#334 - Howard Ungerleider - The legacy of Rush - Howard’s Journey
In this engaging conversation, Howard Ungerleider, a legendary figure in live production, shares his journey from a young tour manager to the man behind the lights for Rush. He discusses the evolution of lighting design, the impact of technology, and the influence of EDM on the industry. Howard reflects on his experiences touring with Rush, the importance of creativity in lighting, and the dynamics of the music industry. His insights provide a unique perspective on the legacy of Rush and the future of live production. In this engaging conversation, Howard Ungerleider shares insights into the evolution of Rush, the challenges of tour management, and the advancements in lighting and sound technology. He reflects on the legacy of Neil Peart and discusses the excitement surrounding the upcoming Rush tour, including the introduction of a new drummer and the dynamics of ticket pricing in the current market. Howard emphasizes the strong bond within the band and the anticipation of a new era for Rush.
This Episode is brought to you by Elation and Main Light
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When the president saw these
initials, he's like, who the
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Hell's initials are these?
And they went, oh, it's the kid
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in the mail room.
And then I got called into the
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office and I yelled at actually
by the guy.
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He said, you know, you know, you
know what it takes to be an
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agent.
You don't even have any
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experience.
And you brought this show in.
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How did you even know about this
show?
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So you were yelling at everybody
in the Tuesday meeting, and I
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was taking care of some mail,
and I overheard you.
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So I figured I'd help you out.
So from that point on, it was
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just a steady rise.
This company was called the ATI,
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American Talent International,
the owner, and all of a sudden
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we were one of the biggest
agencies in North America.
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They actually took on Rush.
You know, when I'm recording
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these podcasts, every once in a
while there's one that you kind
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of circle on the calendar and
really look forward to and for
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multiple reasons.
First of all, this gentleman's a
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good friend of mine for many,
many years now.
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I think he's an extremely
talented designer, but he's also
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a really funny and great guy and
I just love spending time with
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him both on the podcast and in
person.
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So today on Geese of Gear, we're
talking with a true legend of
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live production, Howard
Ungerleider, the man behind the
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lights for Rush for over 40
years, from their very first
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tour in 1974 to massive world
stages, Howard helped define
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what a rock show could look and
feel like, blending music,
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technology and pure imagination.
And with Rush announcing a
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return to the road next year
with their 50 something tour,
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we're diving into the stories,
the innovation and the magic
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that shaped one of rock's most
iconic life experiences.
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So please join me in welcome Mr.
Howard Ungerleider.
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Howard, how are you today?
Marcel, I am fine.
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How about you?
I'm friggin fantastic.
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It's awesome.
It's another day.
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I feel like we just did this
but.
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You know this is Groundhog Day,
buddy.
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This is Groundhog Day, so just
so everyone else knows what
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we're talking about, we tried
doing this yesterday and one or
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both of us had some sort of a
weird Internet problem and we
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just kept disappearing from the
screen and all kinds of fun
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things happening.
So we just decided let's try
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another day and show you.
Here we are on Day 2 of
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recording Howard's fabulous
podcast.
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So, Howard, first I must ask
you, you live downtown Toronto,
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right?
Yeah, I live right on the lake
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now, Tom.
So you got to experience this
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whole mayhem of the World Series
over the past couple.
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Years World Series.
Yeah, I I'm sure it was pretty
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fun.
Like, how far are you from the
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Skydome?
About, I would say three blocks
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away.
Wow, so people are walking by
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your house, you know, throwing
drinks and.
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Dressed up.
Don't forget it was Halloween
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also, so the combination of all
the Blue Jays and the Halloween
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costumes.
I can only imagine.
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Yeah, I can only imagine.
You know, I'm not a baseball
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fan, but all my friends who were
either going to the games or, or
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certainly into it and all my
family, you know, my, my
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sister's a huge baseball fan and
stuff.
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And so I've been paying
attention and I've been a bit
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patriotic, you know, like
whenever it's Canada versus the
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US, even though I've spent more
time in the US than Canada at
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this point in my life, I
generally go for Canada, whether
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it's the Olympics or, you know,
whatever it is.
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I usually other than politics
gets a little weird but, but
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generally I'm I'm choosing
Canada over the US in all sports
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and stuff.
So I was definitely going for
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the Blue Jays, even though I
didn't watch a minute of the
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series, but.
I was, it was one of the
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backgrounds.
It was.
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It was the best World Series
I've ever experienced, actually.
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And you're a fan, right?
Oh yeah, I love, I love watching
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the Blue Jays, 100%.
Yeah.
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I'm not a big sports guy, but I
just love when it gets down to
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playoffs and World Series.
Was that because of Getty?
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No, no, it's just just, you
know, when I was really young
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and I was growing up in New
York, my grandfather used to
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take me to the Polo Grounds.
OK.
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You know, and that I don't know
if you know what that is because
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you're not a baseball guy.
It was one of the most iconic
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places where the Yankees first
started playing before they
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built Yankee Stadium.
Oh, really?
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Yeah, so he used to take me
there and I got.
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I was always interested in
baseball.
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I actually played baseball in
high school.
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Wow, yes, I mean, I, I grew up
in Western Canada and it just
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wasn't a thing, you know, it
was, it was never a thing.
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Like I remember, you know, my
cousins and stuff from from
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Eastern Canada were all either
Expos or, or Blue Jays fans.
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But I just, I was always a
hockey guy.
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I I never got into baseball in
my whole life and still not
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today, so, but yeah.
Hockey is a religion here in
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Canada.
It certainly is.
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It certainly is.
And and you know, my team here
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in Florida, it's been fun
because I get up to Canada end
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of May, beginning of June, I get
to my house up there.
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And of course, you know, the
last two years it's been the US
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against Canada.
And when it's my team in the US
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being the Florida Panthers and
they're going against the team
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that I was always, you know, a
big rival of because I'm a
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Flames fan, you know, so I
couldn't go for the Oilers.
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There was just no way it was
going to happen.
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So I got beat up pretty good the
last two years because, you
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know, basically the, the series,
the final series with Florida
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against Edmonton happened right
as I got there both years.
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And so it was a lot of fun.
It was, I'd go out with my
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Panthers hoodie on or T-shirts
or whatever and it'd be like
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Panthers, you're in the wrong
place for that.
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And I'm like.
No drinks.
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No drinks for you, buddy.
Yeah, yeah, it's funny, but I
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took a lot of shit though.
Even just going out for walks
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during the day and stuff, people
would be like, you're wearing
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the wrong shirt there, buddy,
Which is funny because I mean
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anything South of like red beer.
You didn't used to mention the
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Oilers.
Like they just were not a thing.
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Everyone hated them, right?
Except for people in Edmonton
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and but I guess Canada being as
patriotic as it is an anti
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American and stuff right now.
Like they all jumped on board
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with with the Oilers.
Something very anti American.
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They just they're not liking
what they're seeing, but they're
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not.
Yeah, well, I just shortened it
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a little without getting into
all the details that, you know,
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the anti American thing.
I don't think, no, I, I mean, I
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certainly don't get that feeling
when I'm up there and people
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know that I live in the United
States or whatever.
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But yeah, I mean, there's
certain, I think it's more anti
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Trump than it is anti American.
Obviously there's a lot of
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people up there that don't like
him, except in Alberta.
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In Alberta, he's pretty popular,
but he's very.
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Popular in Alberta.
Yeah, yeah, 'cause Alberta's
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quite conservative.
I stay away from all those
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politics.
I try to, yeah, I try to.
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It's, you know, I live in
Florida, so it's, it's a little
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tough to, you know, stay away
from politics, I guess.
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But I mean, you know, with our
industry, as passionate as it is
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and everything, I, I don't like
to get into any of that stuff.
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It, it doesn't matter to me.
I'm not going to choose friends
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based on politics or customers
based on politics.
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It's just not how I operate.
So yeah, it was actually never
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really a thing for me.
So the other thing I wanted to,
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to talk about a little bit is I
know for the last few years
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anyways, you've been pretty
focused on another four letter
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band tool and they're, I think
they're a client of your, your
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business, right, your laser
companies.
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Oh, we have a company.
I have a partner myself.
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We have a company called
Production Design International
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and we do lasers.
We're basically a laser company
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and we've done acts like Foo
Fighters.
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We do stools since 2006.
And you know, we do Dan's like
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DJs like Kygo and some, we do
the Valve Festival up here.
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We do a lot and a lot of motion
pictures.
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So they know.
The company's been around since
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1994, so it's about 32 years
now.
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That's crazy.
You know, so many people, I
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think, think of you as just a
lighting designer, right?
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And and you've been a production
manager and you've been so many
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different things in touring.
But also, you know, you've had
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this laser company like you were
doing lasers.
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I remember before lasers were
cool, you know, back when it was
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weird guys in lab coats that did
lasers, you know?
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Yeah, well, you know something.
Speaking of the weird guys in
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lab coats, I did, I was tour
managing for a friend of mine,
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Blue Oyster Coal, and they had a
laser and they had a guy named
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Doctor David Alfonte out there.
And he had one of the old, you
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know, the old school lasers that
we we all own at one point in
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time where it was, you know,
water and power joining together
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into the power supply because
you had a water cooled.
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What could go wrong?
Yeah.
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I mean, you know, you had to be
an electrician and a plumber
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back then and you had to carry
like 600 lbs of equipment.
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Cases that would weigh like 600
lbs would be forklifts to get
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move it.
You know, it's kind of a it's
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kind of the beginning of the
laser revolution.
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And there were companies out
there like laser Media, you
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know, and it was just, it was
pretty fantastic back then, a
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lot of work.
Now it has been revolutionized
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to the point where it's like you
can plug it into a wall outlet.
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Yeah, they're just, they're
self-contained boxes and even
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the software has gotten much
better and the control systems
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and everything have gotten
better.
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The scanning devices have gotten
better, all of it, just like
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moving lights and anything else,
right?
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Technology advances.
Yeah.
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So now I'm I'm, I'm known as a
leisure salesman now it's like.
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That's funny.
It's kind of funny.
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People go do you do lights?
Well, we don't want you doing
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lights.
You're a laser guy.
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We'll get our own lighting guy.
That's funny.
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That's fun.
Hey, no problem.
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I'll just sit over here and
smoke a cigar and do lasers
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then.
How's that?
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Yeah.
But I remember, I remember doing
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an interview with a, a local,
you know, a Canadian band up
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here and they said, well, who
have you done before for
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lighting?
And I said, well, you know, I've
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done rushed in their whole
career.
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And they went, oh, somebody, can
you tell me something that
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you've done that's new?
And he's like, he's crazy,
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really.
And he's like, yeah, he goes
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anybody contemporary, you know,
had you done anything with, you
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know, tragically hit at the
time?
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And I went, yeah, I actually
have done some stuff with
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tragically.
Yeah.
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I said well, yeah, we're looking
for a much younger person to do
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lighting.
Oh my goodness.
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And I'm like, well, OK, and
then, you know, that's what
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you'll get.
Yeah.
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Should I see you now or a little
later?
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You know, that's that's wild.
Have you done anyone, you know,
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younger than Russia?
Like, I mean, I don't know, you
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know, who's more famous than
Russia in Canada, maybe Justin
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Bieber or something, but not
very many people are are bigger
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than Russia in Canada.
So.
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People would want a year right
now.
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I mean, it's like it's, it's a
whole new world, you know, since
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EDM has come into play.
And I'm noticing a lot of the
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00:12:32,680 --> 00:12:35,400
young lighting designers, that's
all they really grew up knowing
219
00:12:35,880 --> 00:12:38,280
EDM shows.
So while they're whoever they
220
00:12:38,360 --> 00:12:41,720
do, it just looks like a
glorified EDM show.
221
00:12:42,160 --> 00:12:45,560
Kind of does, doesn't it?
Like that is that is getting,
222
00:12:46,600 --> 00:12:49,480
you know, I don't want to bag on
lighting designers or anything,
223
00:12:49,480 --> 00:12:53,560
but I find that whether it's a
country show, a rock show, a pop
224
00:12:53,560 --> 00:12:57,720
show, so many of them are just
completely, you know,
225
00:12:57,720 --> 00:13:00,120
ubiquitous.
They look the same like.
226
00:13:00,320 --> 00:13:03,960
It's I mean, and the, and the
creative lighting design, I
227
00:13:03,960 --> 00:13:06,240
mean, there's a lot of people
still doing it that are that are
228
00:13:06,240 --> 00:13:09,320
out there.
Like, I love Tobias Ryland and
229
00:13:09,320 --> 00:13:12,440
he's like, great, you know?
Who's he work with?
230
00:13:12,560 --> 00:13:15,080
I don't know him.
No, he used to work with Roy
231
00:13:15,120 --> 00:13:18,320
Bennett for a long time.
That's his own, who he is, yeah.
232
00:13:18,400 --> 00:13:20,040
Yeah, he has his own company
now.
233
00:13:20,040 --> 00:13:25,640
He does the 1975 and a bunch of
other acts and he's just really
234
00:13:25,640 --> 00:13:29,160
innovative and you know, and so
is Roy for that matter.
235
00:13:29,160 --> 00:13:32,240
You know, the and push the
envelope.
236
00:13:32,280 --> 00:13:34,120
You know, Mark Brickman is
another one.
237
00:13:34,840 --> 00:13:38,000
Pushes the envelope and I love
to push the envelope.
238
00:13:45,280 --> 00:13:50,320
What defines excellence?
Is it found in form, function,
239
00:13:50,960 --> 00:13:55,480
or sheer strength?
Perhaps it calls for more.
240
00:13:56,320 --> 00:13:59,920
It's unconventional, searching
beyond what can be seen.
241
00:14:01,000 --> 00:14:04,920
It moves with grace, intent and
versatility.
242
00:14:05,280 --> 00:14:10,000
While others are content to
remain unchanged, A true hero
243
00:14:10,000 --> 00:14:13,960
rejects the ordinary and
embraces transformation.
244
00:14:14,720 --> 00:14:19,520
They ascend and become the
paragon.
245
00:14:25,560 --> 00:14:29,600
Yeah, but yet some of those guys
are are people who struggle to
246
00:14:29,600 --> 00:14:33,560
get work, you know, and and.
We all struggle to get no, but
247
00:14:33,560 --> 00:14:34,280
it's.
Weird.
248
00:14:34,280 --> 00:14:37,840
It like that to me is weird.
Like if I was a young band going
249
00:14:37,840 --> 00:14:41,280
out, I'd want the guy that did
Rush or Pink Floyd or you know,
250
00:14:41,640 --> 00:14:45,800
any of these iconic artists with
hugely complicated shows and
251
00:14:45,800 --> 00:14:47,800
stuff.
Like if you can do that, you can
252
00:14:47,800 --> 00:14:53,040
do my ACT for sure, right.
So yeah, that's another weird
253
00:14:53,040 --> 00:14:57,040
thing about our business right
now is, is there are so many
254
00:14:57,040 --> 00:15:01,640
talented, like incredibly
talented, legendary sort of
255
00:15:01,640 --> 00:15:04,320
people who are just kind of
being shelved right now.
256
00:15:04,840 --> 00:15:07,760
And I don't see it happening as
much in audio.
257
00:15:07,760 --> 00:15:11,520
Like you still see a lot of
older front of house engineers
258
00:15:11,520 --> 00:15:13,280
out there, but less lighting
people.
259
00:15:13,680 --> 00:15:18,400
And that's tragic, you know,
because I'd still rather see
260
00:15:19,000 --> 00:15:22,840
Howard Ungerleider or or Cosmo
Wilson or Peter Morris light a
261
00:15:22,840 --> 00:15:27,520
rock show then then, you know,
Joey Smith, the guy that just,
262
00:15:27,720 --> 00:15:30,880
you know, came out of high
school or whatever.
263
00:15:30,880 --> 00:15:32,760
And that's nothing against young
designers.
264
00:15:32,920 --> 00:15:35,960
That'll earn your way up.
You know, and those and, and,
265
00:15:36,040 --> 00:15:38,120
and those guys are worth
mentioning because they're
266
00:15:38,120 --> 00:15:40,320
great, you know?
Yeah, yeah, you.
267
00:15:40,440 --> 00:15:43,280
Know there's a There's a handful
of great designers out there and
268
00:15:43,280 --> 00:15:46,120
even some young, like back to
Winsky is a good designer.
269
00:15:46,840 --> 00:15:50,280
You know, he's a young guy and
he's great and there are a lot
270
00:15:50,280 --> 00:15:52,640
of great young guys.
You just have to find them.
271
00:15:53,040 --> 00:15:54,880
Matt's going to love that.
You just said that.
272
00:15:55,000 --> 00:15:56,760
He's going to like he's going
to.
273
00:15:56,920 --> 00:15:59,600
He's a good guy, you know?
Yeah, man, he's a good dude.
274
00:16:00,280 --> 00:16:02,360
You just say that because he's a
hog guy though, don't you?
275
00:16:03,280 --> 00:16:05,560
No.
Are you still a hog guy?
276
00:16:05,920 --> 00:16:08,560
Yeah, yeah, there's a reason.
There's a reason for that.
277
00:16:08,840 --> 00:16:11,280
What is that?
The reason is there's physical
278
00:16:11,280 --> 00:16:15,560
structure of the console like,
you know, I'm, I've been on
279
00:16:15,560 --> 00:16:19,800
anime boards, you know, and I
just don't like where the where
280
00:16:19,800 --> 00:16:24,160
they put the the hand rest up
against those touch buttons.
281
00:16:24,160 --> 00:16:28,880
I'm a pretty hands on guy with
the touch buttons and you know,
282
00:16:29,200 --> 00:16:33,320
I'd like to use an expansion
wing and hog has expansion
283
00:16:33,320 --> 00:16:37,280
wings, which which are great and
the the buttons on the hog.
284
00:16:37,280 --> 00:16:41,600
I originally, you know, when was
a high end product, I actually
285
00:16:41,600 --> 00:16:45,400
steered the process of getting
those touch buttons because able
286
00:16:45,400 --> 00:16:48,720
was using those same touch
buttons on their consoles and I
287
00:16:48,720 --> 00:16:51,600
used to have evil consoles prior
to that.
288
00:16:52,200 --> 00:16:55,640
So I made the hog put in those
same touch buttons.
