The Pirate Years of Concert Touring - Rock Lighting Legend with Jeff Alder
In this episode, Jeff Alder shares his journey from a young lighting enthusiast to a pioneer in the concert lighting industry. He discusses the evolution of lighting technology, particularly the introduction of moving lights like the Cyclops, and how these innovations have transformed live performances. Jeff recounts his experiences working with various artists, the challenges he faced on tour, and the importance of collaboration in creating memorable lighting designs. The conversation also touches on the future of lighting technology and its impact on the music industry.
In this engaging conversation, Jeff shares his journey through the music industry, detailing his experiences with Huey Lewis and the News, Santana, and the challenges of touring. He emphasizes the importance of camaraderie, standing up for oneself, and the impact of personal health on a career in music. Jeff reflects on his transition from touring to corporate work and the lessons learned along the way, culminating in a heartfelt discussion about his final show and the significance of his career in lighting design. In this conversation, Jeff Alder shares his experiences transitioning from a vibrant touring career in concert lighting to a more settled life, discussing the evolution of concert lighting, the challenges of mental health in the touring industry, and his journey towards writing a book about his experiences. The discussion touches on the 'pirate years' of rock and roll, the impact of technology on lighting design, and the importance of personal connections in the industry.
Episode 345
Today we’re joined by Jeff, a true pioneer from the wild, formative years of rock concert touring — what he calls the “pirate years.”
Jeff recently published his book, How to Be a Lighting Guy (During the Pirate Years of Concert Touring), a firsthand account of building a career during the birth of modern concert lighting. From running liquid light shows in the early 1970s — including for Grand Funk before they were even Grand Funk Railroad — to experimenting with the first analog moving lights like the Cyklops, Jeff was there as the art and technology of live lighting were being invented in real time.
He worked with Fantasee Lighting, pushed for the early R&D of computer-controlled moving lights with Morpheus Lights, and directed or designed lighting for legendary artists including Warren Zevon, Jimmy Buffett, Steve Miller Band, Huey Lewis and the News, Santana, Cyndi Lauper, Aerosmith, Ozzy Osbourne, Alice Cooper, and Grand Funk — who fittingly bookended his career.Jeff’s journey came to an unexpected halt in the mid-’90s due to a collapsed vertebrae, but his perspective on success, failure, and longevity is what truly defines his story.
As he writes in the final line of his book:“Though I have a lot of memorabilia… learning how to succeed at a lifetime of losing was my biggest reward.”He’s here to talk about how life on the road has changed, what it was like when concert touring had no rulebook, and why sometimes the greatest success doesn’t look the way you expect.
This episode is brought to you by Main Light and Artistry In Motion
Chapters
00:00 Introduction to Jeff Alder's Journey
13:44 Early Experiences and DIY Lighting
19:47 Transitioning to Professional Lighting
25:38 The Cyclops and Its Impact
32:25 The Art of Tour Packaging
38:58 The Evolution of Moving Lights
48:35 Navigating Conflict and Pressure
53:41 Transitioning to Huey Lewis and the News
01:01:23 The BAMI Awards Experience
01:07:48 The Art of Improvisation in Lighting
01:14:58 Aerosmith: The Sober Tour
01:28:42 Ozzy Osbourne's First Sober Tour
01:35:42 Transitioning to a New Phase in Lighting
01:41:47 Navigating Health and Career Decisions
01:47:26 The Pirate Years of Concert Touring
01:58:35 The Evolution of Video in Live Shows
02:06:12 The Misfit's Guide to Lighting
02:11:54 Mental Health in the Touring Industry
02:22:13 The Passion for Storytelling
02:26:23 Geezers Outro Video.mp4

I recently spent too many years writing "How to be a Lighting Guy (During the Pirate Years of Concert Touring)", a book about my experiences during the development of rock concert lighting. It covers running liquid lightshows in the early '70s, once for Grand Funk when they were still a railroad, to working with the first analog moving lights, the Cyklops, when I designed lights for a War tour with Fantasee Lighting in the mid '70s, to suggesting to Morpheus Lights that we should R&D the mass production of computer-controlled moving lights in the late '70s/early '80s. I got fired for taking the blame for technical difficulties from Morpheus Light's first big tour with Devo where Panaspots were predominant. I've directed lighting on tours with Warren Zevon Jimmy Buffett, Pablo Cruise, Steve Miller Band and I directed and designed lighting for Huey Lewis and the News, Santana, Cyndi Lauper, Aerosmith, Ozzie, Alice, Grand Funk, who bookended my career, which collapsed by the mid '90s due to a collapsed vertebrae.
I enjoy listening to my old friends on your podcasts, It's like catching up with the ones I lost touch with.






