May 23, 2025
FutureTech - ETC SiteLink - Always-On Monitoring: The Future of Lighting and Rigging Control
Explore the revolutionary ETC SiteLink, a cloud-based monitoring solution offering real-time access to lighting and rigging systems worldwide. Hosts Chris and Lacy dive into its features, customization options, and impact on the entertainment industry.
1
00:00:19,560 --> 00:00:21,400
All right, welcome to Future
Tech.
2
00:00:21,640 --> 00:00:24,720
Let's jump right in.
ETC just announced their site
3
00:00:24,720 --> 00:00:27,560
link solution.
It's this cloud based monitoring
4
00:00:27,560 --> 00:00:31,560
tool for lighting and rigging.
Think about it, literally all
5
00:00:31,560 --> 00:00:34,960
your critical systems monitored
from anywhere in the world,
6
00:00:35,240 --> 00:00:38,720
right from your phone or laptop.
They launched it just last week
7
00:00:38,920 --> 00:00:40,680
and honestly, it's going to be a
game changer.
8
00:00:41,400 --> 00:00:44,600
Cloud based monitoring.
That sounds fancy, but what does
9
00:00:44,600 --> 00:00:48,440
it actually mean for, like, the
people on the ground, you know,
10
00:00:48,520 --> 00:00:50,960
the stagehands or facility
managers of the world?
11
00:00:51,280 --> 00:00:54,080
Oh, it means no more waking up
in a cold sweat wondering if a
12
00:00:54,080 --> 00:00:57,160
hoist is failing mid show.
Seriously though.
13
00:00:57,480 --> 00:01:01,120
And with this you've got instant
alerts, real time system updates
14
00:01:01,360 --> 00:01:02,960
for everything from lights to
rigging.
15
00:01:03,320 --> 00:01:07,040
Say goodbye to those frantic pre
show system resets.
16
00:01:07,560 --> 00:01:09,640
Right.
I can think of so many times
17
00:01:09,640 --> 00:01:12,520
when something broke down and it
was this scramble to figure out
18
00:01:12,520 --> 00:01:14,160
what went wrong before doors
opened.
19
00:01:14,640 --> 00:01:17,520
Exactly.
For example, I had this incident
20
00:01:17,520 --> 00:01:19,680
back in the day.
It was the final show on a
21
00:01:19,680 --> 00:01:22,640
European pop tour.
Everything's running smooth
22
00:01:22,640 --> 00:01:27,560
until Wham rigging failure.
We didn't know till part of the
23
00:01:27,560 --> 00:01:29,480
lighting rig went dark during
the opener.
24
00:01:29,760 --> 00:01:32,800
You're lucky to even identify
the problem, let alone fix it in
25
00:01:32,800 --> 00:01:34,680
time.
Like I would have killed for
26
00:01:34,680 --> 00:01:36,240
something like Site Link back
then.
27
00:01:36,600 --> 00:01:39,400
You could have diagnosed half
those issues even before
28
00:01:39,400 --> 00:01:41,840
stepping foot on stage.
So what?
29
00:01:41,840 --> 00:01:44,640
It monitors everything, rigging,
lights, the whole setup.
30
00:01:44,800 --> 00:01:48,720
Yep, everything ETC touches And
the genius part.
31
00:01:49,000 --> 00:01:50,840
It lets you group systems how
you like.
32
00:01:51,360 --> 00:01:53,800
You've got the traditional
setup, like separating by
33
00:01:53,800 --> 00:01:57,760
physical location, say
proscenium versus backstage.
34
00:01:58,160 --> 00:02:02,120
Or you can organize by function,
like fixture power or house
35
00:02:02,120 --> 00:02:03,880
lights.
There's just this whole new
36
00:02:03,880 --> 00:02:06,440
level of visibility.
That's pretty wild to think
37
00:02:06,440 --> 00:02:07,960
about.
It's almost like having a behind
38
00:02:07,960 --> 00:02:10,080
the scenes tech supervisor
watching it all for you.
39
00:02:10,479 --> 00:02:12,080
Exactly.
It's like having that behind the
40
00:02:12,080 --> 00:02:14,880
scenes tech supervisor but with
even more control.
41
00:02:15,400 --> 00:02:18,560
Customization is where ETC.
Site Link really shines.
42
00:02:18,920 --> 00:02:21,680
Not only can you group your
systems however you want, but
43
00:02:21,680 --> 00:02:24,720
you can also set up custom
alerts for, well, pretty much
44
00:02:24,720 --> 00:02:26,520
anything.
