#233 - Josh Allen / 3LR Design

Josh Allen has been actively contributing to the lighting industry for more than thirty years. He held the position of principal consultant with Theatre Consultants Collaborative (TCC), where for over a decade, as member of the American Society of Theatre Consultants (ASTC), he consulted on the design of hundreds of performing arts venues throughout the United States, Canada, and beyond.
In 2016, Josh co-founded 3LR Design, Inc. His projects range from ship-wide lighting and controls systems designs for Carnival Cruise Lines and Viking River Cruises, and multitudes of professional and educational facilities, performing arts and sporting venues, houses of worship, television and broadcast studios, and museums, to provide the lighting specifications documentation for the new MGM Las Vegas Sphere - and everything in between.
This episode is brought to you by Stratum Productions and Roe Visual.
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Hello and thank you for joining
me today live for the intro and
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promos for Geezers of Gear
Episode #233.
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this episode is also brought to
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Hello and welcome back, episode
#233.
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And so it's been a morning, and
I will tell you I've been
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determined and praying that I
wouldn't screw up one of these
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live intros.
And I just did with Roe, of
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course, our newest sponsor.
So I apologize that I had a
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little brain freeze there, but
yeah, rower amazing.
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We're super happy to have him on
board.
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Obviously you know, leading the
LED screen, LED panel charge for
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years now.
And Frank Montero who runs the
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US side of that business is a
great friend of mine for a long,
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long time.
We appreciate them very much.
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We appreciate obviously them
sponsoring the podcast, but we
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appreciate the brand as well.
They're just a great product,
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great line and so we're happy to
have them on board.
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Speaking of sponsors, I also
want to mention our new newest
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sponsor who just got signed up.
I believe they'll be sponsoring
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an episode in the next week or
so and that is RZARRZI Lighting
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from New Orleans.
Not only great sponsor, but
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great company, Ray's Ray's
company, Ray Ziegler's company,
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RZI is the premier lighting and
staging and rigging company in
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New Orleans.
Trusted local source for 25
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years and raised a guy I've also
known for a lot of years.
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Done a lot of business with.
We spent a lot of time together
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on zoom calls and stuff during
COVID and honestly, sadly, like
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most people we haven't since.
So it's going to be fun to catch
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up with Ray.
Hopefully we'll get him on the
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podcast soon and just talk about
his business, how it's changed
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and evolved and you know, like
usual talk about how he got into
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the business and stuff.
So today's guest Josh Allen has
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been actively contributing to
the lighting industry for more
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than 30 years.
He held the position of
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Principal Consultant with
Theatre Consultants
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Collaborative, where for over a
decade, as member of the
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American Society of Theatre
Consultants, he consulted on the
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design of hundreds of performing
arts venues throughout the
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United States, Canada and
beyond.
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In 2016, Josh Co founded 3 LR
Design, Inc, a firm specializing
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in cohesive design, rigging,
rigging, design and control
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systems, entertainment for
entertainment, themed
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environments, cruise ships,
architectural, immersive and
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architectainment lighting.
That's a lot.
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His projects ranged from ship
wide lighting and control system
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designed for Carnival Cruise
Lines and Viking River cruises
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and multitudes of professional
and educational facilities,
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performing arts and sporting
venues, houses of worship,
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television and broadcast studios
and museums to provide the
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lighting specification
documentation for the new MGM
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Las Vegas sphere and everything
in between.
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Wow, that's a lot to talk about.
This is not gonna be a short
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episode, so please, let's
welcome.
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Actually, let's say goodbye to
live and let's say hello to
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Josh.
Hey, Josh.
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Hey, hey, Marissa, how, how's it
going?
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That was pretty anti climactic
cuz I counted you down and then
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just went, hey Josh.
Hey, I'm good.
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How are you today?
I'm good.
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I'm sitting here in Bonnie
Bonnie Scotland, but it is the
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weather is not so Bonnie today
so it's the heck are you doing
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which is Scotland.
So I actually live here most of
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the year and yeah, and I'm back
and forth to the States.
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So you know we're we're
recording this at 2:00 in the
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afternoon my time.
So what you're Are you on the
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East Coast?
I'm on the East Coast.
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Yeah.
Yeah.
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You're on the East Coast.
That's right.
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So it's, it's 1111 for you now,
Is that right?
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Yeah.
Yeah, we had, we had somebody on
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last week who was in I think
Austria and you know we were
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recording same time 10.
No, it's 10 right now, sorry.
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So we.
Were recording.
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At 10:00 in the morning, my
time.
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And he had a nice glass of white
wine that he was sipping the
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whole time.
And I'm like, you know, I feel
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like I should be day drinking,
you know, Like I should be
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morning drinking with you, you
know, so.
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Yeah.
But I I do that all the time.
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But I mean the the, the toughest
part of it all is that you know
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we have projects on the West
Coast of America, we have
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projects in Europe.
So sort of kind of dividing
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those time zones and trying to
figure out where everybody is at
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a certain time and there's
oftentimes this little window of
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of hours in a day where we can
all kind of come together.
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So it's it's we're used to it.
I had no idea you were were.
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Not in the US And So what got
you over there, I'm guessing?
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Oh gosh.
Something to do with a partner
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mate.
No, my my wife's actually a
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screenwriter.
But what got me here, I guess
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it's it's kind of a long,
convoluted story.
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We we've been doing projects
here for, you know, the good
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part of a decade and in some way
or another I started started 3
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LR design in 2016, which was a
kernel of an idea that came from
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my my dear friend Matt Lloyd who
was the founder of GDS back in
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the day and then sold GDS to
ETC.
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But we had a lot of different
projects going on.
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So we have, you know a number of
projects in the cruise industry.
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Of course the ships are built in
Germany and and France and Italy
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and Spain, so this this made for
a much easier spot for hopping
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off to to get to those projects
as well as the.
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European project out of Italy
or?
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Spain.
Well or France?
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Well, actually we.
So maybe six or seven years ago
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I did some ancestry.
Some ancestry.
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What What research, I suppose.
Did a little archaeology into my
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family's history and dug up
quite a bit of information that
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I'm my family actually comes
from Cornwall in England.
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And oddly enough, we start
looking online, getting into a
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little bit more and we find out
that the home that my 12th great
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grandfather built was actually
for sale in in Cornwall.
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And it was built in 1637.
So of course it was
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astronomical.
It was like this estate in
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Cornwall and Cornwall is not an
inexpensive place to be.
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So we go to Cornwall and we go
and we see it.
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And the company, a company
bought it that runs a boutique
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hotel called the Pig.
And they were turning it into
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this boutique hotel.
And I asked could we go and walk
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through.
They said no health and safety
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all of those things.
So we we met up with the foreman
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there and he said tell you what
come back on the weekend, I'll
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walk you through the sights of
we went into that.
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So there's a lot of family
history in the UK and if we Fast
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forward a bit we thought, OK, as
we move three LR design over to
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the UK kind of as a home base.
We initially thought let's let's
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do that in England.
Matt's in England And then my
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son said hey dad, I'm looking at
universities in Scotland and he
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said I'm, I'm looking at
University of Saint Andrews.
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And we had come to Scotland
numerous times and we loved it,
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loved it, especially on the East
Snoop of Fife.
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And basically he made a decision
to go to school here.
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And we thought, well, let's be
somewhere that maybe we can take
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him out for a meal once in a
while pretty easily.
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Or you know, if he wants to come
home and do laundry on a
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weekend, we're we're close
enough that he can do that.
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Let him live his own life.
But you don't want.
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To be on the top of him, but you
want to be.
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Close exactly you can see.
Him every week, yeah.
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That's cool.
Exactly, exactly.
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So, So yeah, we we see him
probably over a couple of weeks
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and I think that was the sort of
the final decision bringing us
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to Scotland rather than than
down in England, but.
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My so I told you earlier my
son's a racing driver and and he
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raced all year last year in
England and for part of the year
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he raced for a Scottish team and
I can't remember what town
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they're from or anything but and
I can't remember the name of the
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town that he ended up in.
But Jeremy went they do you know
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who Jim Clark is?
Was He's dead now, But Jim
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Clark?
Just like the name sounds for.
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Me, I think he was either.
He was like one of the very
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early champions of Formula One
and Scottish guy and so every
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year they do the anniversary of
him winning the Formula One
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championship in his town that he
grew up in, which I could tell
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you later I forget what it is.
But he so they they were doing
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the 50th anniversary last year.
And so they invited my son to
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come bring his car there, his
race car, and sit under a booth,
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a tent thing, and answer
questions, take pictures with
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people and stuff.
What a cool event.
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And to see the trucks, It was in
front of a castle and the trucks
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couldn't get to the castle to
unload the cars.
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So he had to drive his car
through the streets of this
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little village to get to where
the truck could park, right.
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And so, you know, just waving at
people.
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Hi, how you doing?
How you doing in a formula race
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car?
Driving down the streets of of
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Scotland, right?
So that's really cool
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experience.
Yeah, that's really cool.
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How?
How exciting.
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So so.
For yeah, it's a cool.
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It's a great place to be 8
years.
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Now you've been in.
I mean, other than the weather,
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the weather sucks.
Well, you know, it's on where we
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are.
We're on the east nook of Fife,
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so it's just the little
peninsula north of Edinburgh.
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And it's almost like a
microclimate.
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So, you know, it'll be raining
over the hill, past Saint
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Andrews and on toward Dundee and
all of that.
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And it'll be sunny over here and
it'll be, you know, I'm doing
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math in degrees, you know,
Fahrenheit versus Celsius here.
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But it's, you know, we're always
a few seems like a few degrees
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warmer Celsius, maybe 1010°
warmer Fahrenheit than than they
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are just, you know, 10 miles
down the road.
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So it's How long did somebody
take you?
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Learning metric did.
That take you a while.
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Well we've we've we've only been
here officially full time for
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about a year and a half.
So we we were kind of back and
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forth a a bit before that but we
finally bought a place here
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about a year and a half ago and
I'll tell you where it still
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gets me is I I go to the gym
quite a bit.
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00:13:34,360 --> 00:13:38,960
So I'm a I'm a CrossFit Masters
athlete and that's a whole other
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00:13:38,960 --> 00:13:44,880
podcast I can talk to you about.
But doing metric measurements in
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weight is always something for
me.
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00:13:47,520 --> 00:13:51,360
That and it was a quick quick
learning because it's it's 2.2
221
00:13:52,080 --> 00:13:56,120
kilograms per pound pounds per
sorry, pounds per kilogram.
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00:13:56,160 --> 00:13:57,360
Yes, see I'm already doing the
math.
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00:13:57,360 --> 00:14:00,360
Well, I'm and.
I'm Canadian and and I'm of an
224
00:14:00,400 --> 00:14:04,280
age where I was in like the 6th
grade I think when Canada
225
00:14:04,280 --> 00:14:07,840
switched over to metric.
So I knew both and I also
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00:14:07,840 --> 00:14:10,800
learned the conversions in
school, so I learned it all
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00:14:10,800 --> 00:14:12,520
properly.
So for me, it's always been
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00:14:12,520 --> 00:14:14,360
second nature.
Like you could tell me in miles
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or kilometers and I'll know
exactly what you're saying.
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Right.
Well, I, I, I think they should
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teach this to every American.
I mean because it it it's
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00:14:21,640 --> 00:14:25,240
extremely useful any anywhere
else you go in the world it's
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extremely useful and all this
back and forth stuff.
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00:14:28,160 --> 00:14:30,920
So I'm constantly doing doing
that kind of math, you know,
235
00:14:31,640 --> 00:14:35,720
really quickly I learned to to
do that conversion when I went
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and loaded up a bar for a back
squat with a bunch of with a
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00:14:40,480 --> 00:14:44,440
bunch of weights on it and
thinking in pounds and stood up
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00:14:44,440 --> 00:14:47,200
off the rack and quickly
realized it was it was kilos so.
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00:14:48,400 --> 00:14:51,360
I made a mistake here, yeah.
Exactly.
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00:14:51,480 --> 00:14:53,960
Well, you're becoming 2.2 times
as strong then.
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00:14:54,880 --> 00:14:55,840
That's it.
That's it.
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00:14:56,040 --> 00:14:57,400
Yeah.
That that's the good news.
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Well, that's really cool.
I I I like that.
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00:15:00,280 --> 00:15:04,000
So obviously your family back
here, do they come visit you or
245
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anything?
Like are they like cool Josh
246
00:15:06,040 --> 00:15:08,040
lives in Scotland.
We're going to go over there all
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00:15:08,040 --> 00:15:09,280
the time.
I know.
248
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Yeah, they do.
And they.
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Never do it.
Family, family and friends.
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My my brother who I'm probably
closest with still has not been
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over.
Had had mom over last year.
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She enjoyed that and she's
getting up there in age, so it's
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it was a hard trip on her, but
it was good for her to do that.
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And my my wife's family the
same.
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00:15:28,680 --> 00:15:30,160
Of course.
We had a lot of friends saying
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00:15:30,160 --> 00:15:32,040
hey, you're in Scotland now, I'm
going to come over.
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00:15:32,600 --> 00:15:35,520
Seems like everyone wants to
come over in August, which is in
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00:15:35,520 --> 00:15:38,480
Edinburgh, the time to be here.
You know, we've got Fringe
259
00:15:38,480 --> 00:15:42,040
Festival going on and the tattoo
and everything else, so yeah.
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Yeah.
My son, the doors always open.
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00:15:44,280 --> 00:15:46,800
My son got a whole bunch of
pictures at the castle, the
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00:15:46,840 --> 00:15:50,920
Edinburgh Castle, and thought it
was pretty cool and stuff.
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00:15:50,920 --> 00:15:53,880
He, he, he had fun being a
tourist there for a few days.
264
00:15:54,360 --> 00:15:59,040
But yeah, you know, when I moved
from Calgary, Canada to South
265
00:15:59,040 --> 00:16:02,400
Florida, similar, you know, like
for the first year or two,
266
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because it was Florida and
because Canada's so damn cold,
267
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you know, I'd get some visitors
in the winter and then even that
268
00:16:10,120 --> 00:16:11,560
mellowed out because it's a long
trip.
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00:16:11,560 --> 00:16:14,480
It's it's almost like going to
Scotland, you know, from
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00:16:14,480 --> 00:16:15,480
Calgary, Canada.
Right.
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00:16:16,200 --> 00:16:18,960
You can't really get a direct
flight so it ends up being an 8
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or 9 hour day of flying and and
so yeah, I don't get a ton of
273
00:16:23,800 --> 00:16:25,600
visitors and now I go back and
forth.
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00:16:25,600 --> 00:16:29,200
I have I have a place in the
mountains in Canada that I spend
275
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the the warm half of the year
and then come back down to
276
00:16:32,920 --> 00:16:35,280
Florida.
So I guess I'm truly a snowbird
277
00:16:35,280 --> 00:16:38,200
now.
Or whatever they call them these
278
00:16:38,200 --> 00:16:40,800
days, the kids these days.
So.
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00:16:40,920 --> 00:16:43,360
These days.
We got a lot of stuff to talk
280
00:16:43,360 --> 00:16:44,600
about, I you know.
I Oh, yeah.
281
00:16:45,080 --> 00:16:48,440
I don't know if you've heard any
of our podcasts, but I like to
282
00:16:48,440 --> 00:16:52,400
find out how people get into
this, this crazy industry of
283
00:16:52,400 --> 00:16:54,240
ours.
And you might be young enough
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00:16:54,240 --> 00:16:58,720
where you actually came in with
a legitimate, you know, college
285
00:16:58,720 --> 00:17:01,760
degree and stuff like that,
versus so many people who came
286
00:17:01,760 --> 00:17:03,840
in by accident.
How?
287
00:17:04,040 --> 00:17:07,520
How did that happen for you?
Let's see.
288
00:17:07,520 --> 00:17:10,599
Well, well, I am in my 50s, so
that does qualify me as a geezer
289
00:17:10,599 --> 00:17:12,160
now, I think.
I think these days you look.
290
00:17:12,200 --> 00:17:13,800
Younger.
You look younger.
291
00:17:13,839 --> 00:17:15,440
Yeah.
Yeah, Eric.
292
00:17:15,440 --> 00:17:16,560
Loder from.
Elation.
293
00:17:16,760 --> 00:17:19,800
Eric Loder from Elation put the
definition at 50, he said.
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At 50, you're a geezer. 450,
you're not.
295
00:17:22,040 --> 00:17:23,720
But I've had a you know, I've
had.
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I've had young ladies, young
men, you know, I don't care.
297
00:17:27,800 --> 00:17:29,760
Like a it's just a name of the
podcast.
298
00:17:29,760 --> 00:17:30,880
You don't have to be.
A little.
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00:17:31,560 --> 00:17:33,120
Although many of my guests are
so.
300
00:17:34,240 --> 00:17:36,840
No, I think that's great.
Yeah.
301
00:17:36,840 --> 00:17:41,520
Gosh, I mean, getting into this
industry, I mean, for me,
302
00:17:41,520 --> 00:17:43,680
honestly, it goes back to when I
was, when I was.
303
00:17:43,840 --> 00:17:46,800
I'll give you the abridged
version when it when it goes
304
00:17:46,800 --> 00:17:50,880
back to when I was probably 4
years old and my parents decided
305
00:17:50,880 --> 00:17:54,320
to put me in plays locally, you
know, community theater, those
306
00:17:54,320 --> 00:18:00,640
types of things.
Oddly enough, I ended up, no, I
307
00:18:00,640 --> 00:18:03,000
don't think so.
You know, my mom was always like
308
00:18:04,040 --> 00:18:07,000
she loved to do skits and things
like that.
309
00:18:07,000 --> 00:18:08,440
You know, that's what she called
them.
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00:18:09,480 --> 00:18:13,560
So you know I kind of started in
the theater and she kept
311
00:18:13,560 --> 00:18:17,080
enrolling me into these like
Fine Arts, workshop type summer
312
00:18:17,080 --> 00:18:21,160
programs and you know all of
these things and and so I
313
00:18:21,160 --> 00:18:24,400
actually had some on stage
experience as a child and I was
314
00:18:24,400 --> 00:18:26,800
in a couple of commercials and
and various things.
315
00:18:28,160 --> 00:18:32,800
And so you know by the time high
school rolled around I knew I
316
00:18:32,800 --> 00:18:38,720
wanted to work in this industry.
And I by the beginning of high
317
00:18:38,720 --> 00:18:40,600
school I really started
designing scenery.
318
00:18:40,600 --> 00:18:43,000
I was really into like
architectural design and my
319
00:18:43,000 --> 00:18:46,440
initial thought was I want to be
an architect but I could be a
320
00:18:46,440 --> 00:18:50,520
scenic designer you know.
And so I I focused on what can I
321
00:18:50,520 --> 00:18:54,320
design for the stage and
thought, well, I can always just
322
00:18:54,320 --> 00:18:57,280
roll that into going to school
for architecture or doing
323
00:18:57,280 --> 00:18:59,400
something like that.
So I never rolled.
324
00:18:59,800 --> 00:19:01,920
Yeah, bridging.
Bridging the two together,
325
00:19:01,920 --> 00:19:03,600
basically.
You know, architecture and
326
00:19:03,600 --> 00:19:05,680
theater.
I'll do scenic design, yeah.
327
00:19:06,200 --> 00:19:07,080
That's correct.
Yeah.
328
00:19:08,960 --> 00:19:11,840
Well, I never really rolled it
into to architecture that way,
329
00:19:11,920 --> 00:19:13,560
right.
I did.
330
00:19:13,560 --> 00:19:17,920
I had a wonderful professor or
what a teacher in high school
331
00:19:18,080 --> 00:19:23,600
Joe Burnsworth, who really I
think shaped, shaped and molded
332
00:19:23,600 --> 00:19:28,280
me as far As for a career in and
what I'm doing doing now, I I
333
00:19:28,640 --> 00:19:31,400
don't think I would be here
doing what I'm doing if it
334
00:19:31,400 --> 00:19:33,680
wasn't for him.
So a shout out to everyone out
335
00:19:33,680 --> 00:19:36,720
there who has had that teacher
at some point in their life,
336
00:19:36,720 --> 00:19:40,480
that's really made a difference.
You know teachers are teachers
337
00:19:40,480 --> 00:19:42,880
are so important, whether it's
just a mentor or a teacher.
338
00:19:42,880 --> 00:19:47,680
I mean unbelievable.
So, you know, he kind of let me
339
00:19:47,680 --> 00:19:52,240
run wild with with design
throughout throughout school.
340
00:19:52,240 --> 00:19:54,240
And I did some things I probably
shouldn't have.
341
00:19:54,240 --> 00:19:56,800
You know, especially like nights
and weekends in the school where
342
00:19:56,800 --> 00:19:59,280
I just decided to, you know,
turn our, turn our stage with
343
00:19:59,280 --> 00:20:02,520
some friends into a black box
theater and just build it on the
344
00:20:02,520 --> 00:20:05,360
stage without him knowing.
And then, you know, quickly
345
00:20:05,360 --> 00:20:07,760
being taken down to the
principal's office on on Monday
346
00:20:07,760 --> 00:20:11,920
morning because what did you do?
You know, nothing like walking
347
00:20:11,920 --> 00:20:16,520
into a National Honor Society
ceremony where they're supposed
348
00:20:16,520 --> 00:20:20,320
to tap everyone and there is no
stage because we've put up flats
349
00:20:20,320 --> 00:20:23,760
across the whole front of the
stage and so.
350
00:20:25,040 --> 00:20:27,800
Well, because I was at first, I
was thinking, that doesn't sound
351
00:20:27,840 --> 00:20:29,600
so harmful.
What's the big deal?
352
00:20:29,600 --> 00:20:33,480
Like, jeez, sticklers, you know?
But yeah, when when everything's
353
00:20:33,480 --> 00:20:36,080
missing, that's a.
Bit of a problem.