289
00:16:56,200 --> 00:17:00,800
They had a little Click to it,
but I find on the on the MAS,
290
00:17:01,320 --> 00:17:03,640
the buttons are very sensitive
and they have the little dip in
291
00:17:03,880 --> 00:17:07,520
on the on the top and if you
hover your hand over it, the
292
00:17:07,520 --> 00:17:11,000
lights will start flashing and
wow, it's just yeah.
293
00:17:11,359 --> 00:17:16,760
It's funny, you know, like I,
you guys are all very like
294
00:17:16,760 --> 00:17:20,040
creatures of habit in a sense.
You guys being people who are
295
00:17:20,040 --> 00:17:25,280
running these consoles, lighting
director folks, you know, when
296
00:17:25,280 --> 00:17:28,200
they went from the 2 to the
three, like a lot of it was just
297
00:17:28,200 --> 00:17:30,520
syntax that people freaked out
about.
298
00:17:30,560 --> 00:17:34,000
You know, it was just like it
was first you do this, then you
299
00:17:34,000 --> 00:17:36,000
do this.
Oh well, on the new one, first
300
00:17:36,000 --> 00:17:37,960
you do this twice and then you
do this.
301
00:17:38,320 --> 00:17:42,960
And you know when it's stuff
that you just have muscle memory
302
00:17:42,960 --> 00:17:45,920
on and all of a sudden they've
changed all of that.
303
00:17:45,920 --> 00:17:49,640
People rebelled against it for
literally years like a Cove.
304
00:17:49,640 --> 00:17:51,040
It certainly didn't help either,
but.
305
00:17:51,040 --> 00:17:53,560
Well, it's like, you know, now
they have the now the consoles
306
00:17:53,560 --> 00:17:56,320
with this button does this,
this, this and this, Adam,
307
00:17:56,560 --> 00:17:59,640
hundreds of other things, Yeah.
Or you could have it over here
308
00:17:59,640 --> 00:18:02,200
and they can do the exact same
thing as this button over here.
309
00:18:02,200 --> 00:18:04,720
Yeah, yeah.
So there's so many variables,
310
00:18:04,920 --> 00:18:07,320
yeah, that you can use that.
It's just it's what could be
311
00:18:07,320 --> 00:18:09,320
overwhelming to some people.
Yeah.
312
00:18:09,560 --> 00:18:13,360
You know and you know I.
Especially us, us older guys who
313
00:18:13,360 --> 00:18:17,280
don't don't like that much
change all at once, you know,
314
00:18:17,280 --> 00:18:20,240
Don't make me relearn how to use
my computer, you know?
315
00:18:20,240 --> 00:18:24,320
Please listen I was invited once
to fly the space shuttle
316
00:18:24,320 --> 00:18:27,080
simulator.
I had the opportunity to go
317
00:18:27,080 --> 00:18:32,280
there and my copilot was John
Young, one of the original Jesus
318
00:18:32,280 --> 00:18:33,720
pilots of the space shuttle.
That's.
319
00:18:33,720 --> 00:18:36,200
Wild.
You know, and I looked at, I
320
00:18:36,200 --> 00:18:39,200
looked in the, in the, in the
shuttle, I was looking around at
321
00:18:39,200 --> 00:18:42,560
them thinking to myself, wow,
all these buttons that are on
322
00:18:42,560 --> 00:18:47,320
here look like they've done in
the 1950s or 60s aircraft.
323
00:18:48,280 --> 00:18:50,800
And I said I was, I was thinking
this would be so high tech.
324
00:18:50,800 --> 00:18:52,640
You know, it's the space show,
right?
325
00:18:52,640 --> 00:18:55,840
So I look, I look over John
Young and I said, hey, is there
326
00:18:55,840 --> 00:18:59,640
any reason why all these
controls look really old?
327
00:18:59,720 --> 00:19:01,920
And he looked at me and he said,
yeah, there is a reason.
328
00:19:02,600 --> 00:19:06,200
The reason is we know they work.
That's true too.
329
00:19:06,440 --> 00:19:09,760
That's true too.
They've had the test of time and
330
00:19:09,760 --> 00:19:12,960
that's what it was.
So yeah, I'll, I'll use a hog
331
00:19:12,960 --> 00:19:15,880
because I know it works.
Because it's comfortable.
332
00:19:15,880 --> 00:19:18,680
What I want to do on it?
Yeah, well, it's like, you know,
333
00:19:18,680 --> 00:19:21,600
that pair of jeans too, that you
just love, you know, they just
334
00:19:21,600 --> 00:19:24,600
feel right and, and you've worn
them in perfectly and everything
335
00:19:24,600 --> 00:19:26,400
else.
But have you moved to the new
336
00:19:26,400 --> 00:19:28,760
Hogs yet?
Not yet.
337
00:19:29,040 --> 00:19:31,120
I'm I'm still on the floor.
Yeah.
338
00:19:32,040 --> 00:19:33,720
Because I know it works.
Yeah.
339
00:19:34,000 --> 00:19:38,880
Yeah, you know, and.
Yeah, I get it, man, I get it.
340
00:19:38,880 --> 00:19:45,680
And you know, I, I don't know
why the whole world went to MA 3
341
00:19:45,680 --> 00:19:49,640
and MA 2 and all that stuff.
I guess you know it, it does
342
00:19:49,640 --> 00:19:52,000
something for them that they
thought other things didn't or
343
00:19:52,000 --> 00:19:55,280
whatever.
You know, I have a theory in my
344
00:19:55,280 --> 00:20:01,120
head because you know now that
Avo is owned by by Roby and.
345
00:20:02,000 --> 00:20:04,800
You know, Avo is kind of the odd
man out right now.
346
00:20:04,800 --> 00:20:08,680
Like as hard as they try and as
big a manufacturer and powerful
347
00:20:08,680 --> 00:20:13,040
as Roby is, it's not easy to get
people to use a different
348
00:20:13,040 --> 00:20:15,320
console.
It's really, really hard.
349
00:20:15,320 --> 00:20:17,480
It's like an operating system on
a computer.
350
00:20:17,480 --> 00:20:20,360
Try and convert Windows people
to Mac or whatever.
351
00:20:20,360 --> 00:20:22,880
It's hard.
It's very hard to do because
352
00:20:22,880 --> 00:20:26,160
you're making people again,
change your entire habits how
353
00:20:26,240 --> 00:20:30,520
how you do things right.
And I think most of the young
354
00:20:30,800 --> 00:20:35,280
generation, the console of
choice when they were coming
355
00:20:35,280 --> 00:20:39,400
into, you know, their own, what
was the grandma?
356
00:20:39,760 --> 00:20:42,320
Yeah.
And you know, and they learned
357
00:20:42,920 --> 00:20:45,040
their their trade on that
console.
358
00:20:45,040 --> 00:20:46,960
So they'll always use that
console.
359
00:20:47,720 --> 00:20:49,720
And it became a very popular
console.
360
00:20:50,080 --> 00:20:54,160
Yeah, well, and, and you know,
you on the other hand, and me,
361
00:20:54,160 --> 00:20:56,680
like I remember being at
upstaging the first time I saw
362
00:20:56,680 --> 00:21:01,120
the Hog one, it was Nick Sholam
getting ready for the Eagles and
363
00:21:01,720 --> 00:21:03,920
saw the him working out the Hog
1.
364
00:21:03,920 --> 00:21:05,200
And I'm like, what the hell is
this thing?
365
00:21:05,200 --> 00:21:08,120
And I met Nils and, you know, it
was really cool.
366
00:21:08,120 --> 00:21:14,160
And and then I remember seeing
the Hog 2 shortly after and that
367
00:21:14,160 --> 00:21:16,560
just really revolutionized
consoles.
368
00:21:16,560 --> 00:21:18,760
Like it just changed the whole
industry.
369
00:21:18,760 --> 00:21:22,160
Like suddenly people could make
money as programmers, you know,
370
00:21:22,160 --> 00:21:24,600
and and they were getting paid
pretty well all of a sudden,
371
00:21:24,600 --> 00:21:26,200
right.
And.
372
00:21:27,720 --> 00:21:30,280
I think I've used almost every
board that was out there.
373
00:21:30,280 --> 00:21:32,240
I even invented my own boards if
you get it.
374
00:21:32,440 --> 00:21:35,320
I remember.
Yeah, with C factor, right.
375
00:21:35,720 --> 00:21:39,480
Yeah, with C factor, Yeah, I had
boards that had joysticks on it,
376
00:21:39,480 --> 00:21:43,760
pin matrixes, you know, chases
to the pin matrixes.
377
00:21:43,760 --> 00:21:45,440
What was that C factor board
called?
378
00:21:46,840 --> 00:21:49,000
Well, that's no.
The one you're thinking of was
379
00:21:49,000 --> 00:21:51,080
the light coordinator, but I
never used that.
380
00:21:51,400 --> 00:21:53,200
Oh, you didn't?
I thought you were part of the
381
00:21:53,200 --> 00:21:57,400
person who designed that.
No, I, I designed the earlier
382
00:21:57,400 --> 00:22:04,120
consoles before that actually
before automation and I created
383
00:22:04,120 --> 00:22:06,440
these custom wood.
They're still hanging on the
384
00:22:06,440 --> 00:22:09,760
wall at C factor.
I remember first time I ever
385
00:22:09,760 --> 00:22:16,520
went through C factor with Bob
and it was like 1991, maybe 92,
386
00:22:17,080 --> 00:22:20,080
and he was showing me those
consoles and say, yeah, we built
387
00:22:20,080 --> 00:22:24,800
these things for Rush.
And I was like, wow, you know,
388
00:22:24,800 --> 00:22:29,200
me being the Canadian bass
player, singer guy, it was all
389
00:22:29,200 --> 00:22:30,800
in awe.
I didn't know you yet.
390
00:22:31,240 --> 00:22:34,520
And and so that was pretty
exciting.
391
00:22:36,080 --> 00:22:39,400
Those were exciting times.
You know, I mean, when I started
392
00:22:39,400 --> 00:22:45,360
doing rock, I just had turned
22, so I was, you know, fairly
393
00:22:45,360 --> 00:22:47,880
young.
And before that I was an agent
394
00:22:47,880 --> 00:22:50,720
in New York.
You know, I started as
395
00:22:51,080 --> 00:22:54,600
delivering teas and coffee.
I don't think a lot of people
396
00:22:54,600 --> 00:22:57,440
know that story.
I know you told it on my podcast
397
00:22:57,440 --> 00:22:59,320
before, and I was blown away by
it.
398
00:22:59,320 --> 00:23:03,160
But yeah, you were an agent
sitting in your office while you
399
00:23:03,160 --> 00:23:05,120
didn't have an office because
you were delivering teas and
400
00:23:05,120 --> 00:23:07,200
coffees.
Well, before, yeah, I was
401
00:23:07,200 --> 00:23:10,760
delivering teas and coffee and I
was taking care of the mail.
402
00:23:10,760 --> 00:23:12,560
I was in the mailroom.
Yeah.
403
00:23:12,720 --> 00:23:15,000
You know, And then you know,
they would have their Tuesday
404
00:23:15,120 --> 00:23:18,600
afternoon meetings or morning
meetings, but all the agents
405
00:23:18,600 --> 00:23:20,680
would get yelled at by the
presidents of the company
406
00:23:20,680 --> 00:23:25,280
because they didn't bring in
enough of the the ACT work.
407
00:23:25,280 --> 00:23:29,440
But I overheard it one day when
I went out and I secured a gig
408
00:23:29,440 --> 00:23:35,080
for Fleetwood Mac and turned in
a contract to the contract
409
00:23:35,080 --> 00:23:37,560
department.
And they said, where's your
410
00:23:37,560 --> 00:23:40,320
deposit on this?
And I said, oh, it didn't get
411
00:23:40,320 --> 00:23:42,200
one.
They said we're not turning this
412
00:23:42,200 --> 00:23:45,560
in till you get a deposit.
Go back and tell them you want a
413
00:23:45,560 --> 00:23:48,120
certified check from at least
half of this.
414
00:23:48,720 --> 00:23:50,040
I said from.
Fleetwood Mac.
415
00:23:50,800 --> 00:23:53,400
Your Fleetwood Mac was a
Fleetwood Mac package.
416
00:23:53,920 --> 00:23:56,880
They had a band called Flash
opening for them at the time.
417
00:23:57,560 --> 00:24:01,160
And so I put the package
together and I got, I received
418
00:24:01,160 --> 00:24:03,840
the deposit from this.
It was a university.
419
00:24:03,840 --> 00:24:09,480
And I put it in and they put my
initials on it.
420
00:24:09,480 --> 00:24:13,160
And when the president saw these
initials, he's like, who the
421
00:24:13,200 --> 00:24:16,640
Hell's initials are these?
And they went, oh, it's the kid
422
00:24:16,640 --> 00:24:19,680
in the mailroom.
And then I got called into the
423
00:24:19,680 --> 00:24:22,000
office and I yelled at actually
by the guy.
424
00:24:22,000 --> 00:24:25,760
And he said, you know, you know,
you know what it takes to be an
425
00:24:25,760 --> 00:24:27,640
agent.
You don't even have any
426
00:24:27,640 --> 00:24:30,080
experience.
And you brought this show in.
427
00:24:30,080 --> 00:24:31,600
How did you even know about this
show?
428
00:24:31,960 --> 00:24:34,000
Said you were yelling at
everybody in the Tuesday
429
00:24:34,000 --> 00:24:36,320
meeting.
And I was taking care of some
430
00:24:36,320 --> 00:24:39,520
mail, and I overheard you.
So I figured I'd help you out.
431
00:24:40,200 --> 00:24:43,120
So from that point on, it was
just a steady rise.
432
00:24:43,880 --> 00:24:47,160
Wow, that's amazing.
How the hell did you get
433
00:24:47,400 --> 00:24:49,680
Fleetwood Mac?
Like, how did that come
434
00:24:49,680 --> 00:24:51,360
together?
It was one, it was one of their
435
00:24:51,360 --> 00:24:55,360
bands that they represented, you
know, agents representing these
436
00:24:55,360 --> 00:24:58,160
sign acts to their to their
company.
437
00:24:58,160 --> 00:25:03,160
And this company was called the
ATI American Talent
438
00:25:03,160 --> 00:25:06,360
International, the owner.
They had three partners in
439
00:25:06,360 --> 00:25:11,040
there, Jeff Franklin, guy named
Saul Sapien and Ira Blocker.
440
00:25:11,040 --> 00:25:12,640
The three of them ran the
company.
441
00:25:12,640 --> 00:25:17,920
But one day Franklin went to
went to England and signed 60
442
00:25:17,920 --> 00:25:21,480
bands and brought it back to him
and all of a sudden we were one
443
00:25:21,480 --> 00:25:23,400
of the biggest agencies in North
America.
444
00:25:23,880 --> 00:25:26,960
Wow.
They're the ones that actually
445
00:25:28,840 --> 00:25:32,920
took on Rush.
And, you know, they said to me,
446
00:25:33,320 --> 00:25:36,920
I guess because I was probably
the youngest guy there and they
447
00:25:36,920 --> 00:25:41,840
said get in my office, I want to
want to talk to you and said,
448
00:25:41,840 --> 00:25:48,680
yeah, So he said, OK, I have an
offer for you.
449
00:25:49,560 --> 00:25:52,200
And I said, I have two offers.
And I said, what's that?
450
00:25:52,680 --> 00:25:58,840
He goes, you can get on a plane
in a week, go up to Canada and
451
00:25:58,840 --> 00:26:00,960
work for a club band called
Rush.
452
00:26:01,720 --> 00:26:03,920
And I said, what's the other one
goes?
453
00:26:03,920 --> 00:26:05,360
You're fired.
You pick.
454
00:26:05,360 --> 00:26:08,000
Oh.
Damn, yeah, those are good.
455
00:26:08,040 --> 00:26:09,800
Options.
He was just just told I had to
456
00:26:09,800 --> 00:26:12,520
go up there, so I did.
In hindsight, you made a pretty
457
00:26:12,520 --> 00:26:15,160
good choice.
I didn't even know who the band
458
00:26:15,160 --> 00:26:16,840
was back then.
Yeah, well, no one they.
459
00:26:16,840 --> 00:26:18,520
Hadn't even come out really
they.
460
00:26:18,560 --> 00:26:21,960
Yeah, no one did.
I had one album and I guess it
461
00:26:21,960 --> 00:26:29,200
was played at WMMS in Cleveland
who broke Rush by Donna Halpern,
462
00:26:29,800 --> 00:26:33,640
who was the the person there at
the time that was spinning the.
463
00:26:34,080 --> 00:26:35,120
Program.
Director.
464
00:26:35,200 --> 00:26:39,240
Yeah, program director.
And the rest was history.
465
00:26:39,600 --> 00:26:46,160
Cliff Bernstein was at Mercury
Records, heard it, loved it, and
466
00:26:46,160 --> 00:26:50,840
she put Cliff together to sign
Rush to Mercury Records in 74.
467
00:26:50,840 --> 00:26:55,320
And that's what I I was injected
into it in July of 74.
468
00:26:56,280 --> 00:26:59,040
And there was no Internet or
anything, so it's not like you
469
00:26:59,040 --> 00:27:00,600
could just go out and do
research.
470
00:27:00,600 --> 00:27:02,560
Who are these guys in Russia or
whatever.
471
00:27:02,560 --> 00:27:05,000
So no, you just walked in
completely blind, right?
472
00:27:05,520 --> 00:27:08,400
And not only was there no
Internet, there was no drummer,
473
00:27:09,480 --> 00:27:13,600
because John and John Rutsey,
their original drummer, had left
474
00:27:13,600 --> 00:27:16,120
the band.
Yeah, and they were auditioning
475
00:27:16,120 --> 00:27:18,080
drummers, right?
Right.
476
00:27:18,080 --> 00:27:21,400
And So what were you being sent
there to do?
477
00:27:21,400 --> 00:27:23,520
Just babysit.
Tour Manage.
478
00:27:24,360 --> 00:27:26,680
Get.
Them ready to tour because they
479
00:27:26,680 --> 00:27:30,520
had been they were playing club
circuits across Canada so they
480
00:27:30,560 --> 00:27:34,360
really hadn't had any
professional touring and I had a
481
00:27:34,360 --> 00:27:37,920
bunch of professional touring,
you know working for the agency
482
00:27:37,920 --> 00:27:40,440
and they would send me all over
the place make collecting money
483
00:27:40,440 --> 00:27:43,760
from promoters and you know
didn't pay the time it's.
