#326 - John Procaccini - The Evolution of Touring and Stage Management

John Procaccini is a veteran tour production manager and entertainment executive with over 45 years in the live events industry. Currently the Tour Production Manager for Peter Frampton, John has worked with legendary artists including Jefferson Starship, The Doobie Brothers, REO Speedwagon, Boston, and Sammy Hagar. Beyond touring, he is Co-Owner of the Nashville Social Club and Principal of ChiliBop Entertainment Group, with past leadership roles at Base Hologram, Base Experiential, and Stage Craft. Known for blending creativity with operational excellence, John continues to deliver unforgettable experiences while shaping the future of live entertainment.In this engaging conversation, Marcel and John Procaccini explore a variety of topics ranging from the innovative launch of GearShare, an AI-driven search engine for sub-rental gear, to the evolving dynamics of real estate in Tahoe.
They discuss the importance of community support in the live events industry, the impact of health choices on touring professionals, and the cultural differences in food and health. John shares his unique journey from working in a deli to becoming a veteran production manager in the rock and roll industry, while also addressing security concerns in live events and the shift from generalists to specialists in production management.
The conversation highlights personal experiences, lessons learned, and current projects, providing valuable insights into the world of live entertainment. In this conversation, John shares insights from his extensive career in the music industry, discussing the evolution of touring, the impact of health on artists, and the importance of mentorship in sustaining the industry. He reflects on personal experiences with Peter, the challenges of managing health issues, and the significance of lifestyle changes.
The discussion also touches on the future of concert experiences, including the use of holograms and the need for enhanced security measures for artists.
This Episode is brought to you by Elation and Main Light
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Torch and a fellow by the name
of Paco Zimmer. 2 icons from the
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late 60s seventies in the
Rock'n'roll business.
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Owned a staging company called
Vicom and it was probably the
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first iteration of what mobile
stages have become.
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And their shop was a mile from
my parents Deli, 2 miles maybe.
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And Torch came in one day, got a
bunch of sandwiches for his crew
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that was working, said, hey, you
should come down and see what
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we're doing.
And I said, yeah, I'll, I'll
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take a ride down after work one
day.
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And I did.
And there was a pair of overalls
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hanging there.
And next thing I knew, I was
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cutting steel for this stage
bill that they were doing.
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And that was around 1977.
Torch became the the rigor.
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Paco became the advancement for
Boston, which at that time
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biggest album in the world.
That was it, yeah.
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And I kind of got recruited to
become a ground rigger Carpenter
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kind of person, and I had no
idea what the hell I was doing
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and my parents thought I was
joining the circus.
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Hello.
And here we are, another episode
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of Geysers of Gear.
Thanks for joining me today.
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As always, a lot of new things
going on in our world.
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First, I think you're probably
aware that I have launched a new
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business, Gearshare, which is a
an AI search engine basically
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for sub rental gear.
It is working amazingly well.
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It's a tool that we've taken
almost a year to build at this
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point and spent a fortune on AI
products and stuff.
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It's not only AI, but AI handles
the bulk of the load.
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It is doing a lot of the smart
stuff in the background.
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We've got a lot of companies
onboarding.
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Companies are being onboarded
more quickly now.
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We were very slow walking for
the first couple of weeks, but
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yeah, it's going really, really
well.
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We're probably up to about 7000
items now.
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We want to push it to 1015
thousand really, really quickly.
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We want to get it to 100,000
sort of within a few weeks.
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So we are going to be onboarding
a lot more companies.
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And one thing I did want to
mention, if you're listening to
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this, you're probably the type
of person we would want to add.
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We are now adding what we're
calling affiliates or affiliate
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partners.
And those affiliates basically
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you can earn simply by saying to
someone, hey, have you heard of
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Gearshare?
It's pretty cool.
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It's a great way to find gear
and you might want to sign up
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and guess what?
I've got a discount code.
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You give them your discount
code.
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You can do this online, you can
do it in person, you can do it
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in a text message.
You give them the discount code,
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they sign up with that discount
code and you get a fairly
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significant little payment for
that.
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So obviously that scales really
well.
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You could make an extra three
$4000 a month simply by
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recommending a platform.
And we've just decided that
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instead of growing a large sales
team on our side, we'd rather
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just take our own friends and,
and network and have you guys
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share this for us.
In the past, I used to always
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call this a sneezer.
A person who buys like the
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latest iPhone and tells everyone
about it is in marketing terms,
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it's a sneezer.
It's a person who's going to
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basically spread the virus, go
out and tell people that, hey,
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this thing's amazing, you should
check it out.
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And so we're looking to pay
people to be sneezers for gear
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share.
So that's cool.
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Secondly, I haven't talked to
you about Four Wall in a while,
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but I've been speaking with them
directly with Wes, the CEO and
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others.
And I'm happy for them that
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they've been funded, that
they're out of those nasty dark
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moments that they've been in for
God, what feels like a couple of
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years.
I know it's over a year anyways,
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I'm sure for their entire team,
it's it's just a massive exhale
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and back to doing business,
which is great.
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And I think it's good for the
entire industry.
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When a company that size is on
the sidelines and you know, it
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causes ripples all the way
through the system.
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Vendors aren't getting paid on
time, staff are getting
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depressed or, or down or
whatever.
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We've all been through it and
it's great to come out of those
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situations.
So congratulations to Forwall on
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getting funded and let's keep an
eye on that and see how it all
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goes in the future.
I'm sure they're going to get
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back to acquiring other
businesses and so we'll see.
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One thing I didn't want to go
without mentioning since we're
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still in September here.
It's now the 23rd of September
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as I record this Cosmos annual
Space Cannon installation for
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911 in New York.
If you listen to my podcast, you
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probably also follow Cosmo
Wilson and you know the guy is
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just a St. for doing this every
single year.
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He some of the scheduling that
he has to do just to get to New
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York to do this in between
touring dates and stuff.
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Yes, this year he was off so it
was a little bit easier.
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But most years he's jumping from
1 gig to another gig.
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He'll come in, get the setup
done and the focus done.
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He'll fly back out to do a gig,
fly back in to make sure
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everything turns on OK.
Like the commitment that this
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guy puts into this every single
year and he's so proud of it and
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he's so happy to do it and he
gets so many accolades and it's
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all well deserved.
So Attaboy Cosmo, you know,
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super proud of you, super happy
to be your friend and love
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seeing you do it every year and
love following the social media
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posts with all the excuse me
pictures and and stuff.
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This year was extra special
because Steven Tyler showed up,
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which which was pretty wild.
Steven Tyler showed up at the
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9/11 thing, stood under the
lights, got his picture taken
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under the lights and a very
funny moment.
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Everyone knows if you know
Cosmo, you know two things about
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his wardrobe 1 is he's going to
be wearing a Hawaiian shirt and
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two, he's probably wearing a
Beatles hat.
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And so him and Steven Tyler
switched hats.
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If you haven't seen it, go to
Cosmos social media, Scroll down
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through about 8000 pictures.
You'll get to 1 where Stevens
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wearing The Beatles hat and and
Cosmo's wearing Stevens hat.
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So very, very cool.
Love it.
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Attaboy Cosmo, super proud and
and happy to know you.
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And you know, I know you love
what you're doing there, but we
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all love that you do it.
And without getting political at
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all, I wanted to mention this
whole Charlie Kirk thing.
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Not for any reasons that you
think I might be mentioning it,
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but does this create security
concerns for our own industry?
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Is there going to be more
attention paid to the artists
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who are on stage?
And I know that we've always
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been concerned with them getting
hit in the head with a beer
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bottle or a, you know, a glass
of water or whatever it is just
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things projectiles from the
audience.
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We've always been paying
attention to that.
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But, you know, have we really
been concerned about, you know,
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call it a left wing or a right
wing person on stage who has
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very, you know, political views
that one side loves, the other
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side doesn't love.
And someone now brings a gun to
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that, to that event or brings a
bomb to that event or brings a
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projectile or whatever to that
event or runs on stage and stabs
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them in the face.
You know, I know it's very
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morbid sounding, but it's one of
the things that I thought of
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when I saw that all happening
after the fact was does this
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change our industry?
Does this, you know, and one of
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the things that made me think of
it is I saw the president's
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speech at the Charlie Kirk thing
the other day and and the
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president now doesn't speak
without the big guard around him
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now, and for obvious reasons.
So are we going to start seeing
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concerts where, you know,
whoever the artist is has a
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bulletproof shield in front of
him so he's basically singing
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from a box?
I hope not, but who knows?
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I mean, our world is is a little
nutty.
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Let's face it.
We've got some crazy shit going
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on out there right now.
And I would hate to see it come
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to that because, you know, the
the closeness and the sort of
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romance of being at a show and
being that close to the artist
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and seeing him standing right
there right in front of you or
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her is such a big part of all of
this.
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And also, what will the fans
think?
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Like if Taylor Swift is is on
stage behind a, a big, you know,
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thing that covers the entire
stage and the ramps and
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everything, you know, I don't
know what's that look like.
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So I hope it doesn't become a
problem.
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I hope I'm not, you know,
anticipating something that's
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coming because if it does come,
if it happens to one artist, it
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it's going to cause significant
change to our industry and we
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don't need that kind of that
kind of stuff right now.
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So anyways, sorry to enter a
dark and negative and morbid
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topic, but I just, it's one of
the things I thought of when
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that all happened.
So today's guest is I hope I get
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his last name pronounced right,
John.
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I apologize now if I get it
wrong.
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John Procaccini is a veteran
tour touring production manager
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and entertainment executive with
more than 45 years in the live
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events industry.
Currently the tour production
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manager for Peter Frampton, John
has worked with legendary
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artists including Jefferson
Starship, The Doobie Brothers,
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REO Speedwagon, Boston and Sammy
Hagar.
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Beyond touring, John is also
co-owner of the Nashville Social
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Club and principal of Chili Bop
Entertainment Group, with past
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leadership roles at Base,
Hologram, Base Experiential and
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Stagecraft.
Known for blending creative and
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operational excellence, John
continues to deliver
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unforgettable experiences while
shaping the future of live
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entertainment.
So let's go ahead and bring them
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on.
Well, hello John, how are you?
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Great, Marcel.
Thanks for having me.
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No, thank you so much for doing
it.
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It's it's interesting to learn
that somewhere out that back
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window of yours that I can see
behind you is John Wiseman's
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probably sitting on his boat
smoking a cigar or something.
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He's not too far from me.
He's I, I don't know exactly
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where he lives, but he's up in
Tahoe somewhere.
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Yeah, yeah, he's not that far
from me.
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And I'm in the, I'm in the
footage.
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Oh, OK.
Oh, so you're not real close to
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the lake?
About 20 minutes, 20 minutes due
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east of South Lake Town, Yeah.
You're probably you're probably
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about $15 million from the lake.
Exactly, exactly.
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I'm about 15 million from the
lake exactly.
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Is that feet or miles?
No dollars.
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Yeah, it's funny, John was
actually talking to me a few
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weeks ago about about Tahoe
Realty, a real estate and just
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what some people are spending to
build these massive, you know,
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Silicon Valley mansions on the
lake and, and.
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It's just.
Wild.
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Actually, a mutual friend of
John and mine is a landscape
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designer.
It's actually my wife's best
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friend.
She's a landscape designer in
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Tahoe and the the billionaires
are, as I said, the zillionaires
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are coming into town buying $40
million lakeside properties and
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knocking them down from building
or, or knocking portions.
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It's crazy.
It's it's when.
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When you're doing that, you've
got, you know what I would call
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a few money and.
Yeah.
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You know, it's just I see it in
South Florida a lot too, and I'm
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starting to see it where my
house is up in Canada as well,
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where people are buying, you
know, 3 or $4 million houses,
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tearing them down and building,
you know, 20 million.
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Dollar houses, Yeah, it's crazy.
You know, my wife just doesn't
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like the floor color so I'm
going to tear the house down.
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That's that's essentially what's
going on, you know?
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It is wild.
It is wild.
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00:13:17,040 --> 00:13:20,040
And certainly on the ocean and,
and even on the intercoastal in
214
00:13:20,040 --> 00:13:24,040
Florida, same thing.
You know, it's, it's like you're
215
00:13:24,040 --> 00:13:27,560
paying $10 million for the land
and 2,000,000 for the house.
216
00:13:27,560 --> 00:13:29,360
So who cares?
I'm gonna tear down the house
217
00:13:29,360 --> 00:13:31,040
and put up a better one.
Exactly.
218
00:13:31,040 --> 00:13:34,680
So yeah, whatever.
So you're one of the, you're one
219
00:13:34,680 --> 00:13:38,160
of the first of all, I'm super
impressed with myself that I got
220
00:13:38,160 --> 00:13:41,640
your last name right.
I, I don't always do that.
221
00:13:41,640 --> 00:13:47,000
So Prococini for me, I'm massive
Italian food fan and I just
222
00:13:47,000 --> 00:13:50,720
thought if this was on the menu
and I wanted to order it, how
223
00:13:50,720 --> 00:13:53,400
would I order it And, and I got
it right.
224
00:13:53,400 --> 00:13:55,600
So.
It's funny that you correlate it
225
00:13:55,600 --> 00:14:00,520
to food because a little back
story that kind of coincides
226
00:14:00,520 --> 00:14:04,960
with the start of my career is
my parents owned an Italian deli
227
00:14:05,560 --> 00:14:11,520
in Providence, RI, OK.
And back East they call
228
00:14:11,520 --> 00:14:15,920
sandwiches grinders in Boston,
Providence.
229
00:14:16,600 --> 00:14:22,920
So I've had the I've had the
nickname John the Grinder for 47
230
00:14:22,920 --> 00:14:25,280
years now.
Yeah, yeah.
231
00:14:25,280 --> 00:14:33,480
I started started in 78 helping
a a fella in, in New England.
232
00:14:33,480 --> 00:14:35,320
He was a raver.
His name was Torch.
233
00:14:35,480 --> 00:14:40,200
Arthur Russo.
Arthur Sylvia on the side and
234
00:14:40,200 --> 00:14:43,920
another good German name,
another good German name.
235
00:14:44,080 --> 00:14:48,640
And Torch took me in.
I started working in the shop,
236
00:14:49,000 --> 00:14:53,040
but he coined the name John the
Grinder and that stuck pretty
237
00:14:53,040 --> 00:14:55,600
much.
I think of the last probably 7
238
00:14:55,600 --> 00:14:58,480
to 10 years, it's tapered off a
little bit because it's got
239
00:14:58,960 --> 00:15:03,840
other meanings and connotations.
So we don't use, we don't use
240
00:15:03,840 --> 00:15:06,360
the name Grind.
Yeah, exactly.
241
00:15:06,920 --> 00:15:09,400
Where maybe you do or do not
want to be.
242
00:15:09,880 --> 00:15:15,400
Associated to exactly so I
haven't used it all that much,
243
00:15:15,400 --> 00:15:19,440
but still recognized as as the
grinder out there somewhere.
244
00:15:19,440 --> 00:15:20,480
I.
Like it, I like it.
245
00:15:20,680 --> 00:15:23,520
That's, you know, there's been
some really funny nicknames over
246
00:15:23,520 --> 00:15:27,240
the years for for touring people
and someday somebody has to do a
247
00:15:27,440 --> 00:15:30,720
a book of the funny nicknames in
the touring business.
248
00:15:30,760 --> 00:15:33,480
And it's such a great idea.
You know, how did how did the
249
00:15:33,480 --> 00:15:37,120
name get get brought up?
Because I would love to even
250
00:15:37,120 --> 00:15:38,920
hear the origin of that whole
thing.
251
00:15:38,920 --> 00:15:42,520
Like, when did somebody decide
that everyone on a tour needed
252
00:15:42,520 --> 00:15:43,920
to have a funny nickname?
You.
253
00:15:43,920 --> 00:15:47,520
Know, yeah.
And who knows?
254
00:15:47,520 --> 00:15:50,840
Like, I don't know when that
started what the origin of the
255
00:15:50,840 --> 00:15:53,480
whole concept is, you know, but
it's cool.
256
00:15:53,480 --> 00:15:54,400
It's.
Funny it is.
257
00:15:54,720 --> 00:15:55,800
It is this.
Good luck.
258
00:15:55,880 --> 00:15:57,760
That I don't even know their
name, like I just.
259
00:15:57,800 --> 00:15:59,800
Know their name, the.
Torch or whatever.
260
00:15:59,800 --> 00:16:01,040
Right.
Yeah, yeah, yeah.
261
00:16:01,520 --> 00:16:02,720
So.
Exactly.
262
00:16:03,440 --> 00:16:06,200
So, yeah, the, the, so I'm
guessing you're Italian,
263
00:16:06,200 --> 00:16:11,840
obviously.
And so the, the deli, I've read
264
00:16:11,840 --> 00:16:14,600
I think somewhere in either your
notes or some of the research
265
00:16:14,600 --> 00:16:20,520
that we did, the deli in Rhode
Island, you worked there, you
266
00:16:20,520 --> 00:16:23,240
spent a lot of time there.
When yeah, I mean my, my parents
267
00:16:23,240 --> 00:16:30,360
opened it in probably 1970 and
my siblings and I all worked
268
00:16:30,360 --> 00:16:33,120
there.
And in between me having a
269
00:16:33,120 --> 00:16:37,080
garage band, not knowing I
wanted to go on the road with a
270
00:16:37,080 --> 00:16:43,120
touring act as a roadie, yeah, a
lot of my friends were came from
271
00:16:43,120 --> 00:16:45,760
music and sandwiches, basically.
Really.
272
00:16:45,920 --> 00:16:49,040
Yeah, that's funny to go
together, I guess, because
273
00:16:49,040 --> 00:16:50,920
musicians are starving.
Yes.
274
00:16:51,080 --> 00:16:52,640
Are yummy.
Yes, they are.
275
00:16:53,240 --> 00:16:56,320
Yeah, Yep.
Well, when when I was young and
276
00:16:56,320 --> 00:16:59,400
playing in bands, it was
musicians and and exotic
277
00:16:59,400 --> 00:17:00,600
dancers.
In Canada.
278
00:17:00,600 --> 00:17:03,720
Because I couldn't afford guitar
strings and they could, you
279
00:17:04,800 --> 00:17:07,319
know, and so, so that was just
how it worked out.
280
00:17:07,319 --> 00:17:09,920
And plus they usually had a car
so they could drive you to the
281
00:17:09,920 --> 00:17:11,480
music stores to get those
guitar.
282
00:17:11,480 --> 00:17:12,400
Strings.
Yep, Yep.
283
00:17:12,440 --> 00:17:15,319
And so, yeah, it was.
It was always fun.
284
00:17:15,839 --> 00:17:18,240
Yes.
So how did you get from the deli
285
00:17:18,240 --> 00:17:19,960
business to the rock'n'roll
business?
286
00:17:19,960 --> 00:17:23,520
It sounds like, it sounds like a
typical story, which is I was in
287
00:17:23,520 --> 00:17:25,000
a band, it wasn't going
anywhere.
288
00:17:25,000 --> 00:17:27,760
And somebody said, hey, you want
to be, you know, you want to do
289
00:17:27,760 --> 00:17:29,800
this thing instead.
Kind of close.
290
00:17:29,800 --> 00:17:35,360
So Torch Torch and a fellow by
the name of Paco Zimmer. 2 icons
291
00:17:35,360 --> 00:17:39,760
from the late 60s seventies in
the Rock'n'roll business.
292
00:17:40,640 --> 00:17:44,920
Owned a stage in company called
Vicon and it was probably the
293
00:17:44,920 --> 00:17:49,360
first iteration of what mobile
stages have become.
294
00:17:49,840 --> 00:17:54,920
And their shop was a mile from
my parents deli, 2 miles maybe.