354
00:20:37,080 --> 00:20:38,840
Well, I, you know, I remember
actually going into the
355
00:20:38,840 --> 00:20:40,800
principal's office and I hadn't
even planned to talk about this
356
00:20:40,800 --> 00:20:43,960
and I probably haven't talked
about this for 20 years.
357
00:20:44,680 --> 00:20:48,960
But I remember, I remember going
in there and and he was with me
358
00:20:48,960 --> 00:20:53,080
my the theater teacher, drama
teacher and and the principal
359
00:20:53,080 --> 00:20:55,520
was looking at me kind of
sternly but with this smile on
360
00:20:55,520 --> 00:20:57,480
her face.
You know, she was trying not to
361
00:20:57,480 --> 00:21:02,840
laugh about it and and and I
remember her saying to him well,
362
00:21:02,840 --> 00:21:06,040
he's so serious because I was
like serious about all of this
363
00:21:06,040 --> 00:21:07,000
stuff.
And I, you know, I was
364
00:21:07,000 --> 00:21:09,200
apologetic that that happened
but I just thought I was doing
365
00:21:09,200 --> 00:21:13,120
something better for for
everyone and in the theater
366
00:21:13,120 --> 00:21:18,640
department and she said he's so
serious and and my my professor
367
00:21:18,640 --> 00:21:21,880
said or my teacher said well
he's just serious about his
368
00:21:21,880 --> 00:21:24,400
craft.
And and I remember that it's
369
00:21:24,400 --> 00:21:28,520
always stuck with me and it's
one of those things that really
370
00:21:28,520 --> 00:21:31,080
I think kind of launched me
into, Yeah, I am serious about
371
00:21:31,080 --> 00:21:33,000
this.
And that was something that, you
372
00:21:33,000 --> 00:21:36,080
know, you know, I started
designing more scenery, more
373
00:21:36,080 --> 00:21:38,560
lighting, really getting into
lighting.
374
00:21:38,560 --> 00:21:42,280
I mean we had a handful of like
Cleagle fixtures and you know,
375
00:21:42,280 --> 00:21:47,800
some Altman, you know, 360 QS we
had just gotten and you know,
376
00:21:48,440 --> 00:21:51,600
that were kind of newish.
So, I mean, you know, those kind
377
00:21:51,600 --> 00:21:54,520
of things, scoops and you know,
all those old school fixtures
378
00:21:54,520 --> 00:21:57,200
that, you know, most people
today go, what is that?
379
00:21:58,720 --> 00:22:02,080
But decided, yeah, decided to go
to school.
380
00:22:02,080 --> 00:22:03,520
Decided to go to university for
that.
381
00:22:03,720 --> 00:22:07,120
For lighting design, technical
design, Went to Otterbein
382
00:22:07,120 --> 00:22:14,280
College in Ohio.
And no, I'm from Virginia,
383
00:22:14,680 --> 00:22:18,720
Virginia Beach, VA, originally.
Yeah, it's funny.
384
00:22:18,800 --> 00:22:21,520
I know, I know.
One other Josh, and he's from
385
00:22:21,880 --> 00:22:24,960
Virginia Beach.
Yeah, what's this like?
386
00:22:25,240 --> 00:22:27,080
Josh Ryan.
Do you know Josh Ryan?
387
00:22:27,120 --> 00:22:30,600
Josh Ryan Don't know Josh Ryan.
There's actually another
388
00:22:30,600 --> 00:22:32,920
kinetics.
He worked for Color Kinetics for
389
00:22:32,920 --> 00:22:37,800
years, and now he works for
another LED manufacturer.
390
00:22:37,800 --> 00:22:41,080
I forget which one.
He's a sales guy, but worked for
391
00:22:41,080 --> 00:22:44,000
Color Kinetics in the early
years in in the heyday of Color
392
00:22:44,000 --> 00:22:48,280
Kinetics, and he's about 7 feet
tall, built like a football
393
00:22:48,280 --> 00:22:50,360
player.
You'd you'd know him if you if
394
00:22:50,360 --> 00:22:52,320
you knew him.
But yeah, he's the only other
395
00:22:52,320 --> 00:22:54,840
guy I know from Virginia Beach,
and he happens to be named Josh.
396
00:22:56,840 --> 00:22:58,960
There's actually another Josh
Allen from Virginia Beach.
397
00:22:58,960 --> 00:23:02,560
I think he was, he's a dancer,
was on one of those you know,
398
00:23:03,040 --> 00:23:05,080
reality dance shows back in the
day.
399
00:23:05,480 --> 00:23:10,480
So anyway, but yeah, I went to,
so I went to to college at at
400
00:23:10,480 --> 00:23:14,640
Otterbein in Ohio and you know,
the professors there were great
401
00:23:14,640 --> 00:23:19,000
and befriended them And and I
thought I was going to be a
402
00:23:19,000 --> 00:23:22,400
scenic designer at that point.
And I was getting more into
403
00:23:22,400 --> 00:23:26,160
lighting.
And I think probably what
404
00:23:26,160 --> 00:23:32,200
influenced me really to get into
lighting is that I had an
405
00:23:32,200 --> 00:23:37,960
opportunity to work with Tom
Skelton and he was designing the
406
00:23:38,000 --> 00:23:45,280
Ohio Ballet and I remember
focusing with him.
407
00:23:45,800 --> 00:23:50,320
This was probably in the last
couple years of his life and
408
00:23:50,560 --> 00:23:55,200
just sort of watching him work.
And I was so intrigued by the
409
00:23:55,200 --> 00:24:02,560
way that that Tom Skelton worked
as a designer and it just it's
410
00:24:02,560 --> 00:24:05,480
just always stuck in my mind.
I remember standing on stage and
411
00:24:05,480 --> 00:24:11,480
and focusing a dance plot with
him and he would not say
412
00:24:11,480 --> 00:24:12,800
anything.
He would stand there and he
413
00:24:12,800 --> 00:24:17,320
would chain smoke and you know,
he would just not say a thing.
414
00:24:17,320 --> 00:24:21,680
He would look up and just do
this or, you know, just put up a
415
00:24:21,680 --> 00:24:24,160
hand for a shutter cut but never
spoke.
416
00:24:24,440 --> 00:24:27,400
And if you had to speak, it was
like one of those things where
417
00:24:28,360 --> 00:24:30,880
you didn't want him to have to
speak, You just needed to do.
418
00:24:30,920 --> 00:24:32,560
You needed to understand what he
had to do.
419
00:24:33,040 --> 00:24:34,440
And then I was so intrigued by
that.
420
00:24:36,560 --> 00:24:39,600
So you know after school we
decided to.
421
00:24:39,840 --> 00:24:46,600
I met my wife in college and she
was a performance major but she
422
00:24:46,600 --> 00:24:50,880
really wanted to get into
casting so moved to New York and
423
00:24:51,000 --> 00:24:55,240
she was working for casting
director's office as an
424
00:24:55,240 --> 00:25:00,960
associate and I decided to just
start knocking on stage doors.
425
00:25:02,720 --> 00:25:05,960
I had only done three years of
of college she was a year ahead
426
00:25:05,960 --> 00:25:08,880
of me.
So I said well screw this 4th
427
00:25:08,880 --> 00:25:11,280
year I'm just going to move to
New York with with her.
428
00:25:11,880 --> 00:25:13,400
We weren't.
We weren't married yet, but
429
00:25:13,480 --> 00:25:19,000
that's what you do for love and
started knocking on stage doors
430
00:25:19,000 --> 00:25:24,520
and trying to get work.
And so it was kind of there back
431
00:25:24,520 --> 00:25:28,560
and forth for a year in the city
with her making contacts, doing
432
00:25:28,560 --> 00:25:30,600
what I could.
We got married.
433
00:25:30,600 --> 00:25:34,320
I decided to go, go back and
finish my degree just to do it.
434
00:25:34,560 --> 00:25:36,440
So yes, I do have that college
degree, So.
435
00:25:36,960 --> 00:25:39,280
That was what, like mid 90s or
something, right?
436
00:25:40,280 --> 00:25:48,680
95 Yes, 95.
And I got my BFA in theater,
437
00:25:48,920 --> 00:25:55,200
emphasis in lighting design.
My wife is from South Carolina,
438
00:25:55,200 --> 00:25:57,840
so sort of have these steps
along the way.
439
00:25:57,840 --> 00:26:00,600
We kind of moved to where she
was from.
440
00:26:00,960 --> 00:26:06,760
And for almost a year, because I
couldn't, I couldn't get
441
00:26:06,760 --> 00:26:10,800
anything else going.
I was pulling Skytrackers around
442
00:26:10,920 --> 00:26:15,960
behind, behind a truck and doing
a lot of like, you know, Piggly
443
00:26:15,960 --> 00:26:20,680
Wiggly's and strip clubs and
those kind of those kind of
444
00:26:20,680 --> 00:26:23,160
openings and there's some.
Back up a second though.
445
00:26:23,160 --> 00:26:28,360
You got your lighting, Yeah,
degree in in New York.
446
00:26:29,400 --> 00:26:32,080
Yeah.
The place where you'd want a
447
00:26:32,080 --> 00:26:35,720
lighting degree and.
No, I got my light, got my
448
00:26:35,720 --> 00:26:39,720
degree in Ohio.
Oh, but then had been to New
449
00:26:39,720 --> 00:26:42,760
York for about a year and went
back and finished the degree in
450
00:26:42,760 --> 00:26:44,240
Ohio.
Oh, OK.
451
00:26:44,240 --> 00:26:45,760
OK.
So you were back in Ohio,
452
00:26:45,760 --> 00:26:48,440
because obviously that degree
would come in pretty handy in
453
00:26:48,440 --> 00:26:49,560
New York.
You know, there's a few.
454
00:26:49,560 --> 00:26:54,440
Places, Absolutely.
You could use that and you know,
455
00:26:54,640 --> 00:26:56,680
but who knows?
I mean, maybe had you stayed in
456
00:26:56,680 --> 00:27:00,480
New York and and used that
degree in theater in New York,
457
00:27:00,480 --> 00:27:04,560
you'd still be in New York
homeless right now with, you
458
00:27:04,640 --> 00:27:06,680
know?
Well, that was, that was just
459
00:27:06,680 --> 00:27:11,640
New York round one.
So yeah, it's a it's a long and
460
00:27:11,640 --> 00:27:14,280
convoluted story and I am giving
you the abridged version you've
461
00:27:14,480 --> 00:27:15,160
done.
I did.
462
00:27:17,680 --> 00:27:21,280
It was.
Let me back up a SEC Right out
463
00:27:21,280 --> 00:27:24,560
of high school I went and did a
show on the Outer Banks of North
464
00:27:24,560 --> 00:27:27,360
Carolina called The Lost Colony
Outdoor Drama.
465
00:27:28,480 --> 00:27:29,800
I don't know if you've heard of
that show.
466
00:27:29,800 --> 00:27:33,720
It was the longest, the longest
running, and it still is the
467
00:27:33,720 --> 00:27:37,440
longest running show in American
history.
468
00:27:38,080 --> 00:27:41,320
I believe they're about to hit
their eight, eighty 80th season,
469
00:27:41,320 --> 00:27:48,840
80th season this year.
So The Lost Colony, it is the
470
00:27:48,840 --> 00:27:53,680
story of Sir Walter Raleigh and
Queen Elizabeth sending over the
471
00:27:53,680 --> 00:27:58,080
first colonies to America.
This colony completely vanishes.
472
00:27:58,080 --> 00:28:00,440
They don't know what's what
happened to it in 1587.
473
00:28:01,280 --> 00:28:04,280
So it was a sort of an outdoor
symphonic drama.
474
00:28:07,040 --> 00:28:10,480
I met a lot of people on that
show who are still my friends
475
00:28:10,480 --> 00:28:14,480
today and we're really
influential people that I ended
476
00:28:14,480 --> 00:28:16,840
up working with in New York.
People that are still working on
477
00:28:16,840 --> 00:28:22,120
Broadway in New York.
You know you know the the the
478
00:28:22,640 --> 00:28:27,920
the production costume designer
at the time was was William Ivy
479
00:28:27,920 --> 00:28:30,720
Long of course he he had won a
number of Tony Awards.
480
00:28:31,120 --> 00:28:33,640
So there were it was a good
place to be in the summer.
481
00:28:33,640 --> 00:28:38,480
So while I was while I was going
back to school and my wife was
482
00:28:38,480 --> 00:28:40,960
in New York and we moved to
Charleston for that year and I
483
00:28:40,960 --> 00:28:43,360
was pulling things around.
It never failed.
484
00:28:43,360 --> 00:28:48,280
Each summer, for the next seven
years or so, we would go back
485
00:28:48,400 --> 00:28:51,200
and spend our summers on
beautiful Roanoke Island doing
486
00:28:51,200 --> 00:28:52,840
the show.
It was almost like that summer
487
00:28:52,840 --> 00:28:55,640
stock retreat that you just love
to go back to.
488
00:28:56,400 --> 00:28:59,040
And it didn't matter until it
just didn't make sense anymore
489
00:28:59,040 --> 00:29:02,600
because you're like, OK, we
can't just pick up and leave.
490
00:29:02,600 --> 00:29:04,520
We have, like, real lives, you
know?
491
00:29:06,480 --> 00:29:11,720
So back up to Charleston.
I didn't want to pull sky
492
00:29:11,720 --> 00:29:14,280
trackers around.
That wasn't what I went and got
493
00:29:14,280 --> 00:29:17,160
a degree to do.
I wanted to be a lighting
494
00:29:17,160 --> 00:29:21,760
designer and my wife wanted to
be a casting director.
495
00:29:21,760 --> 00:29:24,760
And we said, well, Charleston,
SC is certainly not the place
496
00:29:24,760 --> 00:29:29,240
for that.
So we had very little money and
497
00:29:29,240 --> 00:29:32,600
we were like, what can we do?
We were willing to sell, you
498
00:29:32,600 --> 00:29:37,200
know, sell our souls and plasma
to to get enough money to scrape
499
00:29:37,200 --> 00:29:41,840
together to to move to New York.
So I got a call from the general
500
00:29:41,840 --> 00:29:45,000
manager of the Lost Colony and
they were renovating their,
501
00:29:45,120 --> 00:29:51,320
their theater and he said, Josh,
and this is like before the days
502
00:29:51,320 --> 00:29:54,000
of like solid Internet.
I mean they were like, you know,
503
00:29:54,160 --> 00:29:57,560
you had your AOL and you had,
you know, your prodigy, if you
504
00:29:57,560 --> 00:29:59,640
remember that kind of thing and
those sort of things that were
505
00:29:59,640 --> 00:30:02,920
out there.
And he said, Josh, we have a
506
00:30:02,920 --> 00:30:04,840
problem.
And he said, I know you're a
507
00:30:04,840 --> 00:30:09,400
resourceful guy.
The seating manufacturer that we
508
00:30:09,400 --> 00:30:13,720
had chosen to go in for, and
this is about 1800 seats in this
509
00:30:13,720 --> 00:30:19,000
amphitheater, has gone under and
we don't have a seeding
510
00:30:19,000 --> 00:30:21,440
manufacturer and the seeds are
supposed to go in in six weeks.
511
00:30:22,120 --> 00:30:29,600
And do you know anyone?
And in that moment I think is
512
00:30:29,600 --> 00:30:32,480
what really changed things for
me as far as getting back to New
513
00:30:32,480 --> 00:30:34,800
York and getting into the
industry because I could have
514
00:30:34,800 --> 00:30:37,640
said no, I don't know anyone,
I'm sorry.
515
00:30:37,760 --> 00:30:44,560
I, you know, I wish I did.
But instead I said, well, I I
516
00:30:44,560 --> 00:30:48,040
may know some some folks.
I mean, you know some good
517
00:30:48,040 --> 00:30:49,880
possibilities.
You know some good options for
518
00:30:49,880 --> 00:30:51,560
this.
Let let me come back to you.
519
00:30:52,200 --> 00:30:56,360
So I hung up the phone and
immediately started calling
520
00:30:57,360 --> 00:31:00,200
friends, friends of friends who
do you know, who you know in
521
00:31:00,200 --> 00:31:06,800
seating ended up with talking to
the Rep from Irwin Seating at
522
00:31:06,800 --> 00:31:10,400
the time.
And I said, look, if I hand you
523
00:31:10,480 --> 00:31:15,360
a deal to do 1800 seats I need
and they had given me what they
524
00:31:15,360 --> 00:31:18,000
needed to pay for them and I
said can you do it for this
525
00:31:18,000 --> 00:31:23,040
amount and figure in $10 a chair
for me as a as a Commission on
526
00:31:23,040 --> 00:31:25,960
this.
And they came back to me and
527
00:31:25,960 --> 00:31:29,120
said yes, we can do that and we
can deliver in six weeks.
528
00:31:29,680 --> 00:31:33,200
So I had them send a sample down
and so your cuts 18.
529
00:31:33,200 --> 00:31:36,520
Grand just for saying yes to
something that you had no idea
530
00:31:36,560 --> 00:31:38,120
where you were going to find
seeds, right?
531
00:31:38,480 --> 00:31:40,920
Well, it exactly.
It didn't end up quite being
532
00:31:40,920 --> 00:31:45,880
that much, but still at the end
of the day they got their seats.
533
00:31:45,880 --> 00:31:47,960
They didn't pay any more than
they were going to pay before.
534
00:31:48,320 --> 00:31:49,720
I ended up getting a Commission
on it.
535
00:31:49,720 --> 00:31:53,640
And we took all of that money.
We moved to New York, paid for
536
00:31:53,640 --> 00:31:58,040
six months rent upfront to our
landlord and basically said
537
00:31:58,040 --> 00:32:00,680
we're going to give our six
months self six months to a year
538
00:32:00,680 --> 00:32:03,160
to not have to worry about
money.
539
00:32:03,360 --> 00:32:07,880
Let's just go and get work and
figure things out and and so
540
00:32:07,880 --> 00:32:10,080
that was a huge thing and that's
something that I always tell
541
00:32:10,080 --> 00:32:12,800
people it's like when you're
faced with a question that's
542
00:32:12,800 --> 00:32:15,760
like can you do this or do you
know this is the answer always
543
00:32:15,760 --> 00:32:19,520
no if if if your initial answer
is no or should you take a beat
544
00:32:19,880 --> 00:32:25,920
and say let me think about this
for a second and and I and I
545
00:32:25,920 --> 00:32:29,040
think that's really what got us
back to New York and really got
546
00:32:29,040 --> 00:32:32,800
me going to get started in the
industry.
547
00:32:33,120 --> 00:32:34,360
Yeah.
Well, and you know.
548
00:32:34,360 --> 00:32:38,200
It's funny because it's a common
theme and it's not even really,
549
00:32:38,240 --> 00:32:41,640
let me think about that, You
know, rock'n'roll business
550
00:32:41,640 --> 00:32:43,280
especially.
It's yes.
551
00:32:43,520 --> 00:32:44,720
You know, Yeah, yeah.
Oh, yeah.
552
00:32:44,880 --> 00:32:47,720
I've I've.
I'm a seating expert.
553
00:32:47,800 --> 00:32:50,720
You know no problem without
getting yourself into trouble
554
00:32:50,720 --> 00:32:54,960
by, you know, BS ING people and
without obviously causing a
555
00:32:54,960 --> 00:32:57,960
problem to the customer.
But you know, most of the most
556
00:32:57,960 --> 00:33:03,400
successful people I know in this
industry are people who say yes
557
00:33:03,400 --> 00:33:05,360
and then figure it out, you
know, somehow.
558
00:33:05,480 --> 00:33:08,280
Yeah, exactly.
I I like to say I I like to jump
559
00:33:08,280 --> 00:33:10,680
off the Cliff sometimes and just
learn to fly on the way down.
560
00:33:10,720 --> 00:33:12,800
I mean, that's the you know,
Yeah, I.
561
00:33:12,840 --> 00:33:14,080
Agree with you.
I agree with you.
562
00:33:14,480 --> 00:33:15,040
Yeah.
Yeah.
563
00:33:15,120 --> 00:33:18,040
So you're in New York.
Rent is paid for six months,
564
00:33:18,040 --> 00:33:19,960
which is cool.
That was a smart decision.
565
00:33:20,360 --> 00:33:23,480
And So what was?
What was work?
566
00:33:25,600 --> 00:33:29,400
So I kind of picked up some of
the contacts I left off year or
567
00:33:29,400 --> 00:33:34,320
so before started picking up
some shows for design.
568
00:33:34,320 --> 00:33:37,080
I was actually doing some
production electrician work and
569
00:33:37,080 --> 00:33:40,600
kind of realized, OK, if I'm
going to design, I kind of need
570
00:33:40,600 --> 00:33:45,760
to put down the wrench and, you
know, and focus on design.
571
00:33:45,800 --> 00:33:48,240
Yeah.
Because you do get to a point
572
00:33:48,240 --> 00:33:50,840
where you don't want people
thinking of you as, oh, that
573
00:33:50,840 --> 00:33:52,640
guy's such a great production
electrician.
574
00:33:52,640 --> 00:33:56,520
He's not a designer.
And so they do.
575
00:33:56,560 --> 00:34:00,080
They do and and it's, you know,
I, I will say that and and I
576
00:34:00,080 --> 00:34:01,640
love doing production
electrician work.
577
00:34:01,640 --> 00:34:03,800
I love getting my hands dirty
doing those kind of things.
578
00:34:03,800 --> 00:34:07,600
And I think that anyone who does
that who is also a designer
579
00:34:07,600 --> 00:34:11,120
benefits from having their hands
on on the gear and and being
580
00:34:11,120 --> 00:34:14,080
able to do those things.
I certainly worked with a number
581
00:34:14,080 --> 00:34:18,120
of designers in that time that I
won't name names.
582
00:34:18,120 --> 00:34:22,880
When I was production
electrician and they were what I
583
00:34:23,000 --> 00:34:25,960
call book designers, you know,
they went to school, they learn
584
00:34:25,960 --> 00:34:28,760
by the book that was the design
work that they did.