484
00:27:45,040 --> 00:27:49,560
Funny.
Oh no, it was a really good
485
00:27:49,560 --> 00:27:51,120
experience.
Nice experience.
486
00:27:52,160 --> 00:27:58,320
So today's episode is brought to
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online today at mainlight.com.
507
00:29:10,960 --> 00:29:12,200
Yeah.
Tell me what it was like when
508
00:29:12,200 --> 00:29:15,400
you got there and you, you meet
these guys and they weren't
509
00:29:15,400 --> 00:29:18,720
wearing like, silk kimonos yet
or anything.
510
00:29:18,720 --> 00:29:22,880
They were.
But they were, they were weird.
511
00:29:23,760 --> 00:29:25,120
They were weird.
They were different.
512
00:29:25,680 --> 00:29:28,200
They were, they were electric,
that's for sure.
513
00:29:28,800 --> 00:29:35,120
And, you know, the we got along
very well, accepted the fact
514
00:29:35,120 --> 00:29:39,760
that they had this thing about
Americans thinking everything is
515
00:29:39,760 --> 00:29:41,520
great.
They would they referred to me
516
00:29:41,520 --> 00:29:46,680
as our our token yank.
And they said, you know, because
517
00:29:46,680 --> 00:29:51,360
one time I was up here and and
when I first met Raj and Getty
518
00:29:51,360 --> 00:29:57,160
was living on Yonge St. north of
the city in Willowdale and used
519
00:29:57,160 --> 00:30:00,000
to tell me if you want a good
pizza, it's right down the
520
00:30:00,000 --> 00:30:01,680
street.
It's called pizza pizza.
521
00:30:02,280 --> 00:30:04,840
And I went really?
And he goes, yeah, that's really
522
00:30:04,840 --> 00:30:07,400
good.
So I go there and it was like,
523
00:30:07,440 --> 00:30:11,280
really not my favorite.
It was actually quite awful.
524
00:30:11,280 --> 00:30:13,480
Well, you're coming from New
York too, right?
525
00:30:13,480 --> 00:30:15,120
I'm.
Coming from the yeah where they
526
00:30:15,160 --> 00:30:17,240
make real pizza.
Yeah, yeah.
527
00:30:17,240 --> 00:30:21,520
So I went back and I said, man,
this pizza is not close to what
528
00:30:21,520 --> 00:30:25,160
we have down in New York.
Oh are you fucking Yanks and
529
00:30:25,160 --> 00:30:26,760
blah blah blah.
That's.
530
00:30:26,760 --> 00:30:28,880
Hilarious.
Think everything is better down
531
00:30:28,880 --> 00:30:30,400
there?
I said, when you get down there,
532
00:30:30,400 --> 00:30:33,840
I'll, I will turn you on to the
pizza that you'll enjoy.
533
00:30:35,040 --> 00:30:40,040
You know, so I was like, you're
sort of scout leader.
534
00:30:40,040 --> 00:30:45,720
He was, I grew up my my dad was
a drill Sergeant, you know, and
535
00:30:46,720 --> 00:30:50,360
I used to get drilled to bed and
my dad was in always had this
536
00:30:50,720 --> 00:30:57,640
heavy duty to instill honor,
loyalty, you know, dedication,
537
00:30:58,080 --> 00:31:02,760
you know, work ethic.
And it was drilled into me quite
538
00:31:02,760 --> 00:31:04,560
heavily.
So I just looked at this whole
539
00:31:04,560 --> 00:31:09,040
thing as a sort of like a
military installation.
540
00:31:09,040 --> 00:31:12,360
And we're just going to go out.
We're going to do 200 cities a
541
00:31:12,360 --> 00:31:15,960
year and I'll take charge and
make sure everything happens.
542
00:31:15,960 --> 00:31:18,040
And it was quite units along the
way.
543
00:31:18,440 --> 00:31:22,160
Yeah, that's hilarious.
So when when did the when did
544
00:31:22,160 --> 00:31:26,520
your nickname come about Hearns?
That was a very, you know, I try
545
00:31:26,520 --> 00:31:31,640
to tell someone the story, but I
guess you have to be really old
546
00:31:32,080 --> 00:31:36,160
and a geezer to understand it.
Because when I tell the story to
547
00:31:36,160 --> 00:31:37,720
people.
I just had an interview with the
548
00:31:37,720 --> 00:31:43,440
Toronto Star and that same
question came up from the
549
00:31:43,440 --> 00:31:46,880
interviewer.
And as I'm speaking with him, he
550
00:31:46,880 --> 00:31:50,240
didn't know what I was referring
to when I was mentioning certain
551
00:31:50,240 --> 00:31:55,680
TV shows and certain actors like
Dudley Moore and, you know, the
552
00:31:55,680 --> 00:31:57,920
Goon shows.
And I was mentioning all these
553
00:31:57,920 --> 00:32:00,240
things that were happening in
England.
554
00:32:00,840 --> 00:32:03,120
And he had no clue.
So I said to him, like, just
555
00:32:03,120 --> 00:32:06,240
excuse me for a minute.
Can I ask you how old you are?
556
00:32:06,240 --> 00:32:09,360
And you want 25?
I said well that explains.
557
00:32:09,360 --> 00:32:11,200
It that's.
Why you don't know this?
558
00:32:11,200 --> 00:32:14,560
Well, what happened was there,
there's a musician who's out
559
00:32:14,560 --> 00:32:19,000
there who was quite phenomenal
named Ryan Auger, the Jazz B3
560
00:32:19,000 --> 00:32:21,920
player.
And he was with them in the
561
00:32:21,920 --> 00:32:27,000
early 70s, well 60s and 70s.
He was with a woman named Julie
562
00:32:27,000 --> 00:32:30,400
Driscoll and they wrote a song
called Season of the Witch.
563
00:32:30,400 --> 00:32:35,800
It was a big hit.
But Brian is jazz V3 player,
564
00:32:36,320 --> 00:32:39,360
incredible.
And he's actually the one who
565
00:32:39,360 --> 00:32:42,120
taught Keith Anderson how to
play B3.
566
00:32:42,280 --> 00:32:45,120
Oh jeez.
And I was the tour manager for
567
00:32:45,120 --> 00:32:50,840
Brian Auger prior to Rush, and
Brian would watch this show
568
00:32:50,840 --> 00:32:53,360
called the Goon Shows with
Douglas Moore back in Newland.
569
00:32:53,840 --> 00:32:56,680
And they had a character called
Sergeant Hearns that would bark
570
00:32:56,680 --> 00:33:00,120
out orders to people.
So he would call me Hearns
571
00:33:00,120 --> 00:33:02,880
because I was always barking
water orders.
572
00:33:02,880 --> 00:33:05,560
Like you got to wake up at 4:00
in the morning so we can make
573
00:33:05,560 --> 00:33:07,680
this.
You can get in the van and leave
574
00:33:07,680 --> 00:33:10,840
in the next city so we can make
it on time and you know, things
575
00:33:10,840 --> 00:33:12,800
like that.
So that name came from him, not
576
00:33:12,800 --> 00:33:14,200
from Rush.
Right.
577
00:33:14,280 --> 00:33:19,520
But one day, the agency put him
on as an opening act for Rush.
578
00:33:20,000 --> 00:33:21,800
When I was in the dressing room
with Getty.
579
00:33:21,800 --> 00:33:22,680
That's weird.
He.
580
00:33:23,240 --> 00:33:26,800
Poked his head in and he won.
Hearns, how you doing?
581
00:33:26,800 --> 00:33:29,520
And then Getty and Alex went,
what did he just call you?
582
00:33:29,960 --> 00:33:32,600
Yeah.
And I went, oh, here we go.
583
00:33:32,840 --> 00:33:34,760
Yeah.
And that name just stuck after
584
00:33:34,760 --> 00:33:37,160
that.
Forever, forever.
585
00:33:37,160 --> 00:33:39,120
Do they still call you that or
do they call you?
586
00:33:39,120 --> 00:33:41,200
Yeah, they still call you.
Emails.
587
00:33:41,480 --> 00:33:44,520
Yeah, I get emails.
It's OK.
588
00:33:44,600 --> 00:33:46,040
I call Getty Dirk.
So it's like.
589
00:33:46,840 --> 00:33:49,280
You call him Dirk.
But yeah, we have nicknames
590
00:33:49,280 --> 00:33:50,920
every.
Everybody has like 10 different
591
00:33:50,920 --> 00:33:52,360
names.
That's funny.
592
00:33:52,720 --> 00:33:54,720
Oh yeah, we call each other
different names also.
593
00:33:54,960 --> 00:33:57,840
Where's Dirk come from?
Forget.
594
00:33:58,560 --> 00:34:01,840
That's Neil appeared.
Called Dirk.
595
00:34:03,760 --> 00:34:08,000
OK, yeah.
And was Neil called anything
596
00:34:08,000 --> 00:34:10,320
other than the professor?
Tratt.
597
00:34:11,520 --> 00:34:13,600
I knew that.
I actually knew that.
598
00:34:13,600 --> 00:34:16,560
And then Alex was called Lurks.
Yeah, I knew that one too.
599
00:34:16,679 --> 00:34:20,080
I made that one up and.
Where did that come from?
600
00:34:20,560 --> 00:34:23,800
I came from some friends that I
used to have that used to always
601
00:34:23,800 --> 00:34:27,880
end everything with an XSD at
the end of whatever word they
602
00:34:27,880 --> 00:34:30,840
said and so on.
I would just call him that.
603
00:34:31,280 --> 00:34:32,960
Just everything caught catches
on.
604
00:34:33,000 --> 00:34:36,719
He just seemed like alert.
Yeah, so, you know, growing
605
00:34:36,800 --> 00:34:41,800
like, you know, I grew up in
cars, vans, motorhomes and buses
606
00:34:41,800 --> 00:34:44,800
with these guys for the month my
most of my life.
607
00:34:45,239 --> 00:34:49,800
Yeah, it really is incredible,
you know that that's it.
608
00:34:49,800 --> 00:34:52,719
It's really, I know you don't
think much of that because it
609
00:34:52,719 --> 00:34:56,320
was your whole life, right?
Like, so you watch them grow up,
610
00:34:56,320 --> 00:34:59,680
you watch them get big, you
watch them get huge from there,
611
00:34:59,680 --> 00:35:03,440
and then you kind of watch them,
you know, you watched all of the
612
00:35:03,440 --> 00:35:05,240
different stages of it first
hand.
613
00:35:05,240 --> 00:35:09,280
You were sitting right there.
So it doesn't probably faze you
614
00:35:09,280 --> 00:35:12,960
so much until some fanboy like
me comes along and goes.
615
00:35:13,800 --> 00:35:16,960
But what was he like, you know,
or whatever, right?
616
00:35:16,960 --> 00:35:19,680
Like, 'cause I grew up on the
other side of all of this,
617
00:35:19,680 --> 00:35:24,440
growing up in in Alberta, a bass
player and singer, You know
618
00:35:24,560 --> 00:35:28,440
what, what choice did I have but
to become a huge Rush fan,
619
00:35:28,440 --> 00:35:30,760
right?
Like right at that time by the
620
00:35:30,760 --> 00:35:33,720
way too, you know, and.
We're a hockey player, one of
621
00:35:33,720 --> 00:35:37,240
the two, you know?
I I sucked at sports, so I
622
00:35:37,240 --> 00:35:39,360
wasn't the greatest musician in
the world either.
623
00:35:39,360 --> 00:35:43,640
But but, you know, I bought
Taurus pedals and and a keyboard
624
00:35:43,640 --> 00:35:49,240
that went and I had to learn
that whole way.
625
00:35:49,600 --> 00:35:53,360
Dear, dear.
And, you know, I never played in
626
00:35:53,360 --> 00:35:55,880
a Rush tribute band because I
just probably wasn't good
627
00:35:55,880 --> 00:35:56,760
enough.
But.
628
00:35:57,200 --> 00:35:59,560
And plus, there weren't really
many back then.
629
00:35:59,560 --> 00:36:03,680
Like there was Clique and and I
didn't know of any other ones in
630
00:36:03,680 --> 00:36:06,200
in Western Canada at the time.
Now they're a dime a dozen.
631
00:36:06,200 --> 00:36:07,760
They're everywhere and they're
really good.
632
00:36:08,280 --> 00:36:12,040
Like, there are some.
Yeah.
633
00:36:12,960 --> 00:36:15,840
I just saw one yesterday.
I think I'd seen them before.
634
00:36:15,840 --> 00:36:18,320
They wear like, coveralls,
orange coveralls, like Devo.
635
00:36:18,320 --> 00:36:20,680
Oh.
Yeah, well, you know, they what
636
00:36:20,680 --> 00:36:22,960
they were doing.
They're wearing the coveralls
637
00:36:22,960 --> 00:36:28,200
from the moving pictures.
I never even put that together.
638
00:36:28,520 --> 00:36:30,840
That's hilarious.
Wow, that's.
639
00:36:30,840 --> 00:36:33,480
Why they wear the coveralls?
Because of, Yeah.
640
00:36:34,560 --> 00:36:38,920
But you know, the long point is
that you lived all of that stuff
641
00:36:38,920 --> 00:36:41,360
with those guys, which is which
is so cool.
642
00:36:41,360 --> 00:36:44,280
And I'm sure going through it,
it was just a job and all that
643
00:36:44,280 --> 00:36:44,960
stuff.
But.
644
00:36:45,360 --> 00:36:47,840
No, they were like brothers, you
know, it was like having, you
645
00:36:47,840 --> 00:36:50,400
know, three brothers to hang
with.
646
00:36:50,480 --> 00:36:52,280
Everybody would always cut each
other off.
647
00:36:52,280 --> 00:36:55,800
They needed a, you know, make
sarcastic comments to each
648
00:36:55,800 --> 00:36:57,520
other.
And I can't imagine that from
649
00:36:57,520 --> 00:36:59,320
you well.
Me.
650
00:37:00,800 --> 00:37:04,040
Well, you've got quite a sense
of humor and stuff, so I I can
651
00:37:04,040 --> 00:37:06,680
imagine that you were right in
there with them on that stuff.
652
00:37:07,200 --> 00:37:09,080
We're all in there.
You know, we used to drive
653
00:37:09,080 --> 00:37:13,120
around in the rental cars, and
we had this fluorescent light
654
00:37:13,120 --> 00:37:16,560
that was in the backseat so Neil
could read while we were driving
655
00:37:16,560 --> 00:37:20,400
down the road for 500 miles.
And everybody would be getting
656
00:37:20,400 --> 00:37:22,200
out of their minds on the way,
you know?
657
00:37:22,200 --> 00:37:23,120
And.
Yeah.
658
00:37:23,920 --> 00:37:25,880
Except you, because you were
driving, of course.
659
00:37:27,160 --> 00:37:31,920
I'm responsible.
I'm not in my mind anyway, so
660
00:37:31,920 --> 00:37:33,560
you're.
You're responsible for a lot of
661
00:37:33,560 --> 00:37:35,320
things.
Like I remember when I watched
662
00:37:35,400 --> 00:37:39,280
the the, what was it called?
All the World's a stage or
663
00:37:39,280 --> 00:37:42,360
whatever the the documentary.
Yeah.
664
00:37:42,680 --> 00:37:44,440
And you know you.
Were a couple.
665
00:37:44,720 --> 00:37:50,000
You kept appearing in there and
it's amazing how big a part of
666
00:37:50,000 --> 00:37:55,160
the story you really were, you
know, and are I should say, but
667
00:37:55,360 --> 00:37:58,760
I, I remember either reading or
seeing on that show or something
668
00:37:58,760 --> 00:38:02,160
that you're the one who who
taught them that they could get
669
00:38:02,480 --> 00:38:05,000
bottles of booze on their on
their rider.
670
00:38:05,560 --> 00:38:07,560
Oh yeah.
They could get, they could order
671
00:38:07,560 --> 00:38:10,320
bottles of whatever they wanted
to their dressing room and they
672
00:38:10,320 --> 00:38:13,440
were like, really?
And then they started playing.
673
00:38:13,440 --> 00:38:19,400
Bombed every night.
They were, they actually very,
674
00:38:19,400 --> 00:38:22,520
very focused on playing.
They didn't get out of their
675
00:38:22,520 --> 00:38:25,240
minds when they were playing.
It was after the shows, you
676
00:38:25,520 --> 00:38:27,640
know, after, after the shows.
We had a good time, you know,
677
00:38:27,640 --> 00:38:30,280
unless I was driving and then I
wouldn't drink at all.
678
00:38:31,040 --> 00:38:33,520
But there'll be other things
that we do.
679
00:38:33,920 --> 00:38:36,960
Yeah, yeah, to stay away.
He didn't have gummies back.
680
00:38:37,680 --> 00:38:41,600
Yeah, thank God because I would
have just sat around eating
681
00:38:41,600 --> 00:38:45,520
gummies all day.
You know, it's like when I go to
682
00:38:45,520 --> 00:38:49,000
Canada now, the whole micro
dosing thing is, is legal up
683
00:38:49,000 --> 00:38:52,320
there.
And you know, I hadn't done
684
00:38:52,320 --> 00:38:55,920
mushrooms since I was probably
19 years old or something.
685
00:38:55,920 --> 00:38:58,360
And somebody goes, have you
tried micro dosing?
686
00:38:58,360 --> 00:39:01,480
Let me give you a few of these.
And, and they're like these nice
687
00:39:01,480 --> 00:39:05,000
little capsules and a nice
little proper, you know,
688
00:39:05,320 --> 00:39:11,040
pharmaceutical bottle and stuff.
And I tried it and I mean, it
689
00:39:11,040 --> 00:39:14,400
was the most clarity I'd seen in
in years probably.
690
00:39:14,680 --> 00:39:16,240
And it doesn't get you high or
anything.
691
00:39:16,240 --> 00:39:17,800
It's just like.
Whoa.
692
00:39:18,720 --> 00:39:22,000
Am I ever thinking great ideas
right now, you know?
693
00:39:22,000 --> 00:39:27,720
I don't know where, I don't know
where you'd get yours, but my
694
00:39:27,840 --> 00:39:30,000
nephew gave me some that were
quite intense.
695
00:39:30,440 --> 00:39:32,720
Oh, these weren't intense.
These these are microbes.
696
00:39:32,720 --> 00:39:38,120
So they're like, you know, I
think like 2/10 of a gram or
697
00:39:38,120 --> 00:39:40,640
something like that.