295
00:17:55,400 --> 00:17:59,640
And the torch came in one day,
got a bunch of sandwiches for
296
00:17:59,640 --> 00:18:02,800
this crew that was working,
said, hey, you should come down
297
00:18:02,800 --> 00:18:07,080
and see what we're doing.
And I said, yeah, I'll, I'll
298
00:18:07,480 --> 00:18:09,160
take a ride down after work one
day.
299
00:18:09,160 --> 00:18:12,400
And I did.
And there was a pair of overalls
300
00:18:12,720 --> 00:18:15,600
hanging there.
And next thing I knew, I was
301
00:18:15,600 --> 00:18:19,520
cutting steel for this stage
build that they were doing.
302
00:18:19,520 --> 00:18:25,080
And that was around 1977.
And Yep, they were building this
303
00:18:25,080 --> 00:18:30,360
mobile stage that I want to say
the first show was Parliament
304
00:18:30,360 --> 00:18:33,520
Funkadelic in Chicago.
Yeah.
305
00:18:34,000 --> 00:18:40,960
And then Torch, Paco, bunch of
other folks that are some still
306
00:18:40,960 --> 00:18:44,080
in business.
I'm not this mobile stage wound
307
00:18:44,080 --> 00:18:47,400
up working for a couple of years
before I want to say that Mike
308
00:18:47,400 --> 00:18:52,600
Brown staging in Los Angeles
picked it up and put it as a
309
00:18:52,600 --> 00:18:58,000
permanent big hunk of steel
stage maybe at the Ventura Fair
310
00:18:58,160 --> 00:19:02,680
somewhere, somewhere.
Then anyway that that all those
311
00:19:02,680 --> 00:19:06,280
staging contacts kind of led
torch became the the rigor.
312
00:19:06,280 --> 00:19:10,600
Paco became the advancement for
Boston, which at that time
313
00:19:10,840 --> 00:19:18,280
biggest album in the world.
And I kind of got recruited to
314
00:19:18,280 --> 00:19:21,800
become a ground rigger Carpenter
kind of person.
315
00:19:22,520 --> 00:19:25,240
And I had no idea what the hell
I was doing.
316
00:19:25,360 --> 00:19:30,040
And my parents thought I was
joining the circus, so I left
317
00:19:30,040 --> 00:19:31,760
the deli.
Yeah, I were.
318
00:19:31,880 --> 00:19:35,640
I was.
So that was my foray into
319
00:19:35,640 --> 00:19:40,120
rock'n'roll Is, is ground rigger
Carpenter for torch.
320
00:19:40,720 --> 00:19:45,320
And who is, you know, still to
this day, dear friend and family
321
00:19:45,320 --> 00:19:49,000
and mentor.
And he's approaching 80 years
322
00:19:49,000 --> 00:19:50,800
old, I think, and still in great
shape.
323
00:19:50,800 --> 00:19:55,600
And, and you know, he and his
family live still live same
324
00:19:55,600 --> 00:20:00,480
house not far from Providence,
RI.
325
00:20:01,040 --> 00:20:03,800
And so that's that's the entree
into Rock'n'roll too.
326
00:20:04,120 --> 00:20:07,240
It's like Roy, who we had on the
on the podcast.
327
00:20:07,320 --> 00:20:08,760
Sure.
Roy Bickel, Yeah.
328
00:20:08,800 --> 00:20:12,480
And you know, he still goes out
on jobs occasionally.
329
00:20:12,680 --> 00:20:14,800
He's a pioneer.
I mean, he's a pioneer.
330
00:20:14,800 --> 00:20:18,640
I think he's. 82 or. 80, yeah,
Probably, yeah.
331
00:20:18,960 --> 00:20:23,600
And you know, the guy just blows
my mind, blows my mind
332
00:20:23,600 --> 00:20:25,800
completely.
Well, that was the oh, I'm
333
00:20:25,800 --> 00:20:26,440
sorry.
Go ahead.
334
00:20:26,440 --> 00:20:27,160
No.
No, you go.
335
00:20:27,560 --> 00:20:34,680
I was going to say Roy Torch
fellow, the late Mike Grassley.
336
00:20:35,760 --> 00:20:38,880
I mean, there's a Harry Donovan.
There's a slew of rigors that
337
00:20:38,880 --> 00:20:45,560
from that time, Branham, I'm
sure Joe Branham slew of them
338
00:20:45,560 --> 00:20:48,560
from that time period that that
were truly pioneers.
339
00:20:48,680 --> 00:20:55,400
And Roy, I still see via social
media and you're right, taking
340
00:20:56,120 --> 00:20:59,680
little projects that he just
finished and he's in Las Vegas,
341
00:20:59,680 --> 00:21:03,000
I believe.
Yeah, yeah, no, it's wild.
342
00:21:03,000 --> 00:21:05,880
It's, I love that because, you
know, I was talking to somebody
343
00:21:05,880 --> 00:21:08,840
the other day and I was whining
about the fact that, you know,
344
00:21:08,840 --> 00:21:12,560
at my age, I'm 61 now and, and
at my age, I'm still working
345
00:21:12,560 --> 00:21:16,360
probably harder than I have in
the last 30 years.
346
00:21:16,640 --> 00:21:19,440
And part of it is because
there's just such new technology
347
00:21:19,440 --> 00:21:23,480
that I'm getting involved in and
really, you know, digging into
348
00:21:23,480 --> 00:21:27,760
and becoming a, an expert on.
And, and part of it is because I
349
00:21:27,760 --> 00:21:33,800
still need to make money, you
know, and so the person said to
350
00:21:33,800 --> 00:21:38,400
me, you know, you need to sort
of flip that whole thinking
351
00:21:38,400 --> 00:21:42,240
around because the fact that A,
you're still relevant, B, you're
352
00:21:42,240 --> 00:21:45,040
still doing something that you
enjoy for the most part.
353
00:21:45,040 --> 00:21:47,280
Everyone's going to do some
things you don't like, but
354
00:21:47,600 --> 00:21:50,400
you're doing something that you
enjoy in an industry that you
355
00:21:50,400 --> 00:21:53,000
love.
He said, I'm never going to stop
356
00:21:53,000 --> 00:21:56,440
working like you.
You'll have to drag me away from
357
00:21:56,440 --> 00:22:01,160
from work when I'm in my 80s
because I love what I do.
358
00:22:01,160 --> 00:22:04,120
And if I don't do it, you know,
I'm either going to be spending
359
00:22:04,120 --> 00:22:08,360
money or eating too much or
probably living an unhealthy
360
00:22:08,360 --> 00:22:11,880
lifestyle of some sort.
And you know, I love what I do.
361
00:22:11,880 --> 00:22:14,960
Why would I stop doing it?
And there's some logic to that.
362
00:22:15,760 --> 00:22:17,960
Yeah, I, you know, there
certainly is.
363
00:22:17,960 --> 00:22:22,960
And as I, I, I still am out
occasionally with Peter Frampton
364
00:22:23,440 --> 00:22:29,480
and the entire crew.
I would say most of it, but I
365
00:22:29,480 --> 00:22:34,320
shouldn't say it anytime.
We're conscious of many things,
366
00:22:34,320 --> 00:22:36,600
Peter.
We don't work every day.
367
00:22:37,240 --> 00:22:39,160
We work day on day off, day on,
day off.
368
00:22:39,160 --> 00:22:45,600
So a time in a hotel is a bit
more than a, than a younger
369
00:22:45,600 --> 00:22:50,400
touring act that's doing five in
a row or fuck shows or whatever.
370
00:22:50,840 --> 00:22:53,880
So you have to get up and do
something, even if you're just
371
00:22:53,880 --> 00:22:58,280
walking along the city or doing
something and then eating.
372
00:22:58,400 --> 00:23:04,360
All the choices of eating are
certainly far more wider spread
373
00:23:04,360 --> 00:23:08,360
than they were in the past.
And so it's not just hamburgers
374
00:23:08,360 --> 00:23:11,720
and fast food.
You got lots of choices.
375
00:23:11,720 --> 00:23:14,880
So it's all about the choices
really, I think so the exercise
376
00:23:14,880 --> 00:23:17,280
and the walk and.
You're exactly right.
377
00:23:17,280 --> 00:23:20,400
It's, you know, the whole health
thing is about choices.
378
00:23:20,400 --> 00:23:23,720
Like I know so many people who
say, well, I'm on tour, so I, I
379
00:23:23,720 --> 00:23:26,120
have to gain weight because
that's just what happens, you
380
00:23:26,120 --> 00:23:29,720
know, it's, yeah, you know,
pizza in the back lounge after
381
00:23:29,720 --> 00:23:31,000
the show every night or
whatever.
382
00:23:31,000 --> 00:23:34,440
What are you gonna do?
And what you're going to do is
383
00:23:34,480 --> 00:23:36,440
say no.
Exactly salad.
384
00:23:36,440 --> 00:23:38,680
Can you order me a salad please?
Or I'm going to.
385
00:23:38,840 --> 00:23:42,240
Go out and grab something to eat
on my own or whatever, like, you
386
00:23:42,240 --> 00:23:44,000
know, there's always a healthy
option.
387
00:23:44,240 --> 00:23:48,200
And it's just that usually,
believe me, I'm in a constant
388
00:23:48,200 --> 00:23:52,000
battle for do I grab that pizza
or do I have some broccoli or
389
00:23:52,000 --> 00:23:55,120
whatever, you know, like what?
It's a, it's a constant battle
390
00:23:55,120 --> 00:23:58,800
because I love pizza, you know,
And I think I'm, I'm not
391
00:23:58,800 --> 00:24:03,560
Italian, but I certainly must
have some Italian in me
392
00:24:03,560 --> 00:24:06,400
somewhere because I could eat
Italian food for breakfast,
393
00:24:06,400 --> 00:24:08,160
lunch and dinner every day.
I agree.
394
00:24:08,400 --> 00:24:11,640
I agree.
And I think when, and you might
395
00:24:11,640 --> 00:24:16,120
have some good insight on this,
but when I'm in Italy, that
396
00:24:16,120 --> 00:24:18,760
doesn't bother me.
Like I don't feel bloated and
397
00:24:18,760 --> 00:24:22,680
full and all that stuff.
When I'm in America, if I have
398
00:24:22,720 --> 00:24:25,840
pizza for lunch and pasta for
dinner, I feel like I weigh
399
00:24:25,840 --> 00:24:28,360
£450, you know?
Yeah.
400
00:24:29,040 --> 00:24:32,040
So understood.
What what's what someone told
401
00:24:32,040 --> 00:24:35,320
me, and I don't know if this is
true or not, is that in the US
402
00:24:35,320 --> 00:24:38,280
we use enriched flour, bleached
flour, all of that kind of
403
00:24:38,280 --> 00:24:40,360
stuff.
And in in Italy they don't.
404
00:24:40,760 --> 00:24:42,320
That's correct.
Yeah.
405
00:24:42,320 --> 00:24:46,000
So a lot more like ancient
grains and stuff like that.
406
00:24:46,000 --> 00:24:48,960
In Italy, it just comes down to
real food versus fake food,
407
00:24:48,960 --> 00:24:52,760
right?
Yeah, I mean my my wife who's
408
00:24:52,960 --> 00:24:59,680
Irish American moved to Japan
mid 80s, I want to say spent
409
00:24:59,720 --> 00:25:06,720
about 9 years there and worked
there, moved back to the States
410
00:25:06,720 --> 00:25:11,720
where I met her and she came
back after nine years in Japan
411
00:25:11,760 --> 00:25:17,280
and had to embrace a gluten free
diet just because of the what
412
00:25:17,280 --> 00:25:19,240
you got used to in.
Right.
413
00:25:19,920 --> 00:25:25,920
In Japan and when we went to
Italy and she can eat pot, she
414
00:25:25,920 --> 00:25:28,600
does not eat American made pasta
anymore.
415
00:25:29,000 --> 00:25:34,040
And even some of the Italian
brands that probably are
416
00:25:34,040 --> 00:25:40,000
manufactured now in the States,
they may be a product of Italy,
417
00:25:40,000 --> 00:25:45,280
but I'm not sure the 100%.
Yeah, she she found the diet to
418
00:25:45,280 --> 00:25:47,800
be tolerable when we were in
Italy.
419
00:25:48,120 --> 00:25:50,640
Yeah, and that doesn't surprise
me at all.
420
00:25:50,640 --> 00:25:53,320
It's like I can eat a whole loaf
of bread at lunch.
421
00:25:53,360 --> 00:25:55,560
Yeah, in Italy and it doesn't
bother me.
422
00:25:55,560 --> 00:25:59,040
But if I have one piece of bread
here, I feel bloated and full
423
00:25:59,040 --> 00:26:00,040
and all that stuff.
So.
424
00:26:00,400 --> 00:26:02,600
But.
Yeah, Frankenly, Frankenly they
425
00:26:02,600 --> 00:26:03,640
call it right?
Right.
426
00:26:03,680 --> 00:26:06,440
Yeah, well, it's just all the
garbage that we put in bread
427
00:26:06,440 --> 00:26:08,920
here.
Like, you know, it's, it's
428
00:26:08,920 --> 00:26:11,040
remarkable.
My, my fiance and I were having
429
00:26:11,040 --> 00:26:14,560
this conversation yesterday
because, you know, I'm, I'm
430
00:26:14,560 --> 00:26:16,920
finding that milk started
bothering me.
431
00:26:16,920 --> 00:26:20,440
And so I'm looking for
alternative things to put in my
432
00:26:20,440 --> 00:26:22,560
coffee 'cause I don't like black
coffee.
433
00:26:22,960 --> 00:26:25,920
And, you know, I've tried so
many different things.
434
00:26:25,920 --> 00:26:32,160
And yesterday I read how to make
a healthy a pumpkin spice latte.
435
00:26:32,520 --> 00:26:34,640
And I'm reading this and I go,
oh, cool, I got all those
436
00:26:34,640 --> 00:26:38,640
ingredients.
And so I go to put in like fake
437
00:26:38,640 --> 00:26:42,720
milk, nut milk of some sort.
I think it was like an almond
438
00:26:43,480 --> 00:26:47,040
mixed.
And one of the things he said is
439
00:26:47,040 --> 00:26:49,600
you got to make sure that
whatever nut milk you're using
440
00:26:49,680 --> 00:26:51,440
has no more than three
ingredients.
441
00:26:51,880 --> 00:26:54,560
And I look at the label and it's
got like 30 ingredients.
442
00:26:54,560 --> 00:26:58,080
And one of them is seed oils.
And I'm like, you know, what are
443
00:26:58,080 --> 00:27:00,200
you doing here?
Like, why are you trying to kill
444
00:27:00,200 --> 00:27:02,480
us?
This is not supposed to have all
445
00:27:02,480 --> 00:27:03,480
of these things.
You.
446
00:27:03,480 --> 00:27:05,960
Know.
So I'm sure there's a reason and
447
00:27:05,960 --> 00:27:09,520
it's usually about profit or
longevity or whatever, right?
448
00:27:09,520 --> 00:27:11,320
So they can get on the shelf
longer.
449
00:27:11,880 --> 00:27:15,840
So, yeah, but I did a lot of
research on, on Italian, like
450
00:27:15,840 --> 00:27:20,120
on, because I, I have like an
uni pizza oven and I, I do a lot
451
00:27:20,120 --> 00:27:24,240
of homemade pizzas And so I'm
always looking for the perfect
452
00:27:24,240 --> 00:27:26,640
dough.
And so I've done a lot of
453
00:27:26,640 --> 00:27:31,440
research on on flour and what's
in different flours and stuff
454
00:27:31,440 --> 00:27:37,240
and finding proper flour that
doesn't that isn't enriched or
455
00:27:37,240 --> 00:27:39,280
bleached.
Caputo double lot.
456
00:27:39,960 --> 00:27:41,920
That's what I use all the time.
I use Caputo.
457
00:27:42,360 --> 00:27:45,440
Yeah.
But you know, the other thing is
458
00:27:45,440 --> 00:27:48,960
like with pastas and stuff too,
you know, like Durham wheat as
459
00:27:48,960 --> 00:27:52,320
opposed to, you know, there's,
there's so many different types
460
00:27:52,320 --> 00:27:56,280
of things and it's just like the
government ain't taking care of
461
00:27:56,280 --> 00:27:59,520
us from a health standpoint.
You really have to do your own
462
00:27:59,640 --> 00:28:01,240
due.
Diligence and research.
463
00:28:02,440 --> 00:28:04,240
Anyways, this kind of went off
the rails.
464
00:28:04,240 --> 00:28:06,880
No, that's OK Food's a great
topic.
465
00:28:07,240 --> 00:28:09,520
Oh yeah, I love well and
especially Italian food.
466
00:28:09,520 --> 00:28:12,800
I could talk to you about it all
day and and not get bored
467
00:28:12,800 --> 00:28:15,400
because it's one of the reasons
I love going to Italy.
468
00:28:15,520 --> 00:28:17,960
Is.
Every region has their food,
469
00:28:17,960 --> 00:28:20,400
every region has their wine.
And I want to.
470
00:28:20,400 --> 00:28:22,040
Explore it all.
Absolutely.
471
00:28:22,040 --> 00:28:25,640
You know, absolutely.
Yeah, we're actually we, we just
472
00:28:25,640 --> 00:28:27,440
got engaged about AI, don't know
a month.
473
00:28:27,480 --> 00:28:29,360
And a half congratulations.
And thank you.
474
00:28:29,360 --> 00:28:33,320
My, my fiance's from England and
we're talking about getting
475
00:28:33,320 --> 00:28:36,120
married either in England or
Italy next year.
476
00:28:36,360 --> 00:28:39,880
England because her mother's
getting older and, and we'd love
477
00:28:39,880 --> 00:28:43,000
to have her be able to be there.
And she's like, I don't mind
478
00:28:43,000 --> 00:28:46,360
going to Italy.
So we're talking about maybe
479
00:28:46,360 --> 00:28:48,880
Italy because it's my favorite
country in the world.
480
00:28:49,400 --> 00:28:51,920
And so yeah, we'll see.
We'll see.
481
00:28:52,240 --> 00:28:55,640
Oh good, last, wherever you
land, I'm sure it'll be
482
00:28:55,640 --> 00:28:56,760
enjoyable.
Yeah.
483
00:28:57,520 --> 00:29:01,040
And an epic Naples, all around
Naples.
484
00:29:01,040 --> 00:29:06,760
And we still have, we still have
family in a little town called
485
00:29:06,760 --> 00:29:10,840
Scopoli, which is due east of
Naples, about 30 minutes, I
486
00:29:10,840 --> 00:29:13,040
think, OK.
Yeah, cool.
487
00:29:13,040 --> 00:29:16,920
How often do you get there?
Oh, it's been a few years.
488
00:29:17,920 --> 00:29:24,200
It's it's been for my wife and
I, it's been right before COVID.
489
00:29:24,200 --> 00:29:25,720
So that's six years.
Wow.
490
00:29:26,120 --> 00:29:28,800
Yeah, I think I was there since
COVID.
491
00:29:28,840 --> 00:29:29,440
I.
Think I was in.
492
00:29:29,480 --> 00:29:34,360
Italy a few maybe two or three
years ago, just for a few days
493
00:29:34,360 --> 00:29:38,400
for business.
Yeah, but so last we spoke about
494
00:29:38,400 --> 00:29:39,720
work.
We were.
495
00:29:39,720 --> 00:29:44,200
On tour with Boston and you know
what a cool first tour like I
496
00:29:44,200 --> 00:29:45,840
mean.
You know, yeah, I mean, it was.
497
00:29:45,840 --> 00:29:47,560
Somewhere, maybe at the top
right.