585
00:34:29,800 --> 00:34:33,440
But when it came to physically
putting a show in and making
586
00:34:33,440 --> 00:34:36,360
things happen, some of the
conversations that you'd have,
587
00:34:36,360 --> 00:34:39,920
it was, it was pretty apparent
that they didn't quite
588
00:34:39,920 --> 00:34:43,280
understand what someone was
going through to be able to give
589
00:34:43,280 --> 00:34:45,440
them what it was that they were
asking for.
590
00:34:45,800 --> 00:34:51,360
And I think that, you know,
people that actually have that
591
00:34:51,360 --> 00:34:53,840
experience on both sides, even
when they do put down the
592
00:34:53,840 --> 00:34:56,480
wrench, they they gain a lot
from that.
593
00:34:57,480 --> 00:34:59,960
So yeah, it's a good point.
Yeah, you.
594
00:35:00,600 --> 00:35:02,960
Know, I tell.
You back to a racing analogy.
595
00:35:02,960 --> 00:35:06,440
So you know when my son first
started racing and he was in
596
00:35:06,440 --> 00:35:10,760
carts and you know I had to buy
a trailer and I had an F-250
597
00:35:10,760 --> 00:35:13,400
pickup truck and I never
wrenched on any of his carts.
598
00:35:13,400 --> 00:35:15,320
Thank God, because he he would
have crashed.
599
00:35:15,760 --> 00:35:20,640
But I I'll tell you what by
driving the truck, I learned how
600
00:35:20,640 --> 00:35:24,120
to pack the trailer.
Because when it was packed
601
00:35:24,120 --> 00:35:26,520
wrong, you know it was doing
this down the.
602
00:35:26,520 --> 00:35:28,480
Highway people.
Were flipping me the bird and
603
00:35:28,480 --> 00:35:32,360
stuff and when it was packed
properly, so I went, what's the
604
00:35:32,360 --> 00:35:34,160
deal here?
And somebody said, well it's all
605
00:35:34,160 --> 00:35:36,600
packed wrong.
So I said, OK, show me how it
606
00:35:36,600 --> 00:35:38,360
should be done.
And they did.
607
00:35:38,360 --> 00:35:40,960
And from then on, whatever
mechanics we were using or
608
00:35:40,960 --> 00:35:43,160
whatever, I'd say, hey, make
sure you do it like this, you
609
00:35:43,160 --> 00:35:46,120
know.
And so sometimes you have to put
610
00:35:46,120 --> 00:35:49,280
the show in to learn how to
design the show.
611
00:35:49,320 --> 00:35:51,040
It's it's a very, very good
point.
612
00:35:52,280 --> 00:35:55,040
Yeah, actually and that's a
great, that's a great analogy
613
00:35:55,280 --> 00:35:56,920
and I think you know.
I have many.
614
00:35:56,920 --> 00:36:00,680
No, it's not that wacky because
I I will tell you, I mean, when
615
00:36:00,680 --> 00:36:04,040
I was in New York during this
time, I was, I was, I was
616
00:36:04,040 --> 00:36:07,200
designing a show.
Gosh, where was it?
617
00:36:08,080 --> 00:36:13,960
It was in the theater at
Marymount Manhattan College, and
618
00:36:13,960 --> 00:36:19,280
it was a show that was supposed
to be workshopped for what would
619
00:36:19,280 --> 00:36:22,520
hopefully be, you know, a
Broadway run or something
620
00:36:22,520 --> 00:36:25,120
moving.
Moving on didn't.
621
00:36:25,120 --> 00:36:30,520
Didn't get that far, but I
remember there was no one that
622
00:36:30,520 --> 00:36:32,280
could.
We we needed some additional
623
00:36:32,520 --> 00:36:34,880
fixtures.
We got to a point in the show,
624
00:36:34,880 --> 00:36:36,800
Some numbers were added.
Things happened.
625
00:36:36,800 --> 00:36:38,840
We didn't have things in place.
You know it.
626
00:36:39,000 --> 00:36:43,920
It wasn't because it was dance.
They wanted some very specific
627
00:36:43,920 --> 00:36:46,920
lighting in certain places and
we just didn't have the fixtures
628
00:36:46,920 --> 00:36:48,520
to do that.
It wasn't like we had a bunch of
629
00:36:48,520 --> 00:36:51,880
moving lights, you know, at the
time or we had, you know, LE DS
630
00:36:51,880 --> 00:36:54,560
that could change color.
It was like you plan for every
631
00:36:54,560 --> 00:36:56,160
fixture and what every fixture
did.
632
00:36:57,440 --> 00:36:59,960
And so I remember thinking, OK,
well, I need to get these.
633
00:36:59,960 --> 00:37:01,760
I'm calling around, how can I
get these quickly?
634
00:37:01,760 --> 00:37:04,240
They have to be put in tomorrow.
Who's got them?
635
00:37:05,080 --> 00:37:08,400
It ends.
It ends up being that Altman
636
00:37:08,400 --> 00:37:12,800
Lighting had had what we needed.
They were the closest to that
637
00:37:12,800 --> 00:37:15,200
could get it all together that
quickly and said we'll send
638
00:37:15,200 --> 00:37:17,680
someone up.
So we got a truck, we rented a
639
00:37:17,680 --> 00:37:22,840
truck and I was the only one
that could end up driving up
640
00:37:22,840 --> 00:37:24,640
there to pick the stuff up.
And I didn't mind.
641
00:37:24,640 --> 00:37:28,120
My my brother was with me and he
was often my production
642
00:37:28,120 --> 00:37:29,280
electrician when I was
designing.
643
00:37:29,720 --> 00:37:33,280
And so we drive.
We drive up to Yonkers.
644
00:37:33,280 --> 00:37:37,240
And have you, have you ever been
up to the Altman lighting of
645
00:37:37,280 --> 00:37:39,080
Yonkers when it was up there?
So friends.
646
00:37:39,360 --> 00:37:42,400
With Bobby Altman.
Oh yeah, great.
647
00:37:42,440 --> 00:37:44,840
So you know when you come out of
there there's like there's this
648
00:37:44,840 --> 00:37:48,880
big hill that you kind of have
to have to go up and and just
649
00:37:48,880 --> 00:37:50,880
thinking about you and the and
packing the truck.
650
00:37:50,880 --> 00:37:56,000
Well they they would because of
the the union agreement and
651
00:37:56,000 --> 00:37:58,240
everything you know they would
sort of drop the gear and then
652
00:37:58,240 --> 00:38:01,040
you had to put it on the truck
And so you know it's like pile a
653
00:38:01,040 --> 00:38:04,640
bunch of cable at the back end
of the truck to keep the boxes
654
00:38:04,640 --> 00:38:06,760
from rolling and and all of
this.
655
00:38:07,240 --> 00:38:10,200
And so I remember that happened
yeah you you did have to plan
656
00:38:10,400 --> 00:38:14,520
and as we're pulling out that
big hill at Altman my my brother
657
00:38:14,520 --> 00:38:19,240
and I hear like this really loud
banging noise and we're like oh
658
00:38:19,240 --> 00:38:20,920
crap.
And I feel, I feel the truck
659
00:38:20,920 --> 00:38:24,320
like doing this.
And so we get up, we pull over,
660
00:38:25,120 --> 00:38:29,520
we go back the back door the the
roll up door is completely just
661
00:38:29,840 --> 00:38:32,240
bent out.
We can't get it open.
662
00:38:32,480 --> 00:38:34,960
We had to like put a Jack in
there and try to straighten this
663
00:38:34,960 --> 00:38:39,040
thing out, destroyed it because
it wasn't packed properly,
664
00:38:39,080 --> 00:38:41,040
right.
It was just chucked in there and
665
00:38:41,080 --> 00:38:43,120
and that's that's the way it
happened.
666
00:38:43,240 --> 00:38:46,760
So not about analogy to
understand how you have to do
667
00:38:46,760 --> 00:38:48,520
something before you have to.
Oh, absolutely.
668
00:38:48,600 --> 00:38:50,960
No.
And I mean, I I also, I grew up
669
00:38:50,960 --> 00:38:54,800
playing in bands and you know,
when we toured it wasn't very
670
00:38:54,800 --> 00:38:57,640
glamorous.
It was a converted school bus
671
00:38:57,640 --> 00:39:00,680
where the front half was
passenger seats and the back
672
00:39:00,680 --> 00:39:04,320
half was our gear.
And if you wanted to sleep,
673
00:39:04,320 --> 00:39:07,560
you'd usually crawl into the
back half and sleep on top of
674
00:39:07,560 --> 00:39:12,320
some speaker boxes or something
or drum, you know, cases or
675
00:39:12,320 --> 00:39:15,160
whatever.
And if it was packed right, you
676
00:39:15,160 --> 00:39:17,320
were kind of safe.
If it wasn't then things moved
677
00:39:17,320 --> 00:39:19,240
around.
You ended up wedged in between
678
00:39:19,240 --> 00:39:22,360
2:00, you know two sets of
speakers or something.
679
00:39:22,360 --> 00:39:26,520
And so yeah, I've I've always
sort of learned to appreciate a
680
00:39:26,920 --> 00:39:30,120
a well packed truck, I guess in
really weird ways.
681
00:39:31,360 --> 00:39:32,960
Right, Yeah.
Absolutely.
682
00:39:33,720 --> 00:39:34,600
So that's cool.
You.
683
00:39:34,720 --> 00:39:36,360
You.
Had that, so you had the tech
684
00:39:36,360 --> 00:39:41,160
experience that probably helped
you design better and and
685
00:39:41,160 --> 00:39:43,600
probably thinking about the
crews too, thinking about the
686
00:39:43,600 --> 00:39:46,080
people who are going to have to
work on this stuff or put it in
687
00:39:46,080 --> 00:39:49,600
or take it out or whatever.
Like, I think rock'n'roll shows
688
00:39:49,600 --> 00:39:52,400
are designed like that these
days, but I I don't even know
689
00:39:52,520 --> 00:39:55,240
that theater shows are even to
this day.
690
00:39:56,400 --> 00:40:00,480
Oh no, I still, I still feel
like theater shows to this day.
691
00:40:01,600 --> 00:40:04,440
Even being a part of them and
being being just the designer
692
00:40:04,560 --> 00:40:07,560
and and not doing all that other
stuff.
693
00:40:08,680 --> 00:40:11,560
You know, I I see that.
I feel like there's a lot of
694
00:40:12,320 --> 00:40:16,480
magic that kind of happens with
with theater shows or expected
695
00:40:16,480 --> 00:40:19,320
magic that just happens.
You know.
696
00:40:19,800 --> 00:40:23,120
I do feel like sometimes people
think they can just wave a wand
697
00:40:23,120 --> 00:40:24,640
and.
That's all it takes.
698
00:40:24,640 --> 00:40:28,320
Go and and make it happen.
And it it is important to
699
00:40:28,320 --> 00:40:31,280
understand all of those people,
the crew and staff and who who
700
00:40:31,280 --> 00:40:32,960
has to do what to make those
things happen.
701
00:40:33,000 --> 00:40:38,920
So yeah, yeah, really important.
So how did so you did that that
702
00:40:39,280 --> 00:40:45,120
I think you said it was a dance
thing at at Marymount and I
703
00:40:45,120 --> 00:40:47,320
think that ran for a little
while, right, Like for a couple
704
00:40:47,320 --> 00:40:52,120
years or something?
No, actually that was a really
705
00:40:52,120 --> 00:40:55,680
short run on on that one.
Yeah, it was.
706
00:40:56,320 --> 00:41:01,960
I was doing another show where I
was the designer and we did it.
707
00:41:02,880 --> 00:41:05,120
We did a production.
Do you know Herrick Coleman?
708
00:41:05,440 --> 00:41:07,280
I do know Herrick, yeah.
Yeah, Herrick.
709
00:41:07,320 --> 00:41:08,920
Has Herrick ever been on on the
podcast?
710
00:41:09,200 --> 00:41:10,680
Herrick won't come on.
I've.
711
00:41:10,760 --> 00:41:13,520
I've asked him a few times.
Everyone other than Herrick has
712
00:41:13,520 --> 00:41:15,720
come on, but Herrick won't.
And I think it's come on.
713
00:41:15,720 --> 00:41:18,960
I think it's 'cause I always ask
him during an election cycle and
714
00:41:18,960 --> 00:41:21,640
you know, him.
And I, let's just say I don't
715
00:41:21,640 --> 00:41:24,960
vote the same as him or most
people in our industry probably.
716
00:41:25,280 --> 00:41:27,320
But I'm not vocal about it.
Like I'm not.
717
00:41:27,400 --> 00:41:30,440
I've never, I'm not a winger of
any wing.
718
00:41:30,440 --> 00:41:33,000
You know, I'm Canadian.
Like normally we're pretty
719
00:41:33,000 --> 00:41:36,000
liberal people, but I'm also a
businessman.
720
00:41:36,000 --> 00:41:39,200
So when you become a
businessman, generally you start
721
00:41:39,200 --> 00:41:41,720
looking, OK, what are my costs
looking like here?
722
00:41:41,720 --> 00:41:44,000
Why am I paying this fee for
whatever?
723
00:41:44,520 --> 00:41:48,160
And that gets you leaning to
voting a particular way.
724
00:41:49,440 --> 00:41:52,320
But I don't care about it.
Like, I've never even asked my
725
00:41:52,320 --> 00:41:54,720
friends who they voted for or
any of that kind of stuff.
726
00:41:54,720 --> 00:41:57,680
But I I just have a suspicion
that that's maybe.
727
00:41:58,000 --> 00:41:59,000
Part.
Of part of.
728
00:41:59,000 --> 00:42:01,960
The decision you do you Herrick
does him, I'll do me.
729
00:42:02,120 --> 00:42:03,680
I like.
I like Herrick.
730
00:42:03,760 --> 00:42:06,640
You know, like the reason I ask.
Go go ahead.
731
00:42:06,720 --> 00:42:09,040
I did AI did a zoom thing during
COVID.
732
00:42:09,200 --> 00:42:11,400
I don't know that you ever came
on one of them, but we did a
733
00:42:11,400 --> 00:42:15,240
weekly, like a happy hour every
Wednesday at 5:00.
734
00:42:15,240 --> 00:42:19,320
All for, I don't know, I think
we did 70 episodes or something.
735
00:42:19,800 --> 00:42:23,160
And.
And it would be, you know,
736
00:42:23,160 --> 00:42:27,880
anything from 30 to 120 people
on there any given week.
737
00:42:27,880 --> 00:42:30,400
Right.
And sometimes it was heated,
738
00:42:30,400 --> 00:42:33,760
sometimes it was really fun.
But Herrick was always there,
739
00:42:33,960 --> 00:42:36,280
you know, bitching about
everything while he's sitting in
740
00:42:36,280 --> 00:42:40,160
a beautiful library, drinking
probably, you know, $200 Scotch
741
00:42:40,160 --> 00:42:42,080
or something, right?
Oh, yeah.
742
00:42:42,080 --> 00:42:43,720
Yeah.
And and I mean, it was just
743
00:42:43,720 --> 00:42:47,280
classic Herrick, right?
But, you know, it was always a
744
00:42:47,280 --> 00:42:50,520
lot of fun and I got to know him
really well during that period.
745
00:42:50,520 --> 00:42:53,280
Like I I hadn't really done any
business with Herrick prior to
746
00:42:53,280 --> 00:42:56,000
that.
And we've talked a lot since
747
00:42:56,000 --> 00:42:57,680
then.
But I like the guy.
748
00:42:57,680 --> 00:43:00,880
I wish he'd come on.
Yeah, well I bring him up
749
00:43:00,880 --> 00:43:04,040
because we, I mean we're we're
friends and when whenever I'm in
750
00:43:04,040 --> 00:43:09,320
the city, we try to you know try
to see him and of course at all
751
00:43:09,320 --> 00:43:11,960
the trade shows and we like to
hang out.
752
00:43:11,960 --> 00:43:13,600
We talk Scotch because I'm in
Scotland.
753
00:43:13,960 --> 00:43:17,960
But he the reason I bring him up
is because I think I first met
754
00:43:17,960 --> 00:43:21,400
Herrick and I was either 98 or
99.
755
00:43:21,400 --> 00:43:28,680
I designed a show at at the new
vehicle on 42nd St. and Herrick
756
00:43:28,760 --> 00:43:33,080
had just was just finishing a
show that was coming out of
757
00:43:33,080 --> 00:43:35,400
there and that's that's where we
met.
758
00:43:36,600 --> 00:43:38,800
I think he was doing a show
called Crash Test Dummies and it
759
00:43:38,800 --> 00:43:43,760
was this crazy crazy show where
these acrobats were on these big
760
00:43:43,760 --> 00:43:47,000
car springs.
You know another car analogy for
761
00:43:47,000 --> 00:43:51,280
you to come up with something
with and they were jumping
762
00:43:51,280 --> 00:43:53,480
around like crash test dummies
and doing this whole thing.
763
00:43:53,480 --> 00:43:55,680
And I thought this thing is
crazy.
764
00:43:56,240 --> 00:43:59,600
It was the first time I ever
really saw, got my hands on some
765
00:43:59,600 --> 00:44:03,120
Color Kinetics gear to kind of
bring that back into
766
00:44:03,120 --> 00:44:06,560
conversation.
Actually talked to the folks at
767
00:44:06,560 --> 00:44:10,800
Color Kinetics in in Boston at
that point about, you know, if
768
00:44:10,800 --> 00:44:13,800
they needed a representative in
the city and you know what that
769
00:44:13,800 --> 00:44:18,560
looked like.
But yeah, so I I did a show then
770
00:44:18,560 --> 00:44:21,800
that went in there and we were
kind of touring it around the
771
00:44:22,120 --> 00:44:23,200
US.
So it's sort of every other
772
00:44:23,200 --> 00:44:27,240
weekend I would fly out to the
to the new place and you know
773
00:44:27,240 --> 00:44:30,560
put the show in, make sure it
went in OK and then fly back and
774
00:44:30,560 --> 00:44:35,960
then do that a few weeks later.
And so it was it was a it was a
775
00:44:35,960 --> 00:44:40,000
fun time where I felt like I had
all of these things going on.
776
00:44:40,000 --> 00:44:42,920
You know, like when you're
really getting things going and
777
00:44:43,120 --> 00:44:47,240
at that age in in your 20s and
and you're just like you don't
778
00:44:47,240 --> 00:44:49,840
say no to anything.
You know, I was taking whatever
779
00:44:49,840 --> 00:44:52,480
show came up I was doing, I was
lighting shows.
780
00:44:53,200 --> 00:44:57,200
I was lighting some television
as well, so did did quite a bit
781
00:44:57,200 --> 00:45:02,080
of work, did some work at Screen
Jump Studios and then also out
782
00:45:02,080 --> 00:45:08,600
in out of Kauffman, Astoria
doing some things for
783
00:45:08,920 --> 00:45:11,640
Nickelodeon and Lifetime
Networks.
784
00:45:11,640 --> 00:45:14,200
And you know, like you said
though, an exciting.
785
00:45:14,200 --> 00:45:16,600
Time like you could see it
becoming a real career at this
786
00:45:16,840 --> 00:45:17,440
point.
Obviously.
787
00:45:17,440 --> 00:45:20,120
Oh yeah, I mean it was just.
Like, shit, I've.
788
00:45:20,480 --> 00:45:21,120
Made it.
I'm, I'm actually.
789
00:45:21,120 --> 00:45:22,680
Made it doing lighting, yeah,
you know.
790
00:45:23,200 --> 00:45:25,600
I I had joined United Scenic
Artists.
791
00:45:25,600 --> 00:45:27,960
You know I was doing you know, I
mean it was the whole thing.
792
00:45:27,960 --> 00:45:29,800
It was right.
I was living, living the dream
793
00:45:30,800 --> 00:45:34,920
at that point in time.
And I think you you learn things
794
00:45:34,920 --> 00:45:37,560
during that time.
You learn good life lessons.
795
00:45:37,560 --> 00:45:41,200
And I think one of the things I
learned was you can't always say
796
00:45:41,200 --> 00:45:45,400
yes to everything because you
you only have so much to give
797
00:45:45,520 --> 00:45:50,480
and and if you can't give 100%
to to what you're working on,
798
00:45:50,800 --> 00:45:53,160
then you're not giving enough to
the projects that you're working
799
00:45:53,160 --> 00:45:54,720
on.
I mean you you can't you can't
800
00:45:54,720 --> 00:45:57,840
get 50% to 10 projects if you
can only do five projects and
801
00:45:57,840 --> 00:46:01,480
give 100%.
So I remember there was 1 winter
802
00:46:01,480 --> 00:46:04,800
in the city and it was so cold
and we had these big snowstorms
803
00:46:04,800 --> 00:46:08,160
and I I got so sick I walk in
ammonia.
804
00:46:08,440 --> 00:46:11,600
I was doing like I think 4 shows
at one time.
805
00:46:11,600 --> 00:46:14,880
So I was literally walking
across town, back and forth,
806
00:46:14,880 --> 00:46:16,920
theater to theater as these
things were happening.
807
00:46:16,920 --> 00:46:22,640
At the same time I was doing a
showdown in down in the village,
808
00:46:22,640 --> 00:46:30,160
little little tiny off off at HP
playwrights down in down in the
809
00:46:30,160 --> 00:46:32,680
village.
And I remember walking into that
810
00:46:32,680 --> 00:46:37,480
space and thinking I am so sick.
I am so sick.
811
00:46:37,480 --> 00:46:41,840
And I just crawled in under the
seating bank and like laid next
812
00:46:41,840 --> 00:46:44,880
to dinner racks and had to fall
asleep.
813
00:46:44,880 --> 00:46:47,520
And the production managers
would not let anyone bother me.
814
00:46:47,520 --> 00:46:50,200
And they essentially let me just
sleep down there for 8 hours.