You know, they're not, you know,
698
00:39:40,640 --> 00:39:44,600
whereas we grew up like the, the
garbage bags from under all the
699
00:39:44,600 --> 00:39:47,760
cow shit and stuff, you know,
and you'd just take a handful.
700
00:39:48,480 --> 00:39:52,160
I grew up in the in the acid
generation where.
701
00:39:52,160 --> 00:39:55,480
We would, yeah.
Ridiculous trips for 8 hours to
702
00:39:55,480 --> 00:40:01,520
10 hours and sometimes longer
and it was that I would not do
703
00:40:01,520 --> 00:40:03,640
now.
But isn't it crazy, though, that
704
00:40:03,640 --> 00:40:06,560
all these health guys are
talking about that, you know,
705
00:40:06,560 --> 00:40:09,960
talking about how
hallucinogenics are really good
706
00:40:09,960 --> 00:40:15,240
for you, you know, and can solve
a lot of problems, you know,
707
00:40:15,240 --> 00:40:19,000
with depression and anger and
whatever else, you know?
708
00:40:19,480 --> 00:40:22,480
Well, my old doctor, Doctor
Timothy Leary, once told me
709
00:40:22,480 --> 00:40:25,480
that.
These are good for you.
710
00:40:25,520 --> 00:40:28,360
Take it.
I remember when when Timothy
711
00:40:28,360 --> 00:40:33,120
Leary and for all you kids out
there, father of LSD, but
712
00:40:34,240 --> 00:40:39,080
Timothy Leary was at an LDI one
year and he delivered a keynote
713
00:40:39,080 --> 00:40:41,800
speech.
I remember that, that whole high
714
00:40:41,880 --> 00:40:43,560
end thing.
It was in.
715
00:40:43,680 --> 00:40:46,880
It was in Reno.
I remember it well, yeah.
716
00:40:46,880 --> 00:40:49,880
And you started it off by going
to the microphone and repeating
717
00:40:49,880 --> 00:40:53,600
three times.
Your eyes are the gateway to
718
00:40:53,600 --> 00:40:57,520
your brain.
Your eyes are the gateway to
719
00:40:57,520 --> 00:40:59,320
your brain.
Everybody been sitting there
720
00:40:59,320 --> 00:41:06,280
going right on tinning.
I remember that so well that
721
00:41:06,280 --> 00:41:08,600
that's hilarious.
That was.
722
00:41:08,760 --> 00:41:11,040
I'm sure Lowell was behind all
of that.
723
00:41:11,240 --> 00:41:14,280
I'm sure he was.
Yeah, yeah, those guys.
724
00:41:14,360 --> 00:41:17,160
I actually had a conversation
with Bellevue the other day.
725
00:41:17,240 --> 00:41:18,920
He's oh.
Yeah, How was Richard doing?
726
00:41:18,920 --> 00:41:21,680
He's awesome.
He's the same frickin Richard.
727
00:41:21,680 --> 00:41:24,120
He's almost 70 now, but he's the
same guy.
728
00:41:24,120 --> 00:41:28,440
You know, he's all tatted up and
got all the cars and stuff and
729
00:41:29,120 --> 00:41:33,000
dating crazy women and yeah, he.
Picked me up in a police car one
730
00:41:33,000 --> 00:41:34,320
day.
Oh, did he really?
731
00:41:34,640 --> 00:41:38,000
A black unmarked police car and
I.
732
00:41:38,000 --> 00:41:39,520
Still got it.
He still got.
733
00:41:39,520 --> 00:41:41,840
It I know it's all it's all like
fixed up.
734
00:41:41,840 --> 00:41:43,920
It's got aircraft landing
lights.
735
00:41:44,200 --> 00:41:45,680
He.
Leaves it in his driveway 'cause
736
00:41:45,680 --> 00:41:48,320
he said people don't fuck with
me when I got this thing in my
737
00:41:48,320 --> 00:41:49,240
driveway.
He told me.
738
00:41:49,240 --> 00:41:51,920
Because when I drive from Austin
to Dallas, everybody moves out
739
00:41:51,920 --> 00:41:54,240
of my way.
Yeah, that's hilarious.
740
00:41:54,840 --> 00:41:57,080
That's hilarious.
I said, what are you doing with
741
00:41:57,080 --> 00:41:58,520
that thing?
And he goes, it protects my
742
00:41:58,520 --> 00:42:00,640
house.
I just leave it in the driveway
743
00:42:00,640 --> 00:42:04,920
and it protects my house.
Yeah, he's as crazy as ever.
744
00:42:04,920 --> 00:42:07,000
But that guy's a genius.
Like he's he's.
745
00:42:07,120 --> 00:42:10,280
Brilliant.
One of the people I have nothing
746
00:42:10,280 --> 00:42:13,400
but time for and just a huge
amount of respect for.
747
00:42:13,400 --> 00:42:18,320
And he's always sort of been
sort of kicked in the corner as
748
00:42:18,320 --> 00:42:21,480
a, as a nut job or something.
Like even at high end, you know,
749
00:42:21,480 --> 00:42:24,680
I, when they were sort of on
their way down a little bit,
750
00:42:24,680 --> 00:42:29,040
like before they sold to Barco,
sort of at my last moments
751
00:42:29,040 --> 00:42:32,240
there, there were people kind of
pushing to get him out of the
752
00:42:32,240 --> 00:42:37,320
company.
And the former CEO went, came to
753
00:42:37,320 --> 00:42:39,440
me and, and said, you know, what
do you think?
754
00:42:39,600 --> 00:42:43,400
Are you on board with this?
And I said hell no, you know,
755
00:42:43,400 --> 00:42:47,320
take my resignation now because,
you know, turn off the lights if
756
00:42:47,320 --> 00:42:49,680
that guy leaves the company, you
know?
757
00:42:49,680 --> 00:42:53,120
I mean, you know, that's why
Hyann had such crazy fixtures
758
00:42:53,120 --> 00:42:54,440
all the time.
Of course.
759
00:42:54,840 --> 00:42:56,760
And he owned the patents on all,
yeah.
760
00:42:57,080 --> 00:43:00,520
Well, not even just the designs,
but just the passion behind
761
00:43:00,520 --> 00:43:03,480
making sure stuff worked.
Like, to a point where it was
762
00:43:03,480 --> 00:43:06,560
annoying to be in the company
because he'd shut down
763
00:43:07,640 --> 00:43:11,600
production lines because
somebody like Howard out on the
764
00:43:11,600 --> 00:43:16,440
Rush show found a problem with a
Cyberlite and he'd stop all the
765
00:43:16,440 --> 00:43:18,800
production of Cyberlites until
they figured out what this
766
00:43:18,800 --> 00:43:22,360
problem was like, just
completely stop it and.
767
00:43:22,360 --> 00:43:24,360
You know, dedication and
passion.
768
00:43:24,440 --> 00:43:27,800
Commitment, passion, yeah, all
of those things.
769
00:43:27,800 --> 00:43:31,120
And I love that guy.
I still do today like he, he was
770
00:43:32,200 --> 00:43:36,280
I, I have the whole conversation
started is I got an ETC
771
00:43:37,440 --> 00:43:40,040
marketing blurb about their two
new fixtures.
772
00:43:40,040 --> 00:43:43,200
And God help me, I forget what
they're called, but they, they
773
00:43:43,200 --> 00:43:45,280
have two new wash lights that
look really cool.
774
00:43:45,280 --> 00:43:49,720
It's got like a, a Fresnel lens
that's broken into like maybe 5
775
00:43:49,720 --> 00:43:54,120
or 7 sort of pie pieces and they
can all move independently.
776
00:43:54,120 --> 00:43:57,160
And it's got this crazy zoom and
stuff and really, really cool
777
00:43:57,160 --> 00:43:59,280
looking fixture and really cool
output.
778
00:43:59,280 --> 00:44:03,240
Very bright.
And so I had texted him and
779
00:44:03,240 --> 00:44:05,480
said, hey, I just saw the video
on these new fixtures.
780
00:44:05,520 --> 00:44:09,160
Amazing.
And so he calls me right away.
781
00:44:09,160 --> 00:44:10,920
Well, what do you think?
What do you like about him?
782
00:44:10,920 --> 00:44:12,320
What what do you not like about
him?
783
00:44:12,400 --> 00:44:16,280
You know, he's always, he's
always enjoyed my input because
784
00:44:16,280 --> 00:44:20,200
I'd I'd never, I wouldn't
bullshit him and tell him, you
785
00:44:20,200 --> 00:44:23,320
know, like when the nebula came
out, I said, Richard, this
786
00:44:23,320 --> 00:44:26,240
thing's a turd.
Like, what are you doing, man?
787
00:44:26,240 --> 00:44:30,040
This thing's garbage.
You know, it's spewing flaming
788
00:44:30,040 --> 00:44:32,480
oil all over people's fixtures
and stuff.
789
00:44:32,480 --> 00:44:37,680
It's not going to work.
But you know, he's he's, he's
790
00:44:37,680 --> 00:44:40,080
just in my.
I like guys like that.
791
00:44:40,080 --> 00:44:42,280
I like passionate geniuses like
that.
792
00:44:42,440 --> 00:44:45,080
Yeah, they're committed, right?
Yeah.
793
00:44:45,200 --> 00:44:47,880
And they're not just building
something into a box that says
794
00:44:47,880 --> 00:44:51,720
this thing's going to be $2000
and we're going to make 61%
795
00:44:51,720 --> 00:44:54,400
profit margins on it.
He don't care about any of that
796
00:44:54,400 --> 00:44:55,760
stuff.
Is it cool?
797
00:44:56,160 --> 00:44:58,040
You know, does it serve a
purpose?
798
00:44:58,040 --> 00:45:00,200
Is it cool?
And is it going to, are my
799
00:45:00,200 --> 00:45:02,880
customers going to like it?
Like, that's what's important to
800
00:45:02,880 --> 00:45:05,560
him, you know?
Yeah, I like that.
801
00:45:06,080 --> 00:45:11,600
So back-to-back to Rush.
So, you know, I happen to love
802
00:45:11,600 --> 00:45:14,880
that story where you're you're
sitting in an agency in New York
803
00:45:14,880 --> 00:45:17,760
and they're like, hey, go, go
hang out with these crazy kids.
804
00:45:18,240 --> 00:45:21,520
And, you know, you literally,
like I said, you watch them grow
805
00:45:21,520 --> 00:45:23,080
up.
You grew up around them.
806
00:45:23,080 --> 00:45:25,120
You know, you were part of their
their gang.
807
00:45:25,160 --> 00:45:29,880
And it just never stopped for
practically 50 years, right?
808
00:45:30,400 --> 00:45:32,280
I know, I mean, who, who would
have thunk?
809
00:45:32,280 --> 00:45:36,800
You know, I like, I was getting
grief from my dad when I left to
810
00:45:36,800 --> 00:45:39,400
go up to Canada.
You're going to a communist
811
00:45:39,400 --> 00:45:41,760
country, you know, and they're
going to take everything away.
812
00:45:41,760 --> 00:45:43,240
I'm like.
That's so funny.
813
00:45:43,720 --> 00:45:45,400
You know, as the military got
home, so.
814
00:45:45,400 --> 00:45:47,720
Yeah.
Communist country, I said.
815
00:45:47,760 --> 00:45:50,120
You know it's the best communist
country you can live in.
816
00:45:50,400 --> 00:45:53,280
Yeah.
And so when did you actually
817
00:45:53,360 --> 00:45:56,320
take up residence there?
Was it right away?
818
00:45:56,880 --> 00:46:00,800
I slept on couches for a while
when I first got there.
819
00:46:01,680 --> 00:46:05,320
You know, I walked into the rush
office and demanded 10 grand as
820
00:46:05,320 --> 00:46:06,640
a float.
And they did.
821
00:46:06,640 --> 00:46:09,600
They almost dropped to the floor
because they didn't have any
822
00:46:09,600 --> 00:46:12,520
money, you know, like.
That's all the money in the
823
00:46:12,520 --> 00:46:14,160
world you want.
You want how much?
824
00:46:14,720 --> 00:46:17,000
And he's like, who's this guy
that just came in here?
825
00:46:17,680 --> 00:46:22,920
And, you know, there was the
accountant who was also the
826
00:46:22,920 --> 00:46:26,840
receptionist back then was
Sheila Posner, who still, you
827
00:46:26,840 --> 00:46:30,400
know, with Anthem to this day.
Really.
828
00:46:30,400 --> 00:46:32,840
And yeah, well, it's not called
Anthem.
829
00:46:32,840 --> 00:46:40,440
It's that so low.
And, and basically she said she
830
00:46:40,440 --> 00:46:43,400
was very nice.
She just said, have a seat over
831
00:46:43,400 --> 00:46:45,880
here on the couch and I'll be
right back.
832
00:46:45,880 --> 00:46:49,680
And she went into the manager's
office and went, there's some
833
00:46:49,680 --> 00:46:51,720
guy here from New York that
wants 10 grand.
834
00:46:51,720 --> 00:46:55,600
Now what do I tell him and he
wants me to tell?
835
00:46:55,600 --> 00:46:58,200
Held up or something and.
He wants to know where he's
836
00:46:58,200 --> 00:47:01,040
staying.
And he's like, where is he from?
837
00:47:01,120 --> 00:47:06,560
I said the agency in New York.
And they went, oh, now the
838
00:47:06,560 --> 00:47:09,160
agency told me that they were no
longer going to pay me and I'd
839
00:47:09,160 --> 00:47:12,240
have to get my own deal with
Rough, which was.
840
00:47:13,160 --> 00:47:15,480
So that was a whole other ball
of laughs.
841
00:47:15,480 --> 00:47:19,760
So once I met the band, you
know, and well, the management
842
00:47:20,160 --> 00:47:21,840
basically didn't know what to do
with me.
843
00:47:21,840 --> 00:47:26,120
So they said, well, we, you
know, we can't afford a hotel,
844
00:47:26,120 --> 00:47:29,120
maybe you should come and hang
in my house or something.
845
00:47:29,120 --> 00:47:32,400
I had two managers back then.
So Victoria Wilson, one of the
846
00:47:32,400 --> 00:47:37,080
managers and said, come you, I
have a, a place you can stay at
847
00:47:37,080 --> 00:47:39,760
my house.
Well, none of them lived in
848
00:47:39,760 --> 00:47:42,680
downtown Toronto.
They lived outskirts and the
849
00:47:42,680 --> 00:47:45,640
management office was just like
in a place called Thornhill.
850
00:47:46,240 --> 00:47:49,200
And I thought for the whole time
I was there for about a month
851
00:47:49,200 --> 00:47:53,680
and 1/2, I never saw downtown
Toronto, but I thought that
852
00:47:53,840 --> 00:47:56,560
Thornhill and Richmond Hill and
all these places that I was
853
00:47:57,120 --> 00:48:01,720
traveling into was Toronto.
And I'm thinking, wow, what a
854
00:48:01,720 --> 00:48:04,640
small place this is.
And, you know, I'm coming from
855
00:48:04,640 --> 00:48:06,640
New York City and I'm going.
Yeah, no kidding.
856
00:48:06,640 --> 00:48:11,240
Like it was like Mayberry, you
know, I'm sure no one knows what
857
00:48:11,240 --> 00:48:15,520
Mayberry.
Yeah, well, it's ATV show.
858
00:48:16,560 --> 00:48:21,400
There's a little small town, a
lot of like farmer type people
859
00:48:21,400 --> 00:48:26,560
and that's anti making pies.
You know, that's what, that's
860
00:48:26,560 --> 00:48:31,040
what it reminded me of anyway.
It was until maybe 3 months in
861
00:48:31,040 --> 00:48:36,280
where I actually discovered, oh
that's Toronto, why am I not
862
00:48:36,360 --> 00:48:39,920
down there?
So then eventually I went from
863
00:48:39,920 --> 00:48:43,760
house to house sleeping well in
Victoria Wilson's house.
864
00:48:43,760 --> 00:48:46,720
I had to sleep down with the
Saint Bernard they were making
865
00:48:47,400 --> 00:48:50,800
food for the sink from it
smelled like the Meadowlands.
866
00:48:51,360 --> 00:48:54,920
Secaucus, NJ was just horrible
and.
867
00:48:55,200 --> 00:48:57,440
That's funny.
Yeah, there's a burned garbage
868
00:48:57,520 --> 00:49:00,240
there.
But why were you there?
869
00:49:00,240 --> 00:49:03,400
Like they're not touring so they
don't need a tour manager at
870
00:49:03,400 --> 00:49:05,000
this point.
They were about to tour.
871
00:49:05,320 --> 00:49:07,640
OK.
The the agency signed them.
872
00:49:07,640 --> 00:49:09,600
They wanted me to be the tour
manager.
873
00:49:10,280 --> 00:49:14,520
They wanted me to make sure they
like them in New York, so they
874
00:49:14,520 --> 00:49:19,440
sent me there as like an
ambassador to ATI, even though
875
00:49:19,440 --> 00:49:22,360
they were telling me that the
van is going to hang me and.
876
00:49:23,600 --> 00:49:28,440
Were you around when they were
doing the The Drummer auditions?
877
00:49:28,440 --> 00:49:32,000
I I wasn't at the auditions, but
I was around.
878
00:49:32,360 --> 00:49:36,760
Even though Getty will argue
with me about this, but one of
879
00:49:36,760 --> 00:49:39,200
their managers confirmed no, no,
you were here during the
880
00:49:39,240 --> 00:49:41,200
auditions.
You just weren't at the
881
00:49:41,240 --> 00:49:42,520
auditions.
Oh.
882
00:49:43,120 --> 00:49:45,360
Right.
So you were in Toronto and but.
883
00:49:45,360 --> 00:49:48,200
I was in Toronto because I'm.
In studio or whatever.
884
00:49:48,800 --> 00:49:51,960
Coordinating with the agency
dates that they were proposing
885
00:49:52,440 --> 00:49:54,920
first tour, we were going out,
it was going to be with you
886
00:49:54,920 --> 00:49:57,720
right and deep.
But they wanted them to play
887
00:49:57,720 --> 00:50:00,040
some isolated dates.
But they they played a couple of
888
00:50:00,040 --> 00:50:04,240
days before I was even on it in
the States and some drive in
889
00:50:04,400 --> 00:50:08,760
theater in Michigan.
They played some club in I think
890
00:50:08,760 --> 00:50:13,400
maybe the Agora in Cleveland
before I was there.
