 --> 00:06:16,480
Used to be you'd see fireworks,
but this year the team skipped
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00:06:16,480 --> 00:06:20,640
pyrotechnics for a fully kinetic
all lighting spectacle.
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00:06:21,200 --> 00:06:24,160
That's bananas.
It's one thing to have a great
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00:06:24,160 --> 00:06:27,160
concept on paper, but when you
have to fit Truss cards through
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00:06:27,160 --> 00:06:30,440
stadium tunnels in under 5
minutes and the weather's as
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00:06:30,440 --> 00:06:34,080
unpredictable as ever.
The fact that they used Proteus
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00:06:34,280 --> 00:06:40,160
Radius, Maximus Hybrid Max, all
those IP66 rated units, it makes
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00:06:40,160 --> 00:06:42,320
a difference.
You don't even flinch at the
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00:06:42,320 --> 00:06:45,440
idea of a sudden downpour.
Plus the light show ended up
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00:06:45,440 --> 00:06:47,880
replacing the fireworks.
That says a lot.
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00:06:47,880 --> 00:06:49,640
Doesn't.
It it really does.
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00:06:50,200 --> 00:06:51,920
The radius played a starring
role.
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00:06:52,320 --> 00:06:57,000
Those endless rotations, ultra
fast movements, A4 prism set up
122
00:06:57,280 --> 00:07:01,920
with gobos and frosts for washes
or aerial effects, Tight CMY
123
00:07:01,920 --> 00:07:06,360
color mixing, a 25 position
color wheel, two gobo wheels for
124
00:07:06,360 --> 00:07:09,640
swapping looks mid show, and the
ability to layer effects all at
125
00:07:09,640 --> 00:07:11,800
once.
That's proper flexibility.
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00:07:12,600 --> 00:07:16,760
And with remote local control of
the sky motion system, Atlas and
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00:07:16,760 --> 00:07:19,880
Radius can do standalone
Searchlight chases or pattern
128
00:07:19,880 --> 00:07:22,480
sweeps.
You can program dramatic sweeps
129
00:07:22,480 --> 00:07:25,520
or chase effects on the fly.
Even if you're not a lighting
130
00:07:25,520 --> 00:07:27,480
person.
The fact that you can use a
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00:07:27,480 --> 00:07:29,720
touch panel on the fixture
itself and not have to find a
132
00:07:29,720 --> 00:07:32,840
control desk, that's saving time
in panic mode.
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00:07:33,400 --> 00:07:36,920
So from fast installs to cutting
through daylight to on the fly
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00:07:36,920 --> 00:07:40,360
programming, these fixtures kind
of redefine what's possible for
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00:07:40,360 --> 00:07:42,640
live events.
That's probably where we'll wrap
136
00:07:42,640 --> 00:07:44,800
for now.
Plenty more innovations to come,
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00:07:45,000 --> 00:07:47,680
so stay tuned for our next
future tech episode.
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00:07:47,960 --> 00:07:50,240
Cheers, Laci.
Thanks, Chris, and thanks
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00:07:50,240 --> 00:07:52,480
everyone for listening.
We'll catch you next time.
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00:07:52,600 --> 00:08:01,000
Goodbye.
Future tech is here.
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00:08:01,040 --> 00:08:06,800
Come on, you make the specs so
clear.
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00:08:07,400 --> 00:08:11,720
Oh La La with music to your
ears.
143
00:08:11,960 --> 00:08:13,840
Hey, hey, yay.
Let's go.
144
00:08:14,200 --> 00:08:20,560
New gear vibes, new tech jive
gearheads unite.
145
00:08:21,480 --> 00:08:24,800
We keep it live.
Oh yeah, the leaders gear.
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00:08:24,920 --> 00:08:28,080
The leaders gear.
We got it here, got it here.
 
             
                
             
                
             
                
             
             
            