498
00:29:47,880 --> 00:29:50,480
It was a bit surreal.
I was 18 years old.
499
00:29:52,000 --> 00:29:55,960
Torch, my mentor, used to be as
his ground rigger.
500
00:29:55,960 --> 00:30:00,120
I got accustomed to getting
yelled at from 110 feet in the
501
00:30:00,120 --> 00:30:03,960
air.
It was it was a learning,
502
00:30:04,040 --> 00:30:06,120
learning, learning, learning
experience.
503
00:30:06,200 --> 00:30:09,040
And I learned a lot of different
disciplines.
504
00:30:09,040 --> 00:30:13,480
He would if we were done putting
the rig up, which at that time
505
00:30:13,480 --> 00:30:18,120
was 12 or 14 points sooner.
There's nothing compared to
506
00:30:18,920 --> 00:30:21,720
7080, a 120 points today, you
know?
507
00:30:22,240 --> 00:30:25,120
Yeah.
And so we'd have time.
508
00:30:26,480 --> 00:30:30,160
We'd have time after the rig was
up and he'd tell me get over
509
00:30:30,160 --> 00:30:32,600
there, help him stack PA, get
over there and help him push
510
00:30:32,640 --> 00:30:36,320
bang gear on stage.
And so I learned quite a few
511
00:30:36,320 --> 00:30:44,280
different disciplines from Torch
mentoring or bossing me around.
512
00:30:44,280 --> 00:30:49,160
Yes, kicking my ass around
exactly, exactly.
513
00:30:49,160 --> 00:30:53,760
But it, it certainly created
opportunities for me early on.
514
00:30:53,760 --> 00:30:59,200
I as I learned many disciplines
about what it takes to get in a
515
00:30:59,200 --> 00:31:03,720
building on a stage.
Up and running got me into stage
516
00:31:03,720 --> 00:31:07,840
management pretty early after
that tour.
517
00:31:08,400 --> 00:31:12,120
That tour went forever.
It seemed to be, I think he's
518
00:31:12,120 --> 00:31:19,560
still going almost and I wound
up Sammy Hagar was our opening
519
00:31:19,560 --> 00:31:25,000
act for a lot 10 months, I want
to say on and off.
520
00:31:25,160 --> 00:31:29,280
And we a lot of us wound up
getting hired from Sam.
521
00:31:29,760 --> 00:31:33,120
So through the early 80s I spent
time with Sam, became a stage
522
00:31:33,120 --> 00:31:36,160
manager for him prior to his Van
Halen base.
523
00:31:36,520 --> 00:31:39,680
Oh wow.
So yeah, getting into it early
524
00:31:40,120 --> 00:31:45,360
also got me into some level of
management early and almost ever
525
00:31:45,360 --> 00:31:48,560
since, since about 85.
South How old were you when you
526
00:31:48,560 --> 00:31:51,800
became a stage manager?
In your early 20s, Right 23.
527
00:31:52,120 --> 00:31:54,280
Wow, 23.
That's impressive.
528
00:31:54,960 --> 00:31:57,880
It, it sounds like like one of
the things I hear.
529
00:31:57,880 --> 00:32:01,160
I get to talk to a lot of people
who were sort of at the
530
00:32:01,280 --> 00:32:03,240
foundation of our industry
really.
531
00:32:03,760 --> 00:32:06,840
And one of the things I hear
over and over again is, is just
532
00:32:06,840 --> 00:32:10,160
that can do attitude of like,
you know, say yes and then go
533
00:32:10,160 --> 00:32:12,720
figure it out.
No, exactly and it.
534
00:32:12,760 --> 00:32:15,600
Sounds like you did the exact
same thing and and that ends up
535
00:32:15,800 --> 00:32:18,600
making you a lot of friends and
getting getting your phone
536
00:32:18,600 --> 00:32:22,960
number pretty popular among its
artists or managers or whatever.
537
00:32:23,000 --> 00:32:27,040
Well, exactly.
And a few years ago I did AI
538
00:32:27,040 --> 00:32:32,080
spoke and did a little session,
a little breakout session on
539
00:32:32,080 --> 00:32:34,440
what they call breaking and
entering.
540
00:32:34,960 --> 00:32:37,760
It was about how to get into the
business.
541
00:32:38,320 --> 00:32:41,920
The graphics that I used were
kind of comical because coming
542
00:32:41,920 --> 00:32:46,120
from Providence, RI and being
Italian descent, we knew a lot
543
00:32:46,120 --> 00:32:48,000
about breaking and entering
around the town.
544
00:32:48,000 --> 00:32:57,280
So but we the seminar was a few
different topics on for up and
545
00:32:57,280 --> 00:32:59,720
coming.
Some of my panel were local
546
00:32:59,720 --> 00:33:05,840
labor companies, a female tour
manager and a well seasoned
547
00:33:05,840 --> 00:33:07,640
production manager.
We talked about different
548
00:33:07,640 --> 00:33:10,840
aspects about breaking and
entry, being in the right place
549
00:33:10,840 --> 00:33:12,760
at the right time, taking all
the calls.
550
00:33:13,080 --> 00:33:17,120
Don't The minute you stop taking
calls from folks, you go to the
551
00:33:17,120 --> 00:33:19,480
bottom of the list.
I mean, it's just you got to
552
00:33:19,480 --> 00:33:23,040
stay active, especially when
you're first started possibly
553
00:33:23,040 --> 00:33:28,640
working at a local theater or
arena, being a runner, any
554
00:33:28,640 --> 00:33:32,520
anything that got you close to
the business was certainly a
555
00:33:32,520 --> 00:33:35,800
factor in breaking an enter.
Yeah, so.
556
00:33:36,480 --> 00:33:39,720
Yeah, I mean, again, it starts
with a particular attitude.
557
00:33:39,720 --> 00:33:43,720
Like it starts with an attitude,
you know, and I'm going to
558
00:33:43,720 --> 00:33:47,200
really try hard to avoid picking
on younger people today.
559
00:33:47,640 --> 00:33:50,800
But one of the things and even
my own son, I struggle with this
560
00:33:50,800 --> 00:33:53,360
sometimes.
Like they don't necessarily
561
00:33:53,360 --> 00:33:56,720
automatically have that, oh, let
me give you a hand attitude,
562
00:33:56,720 --> 00:33:57,400
right?
Like it?
563
00:33:57,800 --> 00:34:01,480
It's all very structured and
very compartmental these days.
564
00:34:01,640 --> 00:34:02,960
I was going to use the exact
word.
565
00:34:03,240 --> 00:34:05,560
Yeah, I mean, it's very
compartmental.
566
00:34:05,560 --> 00:34:08,520
So I was given this set of tasks
to do.
567
00:34:08,880 --> 00:34:12,040
I'm going to do those and then
I'm going to go play PlayStation
568
00:34:12,040 --> 00:34:14,679
or something, right?
Like that's, that's just how it
569
00:34:14,679 --> 00:34:18,360
goes, right?
And so I've pushed since
570
00:34:18,360 --> 00:34:22,120
probably he was 10 years old to
push my own son out of that type
571
00:34:22,120 --> 00:34:25,960
of mentality.
And he does really well with it
572
00:34:25,960 --> 00:34:27,880
some days, not so well other
days.
573
00:34:28,159 --> 00:34:31,239
But it's, it's just a weird
cultural thing that didn't exist
574
00:34:31,239 --> 00:34:34,280
when we were young.
You know, you just, you hung
575
00:34:34,280 --> 00:34:36,920
around until the gig was over.
Right until the truck was
576
00:34:37,199 --> 00:34:40,480
loaded, door was closed.
And it was pulling away and now
577
00:34:40,480 --> 00:34:42,159
it's playtime or whatever,
right?
578
00:34:42,719 --> 00:34:47,080
So, so, yeah, I mean, that's
probably one of the big changes
579
00:34:47,080 --> 00:34:50,600
that you've witnessed over the
years is just the transition
580
00:34:50,600 --> 00:34:54,440
from sort of that old school way
of doing things to to where
581
00:34:54,440 --> 00:34:57,080
we're at today.
And there's a lot of good about
582
00:34:57,080 --> 00:34:59,480
where we're at today too.
So I'm not just knocking.
583
00:34:59,800 --> 00:35:01,280
People, I agree, but it's
different.
584
00:35:02,200 --> 00:35:07,600
I do my best not to say this is
how we've done it for the past
585
00:35:07,600 --> 00:35:13,520
47 years because that certainly
creates A blockade for any young
586
00:35:14,480 --> 00:35:18,080
personnel coming through, you
know, but there are some
587
00:35:18,080 --> 00:35:26,920
noticeable practices with the up
and coming versus the.
588
00:35:27,960 --> 00:35:31,320
IT goes the other way too, you
know, get some older grumpy
589
00:35:31,320 --> 00:35:36,200
fellas out there that this is
how we do it and are not open to
590
00:35:36,400 --> 00:35:38,600
running the.
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591
00:35:38,600 --> 00:35:40,720
dry, higher lighting and stage
equipment rentals.
592
00:35:40,920 --> 00:35:43,720
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theater show, producing a major
593
00:35:43,720 --> 00:35:47,400
concert, or building out a
broadcast set, Main Light
594
00:35:47,400 --> 00:35:50,280
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595
00:35:50,680 --> 00:35:53,560
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596
00:35:53,560 --> 00:35:58,440
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598
00:36:02,920 --> 00:36:06,760
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599
00:36:06,760 --> 00:36:09,520
Light is known across the
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600
00:36:09,520 --> 00:36:13,240
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601
00:36:13,480 --> 00:36:16,280
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602
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604
00:36:22,480 --> 00:36:26,160
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605
00:36:26,160 --> 00:36:28,440
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606
00:36:28,880 --> 00:36:33,120
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607
00:36:33,360 --> 00:36:37,640
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608
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609
00:36:40,480 --> 00:36:45,880
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610
00:36:45,880 --> 00:36:50,200
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online today at mainlight.com.
611
00:36:51,440 --> 00:36:54,560
It it goes both ways.
But you know what though, I use
612
00:36:54,560 --> 00:36:57,920
some of that stuff as material
to when I'm talking to younger
613
00:36:57,920 --> 00:37:00,480
people.
So like, for example, if I'm
614
00:37:00,480 --> 00:37:03,440
talking to a young person who
wants to become a touring
615
00:37:03,440 --> 00:37:09,760
lighting designer or lighting
operator or whatever, and I see
616
00:37:09,760 --> 00:37:14,200
some of those newer habits, I
might say to him, OK, so let me
617
00:37:14,200 --> 00:37:17,040
ask you, how do you handle, you
know, these few different
618
00:37:17,040 --> 00:37:19,480
scenarios?
And then I'll say, well, are you
619
00:37:19,480 --> 00:37:22,720
familiar with Cosmo Wilson?
And he'll say, yeah, I know I've
620
00:37:22,720 --> 00:37:24,800
heard of him.
I read some stories about him in
621
00:37:24,960 --> 00:37:27,200
in Live Design magazine or
something.
622
00:37:27,760 --> 00:37:32,720
And I'll say, well, you know
that Cosmo got there because he
623
00:37:32,720 --> 00:37:35,840
said yes to everything.
And if you don't believe me, go
624
00:37:35,840 --> 00:37:39,520
listen to my podcast number,
whatever number it is, and
625
00:37:39,520 --> 00:37:42,600
you'll hear Cosmo telling you
that right out of his own mouth
626
00:37:42,920 --> 00:37:46,760
that I said yes to everything.
And I just went and figured it
627
00:37:46,760 --> 00:37:49,320
out to the best of my ability.
And if I felt like it was a
628
00:37:49,320 --> 00:37:51,880
safety issue or something, I
might go to the production
629
00:37:51,880 --> 00:37:54,640
manager and say, Hey, you know,
I kind of made a mistake
630
00:37:54,640 --> 00:37:57,640
volunteering to do this because
I've never done it before and I
631
00:37:57,640 --> 00:37:59,960
don't want to get hurt and I
don't want to hurt anybody else.
632
00:38:00,160 --> 00:38:03,440
So can I either get some
education or maybe replace me
633
00:38:03,440 --> 00:38:04,800
with someone who knows what
they're doing?
634
00:38:06,160 --> 00:38:10,640
But, you know, like I use that
information to to tell younger
635
00:38:10,640 --> 00:38:14,680
people about if you want to rise
above, you know, the people
636
00:38:14,680 --> 00:38:18,800
around you, here's the ways to
do it, you know, is not to make
637
00:38:18,800 --> 00:38:22,560
yourself invisible, but make
yourself visible in a very
638
00:38:22,560 --> 00:38:26,120
positive way.
Like, you know, I finished the
639
00:38:26,120 --> 00:38:28,400
job that I was doing.
Have you got anything else that
640
00:38:28,400 --> 00:38:31,320
you'd like me to take care of?
You know, that's the great
641
00:38:31,320 --> 00:38:33,000
attitude to have.
Yeah.
642
00:38:33,320 --> 00:38:39,320
Well, I, I do remember it was
probably about 1986, had about
643
00:38:39,320 --> 00:38:41,880
three years of stage and
production.
644
00:38:42,280 --> 00:38:43,520
You don't remember that?
Yeah, I don't.
645
00:38:43,640 --> 00:38:46,880
Remember 1986, John?
It was a good year, but I.
646
00:38:47,000 --> 00:38:48,040
Don't.
It was a good year yeah.
647
00:38:48,880 --> 00:38:55,160
IA stage and production
management gig wasn't available.
648
00:38:55,160 --> 00:38:59,920
And of course those of us that
are still touring, we just have
649
00:38:59,920 --> 00:39:03,680
this feeling that we have to
work for whatever reason where
650
00:39:03,840 --> 00:39:06,400
it's not always money.
It's just sometimes you just
651
00:39:06,400 --> 00:39:10,960
feel like if it's my last movie,
if the phone doesn't ring or
652
00:39:10,960 --> 00:39:12,600
something.
So I took a gig.
653
00:39:13,320 --> 00:39:16,440
I was very friendly with the
folks in San Francisco at the
654
00:39:16,440 --> 00:39:19,680
time, Nocturne Nightmare
Productions.
655
00:39:19,680 --> 00:39:22,240
It was Journeys management
company.
656
00:39:23,840 --> 00:39:26,280
And so I was close with them and
they called one day and said,
657
00:39:26,280 --> 00:39:28,360
hey, we got a lighting crew
chief gig.
658
00:39:28,360 --> 00:39:31,160
Do you want to do it?
It's for a lover boy to wear, to
659
00:39:31,160 --> 00:39:33,760
wear an 86.
I said sure, I'll do it.
660
00:39:33,800 --> 00:39:37,000
And, you know, it was, it was
income, it was a paycheck.
661
00:39:37,840 --> 00:39:43,680
And I remember running into
someone that I had run into on
662
00:39:43,680 --> 00:39:46,040
the tour, they go, oh, you're a
lighting guy now.
663
00:39:46,040 --> 00:39:51,400
I said, you know, I'm, I'm
whatever will keep propelling me
664
00:39:51,400 --> 00:39:55,840
for.
And I think some of that may be
665
00:39:55,840 --> 00:39:57,200
gone.
I hate that I I don't want to
666
00:39:57,200 --> 00:40:01,320
say that as a blanketed
statement, but now because of
667
00:40:01,320 --> 00:40:06,640
the formal training and.
There's young folks graduating
668
00:40:06,640 --> 00:40:13,400
from schools like Full Sail or I
want to say it's the Crass is
669
00:40:13,400 --> 00:40:15,480
the one in Phoenix, I want to
say but.
670
00:40:16,040 --> 00:40:19,400
Even just regular schools like
traditional schools now have
671
00:40:19,760 --> 00:40:22,640
you.
Know classes on products?
672
00:40:22,720 --> 00:40:24,800
Yeah, lighting.
Consoles.
673
00:40:24,840 --> 00:40:26,960
And yeah, and engineering.
And stuff.
674
00:40:27,720 --> 00:40:31,240
Which is, in my opinion,
possibly what has created the
675
00:40:32,840 --> 00:40:36,160
specialization or the
compartmentalization in that
676
00:40:37,920 --> 00:40:39,360
they come out of school going
on.
677
00:40:39,480 --> 00:40:42,000
I'm a lighting designer.
I go, how about being a
678
00:40:42,000 --> 00:40:44,200
truckload at first?
That'll that, that'll.
679
00:40:44,200 --> 00:40:45,960
True.
Yeah.
680
00:40:46,200 --> 00:40:48,400
So their expectations are set so
high.
681
00:40:48,400 --> 00:40:51,680
Plus, you know, again, another
thing about today is that
682
00:40:51,680 --> 00:40:54,560
everyone's special.
You know, Johnny, you're
683
00:40:54,560 --> 00:40:57,640
special, you know, so everyone
comes out thinking they're a
684
00:40:57,640 --> 00:41:00,040
lighting designer when they
haven't designed anything yet,
685
00:41:00,080 --> 00:41:02,760
you know, other than a test at
school or whatever.
686
00:41:02,920 --> 00:41:06,520
But I think part of the problem
with with or not problem, but
687
00:41:06,520 --> 00:41:10,760
part of the cause of
compartmentalization today is
688
00:41:10,760 --> 00:41:15,280
really also around how technical
the gear has become.
689
00:41:15,600 --> 00:41:19,280
You know, 'cause like I remember
when I was playing in bands in,
690
00:41:19,280 --> 00:41:27,440
in the, would it be late 70s,
early 80s, I could walk up to a
691
00:41:27,440 --> 00:41:30,880
sound craft 24 channel board and
be able to figure out how to
692
00:41:30,880 --> 00:41:35,280
make it sound half decent.
And that wasn't that difficult.
693
00:41:35,440 --> 00:41:38,640
I don't even know how to turn a
console on today, an audio
694
00:41:38,640 --> 00:41:42,920
console, I mean, and I'm looking
for the outboard rack with all
695
00:41:42,920 --> 00:41:45,080
the Eqs and stuff and it doesn't
exist.
696
00:41:45,080 --> 00:41:48,920
It's all plugins and all this
stuff that I just, I don't
697
00:41:48,920 --> 00:41:51,680
understand.
Like, I don't have any idea what
698
00:41:51,680 --> 00:41:55,360
Dante is or how it works or all
of that stuff, you know?
699
00:41:55,840 --> 00:42:00,040
And so I think it's just like
for you to become a lighting
700
00:42:00,040 --> 00:42:03,880
crew chief today would be a
whole different challenge than
701
00:42:03,880 --> 00:42:07,080
it was in the mid 80s when there
were no moving lights yet, or
702
00:42:07,080 --> 00:42:09,080
very few.
And if you did have moving
703
00:42:09,080 --> 00:42:11,120
lights, you had Verilight and
they had their own crew.
704
00:42:12,440 --> 00:42:13,600
Exactly.
Yeah.
705
00:42:13,640 --> 00:42:16,400
So I mean, being a lighting crew
chief, I'm not saying it was
706
00:42:16,400 --> 00:42:20,760
easy, but it was a lot more easy
to figure out than it is today
707
00:42:21,440 --> 00:42:25,400
with, you know, like I mean, you
got to be an IT guy too the the
708
00:42:25,400 --> 00:42:28,440
networking that's going on in
rigs today because of the number
709
00:42:28,440 --> 00:42:31,760
of channels that are being used.
It's just you got to be a
710
00:42:31,760 --> 00:42:34,160
networking.
Expert as well as a lighting guy
711
00:42:34,160 --> 00:42:36,520
as well as a digital this and
that, you know.
712
00:42:36,800 --> 00:42:39,760
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713
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714
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719
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721
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723
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724
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727
00:43:34,400 --> 00:43:37,240
So.