891
00:50:14,520 --> 00:50:17,040
So anything.
And anyway, this all was coming
892
00:50:17,040 --> 00:50:18,400
together.
They had their record deal
893
00:50:18,400 --> 00:50:23,640
signed and they had, you know,
your management was ready to go
894
00:50:23,640 --> 00:50:26,960
with the agency in New York.
And I was just there to
895
00:50:26,960 --> 00:50:30,560
coordinate all these things so.
And they were touring the the
896
00:50:30,560 --> 00:50:32,920
first album, right?
Definitely.
897
00:50:33,000 --> 00:50:38,280
Yeah.
So so then they find they find
898
00:50:38,280 --> 00:50:41,720
Neil, they find Neil.
Oh, they found Neil and they
899
00:50:41,720 --> 00:50:44,600
were like blown away and you
know.
900
00:50:46,280 --> 00:50:49,040
Well, and then they started
writing more complicated music
901
00:50:49,040 --> 00:50:50,760
after that.
And I don't know if that had to
902
00:50:50,760 --> 00:50:54,400
do with the fact that he was
like the sort of third component
903
00:50:54,400 --> 00:50:57,240
that maybe they didn't have
with, what was his name, Rutzy,
904
00:50:57,240 --> 00:50:58,280
right?
John Rutzy.
905
00:50:58,360 --> 00:51:02,040
Yeah.
Oh, they Rutzy filled his his
906
00:51:02,040 --> 00:51:03,880
purpose in that band.
Yeah.
907
00:51:03,880 --> 00:51:06,280
Neil changed the direction of
the band.
908
00:51:06,360 --> 00:51:10,240
Yeah, because again.
And now we're they they love
909
00:51:10,240 --> 00:51:12,000
progressive music.
Yeah.
910
00:51:12,120 --> 00:51:15,360
So that just fed into, you know,
what they love.
911
00:51:15,400 --> 00:51:19,040
I mean, we all love The Who that
was unanimous.
912
00:51:19,800 --> 00:51:25,560
And you know, we all love, yes,
we all love Genesis, you know.
913
00:51:26,800 --> 00:51:28,960
Yeah.
It's like that were out there at
914
00:51:28,960 --> 00:51:31,000
the time that that were very
progressive.
915
00:51:31,760 --> 00:51:35,720
Yeah, And I read, I read in
Getty's book about the whole
916
00:51:35,720 --> 00:51:39,320
relationship with Rutsi on how
he wanted, you know, simpler
917
00:51:39,320 --> 00:51:44,400
music that girls would like and
stuff, you know, and which makes
918
00:51:44,400 --> 00:51:47,040
a lot of sense.
You know, in hindsight, he looks
919
00:51:47,040 --> 00:51:49,560
like an idiot.
But, you know, at the time, you
920
00:51:49,560 --> 00:51:51,400
could see that making some
sense.
921
00:51:51,400 --> 00:51:54,320
You know, like, look at all
these bands playing normal music
922
00:51:54,320 --> 00:51:56,400
and they're getting lots of
fans.
923
00:51:57,200 --> 00:51:59,760
But he had an underlying
diabetes issue.
924
00:52:00,040 --> 00:52:01,920
Yeah.
He didn't want to go on tour.
925
00:52:01,920 --> 00:52:04,600
He was afraid that he would.
You know, something would
926
00:52:04,600 --> 00:52:05,920
happen.
Yeah.
927
00:52:06,600 --> 00:52:09,120
So I mean, something happened
anyway and he wanted to.
928
00:52:09,280 --> 00:52:11,920
So yeah, unfortunately, you
know, true.
929
00:52:11,920 --> 00:52:17,560
I mean, you know, Rush has been
through 2 drummers and now 3.
930
00:52:18,040 --> 00:52:20,080
Yeah, yeah, I want.
To.
931
00:52:20,240 --> 00:52:24,560
I want to talk about that
obviously, but so still sticking
932
00:52:24,560 --> 00:52:28,680
back in the days then.
So you go out on tour with
933
00:52:28,720 --> 00:52:30,800
Uriah.
He you're their tour manager.
934
00:52:31,560 --> 00:52:34,440
You're figuring out at the time,
aren't you, how to be a tour
935
00:52:34,440 --> 00:52:36,280
manager, or you had already done
it before.
936
00:52:36,920 --> 00:52:38,600
Well, I had done it with Blue
��yster Cult.
937
00:52:38,600 --> 00:52:45,080
I had to fill in for a couple
guys that were there and I did.
938
00:52:45,600 --> 00:52:49,080
So you know what the gig was.
So I knew what the gig was.
939
00:52:49,120 --> 00:52:51,000
Did I have a lot of experience
at it?
940
00:52:51,720 --> 00:52:54,880
Well, I didn't fry and Auger
before I did rush.
941
00:52:54,880 --> 00:52:57,720
I did Blue ��yster Cult before I
did rush.
942
00:52:58,440 --> 00:53:03,200
I went out to settle shows.
So I knew about accounting, how
943
00:53:03,200 --> 00:53:07,840
the deals were constructed back
then before this Live Nation 360
944
00:53:08,400 --> 00:53:11,560
came out, which is Canadian
driven as well.
945
00:53:11,960 --> 00:53:18,800
So you know, it was a learning
experience for all of us and I
946
00:53:18,800 --> 00:53:20,440
just had a little bit more
experience.
947
00:53:20,640 --> 00:53:24,360
It's going all makes mistakes.
But it's funny because when you
948
00:53:24,360 --> 00:53:27,800
go back to the 70s, whether it's
lighting or sound or just
949
00:53:27,800 --> 00:53:33,120
touring in general, the business
was still shaping like it was
950
00:53:33,200 --> 00:53:33,760
it.
Was it?
951
00:53:33,800 --> 00:53:35,520
Was it was being?
Created.
952
00:53:35,960 --> 00:53:38,560
Yeah, it was.
I mean, guys building their own
953
00:53:38,560 --> 00:53:43,280
sound systems and, you know,
Roth with his square park hands
954
00:53:43,280 --> 00:53:46,400
and you know, like everything
was just being created.
955
00:53:46,400 --> 00:53:50,800
It was just being, you know, it
was starting to happen.
956
00:53:50,840 --> 00:53:53,920
And so the stories are just
incredible always.
957
00:53:53,920 --> 00:53:56,960
You know, it's not like there
was this group of people who
958
00:53:56,960 --> 00:53:59,320
really knew what they were doing
and nobody else did.
959
00:53:59,320 --> 00:54:01,640
No, nobody knew what they were
doing, you know.
960
00:54:01,640 --> 00:54:05,560
Yeah, I mean, like Michael Tate
was putting lighting fixtures in
961
00:54:05,560 --> 00:54:08,760
coffee cans, you know, back in
the beginning.
962
00:54:08,760 --> 00:54:10,360
I mean, people were doing what
we had to do.
963
00:54:10,360 --> 00:54:14,240
I've I discovered to a friend of
mine sitting pace enough, a
964
00:54:14,240 --> 00:54:18,240
marine beacon light, which is an
ACL basically, and I put it in a
965
00:54:18,240 --> 00:54:22,440
park can for the first time and
basically, you know, rented it
966
00:54:22,440 --> 00:54:26,240
out, you know, through another
lighting company in Virginia and
967
00:54:26,240 --> 00:54:30,040
Little Feat was the first band
to use them and after that I put
968
00:54:30,040 --> 00:54:33,400
them on run.
Wow, that's cool.
969
00:54:33,400 --> 00:54:36,360
Yeah, those are back in the days
of a company called Atlantis
970
00:54:36,360 --> 00:54:39,640
Lighting in Virginia.
Yeah, you know, I forgot to
971
00:54:39,640 --> 00:54:42,000
mention this, but you were
talking about Blue ��yster Cult
972
00:54:42,000 --> 00:54:44,880
and you going out and doing
lasers with Blue ��yster Cult.
973
00:54:45,280 --> 00:54:47,240
I don't.
Know if it's do I didn't do.
974
00:54:47,240 --> 00:54:48,840
Or they were doing lasers.
You were talking.
975
00:54:48,840 --> 00:54:51,920
About the guy who did?
Yeah, but I remember somebody
976
00:54:51,920 --> 00:54:56,200
gave me a Blue ��yster Cult
ticket and like right on the
977
00:54:56,200 --> 00:55:00,120
ticket, and I don't know how I
was probably 14 or something.
978
00:55:00,120 --> 00:55:05,160
So this had to be like 70.
It was probably somewhere
979
00:55:05,160 --> 00:55:09,240
between 75 and 78.
And I remember right on the
980
00:55:09,240 --> 00:55:13,240
ticket it said something about
like, come see the spectacular
981
00:55:13,240 --> 00:55:16,080
laser show or whatever, right?
Like it was all about the
982
00:55:16,080 --> 00:55:19,200
lasers.
And I was like, whoa, lasers.
983
00:55:19,840 --> 00:55:22,680
I don't even know what the hell
a laser really was, but I was
984
00:55:22,680 --> 00:55:25,320
like, whoa, these guys have
lasers.
985
00:55:25,840 --> 00:55:28,880
And yeah, my mind was.
Blown.
986
00:55:28,920 --> 00:55:30,880
They did.
Not only do they have lasers,
987
00:55:30,880 --> 00:55:34,440
they have fiber optic effects.
You know, a lot of the a lot of
988
00:55:34,480 --> 00:55:38,960
the lasers, we were using fiber
optics back there and things
989
00:55:38,960 --> 00:55:42,520
were like remote scanners where
you would take the fiber optic.
990
00:55:42,520 --> 00:55:45,800
And oh, I knew that, yeah.
You collimated into a box that
991
00:55:45,800 --> 00:55:48,280
would have scanner in it.
You would put it wherever you
992
00:55:48,280 --> 00:55:50,680
wanted it.
Some laser too heavy to move.
993
00:55:51,160 --> 00:55:55,200
Yeah, that's wild.
The whole laser technology, how
994
00:55:55,200 --> 00:55:58,960
far it's come now and the fact
that, you know, people keep
995
00:55:58,960 --> 00:56:01,760
telling me like on some tours,
it's bigger than lighting.
996
00:56:01,760 --> 00:56:04,880
Like there's more laser heads
than there are lighting fixtures
997
00:56:05,320 --> 00:56:08,040
and.
And so on some tours there are.
998
00:56:08,160 --> 00:56:12,240
It's not as much of of a special
effect now as it is just part of
999
00:56:12,240 --> 00:56:13,920
a lighting rig.
You know it.
1000
00:56:13,920 --> 00:56:16,960
Seems how it's used, Marcel,
it's how it's used that makes it
1001
00:56:16,960 --> 00:56:18,160
special.
Yeah.
1002
00:56:18,560 --> 00:56:21,800
So if you use it correctly as a
special effect, it'll always be
1003
00:56:21,800 --> 00:56:23,400
a special effect.
Right.
1004
00:56:23,640 --> 00:56:28,720
Well, unfortunately, once again,
EDN has put in hundreds of
1005
00:56:28,720 --> 00:56:30,880
lasers on the on the
productions.
1006
00:56:31,360 --> 00:56:33,800
So that is sort of where
everybody leads.
1007
00:56:34,520 --> 00:56:38,200
You know, the more lasers, the
better it is, but not
1008
00:56:38,200 --> 00:56:41,400
necessarily right.
Sometimes, you know, the more
1009
00:56:41,400 --> 00:56:46,360
creative energy is created
around space and if you use that
1010
00:56:46,360 --> 00:56:51,680
space wisely, which I like to
do, is is where you get the
1011
00:56:51,720 --> 00:56:54,360
special effects.
Yeah, I had that conversation a
1012
00:56:54,360 --> 00:56:57,200
couple weeks ago with Alan
Branton on the podcast.
1013
00:56:57,200 --> 00:57:00,360
You know where it's, you know,
he had a similar challenge where
1014
00:57:00,360 --> 00:57:03,120
it's like now, because lights
are so plentiful and they're all
1015
00:57:03,120 --> 00:57:06,160
so good and they all do great
things and they're all really
1016
00:57:06,160 --> 00:57:09,240
reliable and stuff.
People are using hundreds or
1017
00:57:09,240 --> 00:57:13,720
thousands of them on every
production and it really does
1018
00:57:13,720 --> 00:57:16,440
end up where a lot of things
look alike, you know, 'cause
1019
00:57:16,440 --> 00:57:20,800
they're all just like blah, this
just huge BLOB of, of automated
1020
00:57:20,800 --> 00:57:25,040
lights.
And you know, I don't know,
1021
00:57:25,120 --> 00:57:27,280
like, I get that.
I, I completely get that
1022
00:57:27,280 --> 00:57:31,640
argument for sure.
Like some, I think some bands or
1023
00:57:31,640 --> 00:57:35,520
performers or whatever just look
really good with just a bunch of
1024
00:57:35,520 --> 00:57:39,560
follow spots or something, you
know, like just just light.
1025
00:57:39,600 --> 00:57:42,880
You had to do that once.
You know, I did a show in
1026
00:57:42,880 --> 00:57:46,680
Rochester, NY, and when I called
the house lights to black,
1027
00:57:47,320 --> 00:57:51,280
somebody threw a big gulf in the
air and came down on my lighting
1028
00:57:51,280 --> 00:57:52,800
console and drenched the
lighting.
1029
00:57:52,920 --> 00:57:57,240
Yeah both lighting console and
shorted it out where I had zero
1030
00:57:57,240 --> 00:58:00,280
lighting and I had to do the
whole show with some follow
1031
00:58:00,280 --> 00:58:01,680
spots.
The whole show.
1032
00:58:02,160 --> 00:58:04,960
The whole show.
Oh my God, Rush.
1033
00:58:04,960 --> 00:58:07,280
Everything.
Yeah, everything's wrong.
1034
00:58:07,920 --> 00:58:09,680
And then at the end of the
night, the van came to me, but
1035
00:58:09,680 --> 00:58:10,840
it wasn't a little dark on
stage.
1036
00:58:10,840 --> 00:58:13,640
But I said yeah, so someone
threw the drink up in the air
1037
00:58:13,640 --> 00:58:17,320
and landed my lighting console
and shorted out both boards back
1038
00:58:17,320 --> 00:58:19,640
up and the meeting board.
When was this?
1039
00:58:19,640 --> 00:58:20,800
How long ago was this?
Oh it.
1040
00:58:20,960 --> 00:58:24,240
Was early 80s.
Yeah, wow.
1041
00:58:24,440 --> 00:58:27,480
It was like it was bad.
Yeah, it was bad.
1042
00:58:28,440 --> 00:58:32,400
Well, it'd be worse now.
It'd be more freaky now if if
1043
00:58:32,400 --> 00:58:34,800
you had to do that.
Well, by the way, you know, the
1044
00:58:34,800 --> 00:58:37,400
follow spots would be out too,
because they're in the rig and
1045
00:58:37,400 --> 00:58:40,200
they're they're, you know,
lighting fixtures.
1046
00:58:41,160 --> 00:58:45,040
So yeah, you're using all
automated follow spots now,
1047
00:58:45,480 --> 00:58:47,720
right?
Yeah, I am.
1048
00:58:47,720 --> 00:58:51,560
I think everyone does now.
Is there any such thing as trust
1049
00:58:51,560 --> 00:58:55,560
spots anymore?
Well, people, I'm told that the,
1050
00:58:56,360 --> 00:59:00,000
the locals, you know, the, the
local Ayatsu that really don't
1051
00:59:00,000 --> 00:59:03,080
like going up there anymore.
And there's not a lot of guys
1052
00:59:03,080 --> 00:59:05,600
that want to climb.
The older guys that the only
1053
00:59:05,600 --> 00:59:09,800
ones that really knew how to do
it and could run it and young
1054
00:59:09,800 --> 00:59:13,240
kids, they, they're not
interested in climbing up into a
1055
00:59:13,240 --> 00:59:15,720
Truss.
Yeah, which is great, unless
1056
00:59:15,720 --> 00:59:18,560
they're thinking to be the open.
Company and they're forced to do
1057
00:59:18,560 --> 00:59:20,400
it.
Yeah, You think it'd be the
1058
00:59:20,400 --> 00:59:23,640
opposite of that?
Like, you know, I know if you if
1059
00:59:23,640 --> 00:59:27,520
you took my kid who's 21 and
pointed at the Truss and go, can
1060
00:59:27,520 --> 00:59:31,720
you climb up there and go move a
a follow spot for this band and
1061
00:59:31,720 --> 00:59:35,200
you'd be like, hell yeah, point
me, where do I go?
1062
00:59:36,240 --> 00:59:37,760
Yeah, but you have to know what
you're doing.
1063
00:59:37,760 --> 00:59:40,600
You just can't get in there.
That part he hasn't got, but
1064
00:59:40,720 --> 00:59:41,760
yeah.
He'd.
1065
00:59:41,760 --> 00:59:46,000
Certainly climb the thing with a
passion, you know, Wait, wait
1066
00:59:46,000 --> 00:59:49,040
till, wait till you see him
again because he's like, he
1067
00:59:49,040 --> 00:59:53,800
towers over me.
He's 65 I think now and like 210
1068
00:59:53,800 --> 00:59:56,440
lbs He's huge.
That's amazing.
1069
00:59:56,600 --> 01:00:00,080
Yeah, and last time you saw him,
I think he was probably 2 feet
1070
01:00:00,080 --> 01:00:02,320
tall.
He was drinking milk and eating
1071
01:00:02,320 --> 01:00:05,760
goldfish in the bus.
Which again, is a funny story
1072
01:00:05,760 --> 01:00:09,360
unto itself, 'cause you're like,
hey, do you want anything, kid?
1073
01:00:09,360 --> 01:00:11,840
And he goes, yeah, you got any
goldfish?
1074
01:00:12,480 --> 01:00:14,280
And you're like, well, as a
matter of fact, I do.
1075
01:00:14,280 --> 01:00:16,560
And I'm like, OK, I'm a little
worried about this.
1076
01:00:16,560 --> 01:00:19,680
Howard, why the hell do you have
goldfish in your bus?
1077
01:00:19,680 --> 01:00:23,160
And chocolate milk, you know.
That's right, Yeah.
1078
01:00:23,480 --> 01:00:26,800
It's got everything there.
Anything anybody wanted, we have
1079
01:00:26,800 --> 01:00:28,880
it.