That could mean getting a
45
00:02:26,520 --> 00:02:29,880
warning if, say, one specific
winch on a rigging system looks
46
00:02:29,880 --> 00:02:33,320
off, or even narrowing it down
to something like house lights
47
00:02:33,320 --> 00:02:35,400
not responding.
Whatever you need.
48
00:02:36,080 --> 00:02:38,920
Wow that's that's pretty next
level.
49
00:02:38,920 --> 00:02:42,080
I mean think about venues like
No2.
50
00:02:42,080 --> 00:02:44,760
Setups are exactly the same but
everyone has to deal with that.
51
00:02:44,840 --> 00:02:47,720
Oh no what's wrong?
Panic during pre show checks,
52
00:02:47,720 --> 00:02:48,920
right?
Exactly.
53
00:02:49,360 --> 00:02:50,760
And here's where it gets even
better.
54
00:02:51,000 --> 00:02:53,160
You can tailor what specific
team members see.
55
00:02:53,440 --> 00:02:55,320
So let's say you're the crew
chief.
56
00:02:55,720 --> 00:02:58,600
You only want to know if like a
major part of the system goes
57
00:02:58,600 --> 00:03:01,200
down.
But your techs, they need every
58
00:03:01,200 --> 00:03:03,800
single alert because they're
troubleshooting in real time.
59
00:03:04,240 --> 00:03:06,040
With site link that's totally
doable.
60
00:03:06,600 --> 00:03:08,960
OK.
Yeah, because I've seen like,
61
00:03:08,960 --> 00:03:11,520
facility managers who have to
manage all these different
62
00:03:11,520 --> 00:03:15,080
departments, they're walking
that tightrope, trying to keep
63
00:03:15,080 --> 00:03:19,160
everyone informed without
overwhelming themselves or the
64
00:03:19,160 --> 00:03:22,160
crew with too much information.
Yep, and there's no
65
00:03:22,160 --> 00:03:25,480
one-size-fits-all either.
Every user can fine tune their
66
00:03:25,480 --> 00:03:29,200
account, text alerts, daily
digests, whatever works best.
67
00:03:29,640 --> 00:03:31,920
And let's say the touring crew
pulls into a new venue.
68
00:03:32,440 --> 00:03:35,240
They can set up Site Link in a
way that only monitors the
69
00:03:35,240 --> 00:03:37,320
system critical parts for that
location.
70
00:03:37,560 --> 00:03:41,080
It's modular, you know.
So much better than the old way.
71
00:03:41,680 --> 00:03:43,440
I remember this one venue I
worked at.
72
00:03:44,040 --> 00:03:47,520
It was kind of cobbled together
and geez, troubleshooting was
73
00:03:47,520 --> 00:03:49,520
like trying to read a map with
missing pieces.
74
00:03:50,360 --> 00:03:52,400
Half the time we didn't even
know where to start looking when
75
00:03:52,400 --> 00:03:54,720
something failed.
That's the beauty of this
76
00:03:54,720 --> 00:03:56,440
system.
You're not just reacting to
77
00:03:56,440 --> 00:04:01,040
problems, you're ahead of them.
And Laci imagine the education
78
00:04:01,040 --> 00:04:03,720
space, right?
Schools and universities can use
79
00:04:03,720 --> 00:04:06,360
this to keep their
administrators and facilities
80
00:04:06,360 --> 00:04:09,440
managers In Sync without bogging
them down with every little
81
00:04:09,440 --> 00:04:12,000
issue.
Oh yeah, schools could really
82
00:04:12,000 --> 00:04:14,360
use something like that, a
safety net for their
83
00:04:14,360 --> 00:04:17,760
performances or assemblies.
Kids don't exactly wait
84
00:04:17,760 --> 00:04:19,800
patiently while you fix the
spotlight, do they?
85
00:04:20,120 --> 00:04:21,720
Ha, ha, ha.
Not a chance.
86
00:04:22,400 --> 00:04:24,520
But yeah, whether it's a
Performing Arts Center or a
87
00:04:24,520 --> 00:04:27,920
stadium, this level of control
is a game changer.
88
00:04:28,360 --> 00:04:31,720
You can focus on, I don't know,
the actual event instead of
89
00:04:31,720 --> 00:04:33,640
losing your mind over last
minute hiccups.