You speak about the the audio
728
00:43:37,240 --> 00:43:39,120
console and not being able to
turn me on.
729
00:43:39,520 --> 00:43:44,000
My wife and I own a a restaurant
plus A-250 seat venue in
730
00:43:44,000 --> 00:43:48,240
Northern Nevada and we have AI
don't know a digital N 32.
731
00:43:48,240 --> 00:43:51,560
I think it is a Midas console
and talk about not being able to
732
00:43:51,560 --> 00:43:55,040
turn it on.
I I I fall into that category
733
00:43:55,440 --> 00:43:59,720
here I am in management when it
comes to touring, but I think
734
00:43:59,720 --> 00:44:02,520
the key now with management and
leadership.
735
00:44:02,920 --> 00:44:08,520
It used to be at at that point,
I want to say when I was in the
736
00:44:08,640 --> 00:44:13,120
in the sweet spot of my
production management career.
737
00:44:13,120 --> 00:44:19,240
If you still learning, still
pushing boxes, everybody did
738
00:44:19,240 --> 00:44:23,200
jump in and do different things.
And with the specialization now
739
00:44:24,400 --> 00:44:28,720
I'm, I think we're fortunate as
production managers to have some
740
00:44:29,120 --> 00:44:34,040
really knowledgeable crew chiefs
that really understand more than
741
00:44:34,040 --> 00:44:36,560
their little, yeah, little
space.
742
00:44:36,560 --> 00:44:38,760
Yeah, because you even though
they're specializing.
743
00:44:39,040 --> 00:44:41,600
Right.
You didn't just do one thing
744
00:44:41,600 --> 00:44:43,640
really well or whatever you
like.
745
00:44:43,640 --> 00:44:46,600
I remember I think it was Howard
Ungerleider who told me that he
746
00:44:46,600 --> 00:44:48,960
he used to do settlements for
Rush in the.
747
00:44:48,960 --> 00:44:50,520
Early, I'm sure.
You know.
748
00:44:51,080 --> 00:44:53,760
I'm sure.
Designer and half the time he
749
00:44:53,760 --> 00:44:55,720
was lighting designer,
production manager.
750
00:44:55,720 --> 00:44:57,960
He drove the van.
Yeah, and.
751
00:44:58,400 --> 00:45:02,320
And he did settlement, you know,
and it's like, wow, that's
752
00:45:02,320 --> 00:45:05,160
pretty crazy.
But you know, I know a lot of I
753
00:45:05,160 --> 00:45:07,960
know a lot of LDS who who were
in that position where.
754
00:45:07,960 --> 00:45:11,640
They handle settlement.
Maybe just to make sure they got
755
00:45:11,640 --> 00:45:12,760
paid.
I don't know.
756
00:45:12,760 --> 00:45:16,760
But you know, yeah, it's, it is
a different world.
757
00:45:16,760 --> 00:45:18,800
It's much more corporate now.
There's a lot more money
758
00:45:18,800 --> 00:45:21,760
involved, which means you're
going to have more sort of
759
00:45:21,800 --> 00:45:25,560
experts or, or like instead of
generalists like many of the
760
00:45:25,560 --> 00:45:28,520
touring people were back in the
early days.
761
00:45:28,720 --> 00:45:31,680
Today you do have more expertise
and stuff too.
762
00:45:31,680 --> 00:45:35,720
But again, I think that it's
created a version of, I won't, I
763
00:45:36,680 --> 00:45:41,240
don't want to call it laziness,
but in a sense it kind of is
764
00:45:41,240 --> 00:45:43,880
laziness.
Like when my particular job is
765
00:45:43,880 --> 00:45:46,040
done, I'm going to walk away.
I'm not going to.
766
00:45:46,480 --> 00:45:50,840
And like, so if you see two
lighting designers standing next
767
00:45:50,840 --> 00:45:56,520
to each other, one guy's, you
know, 30 and one guy's 60, I
768
00:45:56,520 --> 00:45:58,560
think they're going to have a
different approach to that.
769
00:45:58,560 --> 00:46:02,520
The the 60 year old is going to
be standing around until the,
770
00:46:02,640 --> 00:46:06,480
the truck doors close.
And the 30 year old might
771
00:46:06,480 --> 00:46:09,840
already be off at, at, you know,
a restaurant with his girlfriend
772
00:46:09,840 --> 00:46:11,400
or with his buddies or
something.
773
00:46:11,920 --> 00:46:14,440
And it just is a different
mentality.
774
00:46:14,960 --> 00:46:16,960
Yeah, I agree.
Seems like it anyway.
775
00:46:16,960 --> 00:46:19,360
I agree.
You know, the interesting part
776
00:46:19,360 --> 00:46:23,040
about settlements now is, you
know, they're, they're all
777
00:46:23,040 --> 00:46:26,440
electronic.
Used to be as a tour manager,
778
00:46:26,440 --> 00:46:29,960
which I've, I've done as well,
you'd be in a settlement room
779
00:46:29,960 --> 00:46:34,120
for hours, you know, even if
there was big discrepancies,
780
00:46:34,520 --> 00:46:39,240
counting the drop, you know,
counting the ticket drop to make
781
00:46:39,240 --> 00:46:43,000
sure that the promoter wasn't
stealing the income thing.
782
00:46:43,680 --> 00:46:46,760
So that's all change.
I mean, that's all change with
783
00:46:47,960 --> 00:46:51,440
it's all electronic.
And of course, you got one for
784
00:46:51,440 --> 00:46:55,880
the most part, very few
promoters now and the depth of
785
00:46:55,880 --> 00:46:59,960
these promoters is pretty clear
and trustworthy.
786
00:47:00,880 --> 00:47:02,560
Yeah, live.
In theory trying.
787
00:47:02,560 --> 00:47:06,240
To nickel and dime you on.
Additional expenses, probably
788
00:47:06,400 --> 00:47:07,640
they're not.
Yeah, exactly.
789
00:47:07,960 --> 00:47:09,440
Yeah, yeah.
But.
790
00:47:10,160 --> 00:47:12,320
I agree with that.
That makes a lot of sense.
791
00:47:12,840 --> 00:47:17,840
So when did you transition like
from the stage management into
792
00:47:17,840 --> 00:47:23,480
other aspects of management?
So interestingly enough, in
793
00:47:23,480 --> 00:47:30,920
about 1987 I was in Italy with
Sinatra and got home and I was
794
00:47:30,920 --> 00:47:32,960
working for three bands at the
same time.
795
00:47:32,960 --> 00:47:35,840
I think I was production manager
for Night Ranger at the time,
796
00:47:36,360 --> 00:47:39,240
Production manager from band
from England called the outfield
797
00:47:39,960 --> 00:47:41,680
bringing them over to the
States.
798
00:47:41,800 --> 00:47:46,600
And I was a site coordinator for
Nocturne on the Sinatra tour.
799
00:47:47,800 --> 00:47:53,160
I got home by the way.
Being in Italy with Sinatra.
800
00:47:53,200 --> 00:47:55,080
Yeah, that was for.
An Italian guy.
801
00:47:55,280 --> 00:47:58,360
Yeah, that was OK.
You know, you don't have to pay
802
00:47:58,360 --> 00:47:59,320
me.
I just want to do.
803
00:47:59,320 --> 00:48:01,880
This it's, yeah, it was almost
that.
804
00:48:01,920 --> 00:48:07,040
Yeah, it was almost like that.
But I got home within 48 hours
805
00:48:07,040 --> 00:48:12,200
of my first son being born.
And I said, boy, this is by this
806
00:48:12,200 --> 00:48:15,680
time I'm in it 10 years, almost
10 years.
807
00:48:15,840 --> 00:48:18,720
And he said I got to figure out
somehow to stay home.
808
00:48:19,880 --> 00:48:23,800
So I started a, a set
construction company.
809
00:48:23,800 --> 00:48:29,120
We were building risers and and
things of that nature right here
810
00:48:29,120 --> 00:48:33,200
in Northern Nevada.
And our friends at Nocturne, who
811
00:48:33,200 --> 00:48:36,480
was then run by the late Herbie
Herbert.
812
00:48:36,480 --> 00:48:38,680
I don't know if you've heard
that mean Herbie managed
813
00:48:38,680 --> 00:48:40,120
journey.
I remember, I remember.
814
00:48:40,120 --> 00:48:44,440
So Herbie was a friend and he
said, I don't want you to start
815
00:48:44,440 --> 00:48:46,960
building some stuff for me.
And I think we built some
816
00:48:46,960 --> 00:48:51,520
Michael Bolton stuff, some other
bands that he managed, Great
817
00:48:51,520 --> 00:48:53,560
White at the time, few other
bands.
818
00:48:54,760 --> 00:48:59,240
And then what happened is
Nocturne, Nocturne then
819
00:48:59,240 --> 00:49:04,280
purchased all the lighting from
Tate Towers when Tate Towers was
820
00:49:04,280 --> 00:49:06,440
a lighting count, when Michael
Tate was a lighting.
821
00:49:07,440 --> 00:49:11,760
And he said, hey, we've got to
Herbie Cosby.
822
00:49:11,760 --> 00:49:14,920
He says, hey, Grinder, if
something's changed, we've got
823
00:49:15,040 --> 00:49:20,160
to give our set construction
business the tape, and we're
824
00:49:20,160 --> 00:49:22,640
taking their lighting
construction.
825
00:49:23,280 --> 00:49:28,640
But I still want you to build
small stuff for me if need be.
826
00:49:28,800 --> 00:49:30,560
Yeah.
So I started the set
827
00:49:30,560 --> 00:49:32,880
construction company.
One thing led to another.
828
00:49:32,880 --> 00:49:37,280
Tape, of course, was on this
trajectory because they, you
829
00:49:37,280 --> 00:49:42,040
know, they were, they were and
are one of the finest set
830
00:49:42,040 --> 00:49:44,360
fabricators just ever, of
course, ever.
831
00:49:45,040 --> 00:49:50,800
And anyway, my set construction
business and one day Berby calls
832
00:49:50,800 --> 00:49:52,760
me.
He says we just got MC Hammer.
833
00:49:53,400 --> 00:49:55,240
Tate doesn't want to do it, you
want to do it.
834
00:49:55,280 --> 00:49:56,800
And we said, sure, we'll build
it.
835
00:49:57,000 --> 00:50:02,560
And we our first very large
stage set, multiple trucks stage
836
00:50:02,560 --> 00:50:06,000
set that was 88 I want to say.
Wow.
837
00:50:06,480 --> 00:50:11,120
So I I then went into set
construction business and opened
838
00:50:11,120 --> 00:50:13,720
a business here in Northern
Nevada and then one in
839
00:50:13,720 --> 00:50:19,760
Nashville, TN few years later.
And I won't say we weren't the
840
00:50:19,760 --> 00:50:23,320
highly technological set
construction company like Tate,
841
00:50:23,880 --> 00:50:27,920
but we were very well known
theatrical set construction
842
00:50:27,920 --> 00:50:29,720
company.
It was called Stagecraft and we
843
00:50:29,720 --> 00:50:33,120
were Stagecraft Nevada,
Stagecraft Nashville.
844
00:50:33,720 --> 00:50:40,080
And we wound up coining the
phrase MTV to Mickey Mouse, Pink
845
00:50:40,080 --> 00:50:43,200
Floyd to the Pope because those
are the sets that we built in
846
00:50:43,200 --> 00:50:47,080
our 1518 year tenure.
That's pretty cool.
847
00:50:47,480 --> 00:50:54,400
And then early 2000s, we had a
unfortunate demise, too big, too
848
00:50:54,400 --> 00:50:57,520
fast kind of thing.
And so I went back into tour
849
00:50:57,520 --> 00:51:00,800
management.
So over those 15 years, while I
850
00:51:00,800 --> 00:51:06,280
did not tour is a production
manager, I spent a lot of time
851
00:51:07,000 --> 00:51:12,840
interacting with them production
managers and spent an awful lot
852
00:51:12,840 --> 00:51:15,160
of time.
So you didn't do a single tour
853
00:51:15,160 --> 00:51:17,720
over that period of time?
No, I did actually.
854
00:51:17,720 --> 00:51:21,040
What I was a consultant to MTV
and their touring properties.
855
00:51:21,480 --> 00:51:25,200
So I would be out a lot.
The, the, the notion of staying
856
00:51:25,200 --> 00:51:31,760
home because I had a now a young
family didn't, didn't quite come
857
00:51:31,800 --> 00:51:36,320
to fruition.
I found myself in Nashville a
858
00:51:36,320 --> 00:51:40,760
lot in New York a lot with the
MTV and Viacom properties
859
00:51:40,760 --> 00:51:44,680
because we started doing
consulting to touring properties
860
00:51:44,680 --> 00:51:53,320
for MTV, VH1, Nickelodeon and so
I still toured, but I, I
861
00:51:53,320 --> 00:51:57,240
wouldn't say I toured.
I'd go out, do traveled, start
862
00:51:57,240 --> 00:52:01,920
up dates and things like that.
And we grew the company from my
863
00:52:01,920 --> 00:52:04,960
garage basically to an $11
million year company.
864
00:52:04,960 --> 00:52:09,600
And back in the 90s was a feat.
Yeah, that's it was a feat,
865
00:52:09,960 --> 00:52:11,520
yeah.
That's a lot of steel.
866
00:52:11,920 --> 00:52:13,760
It's a lot, well, a lot of
aluminum.
867
00:52:13,760 --> 00:52:16,400
We were aluminum, true.
We got we got chastised for
868
00:52:16,400 --> 00:52:18,240
using steel in the rock'n'roll,
right?
869
00:52:18,680 --> 00:52:23,480
Yeah, yeah, yeah.
So then so you you came back out
870
00:52:23,480 --> 00:52:29,800
of that in the early 2000s.
Two, yeah or 2000 So a manager
871
00:52:29,800 --> 00:52:32,760
from Sonoma, Bruce Cohn, who
managed The Doobie Brothers for
872
00:52:32,760 --> 00:52:37,440
40 years and managed Night
Ranger and managed Bruce Hornsby
873
00:52:37,440 --> 00:52:42,080
and managed Ambrosia.
Olivia Newton John.
874
00:52:42,760 --> 00:52:49,280
I wound up kind of helping him
with some of these acts for
875
00:52:49,680 --> 00:52:53,280
different projects.
One became The Doobie Brothers
876
00:52:53,280 --> 00:52:57,120
and then on and off for about 17
years, I to a managed or
877
00:52:57,120 --> 00:53:02,680
production managed The Doobie
Brothers for Bruce, for Bruce.
878
00:53:02,680 --> 00:53:05,680
OK.
And then that was up until.
879
00:53:06,120 --> 00:53:09,360
So that brought me to, I don't
know, 2016.
880
00:53:09,360 --> 00:53:13,360
I want to say what is it?
Yeah, 2015.
881
00:53:13,360 --> 00:53:18,160
I think I had a little change in
my life.
882
00:53:18,160 --> 00:53:25,320
I lost a grandson in a car
accident, and so I took some
883
00:53:25,320 --> 00:53:29,120
time away from The Doobie
Brothers and wound up getting a
884
00:53:29,120 --> 00:53:32,200
call from Peter Frampton's camp,
and I've been with them ever
885
00:53:32,200 --> 00:53:35,680
since.
So yeah, so about 10 years.
886
00:53:36,600 --> 00:53:42,800
And I enjoy I enjoy working with
legacy ads because we're
887
00:53:42,800 --> 00:53:49,560
typically we're typically, you
know, 2-3 trucks, maybe 10 AM
888
00:53:49,560 --> 00:53:55,000
load insurance.
I, yeah, it is I, I boy, I
889
00:53:55,000 --> 00:53:59,760
really respect these production
managers that are out doing, you
890
00:53:59,760 --> 00:54:06,680
know, 12 to 20 trucks.
My friend Chad Guy.
891
00:54:06,960 --> 00:54:11,080
Yeah, Marty telling.
Me last was it last year when he
892
00:54:11,080 --> 00:54:14,000
did all these stadium shows and
he was like, you know, I'm, I'm
893
00:54:14,000 --> 00:54:17,320
exhausted.
Like, yeah, from from the stage
894
00:54:17,320 --> 00:54:22,040
to the to to my office in the
stadium could be, you know,
895
00:54:22,280 --> 00:54:26,040
hundreds of yards or whatever.
And I'm doing it 100 times a day
896
00:54:26,400 --> 00:54:30,400
on multiple shows for, you know,
an entire year of stadium shows.
897
00:54:30,400 --> 00:54:34,880
It's exhausting you.
Know well, I mean a dear friend,
898
00:54:34,880 --> 00:54:37,680
Chad guy who you probably know.
I'm not sure if you interviewed
899
00:54:37,680 --> 00:54:40,520
Chad, He's from he's from he's
from Canada.
900
00:54:40,520 --> 00:54:43,640
He's was a promoter Rep up
there.
901
00:54:43,640 --> 00:54:49,920
He wound up he in the last five
or six years kiss from kiss.
902
00:54:49,920 --> 00:54:53,440
He goes to Morgan Wallin, which
is, you know, one of the biggest
903
00:54:53,440 --> 00:54:57,600
shows out there and he does a
great job.
904
00:54:57,600 --> 00:55:01,160
But I'm sure you know, he's got
two daughters that are growing
905
00:55:01,160 --> 00:55:05,720
and sure takes a toll out of it.
But he's he's a great production
906
00:55:05,720 --> 00:55:08,920
manager, but he's got, he's
doing the stadium shows with, I
907
00:55:08,920 --> 00:55:11,840
don't know, 30 trucks probably.
Yeah, it's it's.
908
00:55:12,080 --> 00:55:14,280
It's a lot of work.
Yeah, it's a lot of work.
909
00:55:14,440 --> 00:55:17,440
Well, Marty.
Marty, last year I think he had
910
00:55:18,640 --> 00:55:20,520
Olivia, what's her name?
Olivia.
911
00:55:20,520 --> 00:55:21,440
Rodrigo.
Rodrigo.
912
00:55:21,840 --> 00:55:31,640
And Beyoncé and what's her name?
The Colombian, Lebanese one.
913
00:55:32,160 --> 00:55:37,680
Shakira.
Shakira and something else, too,
914
00:55:37,680 --> 00:55:41,000
like he had all these stadium
shows going at the same time
915
00:55:41,000 --> 00:55:45,240
practically, and I was like,
you're a madman, you know?
916
00:55:45,480 --> 00:55:46,560
He is.
He works.
917
00:55:46,560 --> 00:55:49,840
He works a lot and he still does
a few of the legacy acts I
918
00:55:49,840 --> 00:55:52,720
believe that are still out
there, but.
919
00:55:53,400 --> 00:55:55,360
Stevie Nicks or.
Stevie Nicks here.
920
00:55:55,640 --> 00:55:56,120
Yeah.
Yeah.
921
00:55:56,120 --> 00:55:56,880
What?
They're depending.
922
00:55:56,880 --> 00:55:58,440
I was at that time.
Yeah.
923
00:55:58,760 --> 00:56:00,080
Yeah.
Wild.
924
00:56:00,400 --> 00:56:02,320
Yeah, it is.
It is.
925
00:56:02,640 --> 00:56:05,520
Peter Frampton though, like I
remember one time, you know,
926
00:56:05,520 --> 00:56:07,840
Donnie Carone from upstaging,
I'm guessing?
927
00:56:07,840 --> 00:56:08,680
Sure.
Yeah, yeah.
928
00:56:09,320 --> 00:56:12,040
Donnie, one time I was talking
to him saying you got to get
929
00:56:12,040 --> 00:56:13,840
bored of doing James Taylor
every year.