Yeah, yeah, that's awesome.
1080
01:00:29,520 --> 01:00:33,400
So you know, you've been doing
tool, you've been staying busy
1081
01:00:33,400 --> 01:00:34,840
because I talk to you all the
time.
1082
01:00:35,200 --> 01:00:39,760
And then all of a sudden, at
some point, I assume you get a
1083
01:00:39,760 --> 01:00:43,920
call or an e-mail or a text or
something from from Getty or, or
1084
01:00:44,520 --> 01:00:49,640
Al or whoever saying, hey, we
got this crazy idea.
1085
01:00:51,400 --> 01:00:54,680
That's not what they said, but
they said I got an e-mail from
1086
01:00:54,680 --> 01:00:59,640
Getty and he went, hey, can you
come to my house on Thursday at
1087
01:01:00,400 --> 01:01:02,200
1:00 PM?
Yeah.
1088
01:01:02,320 --> 01:01:04,480
And I said, yeah, sure.
What's up?
1089
01:01:05,000 --> 01:01:06,080
He goes.
You'll you'll see.
1090
01:01:06,840 --> 01:01:08,760
Yeah.
You know, and I knew that they
1091
01:01:08,760 --> 01:01:12,520
were sort of like, you know, I
talked to Al a lot.
1092
01:01:13,000 --> 01:01:15,960
Yeah.
So Alex, Alex told me that they
1093
01:01:16,120 --> 01:01:18,600
that they would, he would go
over to Ged's house and they'd
1094
01:01:18,600 --> 01:01:22,400
be jamming all the time in, in
in the studio in Getty's little
1095
01:01:22,400 --> 01:01:26,480
studio there.
And you didn't say much about
1096
01:01:26,480 --> 01:01:30,480
anything other than he, he has
another project called Envy of
1097
01:01:30,480 --> 01:01:34,280
None, that he had another album
that he was, you know,
1098
01:01:34,840 --> 01:01:38,400
recording.
And so I knew that he was
1099
01:01:38,800 --> 01:01:46,000
actively doing that.
And Paul McCartney got Getty and
1100
01:01:46,000 --> 01:01:49,960
Alex all fired up at the Taylor
Hawkins tribute.
1101
01:01:50,800 --> 01:01:56,080
When, you know, I was talking to
Alex about how come you're not
1102
01:01:56,080 --> 01:01:59,200
playing anymore.
You sort of wound them up to the
1103
01:01:59,200 --> 01:02:01,960
point where Alex was thinking
about it.
1104
01:02:02,400 --> 01:02:05,760
As as Sir Paul can do.
As Sir Paul can do.
1105
01:02:05,760 --> 01:02:08,400
When a Beatle tells you get off
your ass and start playing, what
1106
01:02:08,640 --> 01:02:11,600
are you going to do Right and.
You didn't want to hear about
1107
01:02:11,600 --> 01:02:13,600
it.
And, you know, and Paul said,
1108
01:02:13,600 --> 01:02:16,280
actually, I think one of the
comments was Paul sits with, you
1109
01:02:16,280 --> 01:02:17,600
know why you should be doing
this?
1110
01:02:18,040 --> 01:02:19,720
And Alex went why?
He says.
1111
01:02:19,720 --> 01:02:23,440
Because that's what we do.
He's got a good point.
1112
01:02:24,040 --> 01:02:26,320
And that was it.
And then I guess the next year
1113
01:02:26,320 --> 01:02:28,600
it was all in his head, you
know?
1114
01:02:28,680 --> 01:02:31,720
Yeah, it was having some little
bit of medical issues happening,
1115
01:02:31,720 --> 01:02:35,880
but he sort of got around all of
that and just got himself way
1116
01:02:35,880 --> 01:02:40,640
and more healthy now and then.
I guess they decided to put this
1117
01:02:40,640 --> 01:02:43,360
together.
So we all had a for the first
1118
01:02:43,360 --> 01:02:47,240
time ever in the history of
rough, we all had to sign MDA.
1119
01:02:47,240 --> 01:02:50,240
So keep it quiet.
Wow, keep it quiet for like, you
1120
01:02:50,240 --> 01:02:53,280
know, months.
Oh, so you knew earlier,
1121
01:02:53,280 --> 01:02:55,280
obviously, then this all got
announced?
1122
01:02:55,280 --> 01:02:58,440
Yeah.
Yeah, well, I had to be sitting
1123
01:02:58,440 --> 01:03:00,200
through meetings with them.
Sworn in.
1124
01:03:00,960 --> 01:03:03,360
Sworn in.
You know what though, I do love
1125
01:03:03,360 --> 01:03:08,480
the fact that at least it
appears that they wouldn't do it
1126
01:03:08,480 --> 01:03:12,200
without you.
You know, like to me, you're
1127
01:03:12,200 --> 01:03:17,560
part of their family and you
know, it would have been sad if,
1128
01:03:17,560 --> 01:03:19,360
if it went any other way than
that.
1129
01:03:19,360 --> 01:03:22,880
Like obviously I'd, I'd
probably, I wouldn't boycott
1130
01:03:22,960 --> 01:03:25,960
them or anything, but I wouldn't
be very happy if they didn't
1131
01:03:25,960 --> 01:03:29,200
treat you well going back out on
this thing.
1132
01:03:29,480 --> 01:03:31,360
They have always treated me well
so.
1133
01:03:31,560 --> 01:03:34,640
Yeah, yeah.
And then and Getty.
1134
01:03:34,640 --> 01:03:38,120
Canadian Canadians are nice.
Yeah, I mean, Getty actually
1135
01:03:38,120 --> 01:03:43,160
said it when I when I when I won
the the visionary ward in 2014
1136
01:03:43,160 --> 01:03:48,200
at LDR, he just said that, you
know, he can't imagine doing it
1137
01:03:48,200 --> 01:03:50,960
without Howard.
So that's cool.
1138
01:03:50,960 --> 01:03:54,120
Just wherever we are, it'll be
like I did the Taylor Hawkins
1139
01:03:54,160 --> 01:03:57,280
thing with him, but I didn't
know about it that.
1140
01:03:57,400 --> 01:03:59,560
Was Grohl right?
Grohl was the drummer.
1141
01:03:59,560 --> 01:04:00,640
That was date.
Well, no.
1142
01:04:00,640 --> 01:04:04,280
There were three drummers.
There was Omar Arkin to do, to
1143
01:04:04,280 --> 01:04:12,600
do YYZ or YYZ and then they had
Chad Smith, yeah, at one point
1144
01:04:12,600 --> 01:04:22,160
doing 2112 and they, no, Chad
Smith was doing. 2112 was
1145
01:04:22,160 --> 01:04:25,240
working.
Working bad 2112 was growl.
1146
01:04:25,320 --> 01:04:28,400
Yeah, well, Chad Smith was
working that which was.
1147
01:04:28,400 --> 01:04:32,080
Such AI couldn't believe Growl
doing 2112.
1148
01:04:32,080 --> 01:04:33,880
He wouldn't have been, you know
what I mean?
1149
01:04:33,880 --> 01:04:36,560
Like he's not, well, what I
would call a technical drummer.
1150
01:04:36,560 --> 01:04:37,720
He's a bastion.
He was good.
1151
01:04:39,240 --> 01:04:43,000
He was, he was good.
And the the thing was that role
1152
01:04:43,400 --> 01:04:47,160
was the MC of that show that
went on for like 5 hours.
1153
01:04:47,280 --> 01:04:49,520
Yeah, he was the MC of that
show.
1154
01:04:49,840 --> 01:04:52,160
He was drumming with various
bands.
1155
01:04:52,560 --> 01:04:57,560
I mean, this guy was like, he
was up there, he's a machine and
1156
01:04:57,560 --> 01:05:01,240
he was instrumental in getting
the two guys and Rush over
1157
01:05:01,240 --> 01:05:04,560
there.
Wow, you know, I mean, Taylor
1158
01:05:04,560 --> 01:05:07,280
Hawkins was a huge Rush fan.
So was Growl.
1159
01:05:07,520 --> 01:05:10,400
Yeah.
You know, I met Dave many times
1160
01:05:10,400 --> 01:05:15,200
before I you know, we were hired
by Dan Hadley to do lasers for
1161
01:05:15,400 --> 01:05:17,400
Foo Fighters on the Concrete and
Gold Tour.
1162
01:05:17,400 --> 01:05:20,280
Wow, yeah.
And we did the the Taylor
1163
01:05:20,280 --> 01:05:22,360
Hawkins tribute to.
Taylor Hawkins was such a
1164
01:05:22,360 --> 01:05:24,280
talented guy.
Like talk about a guy who would
1165
01:05:24,280 --> 01:05:27,880
have been a great replacement,
you know, for Neil, like because
1166
01:05:27,880 --> 01:05:30,640
he could sing the high parts too
you.
1167
01:05:31,080 --> 01:05:35,440
Know well it was not.
It was Neil's hard to replace.
1168
01:05:35,520 --> 01:05:37,840
Yeah, of course.
I I think Taylor would have a
1169
01:05:37,840 --> 01:05:41,320
hard time replacing Neil.
Any of the guys in Rush are hard
1170
01:05:41,320 --> 01:05:44,680
to replace, Like how do you
replace one of those three guys
1171
01:05:44,680 --> 01:05:48,760
you know, like.
Yeah, it's hard, but you know.
1172
01:05:49,120 --> 01:05:51,080
Plus Neil.
Neil did all the writing right?
1173
01:05:51,080 --> 01:05:53,760
Like he did all the lyrics.
Yeah, he was the nurses.
1174
01:05:54,520 --> 01:05:57,440
I know it was.
It's incredible.
1175
01:05:57,560 --> 01:06:01,040
Yeah, yeah, but they have a huge
catalog now, so it's.
1176
01:06:02,080 --> 01:06:04,800
So, so you go over there for the
meeting and.
1177
01:06:04,800 --> 01:06:07,120
So I go there for the meeting
and they it's.
1178
01:06:07,320 --> 01:06:10,680
The.
Usual players, you know, you
1179
01:06:10,680 --> 01:06:13,680
know we have every time we do a
rush to a recent town with
1180
01:06:14,040 --> 01:06:16,880
Getty's brother Alan and his and
his buddy.
1181
01:06:17,080 --> 01:06:19,720
He's an award-winning video
director, Dale, that's what.
1182
01:06:20,560 --> 01:06:26,600
And then there's Alex, Likes in
who comes and goes, but he's
1183
01:06:26,600 --> 01:06:29,800
usually there.
Myself again.
1184
01:06:29,800 --> 01:06:33,320
And then we start.
Yeah.
1185
01:06:33,640 --> 01:06:35,240
And.
What does Kitty's brother do?
1186
01:06:36,400 --> 01:06:38,040
He's a producer or video
producer.
1187
01:06:38,320 --> 01:06:41,560
Oh, OK.
Thusly all the films and things.
1188
01:06:41,560 --> 01:06:43,880
And yeah.
And then Dale is a con.
1189
01:06:44,280 --> 01:06:48,320
Dale is a conceptual video
director, so he comes up with
1190
01:06:50,480 --> 01:06:55,720
the stage sets washing.
Machines and sausage makers and
1191
01:06:55,720 --> 01:06:56,480
stuff.
Well, yeah.
1192
01:06:56,480 --> 01:06:58,040
Well, Getty comes up with a lot
of that.
1193
01:06:58,240 --> 01:07:00,720
So.
And then we just make it happen
1194
01:07:00,720 --> 01:07:02,760
and then we place it.
And then we just talk about
1195
01:07:02,760 --> 01:07:06,640
placement of things.
The only thing we don't talk
1196
01:07:06,640 --> 01:07:11,440
about really lighting because
they don't want to deal with
1197
01:07:11,440 --> 01:07:12,600
that.
They want to deal without a show
1198
01:07:12,600 --> 01:07:15,040
is going to look on stage.
They.
1199
01:07:15,040 --> 01:07:18,480
Trust me with the they trust me
with the lighting because of all
1200
01:07:18,480 --> 01:07:21,120
these years and.
So at this point, did they tell?
1201
01:07:21,320 --> 01:07:23,160
Had they already picked a
drummer?
1202
01:07:24,560 --> 01:07:26,760
Yeah.
She was already chosen.
1203
01:07:27,600 --> 01:07:30,640
Not only was she chosen, but she
was already rehearsing with
1204
01:07:30,640 --> 01:07:32,120
them.
Really.
1205
01:07:32,560 --> 01:07:34,440
No.
So she's been over in Canada
1206
01:07:34,440 --> 01:07:36,200
rehearsing.
Cool.
1207
01:07:36,680 --> 01:07:38,520
On and off.
Did you hear any of it?
1208
01:07:39,520 --> 01:07:42,840
No.
I'm dying to hear her because
1209
01:07:43,120 --> 01:07:46,560
I've I didn't know who she was.
Annika, right?
1210
01:07:46,960 --> 01:07:48,920
I didn't.
I didn't know who she was.
1211
01:07:48,920 --> 01:07:51,800
And I've watched 100 videos.
Yeah, with Jeff Beck.
1212
01:07:51,800 --> 01:07:55,080
I missed that tour though.
Before I even knew that she was
1213
01:07:55,080 --> 01:07:58,080
going to be.
But The thing is, Getty's bass
1214
01:07:58,080 --> 01:08:00,800
tech, Scully, you know, John
McIntosh?
1215
01:08:00,800 --> 01:08:05,640
Yeah, he was Jeff Beck's tech
out on that tour.
1216
01:08:06,440 --> 01:08:11,280
So Scully was the one that said
to Getty, you should check out
1217
01:08:11,280 --> 01:08:16,560
Anna at me in the audience
sitting with my wife watching
1218
01:08:16,560 --> 01:08:19,160
Jeff Beck.
And there was a female bass
1219
01:08:19,160 --> 01:08:20,359
player as well.
That was.
1220
01:08:20,359 --> 01:08:21,920
Awesome.
She was also really.
1221
01:08:22,000 --> 01:08:24,000
Good.
I just kept saying to to my wife
1222
01:08:24,000 --> 01:08:27,279
like this drummer is insane how
good she is.
1223
01:08:27,760 --> 01:08:29,960
And we walked out of there blown
away.
1224
01:08:29,960 --> 01:08:33,240
And you know, the fact that
she's now in Rush is just
1225
01:08:33,240 --> 01:08:35,200
amazing because.
Really is cool.
1226
01:08:35,200 --> 01:08:38,640
You know, for years Neil was
taking drum lessons so he could
1227
01:08:38,640 --> 01:08:41,520
learn how to hold the sticks
correctly 'cause you don't
1228
01:08:41,520 --> 01:08:43,479
remember.
Seeing some of those videos with
1229
01:08:43,479 --> 01:08:46,319
Buddy Rich and stuff like where
he was learning how to.
1230
01:08:46,319 --> 01:08:49,399
Hold, you know, Freddy, he took
lessons for Freddy Groover and
1231
01:08:49,399 --> 01:08:54,040
just like, yeah, you know, I
mean, he was, he was trying to
1232
01:08:54,040 --> 01:08:56,160
learn how to hold sticks that
way.
1233
01:08:56,319 --> 01:08:58,160
That's why and.
Here's Annika, who's, like,
1234
01:08:58,880 --> 01:09:01,520
playing just like the way he
wanted to play.
1235
01:09:01,680 --> 01:09:04,960
Yeah, you know, and.
She is so good.
1236
01:09:05,080 --> 01:09:08,760
She has such a groove and all
that stuff she does where she's
1237
01:09:08,760 --> 01:09:11,720
playing three different songs
between her two hands and her
1238
01:09:11,720 --> 01:09:15,520
feet and like, just like one
rhythm going over here and a
1239
01:09:15,520 --> 01:09:17,080
different one over here and
stuff.
1240
01:09:17,080 --> 01:09:19,160
I'm just like, how does somebody
do that?
1241
01:09:19,439 --> 01:09:22,120
Like, that's just so hard to
split your brain up like that,
1242
01:09:22,120 --> 01:09:24,560
you know?
And it really gets me upset when
1243
01:09:24,600 --> 01:09:28,680
I hear this stuff on on
Instagram, the ads for Rush and
1244
01:09:28,680 --> 01:09:32,680
then call Neil's last name Pert,
you know, and they say, I could
1245
01:09:32,680 --> 01:09:36,240
not Niles wrong.
You know, it's like, come on,
1246
01:09:36,520 --> 01:09:39,439
get it right.
At least you know Rush fans
1247
01:09:39,479 --> 01:09:41,720
don't do it wrong.
Yeah, Yeah.
1248
01:09:42,160 --> 01:09:46,279
Well, I always called him Neil
Pert and until someone told me
1249
01:09:46,279 --> 01:09:49,240
that, you know, that was wrong.
But I didn't know, you know,
1250
01:09:49,240 --> 01:09:53,200
like I, I grew up thinking
that's what his name was, right?
1251
01:09:53,319 --> 01:09:55,760
For whatever reason, I don't
know why there was no Internet
1252
01:09:55,760 --> 01:09:58,240
or Reddit couldn't correct me
back then.
1253
01:09:58,880 --> 01:10:03,360
Thank God Facebook didn't exist.
The best drummer in the world, I
1254
01:10:03,440 --> 01:10:05,160
think.
Who Neil?
1255
01:10:05,160 --> 01:10:08,920
He was, yeah.
Oh, Jesus, Like nobody like him.
1256
01:10:08,920 --> 01:10:11,880
He changed drumming.
He's like the the Wayne Gretzky
1257
01:10:11,880 --> 01:10:15,280
of drumming, you know?
Yeah, he, he changed drumming.
1258
01:10:15,280 --> 01:10:18,720
Like there's, if you think of
before him, there was nobody
1259
01:10:18,720 --> 01:10:20,800
like him.
After him, there was thousands
1260
01:10:20,800 --> 01:10:24,080
of drummers playing like him,
you know, because he created
1261
01:10:24,080 --> 01:10:25,680
that.
Like he's really spun.
1262
01:10:25,680 --> 01:10:28,200
Generations of of.
Drum did, yeah.
1263
01:10:28,200 --> 01:10:29,680
He did have 6 year old kid
though.
1264
01:10:30,520 --> 01:10:31,400
That's.
Amazing.
1265
01:10:31,400 --> 01:10:32,840
I love that kid.
He's amazing.
1266
01:10:32,960 --> 01:10:36,160
I love that kid.
There are so many good drummers.