815
00:46:50,720 --> 00:46:55,760
And I think after, I think after
that show is when I really kind
816
00:46:55,760 --> 00:47:00,800
of leveled off and went OK, OK.
I felt like I've, I've made it
817
00:47:00,800 --> 00:47:02,520
to this point.
I'm doing what I want to do.
818
00:47:02,520 --> 00:47:05,600
I'm doing what I love.
But it's getting insane.
819
00:47:05,600 --> 00:47:09,920
So we have to like really, you
know, level this, back it up.
820
00:47:10,800 --> 00:47:11,720
Yeah.
So.
821
00:47:12,120 --> 00:47:14,880
But a fun time.
Yeah, I mean, it sounds like it.
822
00:47:14,880 --> 00:47:19,720
It sounds, you know, again like
my son right now he's, he's off,
823
00:47:19,720 --> 00:47:22,440
actually he just flew out today.
He's he's coaching a bunch of
824
00:47:22,440 --> 00:47:25,960
drivers right now because you
know, racing is difficult in
825
00:47:25,960 --> 00:47:28,880
that it's really, really
expensive when you get into cars
826
00:47:28,880 --> 00:47:31,800
and and you don't have full
sponsorship.
827
00:47:31,800 --> 00:47:35,080
So he's been very fortunate to
have some sponsorship, but it
828
00:47:35,080 --> 00:47:38,160
just keeps getting more
expensive, like into the many
829
00:47:38,160 --> 00:47:40,960
hundreds of thousands of dollars
for a season kind of thing,
830
00:47:40,960 --> 00:47:43,600
right?
So you need massive corporate
831
00:47:43,600 --> 00:47:47,160
sponsorship or a team that just
says, hey, we'll hire you as a
832
00:47:47,160 --> 00:47:49,520
driver.
And he's got some of those
833
00:47:49,520 --> 00:47:51,120
options sort of rearing their
heads.
834
00:47:51,120 --> 00:47:54,160
But meanwhile he's out making
money coaching other drivers,
835
00:47:54,160 --> 00:47:58,200
young drivers and stuff.
And you know, it's it's sort of
836
00:47:58,200 --> 00:48:00,480
one of the things that I've
always taught him and I say to
837
00:48:00,480 --> 00:48:03,240
everybody, like when we used to
have mechanics who worked for us
838
00:48:03,240 --> 00:48:06,880
and you know, generally they'd
always complain I'm not making
839
00:48:06,880 --> 00:48:09,600
as much money as you, you know,
I don't make enough money, blah,
840
00:48:09,600 --> 00:48:12,040
blah.
My answer has always been, look,
841
00:48:12,280 --> 00:48:15,240
you know you're doing exactly
what you want to be doing.
842
00:48:15,240 --> 00:48:18,240
You you're doing what you'd be
doing if you had to pay to do it
843
00:48:18,520 --> 00:48:22,000
and you're getting paid.
So you have one life, you've one
844
00:48:22,000 --> 00:48:25,440
life, shut up, smile and and you
know, go to work.
845
00:48:25,880 --> 00:48:29,160
And my son said that to me.
He said, dad, I love coaching
846
00:48:29,160 --> 00:48:30,320
these kids.
It's a blast.
847
00:48:30,320 --> 00:48:32,560
I can't believe I get paid to do
it, you know.
848
00:48:32,560 --> 00:48:35,760
And he coaches on simulator too,
which, you know, because he got
849
00:48:35,760 --> 00:48:38,080
very good at SIM throughout the
whole COVID thing.
850
00:48:38,800 --> 00:48:43,800
So he he coaches drivers on on
simulator over like they're on
851
00:48:43,800 --> 00:48:46,320
discord during the whole time
and he's.
852
00:48:46,560 --> 00:48:48,040
He's.
Watching what they're doing and
853
00:48:48,040 --> 00:48:50,200
saying you're turning too early,
you're turning too late,
854
00:48:50,200 --> 00:48:53,840
whatever.
So yeah, I mean, that's amazing
855
00:48:53,840 --> 00:48:57,560
that you managed to and
probably, you know, the whole
856
00:48:59,120 --> 00:49:01,240
Frank Sinatra thing, you know,
if you can make it there, you
857
00:49:01,240 --> 00:49:03,560
can make it anywhere.
So you did it in New York, you
858
00:49:03,560 --> 00:49:05,880
know, Which is kind of cool,
right?
859
00:49:06,600 --> 00:49:08,400
Yeah, yeah, it was.
It was very cool.
860
00:49:09,560 --> 00:49:11,600
Yeah.
My, my wife was doing her thing
861
00:49:11,600 --> 00:49:14,600
there at the same time.
I mean we we were like ships
862
00:49:14,600 --> 00:49:17,440
passing in the night sometimes.
You know, she, I, I would be
863
00:49:17,440 --> 00:49:20,680
coming home from a really late,
late call and she's literally
864
00:49:20,680 --> 00:49:24,360
walking to the train in the
morning to to go to her office.
865
00:49:25,400 --> 00:49:28,320
Yeah.
But yeah, it was really good.
866
00:49:28,760 --> 00:49:32,120
You know, I and I continued that
on into the, you know, early
867
00:49:32,120 --> 00:49:36,560
2000s and then just really,
really enjoyed that time in New
868
00:49:36,560 --> 00:49:39,240
York.
I think we we've made a lot of
869
00:49:39,240 --> 00:49:42,400
contacts and we got to the point
where we felt like, OK, we want
870
00:49:42,400 --> 00:49:46,240
to have a family.
We don't, we don't necessarily
871
00:49:46,240 --> 00:49:49,760
need to be in the city anymore.
I think a lot of people go
872
00:49:49,760 --> 00:49:51,800
through that where they're like,
I got to be in the heart of it
873
00:49:51,800 --> 00:49:53,240
all.
I got to be in the in the middle
874
00:49:53,240 --> 00:49:56,000
of the rat race and then you get
to a point where it's like, OK,
875
00:49:56,000 --> 00:49:59,840
I can, I've established enough
that I can I can do what I'm
876
00:49:59,840 --> 00:50:05,480
doing from outside the city.
So we so we made a decision to
877
00:50:05,480 --> 00:50:12,440
move to North Carolina to
Raleigh, NC, which is we had a
878
00:50:12,440 --> 00:50:14,960
lot of friends kind of in that
area and we had North Carolina
879
00:50:14,960 --> 00:50:18,000
ties from our Lost Colony days.
And you know, all of that sort
880
00:50:18,000 --> 00:50:21,200
of thing.
And and you know what I was
881
00:50:21,200 --> 00:50:25,200
going to do was just continue to
do, continue to design.
882
00:50:25,240 --> 00:50:26,720
I would go back and forth to the
city.
883
00:50:26,720 --> 00:50:29,640
I would go to regional theatre,
I would go do you know fly out
884
00:50:29,640 --> 00:50:31,040
to wherever.
I just needed the airport, and
885
00:50:31,040 --> 00:50:35,200
Raleigh had a pretty good
airport, so it made sense.
886
00:50:35,200 --> 00:50:39,400
So we decided to have a family,
had our son Sam That was a great
887
00:50:39,400 --> 00:50:44,320
place to to really raise him.
When we got there, I took a
888
00:50:44,320 --> 00:50:48,080
position I had I had somebody
once tell me you you can have no
889
00:50:48,080 --> 00:50:51,080
one pull the wool over your eyes
on anything because you've
890
00:50:51,080 --> 00:50:53,080
really seen all sides of this
industry.
891
00:50:54,040 --> 00:50:56,760
Took a position as a
installations manager for a
892
00:50:56,760 --> 00:51:02,680
small theatrical dealer lighting
company doing doing install
893
00:51:02,680 --> 00:51:06,560
work.
I was there for about a year and
894
00:51:06,920 --> 00:51:11,680
as I continued to design and and
do what I was doing and then was
895
00:51:11,680 --> 00:51:17,760
approached by the ETC Rep in the
territory and, you know, said,
896
00:51:17,760 --> 00:51:22,640
you know, hey, are you
interested in in coming to, to
897
00:51:22,640 --> 00:51:26,240
work with me as a Rep And I
thought, well, I've never been a
898
00:51:26,240 --> 00:51:28,240
Rep I've seen what he's done and
I got to know him.
899
00:51:28,240 --> 00:51:30,480
And he was a wonderful,
wonderful man.
900
00:51:30,960 --> 00:51:33,400
His name was Bill, only he's no
longer with us.
901
00:51:33,760 --> 00:51:37,160
But he said, yeah, come come to
work.
902
00:51:37,160 --> 00:51:39,440
So he took me out on a job
interview on his bass boat, as
903
00:51:39,440 --> 00:51:45,440
you do in North Carolina.
And yeah, and I ended up working
904
00:51:45,440 --> 00:51:51,560
with Bill for, you know, about
the next four years or so before
905
00:51:51,560 --> 00:51:57,560
having conversations with Robert
Long and Curtis Case Fang at
906
00:51:57,640 --> 00:51:59,200
Theatre Consultants
Collaborative.
907
00:52:00,200 --> 00:52:03,240
I known Robert who had been a
lost colony guy his whole family
908
00:52:03,240 --> 00:52:06,000
had for so many years.
And turns out Robert and I lived
909
00:52:06,000 --> 00:52:08,360
only a few blocks away from each
other in New York and never knew
910
00:52:08,360 --> 00:52:12,320
it.
But they had started a a a
911
00:52:13,560 --> 00:52:19,040
consultant agency called Theatre
Consultants Collaborative and
912
00:52:20,320 --> 00:52:24,800
talked about me coming to join
them to design, to design
913
00:52:24,800 --> 00:52:27,120
theaters.
You know, I was designing a lot
914
00:52:27,120 --> 00:52:29,440
of lighting and control systems.
I've certainly gotten a lot of
915
00:52:29,440 --> 00:52:33,880
experience doing that on the Rep
side of life with with Bill at
916
00:52:33,880 --> 00:52:40,760
the WH Only company and went on
to be a theater consultant with
917
00:52:40,760 --> 00:52:46,560
them for more than a decade,
designing hundreds of hundreds
918
00:52:46,560 --> 00:52:49,920
of facilities, you know, all
over, but primarily US and
919
00:52:49,920 --> 00:52:51,080
Canada.
So now you're designing
920
00:52:51,080 --> 00:52:52,400
projects, though you're not
designing.
921
00:52:53,600 --> 00:52:55,160
Shows you're designing,
installs.
922
00:52:55,200 --> 00:52:58,240
You're designing the.
Actual theater designing
923
00:52:58,240 --> 00:53:00,400
theaters, Yeah.
So as a theater consultant, I
924
00:53:00,400 --> 00:53:03,280
mean, so we're, we're constantly
working with architects and
925
00:53:03,280 --> 00:53:05,000
engineers.
I mean, those are typically our
926
00:53:05,000 --> 00:53:08,400
clients.
You know, here's a concept for a
927
00:53:08,400 --> 00:53:11,280
for a new theater building.
And then of course, we would
928
00:53:11,280 --> 00:53:14,320
design all of the theater
components, the room shaping,
929
00:53:14,320 --> 00:53:16,800
the systems.
We work with the acoustician.
930
00:53:17,640 --> 00:53:20,280
We designed all the lighting
control systems, rigging and
931
00:53:20,280 --> 00:53:23,320
automation systems, you know,
putting all of those things into
932
00:53:23,440 --> 00:53:28,040
into place.
And I found very quickly that I
933
00:53:28,040 --> 00:53:33,800
loved doing that as much or more
than I did putting, putting
934
00:53:33,800 --> 00:53:36,320
shows into theaters and
designing shows.
935
00:53:37,320 --> 00:53:41,640
Because the thing with a show is
that you never know how long
936
00:53:41,640 --> 00:53:45,240
that show is going to run.
You know, unless it's a set run
937
00:53:45,240 --> 00:53:47,320
and it's a short run, you know
you don't know.
938
00:53:47,480 --> 00:53:51,720
So you put all this work into it
and then the show may run six
939
00:53:51,720 --> 00:53:54,280
weeks, it may run, you know, six
months.
940
00:53:55,560 --> 00:53:57,880
It has a lifespan typically
unless you're a, you know,
941
00:53:57,920 --> 00:54:00,920
phantom or or something that
just runs, runs forever.
942
00:54:02,960 --> 00:54:07,360
Not many of us have had those
those kind of shows, but we
943
00:54:07,360 --> 00:54:10,680
where you have where you're
designing a building, you're
944
00:54:10,680 --> 00:54:13,920
really thinking long term.
So it's you know how are the
945
00:54:13,920 --> 00:54:18,080
users going to use this building
for the next 25 years, what is
946
00:54:18,080 --> 00:54:20,400
that going to look like?
How can, how can it be scalable
947
00:54:20,400 --> 00:54:22,920
for technology purposes, Where
are we going to be with
948
00:54:22,920 --> 00:54:25,640
technology in 25 years, you know
when it comes to, when it comes
949
00:54:25,640 --> 00:54:28,240
to our industry.
So I found that really trying to
950
00:54:28,240 --> 00:54:31,960
plan and design for those
challenges and and those types
951
00:54:31,960 --> 00:54:38,480
of spaces was something that I
absolutely loved and and and
952
00:54:38,480 --> 00:54:44,520
continue to do to this day and
it's so I was with TCC for more
953
00:54:44,520 --> 00:54:48,240
than a decade actually Apple
contacted me to to do a
954
00:54:48,240 --> 00:54:52,160
commercial for on how we use
iPad for theater consulting.
955
00:54:52,720 --> 00:54:57,200
So if you Google you know if you
Google theater consulting iPad
956
00:54:57,520 --> 00:54:59,840
there there I am you'll see in
the Apple commercial.
957
00:55:01,320 --> 00:55:05,240
Yeah yeah.
But I mean, we we, we did a lot
958
00:55:05,240 --> 00:55:08,200
of wonderful projects and I love
those guys left left on the good
959
00:55:08,200 --> 00:55:14,560
terms with them.
Started 3 LR design in 2016.
960
00:55:16,480 --> 00:55:20,040
You know, TCC was primarily
living in the theater world
961
00:55:20,040 --> 00:55:24,560
doing only theater projects.
I wanted to do arenas and cruise
962
00:55:24,560 --> 00:55:29,080
ships and other types of other
types of projects that didn't
963
00:55:29,080 --> 00:55:32,920
fit into that, that theater mold
and architectural or containment
964
00:55:32,920 --> 00:55:41,320
type design and so kind of
ventured out no sooner did that
965
00:55:41,320 --> 00:55:42,480
happen, Marcel.
Then.
966
00:55:42,880 --> 00:55:49,320
Then I got a phone call that my
dear friend and previous
967
00:55:49,320 --> 00:55:55,040
employer Bill only had passed
away from WH only company and I
968
00:55:55,040 --> 00:56:00,120
got a call from his widow and
she basically said I think Bill
969
00:56:00,120 --> 00:56:01,880
would want you to have this
company.
970
00:56:02,400 --> 00:56:04,280
Would you be interested?
In.
971
00:56:05,520 --> 00:56:10,680
In buying this company and it
was never on my radar to do
972
00:56:10,760 --> 00:56:12,720
that.
Never, never on my radar.
973
00:56:13,080 --> 00:56:15,040
If you'd said do you want to be
a Rep again?
974
00:56:15,520 --> 00:56:17,320
I would say no it wasn't my
radar.
975
00:56:17,320 --> 00:56:21,880
I was happy doing what I was
doing but she put it to me in
976
00:56:21,880 --> 00:56:26,880
such a way and and it was a
really good opportunity that you
977
00:56:26,880 --> 00:56:30,640
know my wife and I talked about
it and I decided OK I I think
978
00:56:30,640 --> 00:56:33,640
it's the right thing to do.
So we we purchased the Rep
979
00:56:33,640 --> 00:56:36,400
agency but you had.
Already started 3LR.
980
00:56:37,600 --> 00:56:41,760
Already started 3 LR.
Yeah so.
981
00:56:42,960 --> 00:56:48,600
So now we have this sort of
situation where I had a a design
982
00:56:48,600 --> 00:56:52,560
firm and a design company
designing projects and I had a
983
00:56:52,560 --> 00:56:55,120
Rep agency that we we have
purchased.
984
00:56:55,120 --> 00:56:56,600
Now our our territory for the
Rep.
985
00:56:56,600 --> 00:56:58,720
Agency.
Exactly.
986
00:57:00,360 --> 00:57:03,680
Our territory for the Rep agency
was the Carolinas and Bermuda,
987
00:57:04,600 --> 00:57:06,080
North and South Carolina and
Bermuda.
988
00:57:06,600 --> 00:57:12,880
And we, I tried to really draw a
line in the sand.
989
00:57:12,880 --> 00:57:17,600
It was like, OK, here, here's
how we do this and here's how we
990
00:57:17,720 --> 00:57:21,160
avoid this conflict.
I, you know, won't take projects
991
00:57:21,160 --> 00:57:24,440
that will pay out commissions.
You know on the website that I'm
992
00:57:24,440 --> 00:57:28,080
designing, I won't you know or
or if I do take a project
993
00:57:28,320 --> 00:57:31,720
there's no Commission paid on
that particular you know on that
994
00:57:31,720 --> 00:57:33,600
project.
So there was a lot of kind of
995
00:57:33,600 --> 00:57:35,480
balancing that and we're working
that out.
996
00:57:35,480 --> 00:57:37,920
But we try to be very
transparent about that and
997
00:57:37,920 --> 00:57:42,640
owning, owning both those
companies added a number of
998
00:57:42,640 --> 00:57:46,320
great people to I I renamed it
Huko Lighting and controls
999
00:57:46,320 --> 00:57:49,000
people called it Huko anyway
because it was The Who only
1000
00:57:49,000 --> 00:57:54,800
company and it took on a lot of
great folks there and really
1001
00:57:54,800 --> 00:57:58,400
built that company up.
And then five years later was
1002
00:57:58,400 --> 00:58:03,240
approached by Cesco, the largest
Rep agency in the country and
1003
00:58:03,240 --> 00:58:10,040
they wanted to acquire Hookah.
So we we did a deal they they
1004
00:58:10,040 --> 00:58:15,080
took Huko, I stepped away and
went right back to three LR
1005
00:58:15,080 --> 00:58:17,160
which I had kept going you know
through that whole process.
1006
00:58:17,160 --> 00:58:23,480
So that really allowed me to
refocus on on three LR and and
1007
00:58:23,480 --> 00:58:25,760
and doing what we were doing.
Very cool at that point.
1008
00:58:25,800 --> 00:58:29,280
The pieces just all seem to fall
together so well for you, you
1009
00:58:29,280 --> 00:58:30,400
know, throughout.
I know.
1010
00:58:30,680 --> 00:58:33,720
It's almost like you did it on
purpose, you know, All of it.
1011
00:58:33,760 --> 00:58:35,840
It's.
Well, I did have people say I
1012
00:58:35,960 --> 00:58:37,760
Did you plan all of this?
Like, yeah.
1013
00:58:37,920 --> 00:58:39,840
I mean, it sure looks like it,
yeah.
1014
00:58:39,960 --> 00:58:41,720
It looks like.
It it looks amazing.
1015
00:58:41,800 --> 00:58:44,120
I can't be that.
Yeah it can't be that that
1016
00:58:44,120 --> 00:58:49,120
fortunate to to plan it but but
yeah so 3 LR was going great.
1017
00:58:49,120 --> 00:58:52,600
We were doing you know a number
of projects, some larger scale
1018
00:58:52,600 --> 00:58:56,440
stuff of course a lot of things
we were you know signing ND as
1019
00:58:56,440 --> 00:59:00,600
on things we can't talk about
you know with with three LR we
1020
00:59:00,600 --> 00:59:05,720
we designed a lot of projects
that you know I I like to say we
1021
00:59:05,720 --> 00:59:07,440
we white label projects for
people.
1022
00:59:08,920 --> 00:59:12,120
So there may be other
consultants, other designers
1023
00:59:12,120 --> 00:59:17,520
that everyone knows that we we
get, we can be the guts behind
1024
00:59:17,520 --> 00:59:19,240
the glory and we're OK with
with.
1025
00:59:19,280 --> 00:59:21,200
Doing that, somebody else gets
the credit.
1026
00:59:21,200 --> 00:59:23,240
Is that what you're saying?
I'm not going to, I'm not going
1027
00:59:23,240 --> 00:59:24,720
to say all the work.
I'm not going to say all the
1028
00:59:24,720 --> 00:59:27,320
work.
But yeah, but we, we actually do
1029
00:59:27,320 --> 00:59:31,560
a lot of white label design for
for other companies.
1030
00:59:31,560 --> 00:59:37,280
We do that here in in the UK and
and in the US and of course we
1031
00:59:37,280 --> 00:59:42,280
do, we do, we have.
So there's, gosh, there's
1032
00:59:42,840 --> 00:59:49,840
fourteen of us now AT3LR design.
So we have offices in, let's
1033
00:59:49,840 --> 00:59:53,680
see, we have a person in are
they all remote?
1034
00:59:53,680 --> 00:59:56,720
We have a person.
They're all remote, all remote.
1035
00:59:56,880 --> 00:59:58,760
Yes, we have.
We have folks up and down the
1036
00:59:58,760 --> 01:00:02,120
East Coast.
We have Louisville, KY.
1037
01:00:02,120 --> 01:00:04,280
We have a person in Austin, in
San Francisco.
1038
01:00:05,080 --> 01:00:07,000
And then we have some people
over on this side of the pond
1039
01:00:07,000 --> 01:00:08,240
as.
Well.
1040
01:00:08,640 --> 01:00:11,960
So everyone works remote.
I should say that that I, I did
1041
01:00:11,960 --> 01:00:15,440
kind of borrow that model from
TCC.
1042
01:00:16,080 --> 01:00:18,440
It's a it's a tweaked version of
that model.