930
00:56:13,840 --> 00:56:16,560
This was back when every single
year he went out with James
931
00:56:16,560 --> 00:56:19,480
Taylor and he said, are you
kidding?
932
00:56:19,480 --> 00:56:22,520
And I said, what do you mean?
And he said, well, number one,
933
00:56:22,520 --> 00:56:24,720
we stay in the same hotel that
James stays in.
934
00:56:25,680 --> 00:56:28,920
And, you know, so it's not like
James is at the Ritz and we're
935
00:56:28,920 --> 00:56:32,000
at the, you know, Holiday Inn
down the road or whatever.
936
00:56:33,120 --> 00:56:35,560
He treats us amazing.
He's an amazing guy.
937
00:56:36,640 --> 00:56:40,520
It's it's a great crowd.
It's pretty low stress.
938
00:56:40,520 --> 00:56:43,640
We can do whatever we want as
long as, you know, it's not
939
00:56:43,640 --> 00:56:47,800
broken or something.
And he said, I wish all tours
940
00:56:47,800 --> 00:56:49,680
were like this.
So.
941
00:56:49,680 --> 00:56:53,160
Well, speaking, I'd have to
concur.
942
00:56:53,160 --> 00:56:59,800
I mean, Peter.
And of course, our touring in
943
00:56:59,800 --> 00:57:04,240
the last four years has changed.
Peter is battling A muscular
944
00:57:04,360 --> 00:57:06,280
disease that that prevents him
from.
945
00:57:06,760 --> 00:57:09,400
Yeah, And.
But still playing like crazy.
946
00:57:09,400 --> 00:57:13,520
It's it's it's amazing.
But he treats us so well.
947
00:57:13,600 --> 00:57:19,440
And he really respects each and
every one of us for what we do.
948
00:57:20,040 --> 00:57:25,760
He really, and I don't speak, I
don't speak badly against any
949
00:57:25,760 --> 00:57:27,280
other person that I've worked
for.
950
00:57:27,280 --> 00:57:32,640
But Peter, once you build a
rapport with him, he, he trusts
951
00:57:32,640 --> 00:57:37,480
you and believes you to be in
charge of the business that he's
952
00:57:37,480 --> 00:57:40,400
hired you to be in charge of,
which I love that.
953
00:57:40,400 --> 00:57:42,560
I mean, he's set in his ways.
He knows what he wants.
954
00:57:42,560 --> 00:57:45,800
He communicates it to you.
But yeah, we're, we're in, we're
955
00:57:45,800 --> 00:57:47,960
in Four Seasons of Ritz
Carlton's with Peter.
956
00:57:47,960 --> 00:57:53,680
We don't stay at separate
hotels, rarely the busing, you
957
00:57:53,680 --> 00:57:55,600
know, we're not 12 people on a
bus anymore.
958
00:57:55,600 --> 00:58:01,720
We're six or seven.
And yeah, no, it's, it's what
959
00:58:02,000 --> 00:58:04,160
it's what I think.
Yeah, I think it's what will
960
00:58:04,160 --> 00:58:08,840
allow me to stay out there until
maybe, maybe 70.
961
00:58:08,840 --> 00:58:10,880
I don't.
Not even just allow you, but
962
00:58:10,880 --> 00:58:12,560
inspire.
You inspire me.
963
00:58:12,560 --> 00:58:14,880
It's real.
Enjoyable being out with and
964
00:58:14,880 --> 00:58:17,360
he's just a class guy.
Like yeah, he's a class.
965
00:58:17,480 --> 00:58:21,640
Guy So what exactly happened
with because I remember, and I
966
00:58:21,640 --> 00:58:24,080
might be remembering this wrong
because again, I'm getting
967
00:58:24,080 --> 00:58:29,840
older, but didn't he like
completely retire and stop
968
00:58:29,840 --> 00:58:33,240
touring a few years ago and then
sort of started it up again?
969
00:58:33,760 --> 00:58:40,720
So 2018 was when I believe it
was 2018 that it was detected
970
00:58:41,000 --> 00:58:47,640
that he this could be very
problematic for and so he did a
971
00:58:47,640 --> 00:58:50,120
farewell tour.
Right, that's what I'm
972
00:58:50,160 --> 00:58:53,360
remembering.
What he chose to do in the
973
00:58:53,360 --> 00:58:59,200
interim was really pay attention
to this mitosis muscular
974
00:59:00,520 --> 00:59:07,280
degenerative muscular disease
and work with some really major
975
00:59:08,440 --> 00:59:12,080
pioneers that was studying this.
And he got involved with the
976
00:59:12,360 --> 00:59:16,920
that organization.
I believe there's been some
977
00:59:16,920 --> 00:59:23,880
treatments that he found to be
helpful and he realized one day,
978
00:59:23,960 --> 00:59:28,040
hey, I really can still play.
I might have a a little bit of
979
00:59:28,040 --> 00:59:31,040
difficulty with some lower
extremities, but I really can
980
00:59:31,040 --> 00:59:36,440
still play.
So we came back out and we came
981
00:59:36,440 --> 00:59:45,440
back out, I want to say it's
2021 came back out and late 2021
982
00:59:45,920 --> 00:59:48,440
and we've been doing these short
little stits.
983
00:59:48,440 --> 00:59:54,440
I mean, we do three weeks at a
time, maybe 3 or 4 * a year and
984
00:59:54,800 --> 00:59:58,280
he fares very well.
I mean what is?
985
00:59:58,800 --> 01:00:03,280
His disease managed now or is it
still progressing or like how
986
01:00:03,280 --> 01:00:06,600
does that all work?
I don't know exactly.
987
01:00:06,600 --> 01:00:11,360
I mean, I believe it's managed.
I believe that he pays an awful
988
01:00:11,360 --> 01:00:14,640
lot of attention to what helps
keep it managed.
989
01:00:14,640 --> 01:00:20,960
Diet, exercise, his training.
He's got this beautiful service
990
01:00:20,960 --> 01:00:23,280
dog that he spends a lot of time
with.
991
01:00:23,280 --> 01:00:29,280
He has grandchildren, I think 2
grandchildren at the moment,
992
01:00:29,400 --> 01:00:35,720
perhaps third one on the way.
Really, really, really life
993
01:00:35,720 --> 01:00:39,280
changing things for him that I
believe keep him just ahead of
994
01:00:39,280 --> 01:00:41,520
it.
It's funny that sometimes not
995
01:00:41,520 --> 01:00:46,160
funny, but it's interesting that
sometimes it takes something
996
01:00:46,160 --> 01:00:48,720
like that to just change
everything.
997
01:00:49,000 --> 01:00:54,000
Like you get sustenance, you
sustain your life longer because
998
01:00:54,000 --> 01:00:57,480
something like that happens a
little earlier in your life and
999
01:00:57,480 --> 01:01:00,280
gives you a wake up call and
makes you change your lifestyle
1000
01:01:00,280 --> 01:01:02,680
and start eating better and
things like that.
1001
01:01:03,000 --> 01:01:06,160
Like I've known a lot of people
who had, you know, a minor heart
1002
01:01:06,160 --> 01:01:08,600
attack and if they didn't have
the minor heart attack, they
1003
01:01:08,600 --> 01:01:13,400
probably would have got diabetes
and 15 other things and cancer
1004
01:01:13,400 --> 01:01:16,440
and everything else.
Because it's, it's all those
1005
01:01:16,440 --> 01:01:19,440
lifestyle things contribute to
all those different diseases,
1006
01:01:19,440 --> 01:01:21,680
right?
And so once one of them gives
1007
01:01:21,680 --> 01:01:23,680
you a wake up call and you
completely change your
1008
01:01:23,680 --> 01:01:27,880
lifestyle, you know, sometimes
that gives you another 20 years
1009
01:01:27,880 --> 01:01:28,720
or.
More, you know.
1010
01:01:29,200 --> 01:01:32,400
So yeah.
I was at, I was at an industry
1011
01:01:32,400 --> 01:01:37,440
conference, must have been five
years ago and they were offering
1012
01:01:39,320 --> 01:01:44,440
ACPR breakout where you can go
get certified through CPR.
1013
01:01:44,760 --> 01:01:46,440
So I did it and.
That which?
1014
01:01:46,680 --> 01:01:48,520
Which conference was that?
Because I remember that.
1015
01:01:49,000 --> 01:01:51,520
It was.
What do they used to call it?
1016
01:01:51,520 --> 01:01:54,720
Was it the one not perfect?
Not the one in Palm Springs?
1017
01:01:54,720 --> 01:01:55,840
Exactly.
Exactly.
1018
01:01:56,280 --> 01:01:56,720
Yeah.
Jesus.
1019
01:01:57,160 --> 01:02:00,120
I should remember the name of.
It but it's changed now to where
1020
01:02:03,040 --> 01:02:07,880
Mario educate in his company
OSA, right?
1021
01:02:08,120 --> 01:02:11,920
They manage it now.
What was it called before that?
1022
01:02:12,360 --> 01:02:13,760
LPL.
PS:.
1023
01:02:14,960 --> 01:02:19,200
LP.
Live Production Summit LP.
1024
01:02:19,200 --> 01:02:20,520
'S that is it.
You're right.
1025
01:02:20,760 --> 01:02:25,560
Yep, so they did the CPR class
and the and the instructor
1026
01:02:25,560 --> 01:02:30,000
started off by saying any of you
that work for legacy artists,
1027
01:02:30,920 --> 01:02:39,560
even if they stopped their vices
with drugs and alcohol 30 years
1028
01:02:39,560 --> 01:02:44,800
ago, what they did to themselves
is likely to take a toll on them
1029
01:02:44,800 --> 01:02:48,360
at some point.
And the CPR will be necessary.
1030
01:02:49,800 --> 01:02:55,440
And while thank God, you know, a
lot of this didn't happen on the
1031
01:02:55,440 --> 01:02:57,680
road during the show or
something like that, but you
1032
01:02:57,680 --> 01:03:01,720
could see where these artists
that did beat themselves up in
1033
01:03:01,720 --> 01:03:04,160
the 70s and maybe even to the
80s.
1034
01:03:05,720 --> 01:03:07,440
What is it?
What has happened to them
1035
01:03:08,000 --> 01:03:11,280
certainly is taking a toll, sort
of what they put themselves
1036
01:03:11,280 --> 01:03:13,680
through.
And yeah, I I'm happy I've not
1037
01:03:13,680 --> 01:03:18,000
had to pull out a defibrillator
or use the CPR training.
1038
01:03:18,000 --> 01:03:19,800
Not yet anyway.
Yeah, exactly.
1039
01:03:19,920 --> 01:03:21,480
But, you know, then there's
Keith Richards.
1040
01:03:21,880 --> 01:03:23,680
Yeah.
You know, like.
1041
01:03:23,920 --> 01:03:26,680
That there's the anomaly.
Or, or you know, a guy you
1042
01:03:26,680 --> 01:03:30,800
mentioned earlier, Sammy Hagar.
I mean, the guy loves tequila
1043
01:03:30,800 --> 01:03:32,960
still.
He loves rum and he shows it
1044
01:03:32,960 --> 01:03:35,680
every day.
He he has a good time in life,
1045
01:03:36,200 --> 01:03:40,600
and yet he still sings like a
bird still.
1046
01:03:40,600 --> 01:03:41,640
Towards like.
Crazy.
1047
01:03:41,800 --> 01:03:44,720
And works like crazy, I mean.
It's awesome.
1048
01:03:44,720 --> 01:03:48,080
I love guys like that.
I love, you know, Steven Tyler
1049
01:03:48,080 --> 01:03:51,600
is what is he now 76 or?
Something.
1050
01:03:51,600 --> 01:03:54,080
Yeah, I think so.
And I mean, I don't know if
1051
01:03:54,080 --> 01:03:56,680
you've seen him sing recently,
but he did that thing with
1052
01:03:56,680 --> 01:04:00,040
Youngblood a couple weeks ago or
something amazing like.
1053
01:04:00,040 --> 01:04:01,360
The guy just.
Sounds incredible.
1054
01:04:01,360 --> 01:04:04,520
Looks like a rock star.
At 76 years old, he's still
1055
01:04:04,880 --> 01:04:08,120
looks like Steven Tyler jumps
around and does all the stuff he
1056
01:04:08,120 --> 01:04:13,240
does, you know, So I don't know,
like the thing I think the bad
1057
01:04:13,240 --> 01:04:17,920
thing that this is saying to
youth today is drugs and alcohol
1058
01:04:17,920 --> 01:04:20,520
are really good for you.
And you should keep doing it
1059
01:04:20,520 --> 01:04:23,200
because it's going to make you
look like you're 40 when you're
1060
01:04:23,200 --> 01:04:26,840
70, you know, because that's
what you see from these guys.
1061
01:04:26,840 --> 01:04:30,840
But I think that they just have
such, whether it's a strong
1062
01:04:30,920 --> 01:04:34,160
regimen somewhere else that's
just offsetting all of that
1063
01:04:34,160 --> 01:04:36,680
stuff or whatever 'cause, you
know, there's certainly nothing
1064
01:04:36,680 --> 01:04:39,360
good about drugs or alcohol from
a health standpoint.
1065
01:04:39,400 --> 01:04:41,920
Yeah, Yeah.
Well, I also think there's
1066
01:04:41,920 --> 01:04:45,360
there's some of these artists
like Tyler, you know, that just
1067
01:04:46,480 --> 01:04:51,080
understand their role as
leaders.
1068
01:04:51,280 --> 01:04:52,720
You know, they just understand
it.
1069
01:04:52,720 --> 01:04:56,720
I mean, they may not have been
successful at practicing it as
1070
01:04:56,720 --> 01:05:02,720
far as iconic leaders, but, you
know, a funny story about
1071
01:05:02,720 --> 01:05:05,640
Steven.
My wife and I were at the Cmas.
1072
01:05:05,640 --> 01:05:09,840
I don't know, a few years ago,
The Doobie Brothers were invited
1073
01:05:09,840 --> 01:05:14,200
to play at the Cmas and we had
this dressing room that we
1074
01:05:14,200 --> 01:05:18,480
shared with Tyler, Garth Brooks,
Doobie Brothers, Keith Urban.
1075
01:05:19,520 --> 01:05:24,840
And Tyler was hilarious and, you
know, commanded the room quite
1076
01:05:24,840 --> 01:05:26,880
well.
But the next morning, my wife
1077
01:05:26,880 --> 01:05:31,280
and I were getting on a plane to
go to Boston, see my family and
1078
01:05:31,280 --> 01:05:35,440
Tyler's up front.
And he remembered us.
1079
01:05:35,440 --> 01:05:39,600
He was, hey, hey, you guys, what
are you going to Boston for?
1080
01:05:39,600 --> 01:05:42,400
And he carried on this
conversation as we were getting
1081
01:05:42,400 --> 01:05:45,360
on the plane.
And we kind of held up the line
1082
01:05:45,360 --> 01:05:47,200
a little bit.
He was getting in first class
1083
01:05:47,200 --> 01:05:49,680
with his dog.
And my wife and I were right
1084
01:05:49,680 --> 01:05:53,200
behind him and not in first
class, but, you know, not too
1085
01:05:53,200 --> 01:05:58,160
far back.
But his mind, it just goes to
1086
01:05:58,160 --> 01:06:02,160
explain, goes to say what, you
know, those that can keep their
1087
01:06:02,160 --> 01:06:03,360
mind in.
Yeah.
1088
01:06:03,720 --> 01:06:06,400
You know, it's just how well,
why?
1089
01:06:06,400 --> 01:06:08,440
How in the world would he
remember us?
1090
01:06:08,920 --> 01:06:10,000
Yeah, that's.
He did.
1091
01:06:10,560 --> 01:06:11,320
Yeah.
It was impressive.
1092
01:06:11,320 --> 01:06:13,160
People that he meets?
Exactly not.
1093
01:06:13,360 --> 01:06:16,080
Forgetting like we all do.
Right, it's the number of.
1094
01:06:16,080 --> 01:06:18,320
People that he meets on a daily
basis.
1095
01:06:18,320 --> 01:06:20,640
Yeah.
Who feel like they're important,
1096
01:06:20,640 --> 01:06:23,920
but to him it's just another
10,000 people today or whatever.
1097
01:06:24,280 --> 01:06:26,720
Like the fact that he'd remember
you is a pretty big deal.
1098
01:06:27,000 --> 01:06:30,800
And not only that, he there was
a there was a discussion of us
1099
01:06:30,800 --> 01:06:38,600
going to Maui for New Year's Eve
because we're my neighbor and
1100
01:06:38,600 --> 01:06:41,160
dear friend is Dave Mason, he
and his wife.
1101
01:06:41,240 --> 01:06:46,280
And yeah, yeah.
And so anyway, we've been
1102
01:06:46,280 --> 01:06:50,400
friends for a while and since
they moved here 12 years ago.
1103
01:06:50,960 --> 01:06:54,160
And anyway, somehow the
discussion got you go on to New
1104
01:06:54,160 --> 01:06:56,720
Year's Eve for this event that
happens in New Year's Eve.
1105
01:06:57,040 --> 01:06:58,880
And he remember that.
He says, hey, we're going to see
1106
01:06:58,880 --> 01:07:02,440
you in in Maui on New Year's
Eve.
1107
01:07:02,440 --> 01:07:04,240
And I'm going, how does he
remember this?
1108
01:07:04,240 --> 01:07:08,160
There was had to be 100 people
in the dressing room last night
1109
01:07:08,880 --> 01:07:11,120
or two nights ago.
Something to impress him,
1110
01:07:11,200 --> 01:07:13,600
obviously, because he picked you
out of a crowd.
1111
01:07:14,440 --> 01:07:18,240
My wife, she's she looks a lot
better than I do for sure.
1112
01:07:18,840 --> 01:07:21,080
Oh, OK.
Great, she can light up a room.
1113
01:07:21,080 --> 01:07:22,160
Well, that's like the rest of
them.
1114
01:07:22,160 --> 01:07:23,760
That's.
Like my fiance, you know, my
1115
01:07:23,760 --> 01:07:27,800
fiance's basically the same age
as me, but she looks 25 years
1116
01:07:27,800 --> 01:07:33,360
younger than me or more and and
she's stunningly beautiful.
1117
01:07:33,360 --> 01:07:37,040
So, you know, there you go.
People talk to me now that
1118
01:07:37,040 --> 01:07:39,920
wouldn't have talked to me
before because of her, you know.
1119
01:07:40,400 --> 01:07:44,040
And so, hey, if if, if it's
helpful like that, you know, I'm
1120
01:07:44,040 --> 01:07:47,520
certainly not going to lend them
out to you or anything, but you
1121
01:07:47,520 --> 01:07:51,880
know, if it's helpful in in that
sort of a conversation or
1122
01:07:51,880 --> 01:07:55,000
whatever, that's a great thing.
So yeah, I think for me it's the
1123
01:07:55,000 --> 01:07:56,600
same reason.
Yeah.
1124
01:07:56,880 --> 01:08:01,120
But so, you know, we we talked a
lot about young people, old
1125
01:08:01,120 --> 01:08:03,440
people, etcetera.
And and by the way, thank you so
1126
01:08:03,440 --> 01:08:06,040
much that you're joining us for
the dining with dinosaurs thing
1127
01:08:06,040 --> 01:08:09,520
this year.
That's, it's going to be such a
1128
01:08:09,520 --> 01:08:11,520
blast.
Like I looked over this list a
1129
01:08:11,520 --> 01:08:15,400
couple days ago, LDI sent me an
updated list of of the people
1130
01:08:15,400 --> 01:08:18,439
who have signed up for it.
And I'm just like, wow, what a
1131
01:08:18,439 --> 01:08:21,640
group of people this.