1267
01:10:36,160 --> 01:10:39,080
Like do you ever watch the guy
who's smoking a cigarette with
1268
01:10:39,080 --> 01:10:40,840
the big beard?
I don't.
1269
01:10:41,000 --> 01:10:44,560
He's from Turkey or something.
And he plays, he does these like
1270
01:10:44,560 --> 01:10:46,920
incredibly fast things with one
hand.
1271
01:10:47,080 --> 01:10:50,720
Like he'll do, he'll do YYZ with
one hand and smoking a cigarette
1272
01:10:50,720 --> 01:10:52,600
and drinking a drink at the same
time.
1273
01:10:52,840 --> 01:10:56,200
And he'll do it with one hand
and a snare drum and A and a Tom
1274
01:10:56,200 --> 01:10:58,760
and, and a kick drum.
I'll, I'll send you a couple
1275
01:10:58,760 --> 01:11:00,720
videos.
This guy, I forget his name, but
1276
01:11:01,000 --> 01:11:04,040
he is incredible.
He's incredible.
1277
01:11:04,040 --> 01:11:07,000
The stuff that this guy does,
how fast his hands and feet are,
1278
01:11:07,000 --> 01:11:12,600
it's like insane, you know.
But but, you know, I would
1279
01:11:12,600 --> 01:11:18,160
assume that for years there's
been a long line of usual
1280
01:11:18,160 --> 01:11:23,280
suspects sort of campaigning,
you know, if you ever tour
1281
01:11:23,280 --> 01:11:26,240
again, you know, if you ever
tour again, you know, like the
1282
01:11:26,560 --> 01:11:31,120
the Mike Portnoy's and such of
the world who seems so obvious
1283
01:11:31,120 --> 01:11:34,000
as a replacement for.
Neil But you know, the sad, the
1284
01:11:34,000 --> 01:11:38,520
sad thing about it was after
Neil passed away, it was it was
1285
01:11:38,520 --> 01:11:43,040
very short, brief time where all
these people came out of the
1286
01:11:43,040 --> 01:11:45,640
woodwork trying to take that
posits.
1287
01:11:45,640 --> 01:11:48,680
It was tacky.
It wasn't a very good thing,
1288
01:11:48,680 --> 01:11:51,240
right.
And you know.
1289
01:11:51,880 --> 01:11:55,080
So then they just went right out
of left field and got a woman
1290
01:11:55,080 --> 01:11:58,200
from Germany.
They made the best decision on
1291
01:11:58,200 --> 01:12:00,480
this one.
Yeah, I think so.
1292
01:12:00,880 --> 01:12:04,600
I think so.
Like I said, I didn't even know
1293
01:12:04,600 --> 01:12:07,960
who she was.
And you know, now obviously I
1294
01:12:07,960 --> 01:12:11,400
know that she was with Jeff
Beck's band and I actually meant
1295
01:12:11,400 --> 01:12:14,640
to go see that and I, I think I
was out of town or something
1296
01:12:14,640 --> 01:12:18,560
happened.
But you know, I've, I've
1297
01:12:18,560 --> 01:12:21,280
literally gone down rabbit holes
and looked at every video I
1298
01:12:21,280 --> 01:12:25,360
could find of her on YouTube and
Instagram and stuff and I'm
1299
01:12:25,360 --> 01:12:28,920
obsessed with her drumming.
I just I love her style.
1300
01:12:29,960 --> 01:12:32,680
When you feel alive, you even
like it more.
1301
01:12:33,120 --> 01:12:37,120
Yeah, Yeah.
Are there any other like wild
1302
01:12:37,120 --> 01:12:39,200
surprises that you can talk
about or No, Yeah.
1303
01:12:40,000 --> 01:12:42,280
There's going to be a keyboard
player on the stage.
1304
01:12:42,400 --> 01:12:48,640
I have heard that and I got the
impression based on the video
1305
01:12:48,640 --> 01:12:51,640
that him and and now did where
where they sort of weirdly
1306
01:12:51,640 --> 01:12:57,360
announced this whole thing.
I got the impression that he was
1307
01:12:57,360 --> 01:13:03,200
going to back off on vocals.
No, he, he wants to back off on
1308
01:13:03,200 --> 01:13:06,520
keyboards.
He's still going to play as he's
1309
01:13:06,520 --> 01:13:09,800
going to play a synthesizer.
But the keyboard thing really
1310
01:13:09,800 --> 01:13:13,840
strapped him into, you know, he,
he had to trigger everything.
1311
01:13:13,840 --> 01:13:15,800
He had to play all the keyboard
parts.
1312
01:13:16,320 --> 01:13:17,920
And he rather, he's a bass
player.
1313
01:13:17,920 --> 01:13:20,840
He'd rather be free to move
around and sing.
1314
01:13:21,360 --> 01:13:24,680
And that's what he wanted to do.
Matter of fact, one of his
1315
01:13:24,680 --> 01:13:26,680
dreams isn't is to just play
bass.
1316
01:13:27,040 --> 01:13:28,560
Yeah.
What he did, what he did for
1317
01:13:28,560 --> 01:13:31,400
yes.
But that's what I kind of heard
1318
01:13:31,400 --> 01:13:34,840
in that in that little speech
that he made, I kind of heard
1319
01:13:34,840 --> 01:13:38,600
that he wanted to back away from
singing a little bit and focus
1320
01:13:38,600 --> 01:13:41,640
more on being a musician, focus
more on playing the.
1321
01:13:41,640 --> 01:13:45,400
Instrument if it wasn't Rush,
Yeah, like, you know, he he
1322
01:13:45,400 --> 01:13:47,720
would definitely play base in
another band for sure.
1323
01:13:47,960 --> 01:13:50,040
Well, it got me excited that I
was going to start hearing all
1324
01:13:50,040 --> 01:13:54,560
the really super high parts, the
the screechy old stuff done by
1325
01:13:54,560 --> 01:13:58,640
some, you know, wannabe Getty
League guy that's, you know, on
1326
01:13:58,640 --> 01:14:00,320
the other side of the stage or
something.
1327
01:14:01,360 --> 01:14:04,240
Yeah.
Yeah, well, he'll do his best.
1328
01:14:04,240 --> 01:14:08,600
You know he's been practicing.
Yeah, Well, I mean, trust me,
1329
01:14:08,680 --> 01:14:10,960
you know, I sang really well
when I was young.
1330
01:14:10,960 --> 01:14:15,000
I don't anymore, like I, I don't
know how the people who can do
1331
01:14:15,000 --> 01:14:18,040
it like the Steven Tyler's of
the world, who in their 70s can
1332
01:14:18,040 --> 01:14:22,960
still sing like that.
They have my applause because it
1333
01:14:22,960 --> 01:14:24,840
ain't easy to do.
Like, I don't know whether
1334
01:14:24,840 --> 01:14:27,640
things shrink up or what
happens, but you just.
1335
01:14:27,640 --> 01:14:28,680
Can't you shrink?
Up.
1336
01:14:28,680 --> 01:14:31,160
You lose the range.
Yeah, that's what I meant by
1337
01:14:31,240 --> 01:14:32,000
things.
Me.
1338
01:14:33,680 --> 01:14:39,400
I mean, I shrunk up, yeah.
So yeah, I'm really, I'm really
1339
01:14:39,400 --> 01:14:42,800
curious to see how all of that
comes together and, and
1340
01:14:43,360 --> 01:14:47,520
obviously, you know, any
surprises from you or is it just
1341
01:14:47,520 --> 01:14:51,400
going to be an evolution of, you
know, just the ongoing evolution
1342
01:14:51,400 --> 01:14:53,640
of Rush from a lighting design
standpoint?
1343
01:14:53,760 --> 01:14:57,240
I'm going to deliver some a few
surprises probably and.
1344
01:14:58,200 --> 01:15:00,280
Well, as he told me, it wouldn't
be a surprise, right?
1345
01:15:00,960 --> 01:15:02,480
That's right.
That's why I can't tell you.
1346
01:15:03,280 --> 01:15:07,080
But there's going to be some
some epic looks company.
1347
01:15:07,720 --> 01:15:10,800
I'm sure there always is like a
you know, I'm not blowing smoke,
1348
01:15:10,800 --> 01:15:14,840
but I've been a I've been a
lover of your lighting designs
1349
01:15:14,840 --> 01:15:17,400
for many, many tours.
I've seen Rush so many freaking
1350
01:15:17,400 --> 01:15:21,040
times, like probably more than
anybody I've ever seen, and a
1351
01:15:21,040 --> 01:15:23,280
few times standing next to you
at front of house.
1352
01:15:24,840 --> 01:15:28,520
But you know, I'm really looking
forward to it.
1353
01:15:28,520 --> 01:15:31,200
I don't know where I'm going to
see it yet, but somewhere I'll
1354
01:15:31,200 --> 01:15:33,280
see it somewhere.
Well, let's figure it out.
1355
01:15:33,440 --> 01:15:36,920
Yeah, somewhere I'll see it.
You know, I'd love to go in
1356
01:15:36,920 --> 01:15:39,680
Canada, but it's just going to
be too crazy in Canada, so
1357
01:15:40,080 --> 01:15:42,360
probably.
I mean like in I don't see it
1358
01:15:42,360 --> 01:15:44,920
being too crazy in Edmonton.
I don't see.
1359
01:15:44,920 --> 01:15:48,000
Oh, did they announce Edmonton?
Yeah, when's that?
1360
01:15:49,320 --> 01:15:51,440
I don't know.
You have to look, well, God.
1361
01:15:51,440 --> 01:15:54,080
Damn it.
It's in the winter, I know that.
1362
01:15:54,360 --> 01:15:56,200
Oh, is it?
I'm never there in the winter.
1363
01:15:57,440 --> 01:16:00,880
I'm a snowbird.
Now I leave in, I leave in like
1364
01:16:00,920 --> 01:16:03,040
I left.
I got back a few weeks ago,
1365
01:16:03,040 --> 01:16:06,800
three 3-4 weeks ago are.
You part of the Snowbird
1366
01:16:06,800 --> 01:16:09,200
Society?
I guess I am now.
1367
01:16:09,400 --> 01:16:11,960
You know, I thought I always
thought of myself as a reverse
1368
01:16:11,960 --> 01:16:15,360
snowbird, a snowbird though,
Like I'm not, I'm not coming to
1369
01:16:15,360 --> 01:16:18,160
Florida.
I'm leaving Florida to go to
1370
01:16:18,160 --> 01:16:23,360
Canada during the summer, right.
So I'm like a, but yeah, I don't
1371
01:16:23,360 --> 01:16:25,800
know what you would call me now,
but I guess I'm officially a
1372
01:16:25,800 --> 01:16:29,840
snowbird because I, I'm in
Canada from, you know, June to
1373
01:16:29,880 --> 01:16:32,600
October and down here the rest
of the year.
1374
01:16:33,400 --> 01:16:36,600
So which works out.
I mean, it's beautiful here
1375
01:16:36,600 --> 01:16:40,000
right now and it's getting well.
It's actually still like they've
1376
01:16:40,000 --> 01:16:45,400
been telling me it's 1213�� in,
in Alberta right now, which is
1377
01:16:45,400 --> 01:16:47,720
pretty.
Those are metric degrees,
1378
01:16:47,720 --> 01:16:49,440
people.
It's about this, Yeah.
1379
01:16:50,000 --> 01:16:52,360
It's about the same year, Yeah,
in Toronto.
1380
01:16:52,400 --> 01:16:54,640
I mean like mid 50s getting a
little cooler now.
1381
01:16:54,880 --> 01:16:57,760
Yeah, yeah.
In Canada.
1382
01:16:58,440 --> 01:17:01,680
Yeah, exactly.
The other thing that that has
1383
01:17:01,680 --> 01:17:05,480
been so controversial, or at
least from things that I've seen
1384
01:17:05,480 --> 01:17:09,800
'cause I'm paying a lot of
attention to this tour, is, you
1385
01:17:09,800 --> 01:17:11,880
know, people bitching about the
ticket prices.
1386
01:17:11,880 --> 01:17:16,480
And, you know, it's interesting
because on one hand, since
1387
01:17:16,480 --> 01:17:22,000
COVID, the costs to to put a
tour out and to rent a lighting
1388
01:17:22,000 --> 01:17:26,400
package and to travel and to,
you know, have buses or, or even
1389
01:17:26,400 --> 01:17:30,440
fly, all of the costs have gone
up exponentially.
1390
01:17:30,800 --> 01:17:34,360
But the ticket prices are
magically supposed to be exactly
1391
01:17:34,360 --> 01:17:36,040
the same.
So that's not going to work,
1392
01:17:36,040 --> 01:17:39,520
obviously, because when things
cost more, whether it's, you
1393
01:17:39,520 --> 01:17:43,040
know, the food that the band are
eating or you know, the the
1394
01:17:43,040 --> 01:17:47,280
transport or the packages
themselves of technology or
1395
01:17:47,280 --> 01:17:51,000
whatever that those costs end up
in the ticket price.
1396
01:17:51,000 --> 01:17:52,320
There's nowhere else to put
them.
1397
01:17:52,320 --> 01:17:55,320
You know, it's not like Howard's
just going to get paid less or
1398
01:17:55,320 --> 01:17:57,760
Ticketmaster's going to make
less or somebody else is going
1399
01:17:57,760 --> 01:18:00,360
to make less.
All those costs get funneled
1400
01:18:00,360 --> 01:18:02,400
through to the ticket price,
obviously.
1401
01:18:02,400 --> 01:18:03,840
So that.
I mean, when you look across the
1402
01:18:03,840 --> 01:18:06,720
border at any band right now,
yeah.
1403
01:18:07,360 --> 01:18:09,960
Every ticket's higher.
And if you're buying from a
1404
01:18:09,960 --> 01:18:11,960
secondary seller?
That's.
1405
01:18:11,960 --> 01:18:14,720
Beware, because that's where the
problem is a lot.
1406
01:18:14,960 --> 01:18:17,520
Of the time.
Ticketmaster right now is the
1407
01:18:17,840 --> 01:18:22,760
official ticket seller for Raj
and that's who people should be
1408
01:18:22,760 --> 01:18:24,480
buying from.
And you'll see that there are
1409
01:18:24,480 --> 01:18:30,480
tickets at 500 dollars, $300,
you know, but it's no different
1410
01:18:30,480 --> 01:18:32,720
than any other concert that's
out there, right?
1411
01:18:32,920 --> 01:18:34,840
Now, well, not just concerts, by
the way, if you look at the
1412
01:18:34,840 --> 01:18:37,800
World Series, like I looked,
there was there were tickets
1413
01:18:37,800 --> 01:18:42,080
that were like 10s of thousands
of dollars, you know, for, for
1414
01:18:42,080 --> 01:18:44,720
tickets to the, the Toronto
games last week.
1415
01:18:45,520 --> 01:18:47,640
So it's.
Sad, you know, because it's only
1416
01:18:48,200 --> 01:18:51,920
the privilege they get to go to.
Which sucks, you know, and, and
1417
01:18:51,920 --> 01:18:54,280
it sucks for the artist.
Like I don't remember who it was
1418
01:18:54,280 --> 01:18:56,920
who talked about it, but he's
like, I look out now into the
1419
01:18:56,920 --> 01:18:59,880
crowd and I see a bunch of
billionaires sitting on their
1420
01:18:59,880 --> 01:19:02,560
hands with, you know, texting on
their phones.
1421
01:19:02,560 --> 01:19:03,840
They're not even watching the
band.
1422
01:19:03,840 --> 01:19:05,880
They don't know the words.
They don't like.
1423
01:19:06,120 --> 01:19:08,600
They're there because they're
these corporate giants or
1424
01:19:08,600 --> 01:19:10,360
whatever.
And, you know, somebody gave
1425
01:19:10,360 --> 01:19:12,520
them the tickets.
But it's the same at the Super
1426
01:19:12,520 --> 01:19:13,720
Bowl.
I don't know if you've ever been
1427
01:19:13,720 --> 01:19:16,920
to a Super Bowl, but they're in
a very.
1428
01:19:16,920 --> 01:19:20,120
Few fans there there's.
Very few fans there because
1429
01:19:20,120 --> 01:19:23,240
tickets end up costing.
By the time you pay the
1430
01:19:23,240 --> 01:19:26,200
secondary prices, they're over
10 grand a ticket to go to the
1431
01:19:26,200 --> 01:19:27,920
Super Bowl.
Now you know.
1432
01:19:28,320 --> 01:19:29,880
Who's paying unless someone
gives you a ticket?
1433
01:19:30,280 --> 01:19:35,200
Unless someone gives you 1,
which is extremely rare.
1434
01:19:35,800 --> 01:19:39,080
It's extremely rare that someone
calls you up and goes hey, dying
1435
01:19:39,080 --> 01:19:41,080
to get rid of these two tickets
to the Super Bowl.
1436
01:19:41,080 --> 01:19:42,600
Do you want them?
Nobody else wants them.
1437
01:19:43,360 --> 01:19:47,000
Yeah, not likely.
Yeah, I mean, I was fortunate or
1438
01:19:47,000 --> 01:19:50,280
unfortunate or whatever, but for
a number of years I went with my
1439
01:19:50,280 --> 01:19:56,800
ex father-in-law and every year
the Bears got him tickets for 40
1440
01:19:56,800 --> 01:19:58,280
years.
Like he went to almost every
1441
01:19:58,280 --> 01:20:03,080
game for 40 years.
And so I ended up being his plus
1442
01:20:03,080 --> 01:20:04,680
one for a lot of those years
and.
1443
01:20:05,400 --> 01:20:08,280
I'm a football fan, but I'm not
a huge football fan.
1444
01:20:08,280 --> 01:20:12,560
So like face value on the
tickets was 1000 bucks, 1200
1445
01:20:12,560 --> 01:20:15,920
bucks, whatever it was, plus a
flight plus hotels plus plus
1446
01:20:15,920 --> 01:20:18,520
plus plus plus.
So no matter how you slice it,
1447
01:20:18,520 --> 01:20:24,760
it's a 3 or $4000 trip.
And I don't know, like for me to
1448
01:20:24,760 --> 01:20:30,280
see a football game for four
grand or whatever, I'm like, I
1449
01:20:30,280 --> 01:20:32,760
like my.
TV there are better things to
1450
01:20:32,760 --> 01:20:35,280
do.
Of course, of course.