90
00:04:34,040 --> 00:04:35,640
And that's just scratching the
surface.
91
00:04:35,960 --> 00:04:39,040
Here's the real game changer.
Global access.
92
00:04:39,520 --> 00:04:42,560
Let's say you're running a tour.
Whether you are in Altoona or
93
00:04:42,560 --> 00:04:44,920
Zurich, Site Link keeps you in
the loop.
94
00:04:45,440 --> 00:04:47,960
You can see it all in real time
before you even step off the
95
00:04:47,960 --> 00:04:49,960
bus.
So you're solving issues before
96
00:04:49,960 --> 00:04:53,200
they ever become problems.
Yeah, And touring is so
97
00:04:53,200 --> 00:04:55,680
unpredictable.
Like, even when you've got the
98
00:04:55,680 --> 00:04:59,080
best crew on the planet, things
can still, you know, fall apart.
99
00:04:59,880 --> 00:05:01,720
A tool like this would make such
a difference.
100
00:05:01,720 --> 00:05:06,200
Like you could put out fires
before they become, well, actual
101
00:05:06,200 --> 00:05:09,000
fires.
Exactly, and site Link is built
102
00:05:09,000 --> 00:05:10,640
for it.
Whether you're dealing with
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00:05:10,640 --> 00:05:13,360
rigging, stress or electrical
quirks, you've got a complete
104
00:05:13,360 --> 00:05:15,880
heads up.
And let's say the venue's got, I
105
00:05:15,880 --> 00:05:19,200
don't know, some funky old setup
site link helps you stay ahead
106
00:05:19,200 --> 00:05:21,640
of it so you don't walk into a
complete blind spot.
107
00:05:22,240 --> 00:05:25,360
Totally sounds a bit like having
an extra pair of eyes on
108
00:05:25,360 --> 00:05:28,160
everything, even when you're,
what, a bunch of time zones
109
00:05:28,160 --> 00:05:29,840
away?
Yeah, and you're not just
110
00:05:29,840 --> 00:05:32,360
reacting to issues anymore,
you're proactive.
111
00:05:32,840 --> 00:05:36,000
Like no more scrambling after
something breaks mid show, you
112
00:05:36,000 --> 00:05:38,800
can pinpoint the problem and
send instructions to the crew
113
00:05:39,240 --> 00:05:42,520
all in real time.
You know, hearing you talk about
114
00:05:42,520 --> 00:05:45,120
this makes me really think back
to all those moments where we
115
00:05:45,120 --> 00:05:47,640
needed something, anything like
this.
116
00:05:48,240 --> 00:05:50,280
I mean, how much stress could we
have saved?
117
00:05:50,680 --> 00:05:54,480
Oh tons, no doubt about it.
In the live events world, speed
118
00:05:54,480 --> 00:05:57,400
and mobility are everything.
Site link not only gives you
119
00:05:57,400 --> 00:06:00,120
flexibility, but it really
elevates how you handle your
120
00:06:00,120 --> 00:06:03,440
entire operation.
Yeah, I feel like every
121
00:06:03,440 --> 00:06:05,320
production team out there is
going to want to give this a
122
00:06:05,320 --> 00:06:08,040
shot.
I mean, it's just one of those
123
00:06:08,040 --> 00:06:09,400
things that makes sense, you
know?
124
00:06:10,040 --> 00:06:12,080
Exactly.
Whether it's a tour, a big
125
00:06:12,080 --> 00:06:15,640
campus system, or even just one
busy theatre, that kind of
126
00:06:15,640 --> 00:06:17,360
insight and control goes a long
way.
127
00:06:17,800 --> 00:06:20,760
And honestly, staying connected
has never been this easy.
128
00:06:21,480 --> 00:06:25,160
Well on that note, I think we
can both agree ETC site link
129
00:06:25,160 --> 00:06:28,080
could really change the game.
Thanks for breaking it all down,
130
00:06:28,080 --> 00:06:30,920
Chris.
My pleasure as always, and to
131
00:06:30,920 --> 00:06:34,160
all the geezers and Gizettes out
there, thanks for tuning in to
132
00:06:34,160 --> 00:06:37,360
hear us geek out about site
monitoring on today's future
133
00:06:37,360 --> 00:06:40,520
tech.
Stay safe, stay lit, and we'll
134
00:06:40,520 --> 00:06:49,640
catch you next time.
Future tech is here.