Yeah, I was like, I couldn't
1132
01:08:21,640 --> 01:08:23,800
agree more.
It's awesome and there's still
1133
01:08:23,800 --> 01:08:25,760
people banging on the door
saying they want in.
1134
01:08:25,760 --> 01:08:28,520
Like we actually have a waiting
list right now for some people
1135
01:08:28,640 --> 01:08:32,399
on that because LDI, of course,
because of costs and things,
1136
01:08:32,399 --> 01:08:35,880
they're going to clip our wings
at some number and we keep
1137
01:08:35,880 --> 01:08:38,040
trying to push it.
Three more, five more.
1138
01:08:38,040 --> 01:08:41,359
Come on, let's go to this.
Because, you know, at the end of
1139
01:08:41,359 --> 01:08:43,720
the day, there's a lot of
legends in our industry.
1140
01:08:44,200 --> 01:08:47,840
And this whole thing is about
people like yourself who are
1141
01:08:47,840 --> 01:08:52,000
willing to have conversations
and share stories and share
1142
01:08:53,319 --> 01:08:57,720
teachings with younger people
because our industry can only be
1143
01:08:57,720 --> 01:09:00,200
sustained if if we bring more
people into it.
1144
01:09:00,200 --> 01:09:02,080
And COVID was a great lesson in
that.
1145
01:09:02,319 --> 01:09:03,000
You.
Know we.
1146
01:09:03,040 --> 01:09:08,120
We didn't have a strong bench.
And so when she hit the fan, we
1147
01:09:08,120 --> 01:09:12,399
didn't have a pool to dig from
and, and it became very
1148
01:09:12,399 --> 01:09:15,479
problematic where shows were
struggling to get enough bodies
1149
01:09:15,479 --> 01:09:19,080
just to keep the show or get the
show out the door or whatever.
1150
01:09:19,640 --> 01:09:23,319
And so we have to, we have to
create a stronger bench.
1151
01:09:23,319 --> 01:09:26,399
We have to have better coaching
and training and mentoring to
1152
01:09:26,399 --> 01:09:29,600
bring people into the industry.
And like you said at the very
1153
01:09:29,600 --> 01:09:32,840
beginning of this this podcast,
you said your parents thought
1154
01:09:32,840 --> 01:09:36,520
you were joining the circus.
And I think that that's still a
1155
01:09:36,520 --> 01:09:42,800
bit of a sort of, it's a, it's a
feeling that people get when you
1156
01:09:42,800 --> 01:09:46,279
say, Hey, why don't you join the
touring industry or go out on a
1157
01:09:46,279 --> 01:09:48,520
tour?
And I even said it to my son,
1158
01:09:48,520 --> 01:09:51,000
Hey, you know, do you want to
gain some experience in the
1159
01:09:51,000 --> 01:09:53,720
world?
I can talk to a few friends and
1160
01:09:53,720 --> 01:09:55,480
get you out on a tour doing
something.
1161
01:09:55,960 --> 01:09:58,480
And he's like, well, why would I
want to do that?
1162
01:09:58,480 --> 01:10:02,200
Like, you know, and he thinks
that you sleep in the back seats
1163
01:10:02,200 --> 01:10:06,400
of, of vans and, and that you,
you know, people are stoned and
1164
01:10:06,400 --> 01:10:08,800
drunk all the time.
And he doesn't do drugs or drink
1165
01:10:08,800 --> 01:10:11,760
for some crazy reason.
I don't even understand it
1166
01:10:11,760 --> 01:10:16,400
myself.
And, and, you know, just that
1167
01:10:16,400 --> 01:10:21,600
perception is that it is a bunch
of gypsies, you know, touring in
1168
01:10:21,600 --> 01:10:25,720
vans, you know, and it's like
the circus coming to town,
1169
01:10:25,720 --> 01:10:27,080
right?
And they all rape and pillage
1170
01:10:27,080 --> 01:10:30,480
all the girls.
And it's different now, you
1171
01:10:31,240 --> 01:10:35,880
know, It's very different now.
I also think the term tour has
1172
01:10:35,880 --> 01:10:41,000
gotten to be used so loosely.
I mean, as I mentioned earlier,
1173
01:10:41,000 --> 01:10:46,360
my wife and I have a 250 seat
venue and we by acts of all
1174
01:10:46,360 --> 01:10:49,600
different sizes and kinds and
they use the term tour.
1175
01:10:50,880 --> 01:10:53,920
This act is on tour.
Well because they're going from
1176
01:10:53,920 --> 01:10:56,600
Sacramento to Reno doesn't mean
they're on tour.
1177
01:10:56,960 --> 01:11:02,560
I think the term touring is also
been kind of elevated to a
1178
01:11:02,560 --> 01:11:06,920
pretty loose, loose term, very
broad, very broad.
1179
01:11:06,920 --> 01:11:09,160
So.
Your venue is in Tahoe.
1180
01:11:10,080 --> 01:11:13,640
We are in Carson City, Carson
City, NV the name of the place.
1181
01:11:14,280 --> 01:11:20,920
My wife and I have had a second
home in Nashville, TN since 9495
1182
01:11:20,920 --> 01:11:24,760
I want to say.
And so we watched this Nashville
1183
01:11:24,760 --> 01:11:31,080
culture change and while we
liked it, we liked the change up
1184
01:11:31,080 --> 01:11:34,240
until recent.
I think it's grown a little too
1185
01:11:34,240 --> 01:11:35,440
much, but too.
Crazy now.
1186
01:11:36,080 --> 01:11:40,360
So we opened a venue in Northern
Nevada called the Nashville
1187
01:11:40,360 --> 01:11:44,480
Social Club, which is got some
private dining.
1188
01:11:44,480 --> 01:11:49,320
It's got, it's a restaurant, 250
seat venue, a little bit on the
1189
01:11:49,320 --> 01:11:52,600
concept of a City Winery kind of
space.
1190
01:11:53,040 --> 01:12:00,360
And we've been open three years
and we have acts up, up and
1191
01:12:00,360 --> 01:12:02,800
coming baby acts.
We have legacy acts.
1192
01:12:03,200 --> 01:12:06,520
We just had Pablo Cruz for two
nights, Booker T Jones for two
1193
01:12:06,520 --> 01:12:07,640
nights.
Yeah.
1194
01:12:07,640 --> 01:12:11,440
So we do all kinds of stuff and
it's very intimate. 250 seats.
1195
01:12:11,440 --> 01:12:14,040
Interesting.
And yeah.
1196
01:12:14,040 --> 01:12:16,840
Is it?
Hard to get axe in a venue like
1197
01:12:16,840 --> 01:12:20,440
that though, when when it's sort
of in the middle of nowhere.
1198
01:12:20,440 --> 01:12:25,160
And it's like, because again,
normally when you have a venue
1199
01:12:25,160 --> 01:12:27,600
and you want to start getting
axe, they're on tour and they
1200
01:12:27,600 --> 01:12:30,800
go, OK, yeah, we can, we can
route that on our tour.
1201
01:12:30,800 --> 01:12:32,440
And it makes a lot of sense.
But.
1202
01:12:33,480 --> 01:12:36,120
We're decent, yeah, in the
middle of.
1203
01:12:36,200 --> 01:12:37,440
Nowhere.
It sounds like it would be
1204
01:12:37,440 --> 01:12:41,720
harder to route Axe.
We actually do about 60 shows a
1205
01:12:41,720 --> 01:12:44,760
year.
So wow, that's pretty good of
1206
01:12:44,760 --> 01:12:50,800
all different levels.
And we wind up finding Bay Area
1207
01:12:51,360 --> 01:12:54,920
heading back E via maybe Salt
Lake.
1208
01:12:55,240 --> 01:12:57,920
So we're a good stop free Salt
Lake City.
1209
01:12:57,920 --> 01:13:00,560
There's maybe one or two others
stops.
1210
01:13:00,560 --> 01:13:07,520
So yeah, it's, it's actually
we're the Reno Tahoe market and
1211
01:13:08,720 --> 01:13:12,240
we're a good size for baby Axe
or like I said, legacy Axe that
1212
01:13:12,240 --> 01:13:15,360
could do 400 CS will maybe do 2
shows with them.
1213
01:13:16,120 --> 01:13:19,360
Interesting, So is there a
Nashville social club in
1214
01:13:19,360 --> 01:13:22,520
Nashville too?
No, no, that's interesting.
1215
01:13:22,520 --> 01:13:23,680
There isn't.
Yeah.
1216
01:13:23,720 --> 01:13:26,880
No, it's, it's the concept was
to build five of these on the
1217
01:13:26,880 --> 01:13:30,080
West Coast, but we're we're
still trying to figure out how
1218
01:13:30,080 --> 01:13:33,880
to manage one.
Yeah, well, I mean, big cohones
1219
01:13:33,880 --> 01:13:37,040
opening a venue right after
COVID, you know, I mean,
1220
01:13:37,040 --> 01:13:39,520
obviously.
Yeah, I'm reminded of that.
1221
01:13:39,520 --> 01:13:43,640
I'm reminded of that, Yeah.
It's, you know, opening a venue
1222
01:13:43,760 --> 01:13:48,320
right after all the venues got
crushed, you know, and got paid
1223
01:13:48,320 --> 01:13:51,080
well by being crushed in many
places too.
1224
01:13:51,480 --> 01:13:56,480
But yeah, that's that's big, big
cohones, right?
1225
01:13:56,480 --> 01:13:58,000
There I like.
That I like it.
1226
01:13:58,440 --> 01:14:00,880
That's very cool.
Well, that's maybe, maybe
1227
01:14:00,880 --> 01:14:03,760
smaller brains.
Yeah, yeah.
1228
01:14:04,120 --> 01:14:07,200
So you've told me about
Stagecraft, and you've told me
1229
01:14:07,200 --> 01:14:10,200
now about Nashville Social Club,
but what about Chili Bop?
1230
01:14:11,160 --> 01:14:12,840
So.
Where's the name come from?
1231
01:14:13,000 --> 01:14:16,080
So my grandson, his name was
Chili.
1232
01:14:16,080 --> 01:14:19,880
And as I said, we lost him in
2016, by the way.
1233
01:14:20,200 --> 01:14:23,560
So that's what I named my
company because I used to call
1234
01:14:23,560 --> 01:14:26,520
him the Bopper.
So that's where Chili Bop came
1235
01:14:26,520 --> 01:14:27,520
from.
Oh wow.
1236
01:14:28,240 --> 01:14:32,280
Very personal.
Yeah, most of what I did with
1237
01:14:32,280 --> 01:14:35,240
Chili Bop was consulting
siblings.
1238
01:14:35,240 --> 01:14:41,120
I spent spent many years
consulting to a few wineries up
1239
01:14:41,120 --> 01:14:44,320
in Sonoma for the little
festivals that they would do.
1240
01:14:46,320 --> 01:14:52,760
I spent some time with a company
called Bass Hologram out of LA.
1241
01:14:52,760 --> 01:14:56,360
They were owned by the Becker
Becker family, which used to be
1242
01:14:56,360 --> 01:15:01,880
Pace Pace before Live Nation and
Player Channel.
1243
01:15:02,240 --> 01:15:04,320
It was Pace Concerts, Pace
Motorsports.
1244
01:15:04,720 --> 01:15:07,440
That was the Becker family.
So Brian Becker was the
1245
01:15:07,440 --> 01:15:11,520
president of that company and so
he hired me as vice president of
1246
01:15:11,520 --> 01:15:17,480
operations, but I spent most of
the time as as in doing that.
1247
01:15:18,720 --> 01:15:22,920
It was a startup developmental
company and COVID kind of
1248
01:15:22,920 --> 01:15:28,160
crushed the hologram business.
So base hologram did what?
1249
01:15:30,120 --> 01:15:37,560
Developed holograms of legacy,
mainly deceased artists.
1250
01:15:37,560 --> 01:15:39,840
Like Michael Jackson could go
out on tour.
1251
01:15:40,200 --> 01:15:43,000
Exactly.
We are properties technology
1252
01:15:43,560 --> 01:15:47,840
exactly.
And it's our our properties that
1253
01:15:47,840 --> 01:15:52,560
we had license to do was Roy
Orbison, Buddy Holly, Whitney
1254
01:15:52,560 --> 01:15:58,200
Houston, Maria Callas, the opera
singer we had and we did these
1255
01:15:58,200 --> 01:16:04,960
full length concerts.
In fact, we were in Europe on
1256
01:16:04,960 --> 01:16:11,280
March 9th, I want to say right
before the close shutdown of all
1257
01:16:11,280 --> 01:16:14,800
the airports with a Whitney
Houston tour and we got
1258
01:16:14,800 --> 01:16:18,560
everybody home safely.
Decked out and and how good was
1259
01:16:18,560 --> 01:16:20,600
the technology?
Like were people fooled?
1260
01:16:22,240 --> 01:16:26,440
Yes, you know the suspension of
disbelief, but it only lasts a
1261
01:16:26,440 --> 01:16:31,120
very short time.
After you brought the 4th song
1262
01:16:31,120 --> 01:16:39,000
in, you go, I get it.
And it's it's I think it kind of
1263
01:16:39,000 --> 01:16:43,480
tapered off as the show went on.
The opening numbers were
1264
01:16:43,480 --> 01:16:45,920
fabulous.
The effects in this hologram
1265
01:16:45,920 --> 01:16:51,920
appearing, Maria Callas, for
instance, it was an opera show,
1266
01:16:51,920 --> 01:16:57,880
so it had a full orchestra and
Maria as a hologram would walk
1267
01:16:57,880 --> 01:17:01,320
on stage from stage right to
center stage.
1268
01:17:01,920 --> 01:17:06,760
And the effects that we did, the
Foley effects, her footsteps,
1269
01:17:06,760 --> 01:17:11,080
because an opera is supposed to
be an acoustic show, but we used
1270
01:17:11,080 --> 01:17:16,360
amplification and the acoustic,
the Foley, we would track her
1271
01:17:16,360 --> 01:17:23,320
steps as she moved across stage.
So it would pan that that those
1272
01:17:23,320 --> 01:17:26,280
kinds of things made you a
believer.
1273
01:17:26,480 --> 01:17:31,720
But you get 30 minutes into the
show and you go, OK, I've seen
1274
01:17:32,960 --> 01:17:34,600
it.
So as a special effect, I saw a
1275
01:17:34,600 --> 01:17:40,600
special effect done with Queen
where Brian May and Freddie did
1276
01:17:40,800 --> 01:17:42,480
a duo together.
I.
1277
01:17:42,880 --> 01:17:43,560
Saw that that.
Was.
1278
01:17:43,560 --> 01:17:45,320
And it was.
And it was believable.
1279
01:17:45,320 --> 01:17:48,560
It was, and it was breathtaking.
To be believable because you
1280
01:17:48,560 --> 01:17:51,080
weren't trying to, because you
had, When I saw it, it was Paul
1281
01:17:51,080 --> 01:17:55,000
Rogers was touring with them and
so you had Paul Rogers doing
1282
01:17:55,000 --> 01:17:58,280
most of the vocals.
But then I think Brian and
1283
01:17:58,280 --> 01:18:00,240
Freddie did.
I don't.
1284
01:18:00,280 --> 01:18:02,040
Remember love of my life I think
it was.
1285
01:18:02,080 --> 01:18:03,040
Love of my life.
Yeah.
1286
01:18:03,560 --> 01:18:06,640
And it was just beautiful.
Like if you didn't have a tear
1287
01:18:06,640 --> 01:18:08,120
in your eye, there was something
wrong with you.
1288
01:18:08,120 --> 01:18:10,520
But this was in the very early
days of them doing that.
1289
01:18:10,880 --> 01:18:14,080
But the.
But the video of I don't even
1290
01:18:14,200 --> 01:18:15,880
believe it was a hologram at the
time.
1291
01:18:15,880 --> 01:18:18,240
I think it.
Was just, it was probably a LED.
1292
01:18:18,240 --> 01:18:20,800
Yeah, it was just him on the
screen singing.
1293
01:18:20,800 --> 01:18:23,880
Along with Brian and Brian
looking up at him the whole time
1294
01:18:23,880 --> 01:18:25,800
and stuff.
And it was beautiful.
1295
01:18:26,440 --> 01:18:30,720
But now you're actually trying
to get, you know, artists that
1296
01:18:30,720 --> 01:18:32,320
you're calling legacy artists,
but they're.
1297
01:18:32,320 --> 01:18:34,320
Deceased duets, Yeah, you're
getting.
1298
01:18:34,320 --> 01:18:36,200
Them doing duets, you're getting
them.
1299
01:18:36,840 --> 01:18:40,240
Like, did you ever do anything
with Paul Dexter on this?
1300
01:18:41,120 --> 01:18:45,520
Paul Dexter, Why do I know that?
Lighting designer worked with
1301
01:18:46,120 --> 01:18:48,800
loads of different acts.
He did the movie Rockstar.
1302
01:18:48,800 --> 01:18:53,680
He did some movies and and lots
and lots of different bands, but
1303
01:18:53,680 --> 01:18:56,520
he did a Dio hologram.
Oh, right, right.
1304
01:18:56,600 --> 01:18:57,960
That's why I know the name.
Yeah.
1305
01:18:58,480 --> 01:19:05,440
So the DIO hologram was not us,
but there was a DIO and a Zappa
1306
01:19:05,440 --> 01:19:07,840
one that was done.
Zappa one as well.
1307
01:19:08,120 --> 01:19:10,120
That might be the company that
Paul worked with.
1308
01:19:10,360 --> 01:19:13,400
Yeah, possibly.
Yeah, well, and I don't know
1309
01:19:13,400 --> 01:19:16,240
where it's at right now, but I
know Paul was also working on
1310
01:19:16,240 --> 01:19:21,560
one with Canadian band Triumph
and where it was a little bit
1311
01:19:21,560 --> 01:19:26,480
different though, because you
kind of had holograms playing
1312
01:19:26,680 --> 01:19:30,280
or, or acting or whatever you
want to call it, creating a
1313
01:19:30,280 --> 01:19:34,000
visual for a band that was sort
of behind the curtain that was
1314
01:19:34,000 --> 01:19:38,000
actually playing this stuff.
And that band in itself was sort
1315
01:19:38,000 --> 01:19:40,320
of an A list of musicians as
well.
1316
01:19:40,800 --> 01:19:43,680
And so I don't know where that's
at.
1317
01:19:43,680 --> 01:19:46,680
I was actually talking with Gil
the drummer and Triumph about
1318
01:19:46,680 --> 01:19:50,240
it, and it was meant to go out
sometime this year.
1319
01:19:50,240 --> 01:19:54,360
But I don't know whether it's a,
a sales problem or a, you know
1320
01:19:54,360 --> 01:19:57,640
what it is, who knows?
But you know, to do things like
1321
01:19:57,640 --> 01:20:00,480
that that are that ambitious,
you obviously have to have a
1322
01:20:00,480 --> 01:20:03,880
buyer.
And indeed, and you know, well
1323
01:20:03,880 --> 01:20:09,200
what happened was after COVID
for motors of course needed sure
1324
01:20:09,200 --> 01:20:12,600
thing, yeah, kind of things to
put out there.
1325
01:20:12,600 --> 01:20:14,040
They weren't in the money losing
mood.
1326
01:20:14,040 --> 01:20:18,480
They weren't in the money losing
mood so hologram hologram
1327
01:20:18,480 --> 01:20:21,040
attraction was not appealing to
them.
1328
01:20:21,280 --> 01:20:23,560
Yeah, yeah, I think it's coming
though.