1043
01:00:18,440 --> 01:00:21,720
But TCC was one of the first
consultancy firms to say we're
1044
01:00:21,720 --> 01:00:24,200
all going to be remote, we're
all going to work from home.
1045
01:00:24,920 --> 01:00:27,320
People thought we were we were
crazy for doing that.
1046
01:00:27,320 --> 01:00:29,320
And then after a while they
started to realizing maybe we
1047
01:00:29,320 --> 01:00:30,840
don't need all of these brick
and mortar.
1048
01:00:31,040 --> 01:00:34,280
You know what, So.
You know, I don't want to spend
1049
01:00:34,280 --> 01:00:35,880
too much time on this because
it's boring.
1050
01:00:36,760 --> 01:00:40,120
But my company, my company,
Gearsource, was remote before.
1051
01:00:40,880 --> 01:00:43,840
Before it was cool.
You know we we've been remote
1052
01:00:43,840 --> 01:00:50,800
for I don't know probably 2015,
sixteen something like that.
1053
01:00:51,320 --> 01:00:54,560
You know sold the building just
completely got rid of all
1054
01:00:54,560 --> 01:00:56,680
offices and everybody worked
remote.
1055
01:00:57,160 --> 01:01:00,920
And so when COVID happened, I
was actually helping people and
1056
01:01:00,920 --> 01:01:06,840
companies to become remote and I
found so many companies had like
1057
01:01:06,840 --> 01:01:12,000
these on Prem servers and and
software and didn't know how to
1058
01:01:12,000 --> 01:01:15,560
get into like cloud and didn't.
Know how to?
1059
01:01:16,040 --> 01:01:18,120
Yeah, they just didn't have
Google Drive.
1060
01:01:18,120 --> 01:01:20,080
They didn't have any of these
tools.
1061
01:01:20,360 --> 01:01:22,680
So I was helping people.
I was teaching people how to use
1062
01:01:22,680 --> 01:01:26,120
Zoom.
You know when COVID happened and
1063
01:01:26,120 --> 01:01:29,240
you know now it's funny to even
talk about that because everyone
1064
01:01:29,240 --> 01:01:31,840
knows.
But I wanted to mention and you
1065
01:01:31,840 --> 01:01:33,560
know it's not an advertisement
or anything.
1066
01:01:33,560 --> 01:01:35,080
They're not a sponsor.
They don't pay me.
1067
01:01:35,080 --> 01:01:37,840
But I use a remote product
called Rome.
1068
01:01:37,840 --> 01:01:41,800
RO dot AM is the is the web
domain.
1069
01:01:42,160 --> 01:01:44,600
You should check it out.
So it's it's basically it
1070
01:01:44,600 --> 01:01:50,600
bridges sort of the gap between
remote with like occasional zoom
1071
01:01:50,600 --> 01:01:54,200
calls and an actual in person
office.
1072
01:01:54,200 --> 01:01:58,240
And so on your screen you
actually see an office building.
1073
01:01:58,240 --> 01:02:01,560
It could be multiple floors, you
could have a design floor,
1074
01:02:02,040 --> 01:02:05,440
whatever floor, a purchasing
floor and you see all of the
1075
01:02:05,440 --> 01:02:08,120
people, you see who's in their
offices, you see if they've got
1076
01:02:08,120 --> 01:02:10,640
a guest in their office.
You can knock on the door of any
1077
01:02:10,640 --> 01:02:14,480
of the offices and then you've
got conference rooms and you can
1078
01:02:14,480 --> 01:02:16,440
name all of these different
conference rooms.
1079
01:02:16,720 --> 01:02:21,000
And conference rooms can have
all kinds of different assets in
1080
01:02:21,000 --> 01:02:22,440
them.
You know, you can have video
1081
01:02:22,440 --> 01:02:25,320
conference rooms, audio only,
You can have whiteboards.
1082
01:02:25,400 --> 01:02:27,840
It saves the whiteboards in the
conference room.
1083
01:02:27,840 --> 01:02:31,720
So if you pop back into
Conference Room 3, whatever you
1084
01:02:31,720 --> 01:02:34,080
were working on in there is up
on the screen.
1085
01:02:35,240 --> 01:02:37,600
It's amazing.
It's been a game.
1086
01:02:37,600 --> 01:02:39,920
That sounds really cool.
It's yeah, I just pulled it.
1087
01:02:39,920 --> 01:02:42,640
I just pulled it up here.
Yeah, I mean, if you need an
1088
01:02:42,640 --> 01:02:45,080
introduction or anything, just
reach out to me and let me know
1089
01:02:45,080 --> 01:02:48,200
and I can connect you directly.
It's a really new company, but
1090
01:02:48,200 --> 01:02:50,360
they're amazing.
They're it's It's been the
1091
01:02:50,360 --> 01:02:53,480
coolest piece of software I've
I've latched into in the past
1092
01:02:53,480 --> 01:02:56,440
few years, so.
Yeah, no, that's that's great.
1093
01:02:56,480 --> 01:03:02,160
I mean we, yeah, we back in the
day with with TCC we were you
1094
01:03:02,160 --> 01:03:04,880
know running stuff like
Microsoft Groove.
1095
01:03:04,880 --> 01:03:07,960
It was like one of the first
like remote sync to computer
1096
01:03:08,280 --> 01:03:11,320
bits that they had, you know
that pre dated so much of the
1097
01:03:11,320 --> 01:03:14,160
cloud cloud type products that
we have now.
1098
01:03:14,920 --> 01:03:17,000
So, yeah, when we got to COVID
and we were just like, oh,
1099
01:03:17,000 --> 01:03:19,560
another day in the office, I
mean, because it was just,
1100
01:03:19,800 --> 01:03:21,600
that's what it was, yeah.
Same for me.
1101
01:03:21,800 --> 01:03:22,720
Same for me.
It didn't.
1102
01:03:22,760 --> 01:03:26,000
From a standpoint of being able
to communicate with our staff
1103
01:03:26,000 --> 01:03:28,120
and being able to do our job,
nothing changed.
1104
01:03:28,120 --> 01:03:31,520
In fact, it got easier, right,
because everyone else was so
1105
01:03:31,520 --> 01:03:33,200
attentive.
You know, everyone else was
1106
01:03:33,200 --> 01:03:35,600
available to jump on zoom calls
with us and stuff.
1107
01:03:35,600 --> 01:03:41,960
So yeah, so yeah, so now you've
at that point, I guess.
1108
01:03:41,960 --> 01:03:48,880
So when did you sell 2221?
We sold in 22, OK 22.
1109
01:03:48,880 --> 01:03:52,400
So then you just leaned
completely into 3 LR at that
1110
01:03:52,400 --> 01:03:56,040
point.
And So what does 3LR mean?
1111
01:03:56,120 --> 01:03:57,640
I There's got to be a meaning
behind.
1112
01:03:58,640 --> 01:04:00,840
Sure.
It's just random letter, random
1113
01:04:00,840 --> 01:04:03,520
number and letters that we we
chose out in there.
1114
01:04:03,520 --> 01:04:05,040
No.
Yeah.
1115
01:04:05,280 --> 01:04:07,560
You're serious there.
I was like, wow, sure.
1116
01:04:07,560 --> 01:04:08,960
Why not.
We're like, this sounds good.
1117
01:04:08,960 --> 01:04:10,120
It rolls off the tongue.
Yeah.
1118
01:04:10,160 --> 01:04:11,840
Yeah.
Yeah.
1119
01:04:11,840 --> 01:04:15,120
We were actually, Matt Lloyd
came up with it.
1120
01:04:15,120 --> 01:04:18,640
I I mentioned that before.
So we were, we were sitting in,
1121
01:04:19,800 --> 01:04:22,840
I forget where we were at AUSITT
or something and we're sitting
1122
01:04:22,840 --> 01:04:26,760
in a bar and he was wanting to
watch Six Nations rugby and
1123
01:04:26,760 --> 01:04:28,400
we're we're having this
conversation.
1124
01:04:28,400 --> 01:04:33,320
And anyway he said, so I have
this idea and he's telling me
1125
01:04:33,320 --> 01:04:37,560
about it and he says, you know,
do have you read about the third
1126
01:04:37,560 --> 01:04:39,600
lighting receptor in the human
eye?
1127
01:04:39,680 --> 01:04:42,040
And I said no, tell me about
that.
1128
01:04:42,040 --> 01:04:43,320
So he starts telling me about
it.
1129
01:04:43,720 --> 01:04:45,520
And do you know about this?
Do you know, do you know about
1130
01:04:46,000 --> 01:04:47,080
the third light?
OK, OK.
1131
01:04:47,360 --> 01:04:51,080
So there's a, there was a maybe
almost 20 years ago or so, there
1132
01:04:51,080 --> 01:04:54,360
was a, there's a third, a third
lighting receptor that was found
1133
01:04:54,360 --> 01:04:59,920
in the human eye.
And basically that receptor is
1134
01:04:59,920 --> 01:05:02,440
what allows us to experience
emotion through light.
1135
01:05:03,040 --> 01:05:09,120
And so even blind people we find
out have this have this
1136
01:05:09,120 --> 01:05:13,560
receptor.
So someone who can't physically
1137
01:05:13,560 --> 01:05:17,680
see can still feel emotion
through different types of of
1138
01:05:17,680 --> 01:05:20,800
light.
But those of us who can't see
1139
01:05:20,800 --> 01:05:23,360
the lighting really effects our
emotion.
1140
01:05:24,760 --> 01:05:27,520
So he was like wouldn't it be
cool to have, you know company
1141
01:05:27,640 --> 01:05:31,160
and we called it 3 LR because
we're essentially we're we're
1142
01:05:31,160 --> 01:05:35,160
lighting by by motion or
lighting by emotion.
1143
01:05:35,160 --> 01:05:36,520
I mean he was coming up with all
these things.
1144
01:05:36,960 --> 01:05:42,000
So the idea is that whatever we
do in our industry when we're
1145
01:05:42,000 --> 01:05:45,000
designing, we're not just doing
it because something looks good
1146
01:05:45,000 --> 01:05:50,520
because there's we're trying to
evoke emotions and and people
1147
01:05:50,640 --> 01:05:54,920
and make that connection through
light whether they know it or
1148
01:05:54,920 --> 01:05:57,360
realize it or not.
And I and I like to always say
1149
01:05:57,360 --> 01:05:59,840
if you're if you go to see a
show and you have you have this
1150
01:05:59,840 --> 01:06:03,680
beautiful scene on stage, seeing
that scene is going to make you
1151
01:06:03,680 --> 01:06:07,840
feel one way or another.
You know it immediately made me
1152
01:06:07,840 --> 01:06:13,440
think of watching Jennifer
Tipton do do a session on
1153
01:06:13,480 --> 01:06:18,400
various angles of light and
talking about how do you feel,
1154
01:06:18,560 --> 01:06:20,440
how do you feel when we have
direct sidelight.
1155
01:06:20,440 --> 01:06:22,360
How do you feel when it's just
top down?
1156
01:06:22,960 --> 01:06:26,160
What is the feeling if it's
coming up from under the chin,
1157
01:06:26,560 --> 01:06:28,560
under the eyes, what what does
that do?
1158
01:06:29,640 --> 01:06:33,760
That's and it's very in a
simplistic way that, you know,
1159
01:06:33,840 --> 01:06:36,520
that really kind of hits true
with what what 3 LR is.
1160
01:06:36,520 --> 01:06:40,640
But but really, it's just
everything that we do should,
1161
01:06:41,040 --> 01:06:43,360
should, cause us to to feel
certain emotion.
1162
01:06:44,800 --> 01:06:50,080
You know, I hate to, I hate to
sound negative or anything, but
1163
01:06:50,240 --> 01:06:54,800
has anyone ever, like spoken to
lay persons about this and said,
1164
01:06:55,240 --> 01:06:57,080
you know, how does that make you
feel?
1165
01:06:57,080 --> 01:06:59,160
How does this make you feel?
And they're like, I don't know,
1166
01:06:59,160 --> 01:07:02,360
like, I don't feel like, 'cause,
you know, I remember way back in
1167
01:07:02,360 --> 01:07:05,640
the day when when, like a
nightclub owner would would say,
1168
01:07:05,960 --> 01:07:09,200
but you know, this light's more
expensive with than this light.
1169
01:07:09,200 --> 01:07:12,560
So tell me, how many more beer
will I sell with this light
1170
01:07:12,560 --> 01:07:15,600
versus this light?
And you know, the answer is
1171
01:07:15,600 --> 01:07:18,800
usually none.
More beer, Sir, you know, but.
1172
01:07:19,240 --> 01:07:21,120
None more beer, yeah?
None more beer, Sir.
1173
01:07:21,560 --> 01:07:26,760
But you know, like is this just
a bunch of us lighting geeks
1174
01:07:26,760 --> 01:07:29,880
talking about this kind of stuff
and the third receptor and all
1175
01:07:29,880 --> 01:07:33,440
of these things or or is it
really a thing?
1176
01:07:35,280 --> 01:07:37,320
It could be, but I mean,
personally, I believe it's
1177
01:07:37,320 --> 01:07:40,000
really a thing.
Have I ever gone, have I ever
1178
01:07:40,000 --> 01:07:41,680
gone to a bar and had those
conversations?
1179
01:07:41,680 --> 01:07:42,800
No.
I mean I know that's just an
1180
01:07:42,800 --> 01:07:48,680
example, but I I do feel like it
is something you know and
1181
01:07:48,680 --> 01:07:52,760
obviously studies have been done
on circadian rhythm and you know
1182
01:07:52,760 --> 01:07:56,440
how lighting affects us in a in
a daily environment, you know,
1183
01:07:57,280 --> 01:08:00,520
sunlight at certain times, how
that really effects our psyche.
1184
01:08:01,360 --> 01:08:04,160
You know, there are whole
buildings now being designed
1185
01:08:04,160 --> 01:08:06,600
around.
You know, what do we do inside
1186
01:08:06,600 --> 01:08:09,880
that's emulating what's going on
outside so that our bodies think
1187
01:08:09,880 --> 01:08:12,000
it's a normal thing.
It doesn't affect us in a
1188
01:08:12,000 --> 01:08:13,400
negative.
Way and people buying like
1189
01:08:13,400 --> 01:08:16,600
$100,000 red light beds and
stuff like that.
1190
01:08:16,600 --> 01:08:20,200
You know it's lighting is
definitely becoming a thing when
1191
01:08:20,200 --> 01:08:22,800
it comes to health and sciences
and stuff.
1192
01:08:23,880 --> 01:08:27,520
You know, myself I was in the
LED business from a very early
1193
01:08:28,279 --> 01:08:32,120
time in that business.
So I followed that whole wave of
1194
01:08:32,120 --> 01:08:35,680
circadian rhythm and and you
know companies that were
1195
01:08:35,680 --> 01:08:38,880
actually creating lighting that
was automatically following, you
1196
01:08:38,880 --> 01:08:44,920
know the natural and and so
yeah, you know again, but trying
1197
01:08:44,920 --> 01:08:48,760
to use that as a selling point
on a customer is a tough one
1198
01:08:48,760 --> 01:08:51,880
because you know you're like
this is really going to change
1199
01:08:51,880 --> 01:08:54,160
your mood or whatever.
And they're like, I don't know,
1200
01:08:54,200 --> 01:08:57,960
I don't feel any different.
You know, I I I'll give you a
1201
01:08:57,960 --> 01:09:01,359
really interesting little story
about that and it has to do with
1202
01:09:01,359 --> 01:09:06,479
Penguins, which I'm not going to
say where.
1203
01:09:06,600 --> 01:09:08,479
Yeah, period.
That's all there is.
1204
01:09:08,479 --> 01:09:10,160
Penguins are Penguins are
interesting.
1205
01:09:10,560 --> 01:09:15,560
I'm not going to say where, but
maybe five or six years ago was
1206
01:09:15,560 --> 01:09:21,840
at a gala in in a large aquarium
and we were we were in town for
1207
01:09:22,960 --> 01:09:26,279
some some other project work and
there was this fundraising gala.
1208
01:09:26,520 --> 01:09:30,560
So where we go to this thing?
And we're kind of all wandering
1209
01:09:30,560 --> 01:09:33,200
through the having our sipping
our champagne and you know,
1210
01:09:33,200 --> 01:09:36,279
having hors d'oeuvres.
And oddly enough I think they
1211
01:09:36,279 --> 01:09:39,319
serve fish cakes in the
aquarium, which was hilarious.
1212
01:09:40,720 --> 01:09:44,000
So.
So we're we get to the Penguin,
1213
01:09:44,160 --> 01:09:47,960
the Penguin exhibit.
And I'm standing there and I'm
1214
01:09:47,960 --> 01:09:52,640
looking at the Penguins and one
of the animal husbandry, you
1215
01:09:52,640 --> 01:09:58,400
know, aquarium staff people are
there and and I'm looking at the
1216
01:09:58,400 --> 01:10:00,800
Penguins.
And suddenly the lights on this
1217
01:10:00,800 --> 01:10:08,320
side of the of the Penguin area
go and go out and the other
1218
01:10:08,320 --> 01:10:12,560
side, these lights come on and
and and there's sort of more of
1219
01:10:12,560 --> 01:10:18,360
a blue light, you know, And and
I looked and I look at this,
1220
01:10:18,440 --> 01:10:22,080
this person standing there and
I'm thinking about this.
1221
01:10:22,080 --> 01:10:24,440
And when it happened, it was
almost like when you see in a
1222
01:10:24,440 --> 01:10:27,920
film and of course they have to
add the sound effect, like like
1223
01:10:27,920 --> 01:10:29,240
all the contactors are going
off.
1224
01:10:29,480 --> 01:10:30,720
That's what it felt like.
Right.
1225
01:10:32,320 --> 01:10:36,520
And I look at her and I said,
does that always happen that
1226
01:10:36,520 --> 01:10:39,720
way?
And she said, yeah, because what
1227
01:10:39,720 --> 01:10:42,960
I noticed was as soon as that
happened, all the Penguins come
1228
01:10:42,960 --> 01:10:45,400
up out of the water.
They crawl up onto their little
1229
01:10:45,720 --> 01:10:47,680
concrete pads or whatever by
their cave.
1230
01:10:48,040 --> 01:10:51,240
They all huddle up into a little
ball and they go to sleep like
1231
01:10:51,240 --> 01:10:52,880
that.
I mean they were, it all
1232
01:10:52,880 --> 01:10:55,440
happened like within 30 seconds
the light changed.
1233
01:10:55,440 --> 01:10:57,640
They did it.
It was like a Pavlov's dog type
1234
01:10:57,640 --> 01:11:00,320
of effect.
And I said does that always
1235
01:11:00,320 --> 01:11:02,160
happen that?
And she said, yeah, that's how
1236
01:11:02,160 --> 01:11:06,440
they know it's night time now,
you know, So it was day and now
1237
01:11:06,440 --> 01:11:08,840
it's night.
And I said is that how it
1238
01:11:08,840 --> 01:11:14,120
happens in nature?
And she looked at me and I was
1239
01:11:14,120 --> 01:11:16,960
like, what do you mean?
And I said, I mean when you go
1240
01:11:16,960 --> 01:11:21,680
outside, does the sun just go
off and the the the moon is just
1241
01:11:21,720 --> 01:11:26,480
on or you know, stars are up and
she's like she's like, no, but
1242
01:11:26,480 --> 01:11:30,360
we're in an aquarium.
So and I'm thinking, OK, there's
1243
01:11:30,360 --> 01:11:31,760
got to be better ways to do
this.
1244
01:11:31,760 --> 01:11:34,640
So we started going down this
whole Rd. of like how can we do
1245
01:11:34,640 --> 01:11:37,720
better for the aquariums and
animals and all this.
1246
01:11:37,720 --> 01:11:39,680
And we start working with these
zoo people.
1247
01:11:40,480 --> 01:11:41,880
This is 3 alarms.
So we're putting, you know,
1248
01:11:41,880 --> 01:11:45,640
we're putting all this together.
I had an assistant at the time
1249
01:11:45,640 --> 01:11:47,760
named named Noah and he really
got into it.
1250
01:11:49,040 --> 01:11:55,280
And we were, as we were going
through this, this process, what
1251
01:11:55,280 --> 01:11:58,000
we we come to find out that a
number of aquariums do it this
1252
01:11:58,000 --> 01:12:02,480
way for the Penguins.
And one of them, there were case
1253
01:12:02,480 --> 01:12:06,040
studies where the Penguins were
getting cataracts.
1254
01:12:06,640 --> 01:12:09,440
And the reason they were getting
cataracts is because the light
1255
01:12:09,680 --> 01:12:14,040
angle of the light bouncing off
of their their cages or their
1256
01:12:14,200 --> 01:12:17,720
environment was incorrect
because they live in a very low
1257
01:12:17,720 --> 01:12:20,560
angle light typically.
But because the light was coming
1258
01:12:20,560 --> 01:12:22,520
like this, it was bouncing up
into their eyes and giving them
1259
01:12:22,520 --> 01:12:25,320
cataracts.
And we said we can, we can come
1260
01:12:25,320 --> 01:12:27,920
up with a solution to change
this in a lighting way that
1261
01:12:28,120 --> 01:12:31,600
tracks the sun, makes it a more
normal thing, puts the lighting
1262
01:12:31,600 --> 01:12:33,760
at an angle that does what it's
supposed to do.
1263
01:12:33,760 --> 01:12:36,120
How much is that going to cost?
We put up all this and we say
1264
01:12:36,120 --> 01:12:38,800
here's what it's going to cost.
They come back to us and they
1265
01:12:38,800 --> 01:12:44,040
say, well, it's less expensive
for us every year to just send
1266
01:12:44,040 --> 01:12:47,840
the Penguins over to the
whatever, vet such and such and
1267
01:12:47,840 --> 01:12:51,240
have their cataracts removed, Oh
my God, and put them back in
1268
01:12:51,520 --> 01:12:54,080
than it is to to do the
lighting.