1451
01:20:35,760 --> 01:20:38,640
But yeah, so I think they're
getting a bad rap on the
1452
01:20:38,640 --> 01:20:40,480
tickets.
And then the other, the other
1453
01:20:40,480 --> 01:20:44,480
sort of myth that I've seen is
that it's not selling well.
1454
01:20:44,480 --> 01:20:46,520
And that was from someone in our
industry who?
1455
01:20:46,680 --> 01:20:48,920
Posted it on.
Facebook, of course.
1456
01:20:48,920 --> 01:20:50,440
It is.
They got to be, they got to be
1457
01:20:50,440 --> 01:20:53,920
an idiot to say that.
I mean, why would they do four
1458
01:20:53,920 --> 01:20:57,320
nights and a lot of.
Big buildings, Yeah.
1459
01:20:57,560 --> 01:20:59,240
Buildings and big buildings, you
know.
1460
01:20:59,360 --> 01:21:01,960
They're doing extremely well and
don't let anyone tell you.
1461
01:21:02,080 --> 01:21:05,480
No, I'm seeing a lot of cities
are sold out completely, even if
1462
01:21:05,480 --> 01:21:07,760
it's multiple nights, all the
nights are sold out.
1463
01:21:08,120 --> 01:21:10,400
And then the other thing that's
happening is they'll sell out
1464
01:21:10,400 --> 01:21:13,960
two nights, add 2 nights and OK,
so those didn't sell out in the
1465
01:21:13,960 --> 01:21:15,960
first day.
That means it's not selling
1466
01:21:15,960 --> 01:21:17,920
well.
Like stop already stop.
1467
01:21:18,240 --> 01:21:23,320
You know, the I'm actually blown
away by the interest in, in this
1468
01:21:23,320 --> 01:21:24,680
tour.
Like it's huge.
1469
01:21:24,680 --> 01:21:26,960
It's, you know, people.
We're never rush.
1470
01:21:26,960 --> 01:21:28,200
Fans, yeah.
No.
1471
01:21:29,000 --> 01:21:32,280
There might be girls there.
There will be girls there.
1472
01:21:32,720 --> 01:21:34,120
Which is incredible.
You don't see.
1473
01:21:34,120 --> 01:21:35,400
Especially with a female
drummer.
1474
01:21:36,040 --> 01:21:37,400
Man, that's true.
Yeah.
1475
01:21:37,560 --> 01:21:40,760
It'll all be DEI now.
You'll have girls and grannies
1476
01:21:40,760 --> 01:21:43,760
and everything.
You'll have, you'll have
1477
01:21:43,760 --> 01:21:45,320
everybody.
You'll everybody will be
1478
01:21:45,320 --> 01:21:48,080
represented.
We will have diversity in our
1479
01:21:48,080 --> 01:21:51,280
shows.
Exactly, exactly.
1480
01:21:51,280 --> 01:21:56,120
I love it, but no, I, you know,
seriously, like the interest
1481
01:21:56,120 --> 01:21:58,680
level has just been huge.
Like I know tons of people who
1482
01:21:59,000 --> 01:22:01,960
are flying from Calgary to
Toronto to see the show and
1483
01:22:02,800 --> 01:22:05,560
which maybe they're regretting
it now that Edmonton got added,
1484
01:22:05,560 --> 01:22:08,520
but well.
You know, I'll tell you there,
1485
01:22:09,160 --> 01:22:14,360
there are people flying from
from the UK and the EU coming to
1486
01:22:14,360 --> 01:22:17,920
see shores, you know.
Is there any talks of a European
1487
01:22:17,920 --> 01:22:20,640
Tour?
There's a there's some
1488
01:22:20,640 --> 01:22:22,240
rumblings.
We're just waiting to see what
1489
01:22:22,280 --> 01:22:26,080
what happens.
In South America, we're talking.
1490
01:22:26,080 --> 01:22:29,320
About all we don't know, but
we're talking about all of this.
1491
01:22:29,440 --> 01:22:35,080
I have a a Brazilian employee
who is a great guy named Gus and
1492
01:22:35,080 --> 01:22:38,440
he's a bass player and a singer
and but he's young.
1493
01:22:38,440 --> 01:22:43,640
He's like in his mid 20s and his
dog is named Getty.
1494
01:22:44,960 --> 01:22:51,040
He's he's a huge, huge Rush Rush
fan, just a massive Rush fan.
1495
01:22:51,480 --> 01:22:55,360
And he's like, please, if if you
get, if you do a podcast with
1496
01:22:55,360 --> 01:22:58,440
your friend Howard, can you
please tell him to ask them to
1497
01:22:58,440 --> 01:23:01,720
please come to Brazil?
And I'm like, OK, I'll.
1498
01:23:01,720 --> 01:23:04,640
Ask him, you know something.
This is me asking you, Howard.
1499
01:23:04,960 --> 01:23:06,480
Please tell Rush to go to
Brazil.
1500
01:23:07,040 --> 01:23:09,280
It's in the works.
We're, we're, we're looking at
1501
01:23:09,280 --> 01:23:12,480
everything like, yeah.
Yeah, South Americans, like I
1502
01:23:12,480 --> 01:23:16,320
remember if it was R30 or
whatever, it was one of the
1503
01:23:16,320 --> 01:23:23,880
videos that that they did and it
was in Rio I think, and I
1504
01:23:23,880 --> 01:23:28,040
remember them singing YYZ.
Oh, they they were singing a lot
1505
01:23:28,040 --> 01:23:29,520
of songs.
They they were.
1506
01:23:29,560 --> 01:23:33,720
How do you sing?
You know, there's no, no lyrics,
1507
01:23:33,720 --> 01:23:34,840
no words.
Yeah, they go.
1508
01:23:36,320 --> 01:23:38,160
Yeah, I know.
It's unbelievable.
1509
01:23:38,880 --> 01:23:41,960
They were.
They were also.
1510
01:23:42,320 --> 01:23:44,120
They were also crying a lot
there.
1511
01:23:44,240 --> 01:23:47,040
Yeah, there were people with
tears in there, like they would
1512
01:23:47,040 --> 01:23:50,240
come to the hotel where we were
staying, tears in their eyes,
1513
01:23:50,520 --> 01:23:53,240
bringing gifts.
Wasn't Mexico similar?
1514
01:23:54,560 --> 01:23:56,960
I don't remember Mexico.
You know, it's, it's kind of
1515
01:23:56,960 --> 01:23:59,080
funny.
I think it was.
1516
01:23:59,080 --> 01:24:02,360
But I actually actually had a
talk to Liam the other day to
1517
01:24:02,360 --> 01:24:04,840
ask him, hey, did we ever play
in Mexico?
1518
01:24:05,600 --> 01:24:08,200
Well, I think you did really
late, didn't you or something?
1519
01:24:08,200 --> 01:24:11,840
Yeah, I think so.
We did, yeah.
1520
01:24:11,840 --> 01:24:15,080
It's just that I don't remember.
And you had to add, like I
1521
01:24:15,080 --> 01:24:17,560
remembered something about
having to add closer to the
1522
01:24:17,560 --> 01:24:19,680
heart into the set or something.
I don't.
1523
01:24:19,680 --> 01:24:21,680
Maybe I read that in Getty's
book or something.
1524
01:24:21,680 --> 01:24:26,840
I don't know but.
Yeah, yeah, anyway.
1525
01:24:27,040 --> 01:24:30,160
So this thing, this could be one
of those tours that just goes on
1526
01:24:30,160 --> 01:24:32,920
for three years.
No.
1527
01:24:33,280 --> 01:24:35,440
Could be your real retirement
gig, Howard.
1528
01:24:35,600 --> 01:24:38,240
You could die.
You could kick back after this
1529
01:24:38,240 --> 01:24:38,880
one.
Finally.
1530
01:24:38,880 --> 01:24:41,880
I don't want to retire, buddy.
I'm no none of us.
1531
01:24:41,880 --> 01:24:44,040
Does none of us does.
In this business.
1532
01:24:44,040 --> 01:24:48,800
You retire, you die, you know,
it keeps you, it keeps you young
1533
01:24:48,800 --> 01:24:52,440
and and active and healthy and
fit and all of those things.
1534
01:24:53,560 --> 01:24:56,120
Well, and in some people's
cases, I think it's all of the
1535
01:24:56,120 --> 01:24:58,760
opposite of that.
It does to you, you know, keeps
1536
01:24:58,760 --> 01:25:01,200
you doing bad things that you
shouldn't be doing and eating
1537
01:25:01,200 --> 01:25:03,200
pizza in the back lounge and
stuff.
1538
01:25:03,960 --> 01:25:07,560
But what else?
What else do we want to talk
1539
01:25:07,560 --> 01:25:09,400
about here?
I don't want to keep you all
1540
01:25:09,400 --> 01:25:13,200
day, but I'm super excited about
this tour like I listen to.
1541
01:25:13,680 --> 01:25:17,160
I am so excited about this tour.
Well, and I'm so happy for you.
1542
01:25:17,200 --> 01:25:20,280
And tell me about who you chose
as your assistant because I
1543
01:25:20,280 --> 01:25:23,320
think that's also something
very, very cool and exciting.
1544
01:25:23,800 --> 01:25:25,480
I love it.
It just shows who you are as a
1545
01:25:25,480 --> 01:25:28,720
human too, you know?
I can't talk about my assistant
1546
01:25:28,720 --> 01:25:30,800
at the moment because we have
to.
1547
01:25:31,280 --> 01:25:36,040
We have to find a lighting
company before I can find my
1548
01:25:36,040 --> 01:25:41,800
assistant, so I have to just
keep that sliding.
1549
01:25:42,120 --> 01:25:44,560
Keep that on the down low.
Got it.
1550
01:25:44,800 --> 01:25:48,200
But it'll be, it'll be whoever
it is, it'll be great.
1551
01:25:48,200 --> 01:25:50,400
Like the years before.
I've used Tim Greedus.
1552
01:25:50,400 --> 01:25:51,840
It was amazing.
Yeah.
1553
01:25:51,840 --> 01:25:54,080
I use, you know, Matt Drewsbic
for a while.
1554
01:25:54,080 --> 01:25:58,880
I use Keith Hoagland.
I have Andy O'Toole and a bunch
1555
01:25:58,880 --> 01:26:00,920
of great ones.
You've had some great people out
1556
01:26:00,920 --> 01:26:02,880
there.
Is it hard to be Howard's
1557
01:26:02,880 --> 01:26:05,880
assistant?
It is wondering if I should
1558
01:26:05,880 --> 01:26:08,600
apply for the gig.
No, you would not deal with me
1559
01:26:08,600 --> 01:26:10,800
very well.
And I don't know how to run a
1560
01:26:10,800 --> 01:26:12,240
console.
I don't even know how to turn
1561
01:26:12,240 --> 01:26:13,160
one on.
So then.
1562
01:26:13,440 --> 01:26:15,080
You would.
I could get coffees and.
1563
01:26:15,080 --> 01:26:17,880
Beers and stuff, you know, like
I could do some of that stuff.
1564
01:26:19,040 --> 01:26:22,160
I have all of that on my
fingertips anyway, so it's yeah.
1565
01:26:22,600 --> 01:26:25,520
Damn it, I thought I had my
chance.
1566
01:26:25,520 --> 01:26:29,200
It's my chance.
So are you saying I still got a
1567
01:26:29,200 --> 01:26:32,640
chance?
Well, yeah, we'll see.
1568
01:26:33,040 --> 01:26:36,680
There could be worse gigs, you
know, being being out on on rush
1569
01:26:36,680 --> 01:26:39,920
for well, and I'm guessing this
is no buses.
1570
01:26:40,800 --> 01:26:43,400
There are no buses on this one.
That's amazing.
1571
01:26:43,440 --> 01:26:44,840
Have you ever done a no bus
tour?
1572
01:26:45,440 --> 01:26:49,920
No, we're spending a week in
almost every, every city that we
1573
01:26:49,920 --> 01:26:52,040
have the multiple shows and that
is fantastic.
1574
01:26:52,040 --> 01:26:54,800
And even the ones that have two
nights is this days off between
1575
01:26:54,800 --> 01:26:56,800
the two nights.
So there'll at least be a
1576
01:26:56,800 --> 01:27:02,560
minimum of four days in the
city, you know, or I haven't
1577
01:27:02,560 --> 01:27:06,080
even seen the travel
arrangements yet, but I know
1578
01:27:06,720 --> 01:27:08,640
that the last I heard there were
no blessings.
1579
01:27:09,240 --> 01:27:13,080
Wow, this is an all flying tour.
That's awesome.
1580
01:27:13,840 --> 01:27:15,840
That is awesome.
Yeah, it is.
1581
01:27:16,160 --> 01:27:19,440
I'm excited for you, buddy.
I, I, I called you as soon as I
1582
01:27:19,440 --> 01:27:23,000
heard about it and I was like,
dude, I am so happy for you.
1583
01:27:23,160 --> 01:27:24,840
You know, you're just one of the
good guys.
1584
01:27:24,840 --> 01:27:27,200
You're one of the guys who
deserves this kind of good
1585
01:27:27,200 --> 01:27:29,440
things to happen.
Thanks very much.
1586
01:27:29,480 --> 01:27:33,440
I appreciate that.
Yeah, well, I want to, I don't
1587
01:27:33,440 --> 01:27:36,600
want to take your whole day.
I'm so happy that you came on
1588
01:27:36,600 --> 01:27:38,960
and and shared a bit of
information about this.
1589
01:27:38,960 --> 01:27:45,120
I'd, I'd love to talk to you
again, you know, maybe on a
1590
01:27:45,120 --> 01:27:47,520
break from the tour next year or
something.
1591
01:27:47,520 --> 01:27:50,160
If there is any breaks, I'd love
to hear how it's going and
1592
01:27:50,160 --> 01:27:51,640
stuff.
I'll certainly come out and see
1593
01:27:51,640 --> 01:27:53,440
it at least once.
And.
1594
01:27:53,440 --> 01:27:55,080
I'll see you when you come out,
you know.
1595
01:27:55,080 --> 01:27:56,840
Yeah, yeah, I know.
I'm excited.
1596
01:27:56,840 --> 01:27:59,680
I'm excited for you.
I'm excited for the band.
1597
01:27:59,680 --> 01:28:03,000
I mean, I'm sure it was an
incredibly hard decision for
1598
01:28:03,000 --> 01:28:07,360
them to make you.
Know a hundred 100% on that.
1599
01:28:07,560 --> 01:28:12,080
There's no band that I can think
of who are tighter than those
1600
01:28:12,080 --> 01:28:15,800
three guys, you know, and the
surrounding family, which you're
1601
01:28:15,800 --> 01:28:20,760
part of as well.
I can't think of anyone tighter
1602
01:28:20,760 --> 01:28:23,760
than those those guys.
They're good guys, Yeah.
1603
01:28:23,760 --> 01:28:27,760
They are very loyal to their
employees.
1604
01:28:28,280 --> 01:28:32,600
Yeah.
And you know, we basically kept
1605
01:28:32,600 --> 01:28:35,320
the back line crew intact.
That's awesome.
1606
01:28:35,320 --> 01:28:39,080
Which I can, which I can talk
about, yeah, You know, they'll
1607
01:28:39,080 --> 01:28:41,960
be a bunch of new people, will
be a new sound, that upfront
1608
01:28:41,960 --> 01:28:43,560
sound that.
Yeah.
1609
01:28:43,920 --> 01:28:50,640
Sound engineer and mixer, new
monitor mixer too, and they're
1610
01:28:50,640 --> 01:28:52,520
all going to be great.
Yeah.
1611
01:28:53,000 --> 01:28:56,040
This will be a renewal tour
improvement.
1612
01:28:56,440 --> 01:28:58,240
Yeah.
They're not recording though,
1613
01:28:58,240 --> 01:29:00,240
are they?
Don't know.
1614
01:29:00,840 --> 01:29:02,480
Huh.
We don't know.
1615
01:29:03,400 --> 01:29:05,840
I'm sure they'll do something.
They'll do a video maybe?
1616
01:29:06,520 --> 01:29:09,280
No, I meant recording.
They're not recording new music.
1617
01:29:10,440 --> 01:29:13,480
Not that I know of, but they
haven't shared any of that.
1618
01:29:13,480 --> 01:29:15,560
No, she.
May inspire them, You never
1619
01:29:15,560 --> 01:29:18,000
know, like.
You don't but this again.
1620
01:29:18,000 --> 01:29:20,960
Nothing, nothing about Neil
because greatest drummer in the
1621
01:29:20,960 --> 01:29:28,080
world, but just having someone
new and you know, 30 years
1622
01:29:28,080 --> 01:29:30,800
younger than them and all of
those things like that could
1623
01:29:30,800 --> 01:29:35,120
really inspire, inspire you to,
to do some new music.
1624
01:29:35,760 --> 01:29:38,240
So.
Who knows, we can hope we can
1625
01:29:38,240 --> 01:29:42,760
dream, or I can anyways.
All right, Howard.
1626
01:29:42,760 --> 01:29:45,080
Well, I appreciate you taking
the time to do this.
1627
01:29:45,080 --> 01:29:50,680
Very, very grateful to you and
happy as hell for you and look
1628
01:29:50,680 --> 01:29:53,680
forward to seeing you.
You're too busy to be at LDI
1629
01:29:53,680 --> 01:29:59,160
this year, I know, but I'll see
you sometime next year if if
1630
01:29:59,160 --> 01:30:00,600
not.
I look forward to seeing
1631
01:30:00,600 --> 01:30:03,720
everybody out there this year.
Yeah, cool.
1632
01:30:03,920 --> 01:30:05,280
All right, Howard, thanks so
much.
1633
01:30:06,000 --> 01:30:07,040
See you more, so bye bye.
Designer/Director at PDIFX.COM
Production Design International Inc
31 yrs 11 mos
owner/Partner
Sep 1994 - Present · 31 yrs 3 mos
Owner/Director
1994 - Present · 31 yrs 11 mos
Creative Show and Architectural lighting design
Laser Design
Theatrical lighting and Special effects designerCreative Show and Architectural lighting design Laser Design Theatrical lighting and Special effects designer
Designer/Director
RUSHRUSH
Aug 1974 - Present · 51 yrs 4 mos
SHOW DESIGN AND DIRECTIONSHOW DESIGN AND DIRECTION
Applied Light Media
Toronto
1994 - Jan 2012 · 18 yrs 1 mos
Director