1329
01:20:23,560 --> 01:20:29,480
Like, to me, the ABBA thing is a
is a big deal and the length of
1330
01:20:29,480 --> 01:20:33,560
run that it's had already and it
isn't showing any slowing down
1331
01:20:33,560 --> 01:20:40,040
here to see more of that I think
is going to be it's going to
1332
01:20:40,040 --> 01:20:41,160
happen.
Like you're going to see a
1333
01:20:41,160 --> 01:20:44,240
Beatles show at some point.
You're going to see, you know,
1334
01:20:44,560 --> 01:20:47,640
Led Zeppelin show at some point,
a Stones show at some point.
1335
01:20:47,640 --> 01:20:52,240
Because, you know, these bands
have, have fans that go for
1336
01:20:52,240 --> 01:20:55,800
decades and decades and decades
and, you know, like go to a
1337
01:20:55,800 --> 01:20:59,840
Stones or a Pink Floyd show back
in the day at least, and you'd
1338
01:20:59,840 --> 01:21:03,080
see, I, I remember, I, I saw
Pink Floyd.
1339
01:21:03,080 --> 01:21:06,440
I don't remember 90 something,
94 maybe?
1340
01:21:06,600 --> 01:21:10,080
In that was the division belt
tour that like we stagecraft
1341
01:21:10,080 --> 01:21:12,120
built it.
It was, yeah.
1342
01:21:12,360 --> 01:21:15,080
With Brickman.
Yeah, Mark and Mark.
1343
01:21:15,080 --> 01:21:19,240
Actually, I brought Mark on to
do one of our hologram tours.
1344
01:21:19,240 --> 01:21:21,000
He he was a lighting designer.
Yeah, I.
1345
01:21:21,120 --> 01:21:24,320
Love Mark.
Mark is Mark is a mad genius,
1346
01:21:24,360 --> 01:21:27,840
but he's got such a big heart
and he's such a good guy and.
1347
01:21:27,920 --> 01:21:31,720
Mad Genius is a good good
exploit.
1348
01:21:31,720 --> 01:21:32,160
He.
Is a.
1349
01:21:32,160 --> 01:21:35,720
Mad genius description.
Yeah, I mean, you know, he's,
1350
01:21:36,320 --> 01:21:39,840
he's perfect in that role.
You know, that's exactly what he
1351
01:21:39,840 --> 01:21:41,640
is.
And if you don't give him room
1352
01:21:41,640 --> 01:21:45,200
to be a mad genius, he's not
going to deliver well and he's
1353
01:21:45,200 --> 01:21:48,240
going to be very grumpy and he's
going to be a bad fit for
1354
01:21:48,240 --> 01:21:49,400
whatever you're putting him
into.
1355
01:21:49,400 --> 01:21:52,920
So if you've got a a vanilla
box, don't put Mark Brickman in
1356
01:21:52,920 --> 01:21:54,240
it.
You know he's.
1357
01:21:54,280 --> 01:21:57,480
Not going to agree he's.
Going to drive you nuts, but if
1358
01:21:57,480 --> 01:22:02,240
you've got a a box of all kinds
of different colors and styles
1359
01:22:02,240 --> 01:22:05,840
and tell you what, here's the
budget, stick within that and do
1360
01:22:05,840 --> 01:22:08,240
whatever you want.
That guy's going to create
1361
01:22:08,240 --> 01:22:11,800
something in we.
When we did the holograms, we
1362
01:22:11,880 --> 01:22:16,960
actually I was able to bring on
some really prominent designers,
1363
01:22:16,960 --> 01:22:23,440
brought Mark in to do Morea
Callus and then a a 40 some odd
1364
01:22:23,440 --> 01:22:26,480
year friend.
We were the last two people
1365
01:22:26,480 --> 01:22:29,400
hired on Boston.
Leroy Bennett.
1366
01:22:30,760 --> 01:22:32,440
I I brought him on to do with
you.
1367
01:22:32,440 --> 01:22:32,800
Wow.
Yeah.
1368
01:22:33,720 --> 01:22:36,640
And.
You must have some budgets if
1369
01:22:36,640 --> 01:22:38,480
you're bringing in Brickman and
Roy Bennett.
1370
01:22:39,000 --> 01:22:40,680
Yeah.
We, we, yeah, we did.
1371
01:22:40,680 --> 01:22:42,480
At the time we were, it was a
start up.
1372
01:22:42,480 --> 01:22:45,720
No, no, we did at the time and
that was all.
1373
01:22:45,960 --> 01:22:47,960
Then then your budgets went down
a little.
1374
01:22:48,040 --> 01:22:51,040
Yeah, yeah, yeah, it happened.
But Roy, Roy and I, you know,
1375
01:22:51,040 --> 01:22:55,480
Roy was a Rhode Islander as
well, so.
1376
01:22:55,880 --> 01:22:59,400
Yeah.
Funny story, he worked, my uncle
1377
01:22:59,400 --> 01:23:03,720
was a security guard in the mall
and Roy worked in a clothing
1378
01:23:03,720 --> 01:23:07,800
store early in his career.
And my uncle said, hey, there's
1379
01:23:07,800 --> 01:23:10,040
this guy with purple hair, you
need to meet him.
1380
01:23:10,800 --> 01:23:14,040
And I thought, this is when I
this was even before Boston.
1381
01:23:14,440 --> 01:23:19,320
Yeah.
So it was 77 maybe, and I said,
1382
01:23:19,320 --> 01:23:22,920
oh, there's someday.
And I never met him till here we
1383
01:23:22,920 --> 01:23:27,520
are in rehearsals for Boston and
here comes his purple hair
1384
01:23:27,840 --> 01:23:29,320
lighting tech.
And that's where I've been.
1385
01:23:29,720 --> 01:23:31,960
Really.
Yeah, 1978.
1386
01:23:32,320 --> 01:23:33,120
Same.
Tour with you, Yeah.
1387
01:23:33,240 --> 01:23:34,280
Yeah, it's wild.
Yeah.
1388
01:23:34,280 --> 01:23:35,920
And was that his first tour as
well?
1389
01:23:36,520 --> 01:23:40,240
I possibly, possibly, yeah, I
believe so.
1390
01:23:40,680 --> 01:23:43,800
Yeah, we were the we were the
last two guys hiring, I think.
1391
01:23:44,320 --> 01:23:46,120
Wow.
He was hired by Polical Lighting
1392
01:23:47,040 --> 01:23:49,080
and I was part of the rigging
crew, so.
1393
01:23:49,160 --> 01:23:51,440
He's certainly gone on to do
some things.
1394
01:23:51,880 --> 01:23:54,600
He continues to he's.
A beautiful career designer.
1395
01:23:54,600 --> 01:23:56,160
Yeah.
Brilliant, Brilliant, brilliant.
1396
01:23:56,360 --> 01:23:58,280
Designer and quite a fashionista
now too.
1397
01:23:58,280 --> 01:24:00,640
Yes, he is.
Yeah, always has been.
1398
01:24:00,680 --> 01:24:04,440
Yeah, yeah, he's, he's got some
interesting fashion for sure.
1399
01:24:04,720 --> 01:24:06,720
Yeah, but yeah.
But nice guy.
1400
01:24:07,200 --> 01:24:10,800
Yes, he is.
So what else was I going to ask
1401
01:24:10,800 --> 01:24:12,120
you?
I just had something all lined
1402
01:24:12,120 --> 01:24:14,680
up to ask you and I forgot oh,
what I was saying about Pink
1403
01:24:14,680 --> 01:24:17,120
Floyd earlier.
The division bell thing is I
1404
01:24:17,120 --> 01:24:23,480
remember where my seats were the
and there were a group of four
1405
01:24:23,480 --> 01:24:28,360
kids, like probably 1718 years
old in front of me. 2 girls, 2
1406
01:24:28,360 --> 01:24:31,160
guys probably on date night or
something, I don't know.
1407
01:24:31,640 --> 01:24:36,080
And they knew the words to every
single song blew my mind.
1408
01:24:36,120 --> 01:24:39,000
It blew my mind.
I was like, these songs are from
1409
01:24:39,400 --> 01:24:42,200
probably before your parents
were born, let alone you, you
1410
01:24:42,200 --> 01:24:47,160
know, And that is wild It, it
just was amazing to me and I
1411
01:24:47,160 --> 01:24:49,680
loved it.
So that's why I think the whole
1412
01:24:49,680 --> 01:24:53,360
hologram thing or whatever
technology replaces it at some
1413
01:24:53,360 --> 01:24:55,360
point.
But I think we're going to see
1414
01:24:55,360 --> 01:24:58,040
Kiss go on forever.
I think we're going to see the
1415
01:24:58,040 --> 01:25:01,280
Stones or Led Zeppelin or The
Beatles go on forever.
1416
01:25:01,280 --> 01:25:04,560
Like there's going to be a load
of these acts that people just
1417
01:25:04,560 --> 01:25:09,120
don't let disappear, you know,
and, and sort of two-dimensional
1418
01:25:09,120 --> 01:25:12,280
movies don't do them justice.
You know, you need it to be more
1419
01:25:12,280 --> 01:25:15,520
3 dimensional and more of a like
the ABBA thing, you know?
1420
01:25:16,200 --> 01:25:19,320
So I think there's going to be
some real breakthrough
1421
01:25:19,320 --> 01:25:21,240
technology in that world at some
point.
1422
01:25:22,640 --> 01:25:26,840
I couldn't agree more.
I certainly enjoyed my three
1423
01:25:26,840 --> 01:25:29,240
years of trying to get it up and
going.
1424
01:25:30,320 --> 01:25:31,240
Startups.
Are hard.
1425
01:25:31,600 --> 01:25:35,800
Startups are hard, and I give a
lot of credit to those that that
1426
01:25:36,080 --> 01:25:38,680
put their tail out on out there
to get bits I'm.
1427
01:25:38,720 --> 01:25:41,240
On like my 6th one right now.
And.
1428
01:25:41,960 --> 01:25:45,560
I've, I've just launched it and
you know, you're, you're just
1429
01:25:45,560 --> 01:25:50,320
biting your lip every day
hoping, you know, that you, you
1430
01:25:51,320 --> 01:25:53,920
run out of excuses before you
run out of money, you know?
1431
01:25:53,920 --> 01:25:56,240
Or run out.
Of run out of, you know,
1432
01:25:56,240 --> 01:25:58,520
naysayers or whatever before you
run out of money.
1433
01:25:58,520 --> 01:26:01,320
And fortunately, the one that
we've just launched, it's, it's
1434
01:26:01,520 --> 01:26:04,960
AI and it's, it's exactly what
the industry needs.
1435
01:26:04,960 --> 01:26:07,080
It's, it's built.
I'm not doing a pitch here.
1436
01:26:07,080 --> 01:26:09,680
I'm just explaining to you what
it is, but it's called gear
1437
01:26:09,680 --> 01:26:14,280
share and it's built around the
lack of available inventory in
1438
01:26:14,280 --> 01:26:18,680
our industry.
That's not a, a new problem, but
1439
01:26:19,240 --> 01:26:21,680
basically, instead of having to
sit there and go, hey, John, you
1440
01:26:21,680 --> 01:26:23,680
got any of these?
Hey, Bob, I need a hundred of
1441
01:26:23,680 --> 01:26:25,200
these.
Hey, you know, I need this, I
1442
01:26:25,200 --> 01:26:28,040
need this, I need this instead
of all of that.
1443
01:26:28,040 --> 01:26:31,120
Basically on one side we have
people uploading a huge amount
1444
01:26:31,120 --> 01:26:35,280
of inventory from all over the
world into this platform, and
1445
01:26:35,280 --> 01:26:37,440
it's always searchable and
discoverable.
1446
01:26:37,800 --> 01:26:40,680
And then anywhere on Earth,
someone can just type in that.
1447
01:26:41,000 --> 01:26:48,560
I need, you know, 400X moving
lights for these dates in this
1448
01:26:48,560 --> 01:26:50,960
general vicinity.
And it'll tell you what's
1449
01:26:50,960 --> 01:26:52,280
available everywhere in the
world.
1450
01:26:52,440 --> 01:26:57,720
And it's connecting inventories
from wherever, from whatever
1451
01:26:57,720 --> 01:26:59,840
rental software.
It's completely software
1452
01:26:59,840 --> 01:27:03,760
agnostic.
It's actually not, you know,
1453
01:27:03,760 --> 01:27:06,920
patting my own back.
It's something that the industry
1454
01:27:06,920 --> 01:27:11,760
has needed for 20 years and it's
just the technology wasn't good
1455
01:27:11,760 --> 01:27:16,560
enough to to make it seamless
and, and without friction and
1456
01:27:16,560 --> 01:27:18,480
simple to use and all of that
stuff.
1457
01:27:19,040 --> 01:27:22,080
And so, so yeah, we're, we're
pretty proud of it.
1458
01:27:22,080 --> 01:27:23,880
But you know, again, it's, it's
hard.
1459
01:27:23,880 --> 01:27:28,720
Like my budget was this and it
ended up costing about this, you
1460
01:27:28,720 --> 01:27:32,840
know, And so there's that pain
and and it was supposed to
1461
01:27:32,840 --> 01:27:35,880
launch in this period of time
and it took this period of time
1462
01:27:35,880 --> 01:27:39,400
to launch.
And so, yeah, stress of startups
1463
01:27:39,400 --> 01:27:42,040
and I keep doing it and I'm too
old to be doing startups at this
1464
01:27:42,040 --> 01:27:44,360
point.
So somebody needs to smack me in
1465
01:27:44,360 --> 01:27:48,640
the head and smart me up.
Well, we we did a restaurant
1466
01:27:48,640 --> 01:27:52,280
startup, and that's restaurant
entertainment startup.
1467
01:27:54,240 --> 01:27:56,280
I'm looking for someone to smack
me in the head.
1468
01:27:56,640 --> 01:28:00,440
Yeah, so the restaurant, is this
the 250 seat venue as well?
1469
01:28:00,440 --> 01:28:01,160
It's a.
Restaurant.
1470
01:28:01,160 --> 01:28:03,280
Yeah, it's kind of the
restaurants connected to the
1471
01:28:03,280 --> 01:28:05,880
200.
So you, you could do dinner, not
1472
01:28:05,880 --> 01:28:08,840
dinner on a show together, but
you can come into the restaurant
1473
01:28:08,840 --> 01:28:13,200
and and the nice part is, is
that the entertainment component
1474
01:28:13,920 --> 01:28:17,840
fills the restaurant.
So we we have quite a healthy
1475
01:28:18,360 --> 01:28:20,680
service on the nights that we
have shows.
1476
01:28:20,840 --> 01:28:23,840
On the nights that we don't have
shows, we're a highly regarded
1477
01:28:23,840 --> 01:28:27,040
restaurant, but we're in a
marketplace that's we kind of
1478
01:28:27,040 --> 01:28:32,320
overbuilt for I would say.
But if we can, if, if we can get
1479
01:28:32,320 --> 01:28:37,480
to that Delta, like you said,
the run out, don't run out of
1480
01:28:37,480 --> 01:28:39,360
excuses before you run out of
money.
1481
01:28:39,360 --> 01:28:42,240
It will get over the hump.
Yeah.
1482
01:28:42,560 --> 01:28:46,280
And you know what, like I think
in a situation like that, like
1483
01:28:46,720 --> 01:28:49,920
one of the things I loved about
the and I don't even know if
1484
01:28:49,920 --> 01:28:52,400
they still do it, but the House
of Blues, I know they used to do
1485
01:28:52,400 --> 01:28:57,040
the Sunday Blues brunch and or
gospel brunch.
1486
01:28:57,200 --> 01:29:00,360
It was called the Sunday Gospel
Brunch, and I don't know if
1487
01:29:00,360 --> 01:29:02,080
you've ever done it, but it's
amazing, like.
1488
01:29:02,480 --> 01:29:04,040
We did one the food.
'S good.
1489
01:29:04,080 --> 01:29:06,880
And the.
And the the Bloody Marys are
1490
01:29:06,880 --> 01:29:08,120
amazing.
Really good.
1491
01:29:08,680 --> 01:29:11,920
And the gospel acts that they
get in there are just
1492
01:29:11,920 --> 01:29:15,920
tremendously good.
And guess what?
1493
01:29:15,920 --> 01:29:19,920
You're filling a place on a
Sunday when you know you had no
1494
01:29:19,920 --> 01:29:22,320
shot at doing that in the past,
perhaps, right?
1495
01:29:22,320 --> 01:29:23,920
So just.
Weird.
1496
01:29:23,920 --> 01:29:26,640
Yeah, we did it.
We did an old school R&B brunch
1497
01:29:26,640 --> 01:29:29,920
and we did a gospel brunch and
we every now and then throw them
1498
01:29:29,920 --> 01:29:32,760
into special events because as I
said, the market, we're right
1499
01:29:32,880 --> 01:29:38,440
down in between Reno and Tahoe.
And in the summer everybody goes
1500
01:29:38,440 --> 01:29:42,200
to Tahoe.
So the Reno, Carson City market,
1501
01:29:42,200 --> 01:29:45,680
slow down.
Yeah, maybe some transient
1502
01:29:45,680 --> 01:29:46,920
stuff, but.
Yeah.
1503
01:29:47,880 --> 01:29:50,680
We're still learning.
Three years figuring it out.
1504
01:29:51,000 --> 01:29:54,080
And what about also like
corporate to get corporate
1505
01:29:54,080 --> 01:29:56,680
events in there where they've
got keynote speakers and stuff
1506
01:29:56,680 --> 01:30:00,240
like?
That Yep wait our 250 seat venue
1507
01:30:00,240 --> 01:30:03,160
is perfect for that.
It's got full audio visual
1508
01:30:03,160 --> 01:30:08,000
support with large screen stuff
and multiple televisions and.
1509
01:30:08,680 --> 01:30:12,320
So create a package with like a
a couple of local hotels or
1510
01:30:12,320 --> 01:30:13,800
something.
And where exactly?
1511
01:30:13,840 --> 01:30:16,360
You put a package together and
then just start marketing it out
1512
01:30:16,360 --> 01:30:19,840
to every company out there
saying, you know, beautiful
1513
01:30:19,840 --> 01:30:23,560
destination venue, half hour
from the airport, blah blah
1514
01:30:23,600 --> 01:30:27,920
blah. 60% cheaper than doing it
in Vegas or Reno.
1515
01:30:28,160 --> 01:30:30,440
Sure.
You know, like that kind of
1516
01:30:30,440 --> 01:30:32,200
thing might work.
Exactly.
1517
01:30:32,200 --> 01:30:33,960
You got your marketing chops
going then.
1518
01:30:34,280 --> 01:30:37,360
I, it's, I can't help it.
Like people come to me with
1519
01:30:37,360 --> 01:30:40,960
business problems and instantly
I throw 20 ideas at them and
1520
01:30:40,960 --> 01:30:42,120
they're like, I never thought of
that.
1521
01:30:42,120 --> 01:30:44,600
I never thought of that one.
I never thought of that one, you
1522
01:30:44,600 --> 01:30:45,400
know.
It's a great mind.
1523
01:30:45,400 --> 01:30:46,960
It's.
Just how my brain works.
1524
01:30:47,600 --> 01:30:51,000
When you try to do them all
yourself, though, tackle them
1525
01:30:51,000 --> 01:30:56,160
all on your own, it becomes a
miserable life, you know,
1526
01:30:56,160 --> 01:30:59,320
because you're just endlessly
thinking and building and
1527
01:30:59,320 --> 01:31:02,320
creating and La, La, la, you
never get to actually just sit
1528
01:31:02,320 --> 01:31:06,480
back and spend the the fruits
that that it's bringing you.
1529
01:31:06,920 --> 01:31:07,600
Yeah.
So.
1530
01:31:08,960 --> 01:31:12,640
Well, did I miss anything?
Have we missed?