1269
01:12:54,680 --> 01:12:56,880
That's terrible.
And isn't that crazy, crazy
1270
01:12:56,880 --> 01:13:00,360
story so I mean.
Yeah, well, I learned a little
1271
01:13:00,360 --> 01:13:03,960
bit of that stuff too.
Again, you know in the LED
1272
01:13:04,080 --> 01:13:07,600
business when being here in
Florida, you know, turtle
1273
01:13:07,600 --> 01:13:13,320
lighting is a pretty big thing.
And you know what was happening
1274
01:13:13,320 --> 01:13:15,880
with a lot of the big condo
buildings and hotels and stuff
1275
01:13:15,880 --> 01:13:20,560
during mating season, Turtles
think that these deck lights,
1276
01:13:20,560 --> 01:13:25,120
patio lights and stuff on the
hotels are the moon.
1277
01:13:25,520 --> 01:13:28,600
And so they start going towards
these lights and they end up
1278
01:13:28,600 --> 01:13:32,720
getting run over on the road or
or they lay eggs by the pool or
1279
01:13:32,960 --> 01:13:34,960
you know, just bad things
happen.
1280
01:13:35,400 --> 01:13:41,520
And so they started forcing them
to use a particular orange.
1281
01:13:41,520 --> 01:13:44,320
I can't remember what the
bandwidth was or anything, but
1282
01:13:45,680 --> 01:13:48,200
so they they had to use these
orange lights on all the pool
1283
01:13:48,200 --> 01:13:51,000
decks and houses and stuff.
And a lot of still a lot of the
1284
01:13:51,000 --> 01:13:54,120
billionaires and stuff who have
houses on the beach, they still
1285
01:13:54,440 --> 01:13:57,840
they pay the fines because the
fine is like $15 a day or
1286
01:13:57,840 --> 01:14:00,360
something and they just pay the
fines and kill the dirtles, you
1287
01:14:00,360 --> 01:14:06,920
know, but, but.
Yeah, that's a yeah, yeah we we
1288
01:14:06,920 --> 01:14:08,680
went through that.
We did during COVID I mentioned
1289
01:14:08,680 --> 01:14:13,080
we designed a Viking ship, so we
did the the Mississippi ship and
1290
01:14:13,080 --> 01:14:16,680
we do ships, we do the ship wide
lighting and control system.
1291
01:14:16,680 --> 01:14:19,440
So not just the venues or things
like that, but ship wide
1292
01:14:19,440 --> 01:14:22,360
lighting and control and that
was one of the things we had to
1293
01:14:22,360 --> 01:14:25,120
take into account was you know
what's the wildlife situation is
1294
01:14:25,120 --> 01:14:30,520
this thing floating up and down
the Mississippi, turtles, bats,
1295
01:14:30,520 --> 01:14:33,440
bats were a big thing.
How does what we do with
1296
01:14:33,440 --> 01:14:35,120
lighting affect all of these
animals.
1297
01:14:35,120 --> 01:14:40,000
And so it's it's so much more
than I think of like I walk into
1298
01:14:40,000 --> 01:14:42,720
a theater and think OK we have
to make the scene look a certain
1299
01:14:42,720 --> 01:14:43,840
way.
We have to get lights in this
1300
01:14:43,840 --> 01:14:45,160
certain place.
That's it.
1301
01:14:45,320 --> 01:14:45,760
Right.
This is.
1302
01:14:45,960 --> 01:14:48,120
A whole lot of problems floating
up and down the road.
1303
01:14:48,600 --> 01:14:51,520
You don't want to piss off the
bat people, you know, they're
1304
01:14:51,520 --> 01:14:52,960
they're not good people to piss
off.
1305
01:14:53,320 --> 01:14:55,800
Yeah, that's wild.
So you know, I know one of your
1306
01:14:55,800 --> 01:14:59,280
big projects, obviously one of
the biggest projects was the
1307
01:14:59,280 --> 01:15:03,000
Sphere and I know that I think
you warned me.
1308
01:15:03,000 --> 01:15:07,640
You can only talk so much about
it, but can you talk about how
1309
01:15:07,680 --> 01:15:11,440
you were involved or or?
Yeah.
1310
01:15:11,440 --> 01:15:14,880
I mean, yeah, I would say there
are, there are literally tons
1311
01:15:14,880 --> 01:15:17,200
and tons of different firms
involved with that project.
1312
01:15:17,200 --> 01:15:20,160
Obviously, it's a massive,
massive undertaking.
1313
01:15:20,400 --> 01:15:23,720
We were, we were involved in,
you know what I think is a
1314
01:15:23,800 --> 01:15:29,680
probably a very, very small way,
but I mean essentially we we did
1315
01:15:29,680 --> 01:15:33,720
some, we did some white label
design for some other firms.
1316
01:15:34,760 --> 01:15:41,760
We we did do specifications for
for the lighting and control
1317
01:15:41,760 --> 01:15:45,840
systems in the sphere,
architectural lighting and
1318
01:15:45,840 --> 01:15:48,000
control system.
Yeah, yeah, I should say, yeah.
1319
01:15:49,320 --> 01:15:52,800
And and it was amazing.
It was an amazing project.
1320
01:15:52,840 --> 01:15:57,120
I mean, there's so many people
involved that seeing everyone
1321
01:15:57,120 --> 01:16:00,440
come together because there's so
many silos of work that are
1322
01:16:00,440 --> 01:16:04,040
happening simultaneously, and to
see the whole thing come
1323
01:16:04,040 --> 01:16:07,680
together to be what it is, is is
pretty pretty incredible.
1324
01:16:07,960 --> 01:16:09,520
Well, you.
You know Brad Nelms, who works
1325
01:16:09,520 --> 01:16:13,080
with me at at Gearsource.
He he was telling me one time
1326
01:16:13,080 --> 01:16:16,760
about how all the video panels
went together.
1327
01:16:17,800 --> 01:16:20,680
You know, as far as being built
in sections and then taken over
1328
01:16:20,680 --> 01:16:26,760
in sections and the exterior LED
panels and it was just wild.
1329
01:16:26,760 --> 01:16:29,480
It's wild.
Just the scope of that project.
1330
01:16:29,520 --> 01:16:33,960
It's just completely insane.
It is when it is.
1331
01:16:34,040 --> 01:16:36,800
I love looking at the exterior
up close to, because when you
1332
01:16:36,800 --> 01:16:40,040
see it, you know, on the horizon
it's, you know, it's just this
1333
01:16:41,000 --> 01:16:42,960
amazing, beautiful display,
right?
1334
01:16:42,960 --> 01:16:45,200
But you get up close and to
realize how far apart those
1335
01:16:45,200 --> 01:16:48,960
pixels actually are and that you
can see right through it.
1336
01:16:48,960 --> 01:16:50,120
It's just on.
The exterior.
1337
01:16:51,640 --> 01:16:53,800
Don't.
I don't remember off the top of
1338
01:16:53,800 --> 01:17:00,680
my head, but it is impressively
distant from one another when
1339
01:17:00,680 --> 01:17:03,040
you're when you're up.
Push like something like that.
1340
01:17:03,120 --> 01:17:06,320
No, no more, more than that.
I think.
1341
01:17:06,720 --> 01:17:08,960
Really, I think they're a a foot
or more.
1342
01:17:09,720 --> 01:17:11,560
I have to.
Don't don't don't quote me.
1343
01:17:11,560 --> 01:17:12,760
On that it's all good.
I'm just.
1344
01:17:12,840 --> 01:17:14,480
Curious.
Yeah.
1345
01:17:14,480 --> 01:17:15,440
I'm just curious.
Yeah, I.
1346
01:17:15,440 --> 01:17:18,040
Have to far apart.
I don't think I've actually been
1347
01:17:18,040 --> 01:17:21,520
to Vegas since it's been open.
So I've, I've seen it multiple
1348
01:17:21,520 --> 01:17:25,760
times in being built, but I
haven't been there cuz I missed
1349
01:17:25,760 --> 01:17:31,040
LDI last year and so I haven't
been there in since I guess
1350
01:17:31,040 --> 01:17:33,280
almost two years ago, a year and
a half ago or whatever.
1351
01:17:33,760 --> 01:17:39,240
But yeah, I mean, you know, I
think everyone I talk to has a
1352
01:17:39,240 --> 01:17:42,960
different opinion of the sphere.
You know, I've talked to locals
1353
01:17:42,960 --> 01:17:45,080
who hate it.
They think it's an eyesore from
1354
01:17:45,080 --> 01:17:47,200
the outside.
I think it's kind of cool from
1355
01:17:47,200 --> 01:17:49,080
the outside.
I think from a marketing
1356
01:17:49,080 --> 01:17:51,480
standpoint, it's as big as it
gets.
1357
01:17:51,520 --> 01:17:54,680
You know, you're not going to,
again, going back to racing
1358
01:17:54,680 --> 01:17:58,240
during the F1 race, like
watching the, the happy face
1359
01:17:58,240 --> 01:18:01,280
guy, you know, with his eyes
following cars as they were
1360
01:18:01,280 --> 01:18:03,560
going down the track.
I mean, that was just really
1361
01:18:03,560 --> 01:18:09,280
cool, you know, corny, but cool.
Just a lot of really cool things
1362
01:18:09,280 --> 01:18:14,040
that I've seen that that do, you
know, that maybe again, as
1363
01:18:14,040 --> 01:18:17,040
locals they go, OK, I get it now
let's move on.
1364
01:18:18,000 --> 01:18:20,160
Right.
You know, from a show
1365
01:18:20,160 --> 01:18:23,280
standpoint, I'm just not.
I don't know, like everyone
1366
01:18:23,280 --> 01:18:26,520
talks to me, every single
designer, every friend I know in
1367
01:18:26,520 --> 01:18:28,840
the industry keeps talking to me
saying you gotta see it.
1368
01:18:28,840 --> 01:18:30,920
It's incredible, the U2 thing
and I missed it.
1369
01:18:31,080 --> 01:18:33,160
It's over.
And I'm not sad.
1370
01:18:33,160 --> 01:18:36,480
I missed it, to be perfectly
honest, cuz a I'm not a fan of
1371
01:18:36,480 --> 01:18:40,040
YouTube, so I'd be there looking
at just the technology and to
1372
01:18:40,080 --> 01:18:43,360
pay 1200 bucks a ticket or
whatever to go see a whole bunch
1373
01:18:43,360 --> 01:18:45,640
of video gear.
You know, I'll wait.
1374
01:18:45,640 --> 01:18:48,800
I'll see it like, you know, when
it's got the planetarium playing
1375
01:18:48,800 --> 01:18:51,760
in there or something and I'll
go, I'll go, wow, this is
1376
01:18:51,760 --> 01:18:53,920
amazing, you know, but.
Right.
1377
01:18:54,280 --> 01:18:57,760
But I I wouldn't want to see a
band like I mentioned to you
1378
01:18:57,760 --> 01:19:01,680
before we started recording.
You know, I I've always, since I
1379
01:19:01,680 --> 01:19:03,520
was a kid, been a huge Led
Zeppelin fan.
1380
01:19:03,520 --> 01:19:06,480
If they were ever to reunite for
one more show and do it in the
1381
01:19:06,480 --> 01:19:08,480
sphere, I wouldn't want to see
it.
1382
01:19:08,520 --> 01:19:12,400
I just wouldn't want to see it.
Like to me, you know, you can't
1383
01:19:12,400 --> 01:19:14,880
see the band.
All you can see is all this
1384
01:19:14,920 --> 01:19:18,120
other stuff that's going on and
and so yeah, I don't know.
1385
01:19:18,120 --> 01:19:20,120
That's just my opinion, and I'm
sure there's a lot of people
1386
01:19:20,120 --> 01:19:21,760
rolling their eyes listening to
this, but it's.
1387
01:19:23,000 --> 01:19:25,720
Just no, I think it's, I mean I
think it's certainly impressive
1388
01:19:25,880 --> 01:19:27,320
in there.
I I agree with you.
1389
01:19:27,320 --> 01:19:30,000
Like when you when you're up in
there and you're looking down,
1390
01:19:30,000 --> 01:19:33,240
it's like to see the band and
you know where are they?
1391
01:19:33,240 --> 01:19:35,640
They're down there.
Baseball, I mean it's it's it's
1392
01:19:35,640 --> 01:19:40,880
obviously an immersive
experience and and I think when
1393
01:19:40,880 --> 01:19:43,600
you're going to a show there,
you're probably going for that
1394
01:19:43,600 --> 01:19:46,840
experience just as much if not
more than going to see whatever,
1395
01:19:47,160 --> 01:19:48,920
whatever event that you're going
to see.
1396
01:19:49,160 --> 01:19:51,840
And that I think as we were
talking a little bit before, it
1397
01:19:51,840 --> 01:19:54,480
will be interesting to see once
they start having other types of
1398
01:19:54,480 --> 01:19:58,920
events in there, you know,
whether it's a fight or some
1399
01:19:58,920 --> 01:20:01,760
other type being a sporting
event or whatever that may be.
1400
01:20:02,240 --> 01:20:02,760
Yeah.
You know.
1401
01:20:02,880 --> 01:20:06,200
I'm a big fan of Dana White and
the UFC and and he's taking a
1402
01:20:06,200 --> 01:20:10,200
big risk by doing this and he's
doing it on Mexican Independence
1403
01:20:10,200 --> 01:20:14,480
Day and and so it's a big, big
deal for the UFC, for him and
1404
01:20:14,480 --> 01:20:17,840
for the sphere to show that,
hey, you can do a normal thing
1405
01:20:17,840 --> 01:20:20,800
in here but make it, you know, a
spectacle.
1406
01:20:21,600 --> 01:20:23,840
I'm still curious as to what
that's going to look like,
1407
01:20:23,840 --> 01:20:27,240
'cause you got two guys
fighting, you know, and all this
1408
01:20:27,240 --> 01:20:30,760
stuff going on, on the screens.
Like is it just a big imag?
1409
01:20:30,760 --> 01:20:32,600
Is it you know, I?
Don't know, right.
1410
01:20:32,680 --> 01:20:35,200
Are they just like massively
fighting?
1411
01:20:35,240 --> 01:20:36,280
You know?
I don't know.
1412
01:20:36,400 --> 01:20:37,440
Like, it's going to be
interesting.
1413
01:20:37,520 --> 01:20:38,360
I don't.
Know it's going to be
1414
01:20:38,360 --> 01:20:40,800
interesting, you know, like
every time somebody punches, is
1415
01:20:40,800 --> 01:20:44,440
it going to be like Batman and
Robin with pow bang, you know?
1416
01:20:44,920 --> 01:20:47,360
Boom ripples across the whole.
Space.
1417
01:20:47,400 --> 01:20:49,560
Yeah, yeah, yeah.
Or a video game.
1418
01:20:49,640 --> 01:20:51,400
Like, make it into a video game,
right?
1419
01:20:51,400 --> 01:20:53,800
Like, you know, we punch
something in a game and and it
1420
01:20:53,800 --> 01:20:57,720
all goes slow motion and you
know, like, who knows what
1421
01:20:57,720 --> 01:20:59,760
they're gonna do?
Like they're having creative
1422
01:20:59,760 --> 01:21:02,000
meetings every day, I hear, you
know?
1423
01:21:02,240 --> 01:21:04,840
For that event, so.
It's gonna be interesting, but
1424
01:21:04,840 --> 01:21:06,680
yeah, I mean that had to be cool
to be a part of it.
1425
01:21:06,680 --> 01:21:08,040
It's a nice thing to put on your
resume.
1426
01:21:08,040 --> 01:21:11,920
Even if you were doing white
label work for another design
1427
01:21:11,920 --> 01:21:12,960
firm.
You were there.
1428
01:21:12,960 --> 01:21:13,960
You did work.
You.
1429
01:21:14,160 --> 01:21:15,240
You.
Spent some.
1430
01:21:15,280 --> 01:21:18,560
Stuff and whatever, right, so.
That's cool, right?
1431
01:21:19,040 --> 01:21:20,680
You know another?
Yeah, that was definitely a cool
1432
01:21:20,680 --> 01:21:22,720
project.
Another topic I will I actually
1433
01:21:22,720 --> 01:21:24,920
wanted to ask you about.
I got a whole bunch of things
1434
01:21:24,920 --> 01:21:27,160
and we're gonna run out of time
at some point today.
1435
01:21:27,160 --> 01:21:31,040
But you know, another
conversation that I've been
1436
01:21:31,040 --> 01:21:34,440
having with people that's a
little bit controversial and
1437
01:21:34,600 --> 01:21:38,560
certainly opinions from way over
here to way over here.
1438
01:21:39,640 --> 01:21:45,720
AI specifically relating to
lighting design, systems design,
1439
01:21:45,720 --> 01:21:51,080
lighting controls, when and how
it replaces lighting operators.
1440
01:21:51,320 --> 01:21:55,680
You know, just all kinds of of
sort of topics around that.
1441
01:21:55,680 --> 01:21:58,960
And you have some designers who
say, yeah, it's disgusting.
1442
01:21:58,960 --> 01:22:02,480
Anyone who even talks about it
is crazy, but you know what I
1443
01:22:02,480 --> 01:22:04,640
mean.
It's one of those things like
1444
01:22:04,640 --> 01:22:07,400
the Internet and the iPhone and
whatever else.
1445
01:22:07,800 --> 01:22:10,000
It's not getting put back in the
bottle.
1446
01:22:10,280 --> 01:22:13,960
So you know, Do you have any
thoughts on that?
1447
01:22:15,000 --> 01:22:18,000
I mean, I I feel like we're
still very much in its infancy
1448
01:22:18,000 --> 01:22:21,720
and I don't know, you know, who
knows how far it's going to go.
1449
01:22:21,720 --> 01:22:28,840
I mean we have dabbled
personally 3LR with with some
1450
01:22:28,840 --> 01:22:30,920
different AI platforms that are
kind of out there.
1451
01:22:30,920 --> 01:22:35,360
Of course everybody knows chat
BT and and then Google has their
1452
01:22:35,360 --> 01:22:43,560
Gemini now and and and how how
those roll and we do in our
1453
01:22:43,560 --> 01:22:45,680
industry I think is is yet to be
seen.
1454
01:22:45,680 --> 01:22:49,440
But I I know people that are
actively trying to to work on
1455
01:22:49,440 --> 01:22:52,240
some of these things.
I mean from from my perspective,
1456
01:22:52,280 --> 01:22:57,480
you know we're we're constantly
putting up concepts and pitching
1457
01:22:57,480 --> 01:22:59,680
concepts to clients and those
those types of things.
1458
01:22:59,680 --> 01:23:02,480
So from a visual standpoint,
it's been interesting kick some
1459
01:23:02,480 --> 01:23:07,400
prompts into an AI knowing what
we want to end up with and
1460
01:23:07,400 --> 01:23:12,320
saying, OK, let's develop our
concept visuals like we normally
1461
01:23:12,320 --> 01:23:16,560
would and then using the tools
that we would normally use.
1462
01:23:16,880 --> 01:23:20,240
And now let's see if we can feed
some prompts into an AI and
1463
01:23:20,240 --> 01:23:24,560
tweak those prompts to get to
get AI will come close to what
1464
01:23:24,560 --> 01:23:27,960
it is we were trying to do.
So we've kind of dabbled in and
1465
01:23:27,960 --> 01:23:31,480
using it from a conceptual,
conceptual standpoint where, you
1466
01:23:31,480 --> 01:23:34,640
know, we can feed prompts into
an AI, have it generate some
1467
01:23:34,640 --> 01:23:37,520
images and try to create
something similar to what we
1468
01:23:37,520 --> 01:23:42,720
have spent oodles of time
putting in in concepts.
1469
01:23:44,360 --> 01:23:48,520
And it comes up with some pretty
wild and funky stuff.
1470
01:23:49,600 --> 01:23:53,880
So I, you know, from that
aspect, you know, I feel like
1471
01:23:53,880 --> 01:23:56,840
it's a ways off, but I I
understand it's constantly
1472
01:23:56,840 --> 01:23:58,960
learning, yeah.
Well, the.
1473
01:23:58,960 --> 01:24:01,560
Big thing is the prompts.
The big thing is the prompts,
1474
01:24:01,560 --> 01:24:04,400
You know, that's like people
don't necessarily, I'm not
1475
01:24:04,400 --> 01:24:07,480
saying you don't understand
this, but anyone who I've been
1476
01:24:07,920 --> 01:24:11,120
on my own team or friends of
mine who I've been talking to,
1477
01:24:11,120 --> 01:24:13,960
they're like, you know, I'm even
just trying to to get it to
1478
01:24:13,960 --> 01:24:16,880
write a blog for me.
And it's stupid and but you know
1479
01:24:16,880 --> 01:24:20,360
how you set up the prompt and
how you set up what your role is
1480
01:24:20,360 --> 01:24:23,200
or what the A is role is?
You know, you're a lighting
1481
01:24:23,200 --> 01:24:25,760
designer or you're a sound
engineer or you're a whatever,
1482
01:24:26,560 --> 01:24:29,680
you're a theater consultant and
you're looking at it from this
1483
01:24:29,680 --> 01:24:31,320
viewpoint as you're designing
it.
1484
01:24:31,680 --> 01:24:34,760
But the other thing like where I
think, and sorry to interrupt
1485
01:24:34,760 --> 01:24:37,080
here, but where I think some of
the big change is going to come
1486
01:24:37,080 --> 01:24:40,800
is when you get into purpose
built GPTS.
1487
01:24:40,800 --> 01:24:44,280
You know, like when you get like
Dolly right now for images is
1488
01:24:44,280 --> 01:24:49,600
useful, but it's it's not
entirely useful for very basic
1489
01:24:49,600 --> 01:24:51,320
stuff.
It's really good for for
1490
01:24:51,320 --> 01:24:55,360
anything beyond that it's not.
But have you been watching Sora
1491
01:24:55,360 --> 01:24:57,000
at all, like?