135
00:06:50,280 --> 00:06:54,720
Come on man, you make the spec
so clear.
136
00:06:55,160 --> 00:07:00,160
Oh La La with music to your
ears.
137
00:07:00,360 --> 00:07:02,240
Hey, hey.
Yeah, let's go.
138
00:07:02,600 --> 00:07:05,840
New gear vibes, new tech.
00:00:19,560 --> 00:00:21,400
All right, welcome to Future
Tech.
2
00:00:21,640 --> 00:00:24,720
Let's jump right in.
ETC just announced their site
3
00:00:24,720 --> 00:00:27,560
link solution.
It's this cloud based monitoring
4
00:00:27,560 --> 00:00:31,560
tool for lighting and rigging.
Think about it, literally all
5
00:00:31,560 --> 00:00:34,960
your critical systems monitored
from anywhere in the world,
6
00:00:35,240 --> 00:00:38,720
right from your phone or laptop.
They launched it just last week
7
00:00:38,920 --> 00:00:40,680
and honestly, it's going to be a
game changer.
8
00:00:41,400 --> 00:00:44,600
Cloud based monitoring.
That sounds fancy, but what does
9
00:00:44,600 --> 00:00:48,440
it actually mean for, like, the
people on the ground, you know,
10
00:00:48,520 --> 00:00:50,960
the stagehands or facility
managers of the world?
11
00:00:51,280 --> 00:00:54,080
Oh, it means no more waking up
in a cold sweat wondering if a
12
00:00:54,080 --> 00:00:57,160
hoist is failing mid show.
Seriously though.
13
00:00:57,480 --> 00:01:01,120
And with this you've got instant
alerts, real time system updates
14
00:01:01,360 --> 00:01:02,960
for everything from lights to
rigging.
15
00:01:03,320 --> 00:01:07,040
Say goodbye to those frantic pre
show system resets.
16
00:01:07,560 --> 00:01:09,640
Right.
I can think of so many times
17
00:01:09,640 --> 00:01:12,520
when something broke down and it
was this scramble to figure out
18
00:01:12,520 --> 00:01:14,160
what went wrong before doors
opened.
19
00:01:14,640 --> 00:01:17,520
Exactly.
For example, I had this incident
20
00:01:17,520 --> 00:01:19,680
back in the day.
It was the final show on a
21
00:01:19,680 --> 00:01:22,640
European pop tour.
Everything's running smooth
22
00:01:22,640 --> 00:01:27,560
until Wham rigging failure.
We didn't know till part of the
23
00:01:27,560 --> 00:01:29,480
lighting rig went dark during
the opener.
24
00:01:29,760 --> 00:01:32,800
You're lucky to even identify
the problem, let alone fix it in
25
00:01:32,800 --> 00:01:34,680
time.
Like I would have killed for
26
00:01:34,680 --> 00:01:36,240
something like Site Link back
then.
27
00:01:36,600 --> 00:01:39,400
You could have diagnosed half
those issues even before
28
00:01:39,400 --> 00:01:41,840
stepping foot on stage.
So what?
29
00:01:41,840 --> 00:01:44,640
It monitors everything, rigging,
lights, the whole setup.
30
00:01:44,800 --> 00:01:48,720
Yep, everything ETC touches And
the genius part.
31
00:01:49,000 --> 00:01:50,840
It lets you group systems how
you like.
32
00:01:51,360 --> 00:01:53,800
You've got the traditional
setup, like separating by
33
00:01:53,800 --> 00:01:57,760
physical location, say
proscenium versus backstage.
34
00:01:58,160 --> 00:02:02,120
Or you can organize by function,
like fixture power or house
35
00:02:02,120 --> 00:02:03,880
lights.
There's just this whole new
36
00:02:03,880 --> 00:02:06,440
level of visibility.
That's pretty wild to think
37
00:02:06,440 --> 00:02:07,960
about.
It's almost like having a behind
38
00:02:07,960 --> 00:02:10,080
the scenes tech supervisor
watching it all for you.
39
00:02:10,479 --> 00:02:12,080
Exactly.
It's like having that behind the
40
00:02:12,080 --> 00:02:14,880
scenes tech supervisor but with
even more control.
41
00:02:15,400 --> 00:02:18,560
Customization is where ETC.
Site Link really shines.
42
00:02:18,920 --> 00:02:21,680
Not only can you group your
systems however you want, but
43
00:02:21,680 --> 00:02:24,720
you can also set up custom
alerts for, well, pretty much
44
00:02:24,720 --> 00:02:26,520
anything.