1531
01:31:13,280 --> 01:31:18,640
No, I think that's I kind of
touched on 47 years of all kinds
1532
01:31:18,640 --> 01:31:21,720
of things and I think.
You've done more than the
1533
01:31:21,720 --> 01:31:25,240
average production manager,
stage manager, tour manager.
1534
01:31:25,520 --> 01:31:31,280
I think the business what what
what I like to think about is
1535
01:31:32,320 --> 01:31:38,360
the fact that I was fortunate to
be in family business, nowhere
1536
01:31:38,360 --> 01:31:41,760
to nowhere to keep an eye on
costs.
1537
01:31:41,840 --> 01:31:44,920
And that kind of thing is made
me somewhat valuable to an
1538
01:31:44,920 --> 01:31:48,800
artist, especially an artist
that's, you know, on the tail
1539
01:31:48,800 --> 01:31:51,840
end of their career where, you
know, the paydays aren't as what
1540
01:31:51,840 --> 01:31:53,960
they used to be.
The cost of touring is where it
1541
01:31:53,960 --> 01:31:57,360
is.
So the ability to manage, you
1542
01:31:57,360 --> 01:32:02,080
know, be fiscally responsible
and not just hey, we need
1543
01:32:02,080 --> 01:32:06,200
another truck or we need another
this or we need another guy or
1544
01:32:06,200 --> 01:32:10,680
another person on tour.
You just start getting so that
1545
01:32:10,680 --> 01:32:12,760
that fiscal responsibility, I
think yeah, I.
1546
01:32:12,920 --> 01:32:16,120
Mean, I think the production
managers and tour managers who
1547
01:32:16,120 --> 01:32:20,320
have business minds are, are
extremely crucial to this
1548
01:32:20,320 --> 01:32:23,480
industry right now.
Speaking of that, like, you
1549
01:32:23,480 --> 01:32:26,400
know, there's all kinds of
problems to the sustainability
1550
01:32:26,400 --> 01:32:29,360
of this industry as a whole, you
know, and we keep figuring it
1551
01:32:29,360 --> 01:32:32,280
out along the way.
So I'm not this isn't a doomsday
1552
01:32:32,280 --> 01:32:35,240
speech or anything, but like
even one of the things I
1553
01:32:35,240 --> 01:32:37,880
mentioned in the intro, which
you won't hear until you go back
1554
01:32:37,880 --> 01:32:40,920
to listen to this.
But in the intro, I mentioned
1555
01:32:40,920 --> 01:32:43,760
the Charlie Kirk thing, not
because of any kind of politics
1556
01:32:43,760 --> 01:32:46,320
or anything, because I don't
give a damn what side anybody's
1557
01:32:46,320 --> 01:32:49,120
on.
But as it relates to our
1558
01:32:49,120 --> 01:32:52,200
industry, Are we going to start
seeing, you know, Keith Urban
1559
01:32:52,200 --> 01:32:57,560
playing behind a, you know,
plexiglass box, you know, or,
1560
01:32:57,560 --> 01:33:01,200
or, you know, Taylor Swift
walking with a Dome over her,
1561
01:33:01,560 --> 01:33:03,720
you know, as she goes out the
ramps and stuff?
1562
01:33:03,720 --> 01:33:07,200
Or, you know, like, are we going
to need to start really worrying
1563
01:33:07,200 --> 01:33:10,920
about protecting artists,
especially artists like a Kid
1564
01:33:10,920 --> 01:33:15,680
Rock who have taken a side.
Yeah, or a Beyoncé who maybe has
1565
01:33:15,680 --> 01:33:19,120
taken the other side and then
getting crazy, these crazy
1566
01:33:19,120 --> 01:33:22,800
people with guns who who decide
I don't like your views and
1567
01:33:22,800 --> 01:33:28,000
therefore I'm going to become a
martyr and and shoot you and or
1568
01:33:28,000 --> 01:33:31,000
a hero to my crowd and shoot
you.
1569
01:33:31,280 --> 01:33:35,760
So you know, again, I'm not
trying to be dark, but it's one
1570
01:33:35,760 --> 01:33:36,800
of the thoughts that
immediately.
1571
01:33:36,800 --> 01:33:38,360
No, I don't think it's dark at
all.
1572
01:33:38,360 --> 01:33:44,600
I think it's practical.
I mean a few years ago Peters
1573
01:33:44,600 --> 01:33:49,440
management company who have a
big roster of artists did this
1574
01:33:49,840 --> 01:33:54,960
phone in seminar for all the
tour and production managers and
1575
01:33:54,960 --> 01:34:02,040
they had some security high kind
of high-ranking security people
1576
01:34:02,040 --> 01:34:07,320
that were consultants to special
events and political events and
1577
01:34:07,320 --> 01:34:10,880
all that.
And this was right after there's
1578
01:34:10,880 --> 01:34:14,800
a young that, that explosion
with Ariana, I think it was.
1579
01:34:16,880 --> 01:34:21,880
So there was maybe 200 people on
the on the call listening to
1580
01:34:21,880 --> 01:34:24,400
this.
And the kind of things that we
1581
01:34:24,400 --> 01:34:28,560
were made aware of that we took
for granted, for instance, LED
1582
01:34:28,560 --> 01:34:34,000
in a meet and greet, allowing
people to carry Sharpies into
1583
01:34:34,000 --> 01:34:37,840
the meet and greet their own
Sharpie pets because it was
1584
01:34:37,840 --> 01:34:40,640
discovered that they were taking
the felt out and putting razor
1585
01:34:40,640 --> 01:34:43,800
blades in the sharpies.
Jesus, never.
1586
01:34:44,280 --> 01:34:51,080
I don't have a I'm a pretty
aware of my surroundings guy
1587
01:34:53,000 --> 01:34:55,320
taught my kids.
Never thought of that one.
1588
01:34:56,560 --> 01:35:01,080
I have a little bit of a
background in martial arts that
1589
01:35:01,080 --> 01:35:05,000
I that I don't practice the way
I used to.
1590
01:35:05,520 --> 01:35:08,480
So it makes me a little bit more
conscious of my surroundings.
1591
01:35:08,600 --> 01:35:13,200
But what we learned was in a
case where someone wants to get
1592
01:35:13,200 --> 01:35:16,480
to somebody in a, in a public
assembly, they're going.
1593
01:35:16,920 --> 01:35:22,000
So all your role becomes at that
point is to minimize, not not
1594
01:35:22,000 --> 01:35:25,240
prevent.
I had a guy on my podcast at one
1595
01:35:25,240 --> 01:35:28,000
time, British guy, and I can't
remember his name right now, but
1596
01:35:28,680 --> 01:35:32,640
he was a safety expert.
That was a consultant hired by
1597
01:35:32,720 --> 01:35:37,080
whether it was tours or public
events or companies or whatever
1598
01:35:37,680 --> 01:35:43,000
based on show security, you
know, and he started hitting me
1599
01:35:43,000 --> 01:35:46,640
with some potential hazards and
I was just blown away.
1600
01:35:46,640 --> 01:35:48,960
Like it made me never want to go
to a show again.
1601
01:35:48,960 --> 01:35:50,280
You know, I was like I.
Don't want to be in?
1602
01:35:50,280 --> 01:35:52,560
A crowd, you know?
Hell no when you're telling me
1603
01:35:52,560 --> 01:35:54,280
all that stuff.
I don't want to be in a crowd.
1604
01:35:54,800 --> 01:35:56,400
And yeah, it's just stuff that
you didn't.
1605
01:35:56,400 --> 01:36:00,200
Think of, you know, like crazy
stuff and you can't get rid of
1606
01:36:00,200 --> 01:36:02,960
it by just getting rid of guns
or by just getting rid of, you
1607
01:36:02,960 --> 01:36:05,360
know, missile launchers or by
just getting rid of.
1608
01:36:05,640 --> 01:36:10,040
Because like I remember right
after 911, I was in London when
1609
01:36:10,040 --> 01:36:14,880
it happened and I was getting on
a plane and they gave us in
1610
01:36:14,880 --> 01:36:17,640
first class 'cause I got
upgraded, they gave us plastic
1611
01:36:17,840 --> 01:36:22,040
Ware on the plane, which they
continued to do in first class
1612
01:36:22,040 --> 01:36:24,960
for a long time.
I think they now use metal if I
1613
01:36:24,960 --> 01:36:29,000
remember correctly.
But I remember just thinking how
1614
01:36:29,000 --> 01:36:33,080
stupid it was, and I said it to
the guy next to me and he said,
1615
01:36:33,080 --> 01:36:34,680
well, why?
They're just trying to keep you
1616
01:36:34,680 --> 01:36:37,360
from killing people.
And I said I have a black
1617
01:36:37,360 --> 01:36:40,040
American Express card in my
wallet right now.
1618
01:36:40,440 --> 01:36:43,840
That'll slice somebody.
Sharpen the edge and it'd be
1619
01:36:43,840 --> 01:36:46,440
worse than a box cutter, because
on a box cutter you'll break the
1620
01:36:46,440 --> 01:36:49,120
blade.
On a titanium American Express
1621
01:36:49,120 --> 01:36:50,720
card, you're not going to break
it.
1622
01:36:51,040 --> 01:36:54,800
And so I could slice him and him
and him and him and him, and the
1623
01:36:54,800 --> 01:36:57,240
blade's still good and it's
still sharp and everything's
1624
01:36:57,240 --> 01:37:01,160
good, right?
So like we, we make people take
1625
01:37:01,160 --> 01:37:05,000
off their shoes for years, but
other things will always get by.
1626
01:37:05,000 --> 01:37:08,040
Like we'll for bad people always
find a way.
1627
01:37:08,600 --> 01:37:11,080
Absolutely.
And that that was essentially
1628
01:37:11,120 --> 01:37:16,640
the, the whole moral of
awareness is, is minimizing.
1629
01:37:17,320 --> 01:37:19,880
You could take all these
precautions which you should
1630
01:37:20,200 --> 01:37:25,680
shouldn't let your guard down.
But you're, you know, they used
1631
01:37:25,680 --> 01:37:27,960
an example.
You remember when President
1632
01:37:27,960 --> 01:37:38,080
Reagan was shot was that 198182
the, the civil service officers
1633
01:37:38,520 --> 01:37:45,000
immediately raised their guns
and were, you know, kind of
1634
01:37:45,320 --> 01:37:49,680
looking at their surroundings.
It's been determined now that
1635
01:37:49,680 --> 01:37:54,240
the last thing you do is take
out anything that makes you a
1636
01:37:54,240 --> 01:37:59,240
visible target in a in a large
crowd like that, all of a sudden
1637
01:37:59,240 --> 01:38:02,600
you pull your guns and you're
protecting one person, and now
1638
01:38:02,600 --> 01:38:04,160
you've become a target because
you're.
1639
01:38:04,720 --> 01:38:05,160
Getting.
Shot.
1640
01:38:05,160 --> 01:38:08,400
You're getting shot at, so it
was just an interesting concept
1641
01:38:08,400 --> 01:38:14,080
as to what steps are taken to
minimize stuff as opposed to
1642
01:38:14,560 --> 01:38:17,200
prevent.
Because you're not you, it's
1643
01:38:17,240 --> 01:38:20,640
unlikely you will.
He's successful at 100%
1644
01:38:20,640 --> 01:38:23,080
preventing.
Yeah, well, I was just again
1645
01:38:23,080 --> 01:38:25,000
thinking about the Charlie Kirk
thing.
1646
01:38:25,000 --> 01:38:28,480
And what what made me think
about it is I saw a couple days
1647
01:38:28,480 --> 01:38:34,560
later Trump doing a speech and
he had a a flexi bulletproof
1648
01:38:34,560 --> 01:38:37,080
plexi or whatever it is, box
around him.
1649
01:38:37,760 --> 01:38:42,560
And that's OK when you got a
president or somebody up doing a
1650
01:38:42,560 --> 01:38:45,200
speech or a Pope or somebody
like that who really is a
1651
01:38:45,200 --> 01:38:49,720
massive target.
But what about Keith Urban or
1652
01:38:49,720 --> 01:38:54,720
what about Beyoncé or what about
whoever, you know, is that our
1653
01:38:54,720 --> 01:38:56,520
future?
Like, are we going to get to a
1654
01:38:56,520 --> 01:39:03,280
point where, you know, any high
profile person is no longer able
1655
01:39:03,280 --> 01:39:07,320
to drive down the road in a car
with regular windows anymore or
1656
01:39:07,560 --> 01:39:09,680
be on a stage without some sort
of protection?
1657
01:39:09,680 --> 01:39:12,440
And what does that look like?
How do you get lights, you know,
1658
01:39:12,440 --> 01:39:15,680
doing a look on a stage when
there's all this plexi and stuff
1659
01:39:15,680 --> 01:39:18,400
like, I don't know why my mind
went there, but it did.
1660
01:39:19,000 --> 01:39:21,560
Yeah, I get it.
And but take take a stadium show
1661
01:39:21,560 --> 01:39:26,080
like like Taylor Swift's The
Sphere, another one.
1662
01:39:27,200 --> 01:39:32,680
Your ability to see the artist
close up and personal is is
1663
01:39:32,680 --> 01:39:36,840
diminishing.
I mean, and Taylor Swift's show,
1664
01:39:36,840 --> 01:39:39,880
I did not go to it.
I had some of my nieces went to
1665
01:39:39,880 --> 01:39:43,880
it, said yeah, you could barely
see her with all the flash and
1666
01:39:43,880 --> 01:39:47,680
trash going on.
It's if without the big screen.
1667
01:39:47,680 --> 01:39:51,160
So why not?
Why not teleport her?
1668
01:39:51,880 --> 01:39:53,480
Why not put her in a safe
environment?
1669
01:39:53,480 --> 01:39:56,720
Teleport her on big screens.
What's you know?
1670
01:39:57,640 --> 01:40:03,040
Yeah, or, or just even.
Play video you know have
1671
01:40:03,040 --> 01:40:05,160
incredible.
Essentially, screens have
1672
01:40:05,160 --> 01:40:08,000
incredible.
Video, just like EDM festivals,
1673
01:40:08,120 --> 01:40:11,200
you know what I mean?
Like does an EDM festival at
1674
01:40:11,200 --> 01:40:15,320
some point know whether Tiesto's
on the stage or somewhere
1675
01:40:15,320 --> 01:40:18,520
sitting in a bus, you know, not
far from here or whatever?
1676
01:40:18,520 --> 01:40:21,240
Like I just, I think we're going
to see more and we're going to
1677
01:40:21,240 --> 01:40:24,360
see remote artists, you know, is
probably where it's going to end
1678
01:40:24,360 --> 01:40:27,280
up.
And the show will be for people
1679
01:40:27,280 --> 01:40:30,080
who want to be together
celebrating that artist.
1680
01:40:30,360 --> 01:40:31,880
But the artist isn't actually
there.
1681
01:40:31,880 --> 01:40:35,120
The artist is piped in live, but
they're not actually there live.
1682
01:40:35,120 --> 01:40:36,720
So maybe that's where it's
going.
1683
01:40:36,720 --> 01:40:37,960
I don't know.
I don't know.
1684
01:40:38,280 --> 01:40:41,000
I'm not the audience,
fortunately, I'm not the, I'm
1685
01:40:41,000 --> 01:40:44,080
not the customer.
I'm not the target customer for
1686
01:40:44,080 --> 01:40:46,080
that product.
So yeah, no am I?
1687
01:40:46,200 --> 01:40:48,800
Yeah.
So when, when does when do you
1688
01:40:48,800 --> 01:40:54,960
go back out with Peter?
We have a private in Los Angeles
1689
01:40:55,000 --> 01:41:03,560
next week with The Who Doobie
Brothers, John Fogerty, Chief
1690
01:41:03,560 --> 01:41:05,480
Trick and Def Leppard.
It's a.
1691
01:41:05,720 --> 01:41:07,960
White guy's birthday party.
It's a.
1692
01:41:07,960 --> 01:41:11,600
It's a.
It's not a birthday party, it's
1693
01:41:11,600 --> 01:41:14,160
a fundraiser for teen mental
health awareness.
1694
01:41:14,160 --> 01:41:17,000
It's a great 'cause that's very
good cause, yeah, but a similar
1695
01:41:17,000 --> 01:41:19,720
it's somebody's backyard,
basically a big giant backyard.
1696
01:41:19,720 --> 01:41:21,440
Although that they're raising
money as opposed.
1697
01:41:21,440 --> 01:41:24,920
To and then we we silicon.
Valley billionaires or
1698
01:41:24,920 --> 01:41:25,680
something?
Yeah.
1699
01:41:25,960 --> 01:41:33,360
And then we do a nine dates
beginning October 17th starting
1700
01:41:33,360 --> 01:41:34,840
in New Orleans.
Oh cool.
1701
01:41:35,120 --> 01:41:35,480
Fun.
Yeah.
1702
01:41:35,480 --> 01:41:38,640
So.
So yeah, nine dates before the
1703
01:41:38,640 --> 01:41:40,080
holidays.
Fun.
1704
01:41:40,320 --> 01:41:42,960
Yeah, keeps him out there.
Yeah, good.
1705
01:41:42,960 --> 01:41:44,840
Well, you enjoy it and I I look
forward to.
1706
01:41:45,000 --> 01:41:46,680
Meeting you, Marcel.
Yeah.
1707
01:41:46,680 --> 01:41:49,680
I look forward to it.
So that's what December 6th is
1708
01:41:49,680 --> 01:41:51,920
that it is.
Is that our targeted date?
1709
01:41:51,920 --> 01:41:53,680
Yeah, yeah, yeah.
Great.
1710
01:41:54,080 --> 01:41:57,960
The geezer dining with dining
with dinosaurs, you know.
1711
01:41:58,000 --> 01:42:01,840
It's funny because when we came
up with it, it, it was a concern
1712
01:42:01,840 --> 01:42:05,680
for me that people were going to
be offended to be called
1713
01:42:05,680 --> 01:42:09,560
dinosaurs, but even the women we
call dinosaurs.
1714
01:42:09,560 --> 01:42:12,600
So I was like, OK, we got away
with it with a few men, but now
1715
01:42:12,600 --> 01:42:16,200
I'm going to invite Patty
Thurston to come or, you know,
1716
01:42:16,200 --> 01:42:19,000
whoever to come.
And we were saying, hey, I want
1717
01:42:19,000 --> 01:42:21,560
you to be a dinosaur at this
thing called Dining with
1718
01:42:21,560 --> 01:42:23,320
Dinosaurs.
And they loved it.
1719
01:42:23,320 --> 01:42:26,760
Everyone laughed and thought it
was great and, and just loved
1720
01:42:26,760 --> 01:42:29,200
the whole concept and stuff.
And again, it's transferring
1721
01:42:29,640 --> 01:42:35,000
knowledge and information and
ideas from us to, to, you know,
1722
01:42:35,000 --> 01:42:37,560
these new people who were
handing, handing the torches to.
1723
01:42:37,840 --> 01:42:40,760
Yeah.
And it's so important so.
1724
01:42:40,760 --> 01:42:42,600
Well, I'm thrilled to be a part
of it.
1725
01:42:42,600 --> 01:42:44,960
And Scott DeVos, who is our
common.
1726
01:42:45,120 --> 01:42:49,040
Yeah, yeah, I think Scott, Scott
connected me and perfect.
1727
01:42:49,200 --> 01:42:51,360
Well, we look forward to it.
All right.
1728
01:42:51,360 --> 01:42:52,880
Thanks again and thanks for
doing this too.
1729
01:42:53,400 --> 01:42:55,760
Thanks and we'll see you soon
all.
1730
01:42:55,960 --> 01:42:56,360
Right, John.