For.
1492
01:24:57,600 --> 01:25:00,680
That is getting insane.
That's getting like there was
1493
01:25:00,680 --> 01:25:04,320
one with balloons and stuff just
a few days ago that got
1494
01:25:04,320 --> 01:25:06,200
launched.
That's just incredible.
1495
01:25:06,640 --> 01:25:12,680
And that one, you know, like if
I was in that world, I'd be a
1496
01:25:12,720 --> 01:25:16,200
little bit more afraid because
that seems to be coming really
1497
01:25:16,200 --> 01:25:18,040
fast.
Right.
1498
01:25:18,200 --> 01:25:19,320
Yeah.
No, I agree.
1499
01:25:19,360 --> 01:25:26,600
I I yeah I think I mean my
opinion is we do need to protect
1500
01:25:26,600 --> 01:25:32,760
ourselves and at in and I don't
know if that's some kind of you
1501
01:25:32,760 --> 01:25:35,960
know official legislature or
something that there need to be
1502
01:25:35,960 --> 01:25:42,160
some rules.
I I think that our industry and
1503
01:25:42,160 --> 01:25:46,120
and in general we all need to
follow to make sure that
1504
01:25:47,560 --> 01:25:53,920
anything that is being creative
by a creator, a designer or
1505
01:25:53,920 --> 01:25:57,760
consultant, someone like that
that we are protecting
1506
01:25:58,000 --> 01:26:01,880
protecting that person and the
and the work that they do to the
1507
01:26:01,880 --> 01:26:06,400
extent where they cannot be
replaced or attempted to be
1508
01:26:06,400 --> 01:26:10,040
replaced by by an AII mean
obviously I know there were a
1509
01:26:10,040 --> 01:26:14,680
number of strikes in in
Hollywood for for this very
1510
01:26:14,680 --> 01:26:19,760
reason you know recently and
what was happening with film you
1511
01:26:19,760 --> 01:26:23,000
know we we we sort of look at it
a little more simply What's
1512
01:26:23,000 --> 01:26:24,920
that?
That's a slippery slope like to.
1513
01:26:25,400 --> 01:26:27,720
It is to say.
That we're going to legislate.
1514
01:26:28,040 --> 01:26:31,280
You know, we're going to put up
boundaries, put up walls that
1515
01:26:31,280 --> 01:26:36,000
say, you know, you can't create
AI that replaces a human in
1516
01:26:36,000 --> 01:26:40,480
lighting design or in whatever,
these these specific roles.
1517
01:26:40,480 --> 01:26:43,560
But you know, believe me,
there's a lot more coders out
1518
01:26:43,560 --> 01:26:45,120
there than there are lighting
designers.
1519
01:26:45,120 --> 01:26:48,200
And they're being replaced too,
in some sense, you know, or
1520
01:26:48,200 --> 01:26:51,360
they're going to have to move
into some very specific, very
1521
01:26:51,480 --> 01:26:55,640
specialized places.
Meanwhile, there's a massive gap
1522
01:26:55,640 --> 01:26:59,440
in in AI people, you know,
people who understand and can
1523
01:26:59,440 --> 01:27:02,440
figure out how to use AI in
every company or situation or
1524
01:27:02,440 --> 01:27:05,120
whatever.
But yeah, I don't know, like I
1525
01:27:05,560 --> 01:27:09,440
as much as I agree with you that
there's a need to preserve the
1526
01:27:09,440 --> 01:27:12,120
industry and to preserve jobs
and all of those things.
1527
01:27:12,400 --> 01:27:16,560
Historically that hasn't gone
well to stop technology, you
1528
01:27:16,680 --> 01:27:19,600
know, otherwise we'd still have
horses and carriages and.
1529
01:27:19,640 --> 01:27:21,200
Things.
Oh, sure, Yeah, yes.
1530
01:27:21,520 --> 01:27:24,040
And I'm not suggesting that we
don't use it at all.
1531
01:27:24,360 --> 01:27:28,200
I'm just, I'm suggesting that we
find, we find we lay down a set
1532
01:27:28,200 --> 01:27:34,000
of guidelines that allow us to
utilize its strengths to help us
1533
01:27:34,000 --> 01:27:36,280
do better what we already know
how to do.
1534
01:27:37,000 --> 01:27:38,680
I I don't see any problem with
that.
1535
01:27:38,680 --> 01:27:42,040
I mean, to me that it's a tool.
If we treat it as a tool that we
1536
01:27:42,040 --> 01:27:44,680
are using to do what we need to
do, that's great.
1537
01:27:45,920 --> 01:27:51,760
And I think time's going to tell
is is is what you know.
1538
01:27:52,040 --> 01:27:55,160
All we could do is try to keep
up and see what we can do and
1539
01:27:55,360 --> 01:27:58,120
try to think about new ways to
use it and how that might work
1540
01:27:58,120 --> 01:28:00,600
and.
Yeah, I don't know.
1541
01:28:00,800 --> 01:28:05,840
You know, I saw what's his name,
Kurzweil, on on Joe Rogan couple
1542
01:28:05,840 --> 01:28:07,520
weeks ago or last week or
something.
1543
01:28:08,360 --> 01:28:11,440
You know, I just don't know that
we're going to be able to slow
1544
01:28:11,440 --> 01:28:13,720
it down.
You know, And like I think one
1545
01:28:13,720 --> 01:28:17,200
thing where you're saying, you
know, to protect or whatever,
1546
01:28:17,400 --> 01:28:23,400
like 1 area that you might look
at is that drafts or whatever
1547
01:28:23,400 --> 01:28:27,440
require you to say that this was
drafted using AI.
1548
01:28:28,560 --> 01:28:32,200
If it was drafted using AI or if
it was designed or programmed
1549
01:28:32,200 --> 01:28:36,480
using AI, it has to be mentioned
and then you know, God knows the
1550
01:28:36,480 --> 01:28:39,720
unions or somebody will come in
and say if anything has AI on
1551
01:28:39,720 --> 01:28:42,280
it, you know, it's gotta be a
higher fee or something, you
1552
01:28:42,280 --> 01:28:45,720
know.
But I just don't know that
1553
01:28:45,720 --> 01:28:48,480
that's gonna work.
Like, I I don't have great
1554
01:28:48,480 --> 01:28:53,240
confidence that that we're gonna
be able to, you know, because
1555
01:28:53,520 --> 01:28:55,640
otherwise we're going to end up
with with, you know,
1556
01:28:55,880 --> 01:28:58,200
programmers.
If we don't allow AI
1557
01:28:58,200 --> 01:29:00,800
programming, for example, we're
going to end up with robot
1558
01:29:00,880 --> 01:29:03,880
programmers that look like
humans but they're robots.
1559
01:29:03,880 --> 01:29:06,880
And I know that sounds insane,
but how far away are we?
1560
01:29:07,160 --> 01:29:09,400
You know, we're not, we're not
20 years away.
1561
01:29:09,840 --> 01:29:13,720
So it's coming fast.
I mean we've been talking to,
1562
01:29:13,760 --> 01:29:16,040
I've got a device, an Amazon
device sitting right here,
1563
01:29:16,040 --> 01:29:18,000
right.
I mean we've we've been talking
1564
01:29:18,000 --> 01:29:21,200
to these devices now for years
and years and you know having
1565
01:29:21,200 --> 01:29:23,240
them do things for us and those
have gotten better.
1566
01:29:23,240 --> 01:29:27,120
But obviously those have
limitations on what they can do
1567
01:29:27,120 --> 01:29:29,080
or what they should be doing
special things.
1568
01:29:29,440 --> 01:29:34,480
But you know I won't lie when I
said it was probably five or six
1569
01:29:34,480 --> 01:29:37,200
years ago as I as I'm talking to
these things in my house
1570
01:29:37,200 --> 01:29:40,440
thinking how long is it until we
can just talk to our lighting
1571
01:29:40,440 --> 01:29:44,760
desk and does that remove the
programmer from that situation
1572
01:29:44,760 --> 01:29:48,960
will will the lighting dust know
what we need what we mean does
1573
01:29:48,960 --> 01:29:51,920
it learn what we say if we say
things in a certain way as a
1574
01:29:51,920 --> 01:29:54,560
designer to a programmer you
know such an important thing in
1575
01:29:54,560 --> 01:29:57,440
a show is is developing that
relationship with with your
1576
01:29:57,440 --> 01:29:59,440
programmer.
They they know what you want
1577
01:29:59,440 --> 01:30:02,240
when you say a certain thing.
They think like that designer
1578
01:30:02,240 --> 01:30:05,840
they have you know what I mean
and and will we get to a point
1579
01:30:05,840 --> 01:30:09,200
where AI can do that and is that
a good thing or a bad thing.
1580
01:30:09,200 --> 01:30:12,160
I mean, I personally love the
all human connection with
1581
01:30:12,240 --> 01:30:14,120
anybody of.
Course, of course.
1582
01:30:14,120 --> 01:30:17,480
But I mean again, you can't deny
the fact that this is coming.
1583
01:30:17,480 --> 01:30:21,640
And and I'm not saying you are,
but like for example you know me
1584
01:30:21,640 --> 01:30:29,200
talking to the desk and saying
OK, act like Eric Wade and
1585
01:30:29,200 --> 01:30:34,960
program this show like Eric Wade
would and or Patrick Dearson or
1586
01:30:34,960 --> 01:30:37,440
you know, name your programmer
put him in here.
1587
01:30:37,720 --> 01:30:40,120
You know.
You know act.
1588
01:30:40,200 --> 01:30:46,000
Act like this person and pretend
that I'm you know Peter Morse or
1589
01:30:46,000 --> 01:30:51,040
Ken Billington or whatever and
design A show like I would.
1590
01:30:51,040 --> 01:30:54,240
And you know it'll take you
probably a couple hours to build
1591
01:30:54,240 --> 01:30:57,600
the prompt properly.
But at the end of the day, like
1592
01:30:57,600 --> 01:31:01,680
it's gonna go through piles and
piles and piles of history and
1593
01:31:02,240 --> 01:31:04,760
give you something pretty close
to what you're asking for.
1594
01:31:04,760 --> 01:31:07,520
And you know, again, like, I
think one of the challenges
1595
01:31:07,520 --> 01:31:09,920
there and one of the things
that's going to protect people
1596
01:31:10,360 --> 01:31:17,640
is manufacturers are going to be
very nervous about making AIA
1597
01:31:18,360 --> 01:31:23,320
part of their platform to where
it's not human controlled AI.
1598
01:31:23,320 --> 01:31:26,800
In other words like where it
would replace the programmer or
1599
01:31:26,800 --> 01:31:34,480
operator I think any like if
MIMA or or AVO or Obsidian or
1600
01:31:34,520 --> 01:31:36,480
ETC.
Or one of these companies was to
1601
01:31:36,480 --> 01:31:42,360
say, hey, we have the first AI
fully self driving console
1602
01:31:44,120 --> 01:31:48,200
that's gonna cause some real
problems to their sales you know
1603
01:31:48,200 --> 01:31:49,040
in the.
Short term.
1604
01:31:49,040 --> 01:31:52,840
Anyways, you know.
That would be great It it will
1605
01:31:52,840 --> 01:31:54,400
be interesting.
I think we'll start seeing it
1606
01:31:54,400 --> 01:31:56,680
maybe in baby steps.
I mean I you know one of the
1607
01:31:56,680 --> 01:31:58,800
things that I thought of at
first if you're talking to a
1608
01:31:58,800 --> 01:32:02,400
desk for instance is you know
we're we're just trying to base
1609
01:32:02,400 --> 01:32:05,640
in some different looks.
So you know maybe I'm able the
1610
01:32:05,800 --> 01:32:10,640
the desk understands the the rig
it knows what what I have up
1611
01:32:10,640 --> 01:32:13,440
there we're already doing we've
been doing previous forever.
1612
01:32:13,720 --> 01:32:16,880
So I mean it's, you know, it
understands the rig and I say to
1613
01:32:16,880 --> 01:32:20,320
it, you know, I want, I want to
create this Moody scene with the
1614
01:32:20,320 --> 01:32:22,560
backlight coming from this angle
and blah, blah, blah, blah.
1615
01:32:22,760 --> 01:32:24,520
I mean, maybe we don't even have
to give it that much of A
1616
01:32:24,520 --> 01:32:25,240
prompt.
Maybe it's.
1617
01:32:25,240 --> 01:32:29,600
Similar to what I did on ABC
show or on this show or on that
1618
01:32:29,600 --> 01:32:30,480
show.
Take this.
1619
01:32:30,480 --> 01:32:33,480
Look from that show, this look
from that show and this one from
1620
01:32:33,480 --> 01:32:35,280
over here.
But I would think from your
1621
01:32:35,280 --> 01:32:39,320
standpoint too, like from a from
a systems design standpoint,
1622
01:32:39,320 --> 01:32:42,800
like the ability to some of the
basic functions, you know, give
1623
01:32:42,800 --> 01:32:46,920
me, give me wiring schematics
for blah blah blah, or set this
1624
01:32:46,920 --> 01:32:48,320
up, you know, I want you to.
Build.
1625
01:32:48,320 --> 01:32:53,120
This for me and some of the the
tedious, you know, repeated work
1626
01:32:53,120 --> 01:32:55,800
that you have to do as the
foundation of every job.
1627
01:32:56,160 --> 01:32:59,760
You know, I could see AI taking
care of a lot of that kind of
1628
01:32:59,760 --> 01:33:02,800
stuff.
Yeah, specifications.
1629
01:33:03,280 --> 01:33:04,880
We write long form
specification.
1630
01:33:04,880 --> 01:33:08,160
If I'm writing a spec and it's
100 pages of a spec for a spec
1631
01:33:08,160 --> 01:33:12,560
section you know then it's
interesting to go.
1632
01:33:12,560 --> 01:33:15,320
And I've tried this with an AII
wanted to see what the AI would
1633
01:33:15,320 --> 01:33:17,720
come up with.
I need a specification, you
1634
01:33:17,720 --> 01:33:21,840
know, written in CSI.
You know, 2018 format for blah
1635
01:33:21,840 --> 01:33:24,400
blah, blah whatever.
The spec section is mechanized
1636
01:33:24,400 --> 01:33:28,240
rigging systems, you know, using
these products here.
1637
01:33:28,280 --> 01:33:31,560
Here's what I want you to do.
And it would spit it out and
1638
01:33:31,920 --> 01:33:34,800
it's like certain bits of it.
It was like, I got this certain
1639
01:33:34,800 --> 01:33:36,600
bits.
It was like, I have no idea what
1640
01:33:36,600 --> 01:33:38,960
this AI is talking about.
What what is this?
1641
01:33:38,960 --> 01:33:40,560
Yeah, sometimes.
It just goes some.
1642
01:33:40,680 --> 01:33:42,520
Generic.
What are they doing?
1643
01:33:43,120 --> 01:33:45,880
No, I've seen the same thing.
I've seen the same thing.
1644
01:33:45,880 --> 01:33:49,520
But you know, and again, I mean,
then you can dial in the prompt
1645
01:33:49,520 --> 01:33:51,400
and stuff.
And some of the big changes I
1646
01:33:51,400 --> 01:33:54,520
think are coming just from the
conversational prompting to
1647
01:33:54,520 --> 01:33:58,240
like, you know, now I'll
sometimes I need an agreement
1648
01:33:58,240 --> 01:34:01,800
for something, a, a contract
that I would normally call my
1649
01:34:01,800 --> 01:34:04,720
lawyer and talk to him and then
I might write it myself or he'd
1650
01:34:04,720 --> 01:34:06,360
write it.
I've know way too much about the
1651
01:34:06,360 --> 01:34:09,480
law, unfortunately.
But now I'll just sit and talk
1652
01:34:09,480 --> 01:34:11,760
to my phone and I'll say, yeah,
I'm I'm thinking about doing
1653
01:34:11,760 --> 01:34:16,080
this thing and I need a contract
that would be written by a 10
1654
01:34:16,080 --> 01:34:21,360
year, you know, lawyer, contract
lawyer who's involved in real
1655
01:34:21,360 --> 01:34:23,280
estate and I need it to be blah
blah blah.
1656
01:34:23,760 --> 01:34:28,440
And you end up with something
pretty damn good, you know?
1657
01:34:28,440 --> 01:34:30,560
And you might want to have it
checked by your lawyer at the
1658
01:34:30,560 --> 01:34:33,120
end of the day, but it's a lot
cheaper than your lawyer writing
1659
01:34:33,120 --> 01:34:34,720
it.
So he'll charge you 4 hours to
1660
01:34:34,720 --> 01:34:36,840
write it, or 1/2 hour to read
it.
1661
01:34:36,960 --> 01:34:39,440
Perhaps you know.
Or Or he just feeds a great
1662
01:34:39,440 --> 01:34:41,480
prompt into an AI and does it
himself, right?
1663
01:34:41,480 --> 01:34:43,040
That's the.
Why you gotta.
1664
01:34:43,280 --> 01:34:46,560
I mean, lawyers and doctors
should be worried right now
1665
01:34:46,560 --> 01:34:49,200
because the doctors are the
other one, like, you know, with
1666
01:34:49,200 --> 01:34:52,760
all the people using Google
doctors already, you know, like
1667
01:34:53,200 --> 01:34:55,120
I got a sore throat.
What should I do?
1668
01:34:55,640 --> 01:34:59,280
You know, a lot of those types
of things I think already have
1669
01:34:59,280 --> 01:35:04,080
displaced doctors, but now with
AII mean, it's incredible.
1670
01:35:04,080 --> 01:35:06,440
And it's better because, you
know, your doctor's just
1671
01:35:06,440 --> 01:35:09,120
Googling it on their end.
Like, you know, it hurts when I
1672
01:35:09,120 --> 01:35:11,720
do this, you know, And they're
typing that into the computer,
1673
01:35:11,720 --> 01:35:15,240
you know, moving left arm to a
90° angle, blah, blah, blah,
1674
01:35:15,240 --> 01:35:16,800
blah.
And it spits out, well, it's
1675
01:35:16,800 --> 01:35:20,360
probably this, right?
So AI does that, but even
1676
01:35:20,360 --> 01:35:21,920
better.
And you don't have to pay all
1677
01:35:21,920 --> 01:35:24,640
those fees and stuff.
So I think we're going to see a
1678
01:35:24,640 --> 01:35:28,560
lot of those changes happening.
Unfortunately, some people will
1679
01:35:28,560 --> 01:35:31,400
probably get sick and die
because they're listening to AI
1680
01:35:31,400 --> 01:35:34,160
instead of a doctor.
But I think for the most part,
1681
01:35:34,240 --> 01:35:35,600
AI is going to do a pretty good
job.
1682
01:35:35,600 --> 01:35:42,360
It's got a pretty large model to
follow, but it's gonna be
1683
01:35:42,360 --> 01:35:44,400
interesting like I saw at LDI
this year.
1684
01:35:44,400 --> 01:35:47,000
I don't know if were you there.
Yeah.
1685
01:35:48,080 --> 01:35:50,920
Somebody told me there was a
control booth.
1686
01:35:50,960 --> 01:35:54,480
I think it was an architectural
control booth or no, it was.
1687
01:35:54,760 --> 01:35:57,840
I don't remember what it was,
but there was a control booth
1688
01:35:57,840 --> 01:36:02,280
that said AI powered controller
or something like that.
1689
01:36:02,640 --> 01:36:05,320
And I talked to a couple of
designers and stuff who went in
1690
01:36:05,320 --> 01:36:09,000
there and gotten arguments with
the company, basically saying,
1691
01:36:09,000 --> 01:36:10,800
you know, this is trying to
replace me, right?
1692
01:36:10,800 --> 01:36:12,320
Like you're trying to get rid of
me.
1693
01:36:12,320 --> 01:36:14,880
And oh, no, no, no, we're not.
We're just trying to make it
1694
01:36:14,880 --> 01:36:16,880
easier for you.
OK, well, explain to me what
1695
01:36:16,880 --> 01:36:19,280
this thing does.
And you know, as they walk
1696
01:36:19,280 --> 01:36:22,760
through it, you know, you didn't
really need a lighting operator
1697
01:36:22,760 --> 01:36:23,600
anymore.
So.
1698
01:36:25,360 --> 01:36:28,680
But I mean, it was pretty basic.
It was like, you know, it was
1699
01:36:28,680 --> 01:36:31,360
following music or it was
following different things that
1700
01:36:31,360 --> 01:36:32,960
were happening in a show or
something.
1701
01:36:32,960 --> 01:36:36,760
So it wasn't quite the same as
replacing a designer, but it's
1702
01:36:36,760 --> 01:36:40,160
such a big topic cuz I think
every industry's talking about
1703
01:36:40,160 --> 01:36:42,520
it right now.
Yeah, for sure.
1704
01:36:42,800 --> 01:36:44,840
Yeah.
I don't I I may have seen that.
1705
01:36:44,840 --> 01:36:46,920
I can't remember the name of it,
but I've seen ads on social
1706
01:36:46,920 --> 01:36:50,680
media for there's some product
that's like you know you no
1707
01:36:50,680 --> 01:36:53,520
longer need a lighting designer,
you know, and I think it's it's
1708
01:36:53,520 --> 01:36:55,760
geared towards clubs and and I
think it is.
1709
01:36:56,160 --> 01:36:57,680
Yeah, I think it is.
Yeah.
1710
01:36:57,760 --> 01:37:00,480
I don't remember what it was but
I think it's like a you know a
1711
01:37:00,480 --> 01:37:04,240
smaller like wall mount kind of
controller for a a lounge or a
1712
01:37:04,240 --> 01:37:08,320
club or something.
I I don't really recall you know
1713
01:37:08,320 --> 01:37:09,560
I don't even know where I got
this.
1714
01:37:09,560 --> 01:37:12,080
This might have come from your
notes but what is this?
1715
01:37:12,080 --> 01:37:15,800
Why did they build it that way
fart snatcher thing.