That could mean getting a
45
00:02:26,520 --> 00:02:29,880
warning if, say, one specific
winch on a rigging system looks
46
00:02:29,880 --> 00:02:33,320
off, or even narrowing it down
to something like house lights
47
00:02:33,320 --> 00:02:35,400
not responding.
Whatever you need.
48
00:02:36,080 --> 00:02:38,920
Wow that's that's pretty next
level.
49
00:02:38,920 --> 00:02:42,080
I mean think about venues like
No2.
50
00:02:42,080 --> 00:02:44,760
Setups are exactly the same but
everyone has to deal with that.
51
00:02:44,840 --> 00:02:47,720
Oh no what's wrong?
Panic during pre show checks,
52
00:02:47,720 --> 00:02:48,920
right?
Exactly.
53
00:02:49,360 --> 00:02:50,760
And here's where it gets even
better.
54
00:02:51,000 --> 00:02:53,160
You can tailor what specific
team members see.
55
00:02:53,440 --> 00:02:55,320
So let's say you're the crew
chief.
56
00:02:55,720 --> 00:02:58,600
You only want to know if like a
major part of the system goes
57
00:02:58,600 --> 00:03:01,200
down.
But your techs, they need every
58
00:03:01,200 --> 00:03:03,800
single alert because they're
troubleshooting in real time.
59
00:03:04,240 --> 00:03:06,040
With site link that's totally
doable.
60
00:03:06,600 --> 00:03:08,960
OK.
Yeah, because I've seen like,
61
00:03:08,960 --> 00:03:11,520
facility managers who have to
manage all these different
62
00:03:11,520 --> 00:03:15,080
departments, they're walking
that tightrope, trying to keep
63
00:03:15,080 --> 00:03:19,160
everyone informed without
overwhelming themselves or the
64
00:03:19,160 --> 00:03:22,160
crew with too much information.
Yep, and there's no
65
00:03:22,160 --> 00:03:25,480
one-size-fits-all either.
Every user can fine tune their
66
00:03:25,480 --> 00:03:29,200
account, text alerts, daily
digests, whatever works best.
67
00:03:29,640 --> 00:03:31,920
And let's say the touring crew
pulls into a new venue.
68
00:03:32,440 --> 00:03:35,240
They can set up Site Link in a
way that only monitors the
69
00:03:35,240 --> 00:03:37,320
system critical parts for that
location.
70
00:03:37,560 --> 00:03:41,080
It's modular, you know.
So much better than the old way.
71
00:03:41,680 --> 00:03:43,440
I remember this one venue I
worked at.
72
00:03:44,040 --> 00:03:47,520
It was kind of cobbled together
and geez, troubleshooting was
73
00:03:47,520 --> 00:03:49,520
like trying to read a map with
missing pieces.
74
00:03:50,360 --> 00:03:52,400
Half the time we didn't even
know where to start looking when
75
00:03:52,400 --> 00:03:54,720
something failed.
That's the beauty of this
76
00:03:54,720 --> 00:03:56,440
system.
You're not just reacting to
77
00:03:56,440 --> 00:04:01,040
problems, you're ahead of them.
And Laci imagine the education
78
00:04:01,040 --> 00:04:03,720
space, right?
Schools and universities can use
79
00:04:03,720 --> 00:04:06,360
this to keep their
administrators and facilities
80
00:04:06,360 --> 00:04:09,440
managers In Sync without bogging
them down with every little
81
00:04:09,440 --> 00:04:12,000
issue.
Oh yeah, schools could really
82
00:04:12,000 --> 00:04:14,360
use something like that, a
safety net for their
83
00:04:14,360 --> 00:04:17,760
performances or assemblies.
Kids don't exactly wait
84
00:04:17,760 --> 00:04:19,800
patiently while you fix the
spotlight, do they?
85
00:04:20,120 --> 00:04:21,720
Ha, ha, ha.
Not a chance.
86
00:04:22,400 --> 00:04:24,520
But yeah, whether it's a
Performing Arts Center or a
87
00:04:24,520 --> 00:04:27,920
stadium, this level of control
is a game changer.
88
00:04:28,360 --> 00:04:31,720
You can focus on, I don't know,
the actual event instead of
89
00:04:31,720 --> 00:04:33,640
losing your mind over last
minute hiccups.
90
00:04:34,040 --> 00:04:35,640
And that's just scratching the
surface.
91
00:04:35,960 --> 00:04:39,040
Here's the real game changer.
Global access.
92
00:04:39,520 --> 00:04:42,560
Let's say you're running a tour.
Whether you are in Altoona or
93
00:04:42,560 --> 00:04:44,920
Zurich, Site Link keeps you in
the loop.
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You can see it all in real time
before you even step off the
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bus.
So you're solving issues before
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they ever become problems.
Yeah, And touring is so
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unpredictable.
Like, even when you've got the
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best crew on the planet, things
can still, you know, fall apart.
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00:04:59,880 --> 00:05:01,720
A tool like this would make such
a difference.
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00:05:01,720 --> 00:05:06,200
Like you could put out fires
before they become, well, actual
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00:05:06,200 --> 00:05:09,000
fires.
Exactly, and site Link is built
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00:05:09,000 --> 00:05:10,640
for it.
Whether you're dealing with
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00:05:10,640 --> 00:05:13,360
rigging, stress or electrical
quirks, you've got a complete
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00:05:13,360 --> 00:05:15,880
heads up.
And let's say the venue's got, I
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00:05:15,880 --> 00:05:19,200
don't know, some funky old setup
site link helps you stay ahead
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00:05:19,200 --> 00:05:21,640
of it so you don't walk into a
complete blind spot.
107
00:05:22,240 --> 00:05:25,360
Totally sounds a bit like having
an extra pair of eyes on
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00:05:25,360 --> 00:05:28,160
everything, even when you're,
what, a bunch of time zones
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00:05:28,160 --> 00:05:29,840
away?
Yeah, and you're not just
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00:05:29,840 --> 00:05:32,360
reacting to issues anymore,
you're proactive.
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00:05:32,840 --> 00:05:36,000
Like no more scrambling after
something breaks mid show, you
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00:05:36,000 --> 00:05:38,800
can pinpoint the problem and
send instructions to the crew
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00:05:39,240 --> 00:05:42,520
all in real time.
You know, hearing you talk about
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00:05:42,520 --> 00:05:45,120
this makes me really think back
to all those moments where we
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00:05:45,120 --> 00:05:47,640
needed something, anything like
this.
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00:05:48,240 --> 00:05:50,280
I mean, how much stress could we
have saved?
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00:05:50,680 --> 00:05:54,480
Oh tons, no doubt about it.
In the live events world, speed
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00:05:54,480 --> 00:05:57,400
and mobility are everything.
Site link not only gives you
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00:05:57,400 --> 00:06:00,120
flexibility, but it really
elevates how you handle your
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00:06:00,120 --> 00:06:03,440
entire operation.
Yeah, I feel like every
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00:06:03,440 --> 00:06:05,320
production team out there is
going to want to give this a
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00:06:05,320 --> 00:06:08,040
shot.
I mean, it's just one of those
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00:06:08,040 --> 00:06:09,400
things that makes sense, you
know?
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00:06:10,040 --> 00:06:12,080
Exactly.
Whether it's a tour, a big
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00:06:12,080 --> 00:06:15,640
campus system, or even just one
busy theatre, that kind of
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00:06:15,640 --> 00:06:17,360
insight and control goes a long
way.
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00:06:17,800 --> 00:06:20,760
And honestly, staying connected
has never been this easy.
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00:06:21,480 --> 00:06:25,160
Well on that note, I think we
can both agree ETC site link
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00:06:25,160 --> 00:06:28,080
could really change the game.
Thanks for breaking it all down,
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00:06:28,080 --> 00:06:30,920
Chris.
My pleasure as always, and to
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00:06:30,920 --> 00:06:34,160
all the geezers and Gizettes out
there, thanks for tuning in to
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00:06:34,160 --> 00:06:37,360
hear us geek out about site
monitoring on today's future
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00:06:37,360 --> 00:06:40,520
tech.
Stay safe, stay lit, and we'll
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00:06:40,520 --> 00:06:49,640
catch you next time.
Future tech is here.
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00:06:50,280 --> 00:06:54,720
Come on man, you make the spec
so clear.
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00:06:55,160 --> 00:07:00,160
Oh La La with music to your
ears.
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00:07:00,360 --> 00:07:02,240
Hey, hey.
Yeah, let's go.
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00:07:02,600 --> 00:07:05,840
New gear vibes, new tech.