1716
01:37:15,800 --> 01:37:16,560
Tell me what this?
Is.
1717
01:37:16,560 --> 01:37:18,200
Oh my God.
That's two different things.
1718
01:37:18,560 --> 01:37:20,800
Two different things.
Yeah.
1719
01:37:21,040 --> 01:37:23,600
One, gosh, why did they build it
this way?
1720
01:37:23,600 --> 01:37:28,120
So I I've done, I used to do a
number of sessions at various
1721
01:37:28,160 --> 01:37:32,400
trade shows.
LDI when did did it, ETCETC
1722
01:37:32,400 --> 01:37:37,560
asked me to come do a a keynote
at their Q conference and I did
1723
01:37:37,560 --> 01:37:39,960
a a number of different sessions
and one of them was called Why'd
1724
01:37:39,960 --> 01:37:45,200
they build it this way?
And that's basically from all of
1725
01:37:45,200 --> 01:37:49,400
my experience kind of in various
sides of the industry and
1726
01:37:49,400 --> 01:37:53,120
realizing, you know, when you
walk into a theater, there's
1727
01:37:53,120 --> 01:37:56,600
always something or or any
venue, there's always something
1728
01:37:56,600 --> 01:37:58,240
that you go, why'd they build
that this way?
1729
01:37:58,240 --> 01:38:01,520
Why is this like this?
Why what happened, you know?
1730
01:38:02,760 --> 01:38:08,480
And and really I, I always found
it super interesting And and I
1731
01:38:08,480 --> 01:38:10,560
think that's one of the things
that really got me more
1732
01:38:10,560 --> 01:38:15,840
interested in becoming a theater
consultant because I did wonder
1733
01:38:16,080 --> 01:38:17,920
every time there I come across
something.
1734
01:38:18,480 --> 01:38:21,280
And what I learned is there's so
much that can happen from the
1735
01:38:21,280 --> 01:38:24,160
very moment someone says we want
to build a facility or renovate
1736
01:38:24,160 --> 01:38:27,360
a facility to to the time that
that first show opens.
1737
01:38:27,360 --> 01:38:29,240
And there's so many players
involved.
1738
01:38:29,520 --> 01:38:31,680
You know, we've mentioned
dealers, we've mentioned reps,
1739
01:38:31,680 --> 01:38:36,360
we've mentioned contractors.
You know, you've got
1740
01:38:36,360 --> 01:38:39,280
construction managers at risk,
you've got, you have all of
1741
01:38:39,280 --> 01:38:43,280
these scenarios where things,
corners can get cut, things can
1742
01:38:43,280 --> 01:38:45,640
happen differently, you've got
designers, you've got
1743
01:38:45,640 --> 01:38:48,240
consultants.
I mean it's just one thing after
1744
01:38:48,240 --> 01:38:51,520
another.
So I do love that session.
1745
01:38:51,520 --> 01:38:52,680
I think I want to bring that
back.
1746
01:38:52,680 --> 01:38:56,200
It's probably been five years
since I've done it and it's
1747
01:38:56,200 --> 01:38:58,720
always a great time putting a
panel together to have those
1748
01:38:58,720 --> 01:39:00,040
discussions and we get a lot of
great.
1749
01:39:00,600 --> 01:39:01,480
Questions.
Yeah, yeah.
1750
01:39:02,000 --> 01:39:04,240
And those are, those are so
valuable.
1751
01:39:04,240 --> 01:39:08,200
Like, I love people like you and
others who take your time to to
1752
01:39:08,200 --> 01:39:11,760
do these things for sometimes
for younger designers, but
1753
01:39:11,760 --> 01:39:14,320
sometimes it's just your peers
in the industry who are sitting
1754
01:39:14,320 --> 01:39:18,120
there listening to and going,
wow, I never knew that, but I
1755
01:39:18,120 --> 01:39:21,720
love that that, you know, our
industry is like that, like a
1756
01:39:21,720 --> 01:39:24,920
bunch of giving people who are
are willing to donate their time
1757
01:39:24,920 --> 01:39:28,800
to help other people, you know,
succeed or become better or
1758
01:39:28,800 --> 01:39:31,360
whatever.
Yeah absolutely.
1759
01:39:32,560 --> 01:39:36,200
The the forge snatcher thing is
kind of a a a byproduct example
1760
01:39:36,200 --> 01:39:39,120
of that.
It's you know I we were doing a
1761
01:39:40,080 --> 01:39:44,960
doing a check out in a on a on a
project and and you know the the
1762
01:39:44,960 --> 01:39:49,800
electrician can't find a
particular circuit and we don't
1763
01:39:49,800 --> 01:39:51,760
know what's happened where
where's the circuit for this.
1764
01:39:51,840 --> 01:39:53,760
It's a lighting circuit.
It's coming off the dimmer rack
1765
01:39:53,760 --> 01:39:59,840
at that point where where's this
lighting circuit and and the the
1766
01:39:59,840 --> 01:40:06,240
Rep was in the came on site and
was in the in the bathroom and
1767
01:40:06,280 --> 01:40:09,680
you know while in the bathroom
starts here in the bathroom fan
1768
01:40:09,680 --> 01:40:13,680
going crazy and the bathroom
fan's just like you know making
1769
01:40:13,680 --> 01:40:17,400
these noise and comes out and
says I think I know where that
1770
01:40:17,400 --> 01:40:20,160
lighting circuit went.
I think the electrician hooked
1771
01:40:20,160 --> 01:40:24,440
it up to the fart snatcher.
So it was hooked up to the
1772
01:40:24,440 --> 01:40:27,200
bathroom fan and sure enough the
the electrician had done that.
1773
01:40:28,360 --> 01:40:31,160
I mean that that kind of stuff
happens all the time, but I I
1774
01:40:31,360 --> 01:40:34,720
still have fun.
Yeah, what about this?
1775
01:40:34,960 --> 01:40:37,400
What about this nickname, Josh
the Destroyer?
1776
01:40:37,400 --> 01:40:40,400
Where'd that one come from?
That's really recent.
1777
01:40:40,400 --> 01:40:46,480
So last year at USITTA year ago,
where was that?
1778
01:40:47,200 --> 01:40:51,440
Saint Louis?
Saint Louis I'm I'm at that show
1779
01:40:51,440 --> 01:40:58,080
and my my good friend Solvig
bustler from Schnick snack is
1780
01:40:58,080 --> 01:41:01,760
there with her stand and I go to
and I'm talking to Solvig and
1781
01:41:01,760 --> 01:41:03,800
I'm wearing my big winter coat
because it was freezing.
1782
01:41:03,800 --> 01:41:07,400
I said can I do you mind if I
store my coat on your on your on
1783
01:41:07,400 --> 01:41:09,800
your booth.
She had this little space around
1784
01:41:09,800 --> 01:41:12,600
one side of the table and and it
was kind of a small stand
1785
01:41:12,600 --> 01:41:15,680
because it was USITT.
So she had these blocks all set
1786
01:41:15,680 --> 01:41:17,520
up of all of their their
lighting and everything.
1787
01:41:18,000 --> 01:41:20,000
So I store my coat over there
and I come back at the end of
1788
01:41:20,000 --> 01:41:24,520
the day and I didn't realize it
but she had this like DMX cable
1789
01:41:24,520 --> 01:41:26,800
or something that was kind of
running down along the side
1790
01:41:26,800 --> 01:41:29,000
behind there.
And I was wearing this big peak
1791
01:41:29,000 --> 01:41:30,520
coat that had these big buttons
on it.
1792
01:41:31,000 --> 01:41:35,720
And I go to pick up the my coat
and the button catches the cable
1793
01:41:36,160 --> 01:41:38,840
and the cable pulls on the top
box.
1794
01:41:38,840 --> 01:41:44,360
And these were like staggered
step boxes, about two by two
1795
01:41:44,400 --> 01:41:48,480
boxes and it was a domino effect
Booth, booth.
1796
01:41:48,880 --> 01:41:55,160
The whole booth goes over into
the booth behind it and it was
1797
01:41:55,520 --> 01:41:58,280
luckily there was no one in that
that booth behind it.
1798
01:41:58,960 --> 01:42:02,200
It was just a empty booth, but
it made the loudest noise.
1799
01:42:02,200 --> 01:42:06,840
Of course, everyone stops on the
entire show floor and it just
1800
01:42:06,840 --> 01:42:09,200
gets quiet.
And I'm standing there watching
1801
01:42:09,200 --> 01:42:11,520
this happen in slow motion.
I turn around and I look at
1802
01:42:11,520 --> 01:42:12,880
Sulvig and I'm like, did I do
that?
1803
01:42:12,880 --> 01:42:16,320
And she's like, yes.
And in her very German accent
1804
01:42:16,320 --> 01:42:19,640
said, you know, from now on, I'm
calling you Josh the Destroyer.
1805
01:42:20,720 --> 01:42:23,320
And I felt so bad.
But I mean, we got it back up.
1806
01:42:23,360 --> 01:42:24,600
I helped her, you know, get back
up.
1807
01:42:24,800 --> 01:42:27,000
And run out at her company.
What's her company called?
1808
01:42:27,000 --> 01:42:28,480
Schnitzel.
Schnatzel or something?
1809
01:42:29,920 --> 01:42:32,920
Snick Snack Systems, a really,
really great product.
1810
01:42:32,920 --> 01:42:34,840
They really do some great stuff
with control.
1811
01:42:35,440 --> 01:42:39,960
They do a lot of exterior,
custom and bespoke fixtures as
1812
01:42:39,960 --> 01:42:43,640
well.
I will promote it because I did
1813
01:42:43,640 --> 01:42:46,960
destroy the booth so.
Well, I'll have to check it out.
1814
01:42:46,960 --> 01:42:49,040
It sounds interesting.
Yeah.
1815
01:42:49,600 --> 01:42:54,080
So what else?
You sent me a whole bunch of
1816
01:42:54,080 --> 01:42:57,960
cool notes that, oh, a prank
call that you made.
1817
01:42:59,360 --> 01:43:01,640
Oh my God, all the little
stories.
1818
01:43:01,640 --> 01:43:08,280
Now, my wife was a, my wife was
casting director and we had an
1819
01:43:08,280 --> 01:43:10,760
assistant.
Well, actually, I guess it was
1820
01:43:10,760 --> 01:43:14,440
more of a administrative person
that was working at front desk.
1821
01:43:14,440 --> 01:43:18,120
And I used to call every week
when this person was working and
1822
01:43:18,120 --> 01:43:22,040
pretend I was some celebrity.
And, you know, my wife would be
1823
01:43:22,040 --> 01:43:23,920
in a session, like a casting
session.
1824
01:43:24,160 --> 01:43:27,880
Yeah, to watch actors so that
she can cast them for a show.
1825
01:43:28,280 --> 01:43:31,760
And the assistants like knocking
on the door, saying, my God, you
1826
01:43:32,240 --> 01:43:36,840
know, Tom Cruise is on the phone
for you or you know something
1827
01:43:36,840 --> 01:43:39,320
like and it went on and on and
on and and.
1828
01:43:40,520 --> 01:43:42,960
She always took your call, like
thinking it might be.
1829
01:43:43,200 --> 01:43:44,880
Tom Cruise this time, Yeah, I
would.
1830
01:43:44,920 --> 01:43:46,760
I would like to disguise my
voice and like this.
1831
01:43:47,360 --> 01:43:51,120
And yeah, and I mean, but if
sometimes it is obscure stuff
1832
01:43:51,120 --> 01:43:53,320
like the guy that played
MacGyver, you know, this is
1833
01:43:53,320 --> 01:43:56,240
Richard Dean Anderson calling
and I was like, you know, all of
1834
01:43:56,240 --> 01:44:00,200
this, It was just a thing that
we did and had fun with so.
1835
01:44:00,280 --> 01:44:02,120
Yeah, and you're still married
somehow.
1836
01:44:03,400 --> 01:44:05,600
Still married 30 years this
year. 30 years?
1837
01:44:05,600 --> 01:44:07,280
Oh, good for you.
That's that's.
1838
01:44:07,720 --> 01:44:10,320
She'll hate that I tell this
joke, but I like to say it only
1839
01:44:10,320 --> 01:44:12,480
feels like 30 minutes.
And then I pause and I say
1840
01:44:12,920 --> 01:44:17,200
underwater like 30.
Months. 30 minutes.
1841
01:44:17,360 --> 01:44:19,920
Thirty months. 3030 minutes,
yeah.
1842
01:44:20,600 --> 01:44:22,480
We're still having sound.
Buggy problems.
1843
01:44:22,480 --> 01:44:25,080
She's not laughing either.
So fine, yeah, no.
1844
01:44:25,680 --> 01:44:27,080
No, it's all good.
It's all good.
1845
01:44:27,080 --> 01:44:29,400
It's it's just every once in a
while a word gets clipped off.
1846
01:44:29,400 --> 01:44:34,440
So I couldn't tell if you said
30 minutes or 30 months, but and
1847
01:44:34,440 --> 01:44:37,720
you know, it's funny, I saw this
note about coffee that you were
1848
01:44:37,720 --> 01:44:40,520
also in the coffee business.
And I don't know if you saw, but
1849
01:44:40,520 --> 01:44:43,000
we've got, it's not really a
sponsorship, but we've got a
1850
01:44:43,000 --> 01:44:47,560
partnership with a company
called Coffee Cult and it was
1851
01:44:47,560 --> 01:44:50,720
founded by a guy named Jamie
Mardis who's from the industry.
1852
01:44:50,720 --> 01:44:54,320
He was a touring guy in the
rock'n'roll industry and worked
1853
01:44:54,320 --> 01:44:57,680
for me for a while at one of the
lighting manufacturers.
1854
01:44:58,160 --> 01:45:01,320
And we've been friends for years
and years and years, and he
1855
01:45:01,320 --> 01:45:05,040
owned his own lighting company
and then also power company.
1856
01:45:05,520 --> 01:45:09,760
And during all of this, he was
just a coffee freak.
1857
01:45:09,920 --> 01:45:12,800
And so it started as a hobby.
And he's just one of these guys
1858
01:45:12,800 --> 01:45:15,040
like me.
Like, I don't start any hobbies
1859
01:45:15,040 --> 01:45:17,440
because of this, because I just
go all in.
1860
01:45:17,440 --> 01:45:19,280
I go deep.
I'm the same way.
1861
01:45:19,440 --> 01:45:22,240
Yeah, so he started.
He bought a small roaster, put
1862
01:45:22,240 --> 01:45:26,560
it in his in his garage and he
just kept perfecting and going
1863
01:45:26,560 --> 01:45:29,400
to different parts of the world
looking for beans and he'd try
1864
01:45:29,400 --> 01:45:33,280
different beans and and you
know, so he started making bags
1865
01:45:33,280 --> 01:45:36,120
of coffee and handing them out
to his friends and and they'd be
1866
01:45:36,120 --> 01:45:38,800
like, wow, this one's amazing.
You know I need 10 more.
1867
01:45:38,800 --> 01:45:43,480
And you know so it really was
very, very grassroots granular
1868
01:45:43,480 --> 01:45:47,800
kind of start of a business.
And then he sold his, his other
1869
01:45:47,800 --> 01:45:52,040
company bought a bigger roaster,
bought a few more of them,
1870
01:45:52,040 --> 01:45:57,120
bought a a building and he's
been doing very well as a brand
1871
01:45:57,120 --> 01:46:01,040
called Coffee Cults.
So they make so sorry for the
1872
01:46:01,040 --> 01:46:05,120
long story trying to end it.
So they they make a really good
1873
01:46:05,120 --> 01:46:09,280
dark roast called Rd.
Dog and then and but it's really
1874
01:46:09,280 --> 01:46:11,400
dark, it's really strong.
And my girlfriend was like, Oh
1875
01:46:11,400 --> 01:46:13,120
my God, I can't drink this, it's
too strong.
1876
01:46:13,480 --> 01:46:17,480
So I was mixing at home, I was
mixing their medium beans with
1877
01:46:17,480 --> 01:46:18,800
their Rd.
Dog beans.
1878
01:46:19,080 --> 01:46:21,680
And one time I was talking to
Jamie and he said, why do you
1879
01:46:21,680 --> 01:46:24,280
always order, you know, medium
and road dog?
1880
01:46:24,280 --> 01:46:26,880
And I said, well, because I got
to basically damp it down a
1881
01:46:26,880 --> 01:46:28,160
little bit.
It's too strong.
1882
01:46:28,680 --> 01:46:31,600
But I really love the flavor.
And he goes, well, why don't we
1883
01:46:31,600 --> 01:46:34,480
make a blend for you.
And I said he would do that and
1884
01:46:34,480 --> 01:46:36,280
he goes, of course I would.
I wouldn't do it for everybody,
1885
01:46:36,280 --> 01:46:38,080
but I'll do it for you.
And why don't we brand it.
1886
01:46:38,080 --> 01:46:40,400
And I said OK, let's call it
Geezer's grind.
1887
01:46:40,880 --> 01:46:46,680
And and he said and why don't we
give away all of the proceeds to
1888
01:46:46,840 --> 01:46:49,720
a charity in the industry.
Pick one.
1889
01:46:49,840 --> 01:46:53,560
And and so I went and talked to
Craig Burrows at Roby and and
1890
01:46:53,560 --> 01:46:57,760
said, hey, let's, let's put Roby
backstage on on this charity for
1891
01:46:57,760 --> 01:47:00,680
coffee cults.
So now all kinds of our
1892
01:47:00,680 --> 01:47:04,720
listeners and my friends and our
customers and stuff buy this
1893
01:47:04,720 --> 01:47:07,600
coffee all the time.
It's really, really good.
1894
01:47:08,320 --> 01:47:11,600
And the proceeds go to this
rogue backstage which helps
1895
01:47:11,840 --> 01:47:15,360
fallen soldiers in our industry.
Wow.
1896
01:47:15,360 --> 01:47:15,960
Yeah.
That's cool.
1897
01:47:15,960 --> 01:47:17,520
That's very cool.
That's very cool.
1898
01:47:17,520 --> 01:47:18,040
Yeah.
Yeah.
1899
01:47:18,760 --> 01:47:19,800
You didn't go that long.
You're serious?
1900
01:47:20,840 --> 01:47:22,800
No, I didn't.
But when I lived in the city, I
1901
01:47:22,800 --> 01:47:27,280
was home roasting.
And so we would open our windows
1902
01:47:27,280 --> 01:47:30,320
in our apartment and our
landlords lived upstairs from
1903
01:47:30,320 --> 01:47:31,400
us.
And they were always coming down
1904
01:47:31,400 --> 01:47:33,760
like we can smell it.
Can you give us some of those
1905
01:47:33,760 --> 01:47:35,040
fresh.
You know that fresh roast.
1906
01:47:35,040 --> 01:47:37,120
That's good.
Yeah.
1907
01:47:37,480 --> 01:47:41,000
Been to Origin, Guatemala,
visited number of farmers and
1908
01:47:41,360 --> 01:47:45,320
you know, it's not a documentary
2013.
1909
01:47:45,320 --> 01:47:46,240
Yeah.
I mean, it's.
1910
01:47:46,360 --> 01:47:49,800
Yeah, yeah, coffee.
Yeah, yeah.
1911
01:47:49,800 --> 01:47:54,160
About coffee, coffee growing in
Guatemala, it's really
1912
01:47:54,160 --> 01:47:56,840
interesting, but never saw the
light of day.
1913
01:47:57,520 --> 01:48:00,200
There's a lot, there's a lot of
politics that go along with that
1914
01:48:00,600 --> 01:48:03,560
in that part of the world.
And I think ultimately we felt
1915
01:48:03,560 --> 01:48:07,200
like if we would have shared
some of the things we found,
1916
01:48:07,200 --> 01:48:09,800
that would have put some people
into danger.
1917
01:48:10,960 --> 01:48:14,440
So we decided not to, not to let
any of it out.
1918
01:48:14,440 --> 01:48:17,240
So it was.
Yeah, I talked to Jamie about
1919
01:48:17,240 --> 01:48:19,600
that, he said.
That's part of the hard part
1920
01:48:19,600 --> 01:48:23,400
about a coffee be being a coffee
company is you want to you want
1921
01:48:23,400 --> 01:48:29,440
to do the humanitarian thing and
and and you know get organic
1922
01:48:29,440 --> 01:48:33,360
beans that are grown in a very
nice way where you're not taking
1923
01:48:33,360 --> 01:48:35,120
advantage of these people and
stuff.
1924
01:48:36,200 --> 01:48:38,520
And he said it's hard.
He said it's harder than you
1925
01:48:38,520 --> 01:48:40,040
would think.
You know in a lot of these
1926
01:48:40,040 --> 01:48:43,760
regions, Sumatra and and some of
the some of the regions where
1927
01:48:43,760 --> 01:48:46,320
coffee is is sort of their way
of life.
1928
01:48:46,640 --> 01:48:49,640
People are just treated badly.
Right.
1929
01:48:50,120 --> 01:48:51,600
Yeah.
So I don't know if you're
1930
01:48:51,600 --> 01:48:56,560
talking about, but yeah yeah
just just crazy the the small
1931
01:48:56,560 --> 01:49:01,280
amount of people that that are
the ones that own and run so
1932
01:49:01,280 --> 01:49:05,360
much of that and everyone else
behold into them and you go
1933
01:49:05,360 --> 01:49:07,960
against that.
It can they're bad things can
1934
01:49:07,960 --> 01:49:11,040
happen.
So, and it's like a number of
1935
01:49:11,040 --> 01:49:13,320
industries, I'm not just not
just coffee, but it's in very
1936
01:49:13,640 --> 01:49:15,320
around the world.
Yeah, of course.
1937
01:49:15,840 --> 01:49:18,160
No, I mean, you know, if you
look at the, I don't know if
1938
01:49:18,160 --> 01:49:21,000
you've seen any of the
documentary footage on the the
1939
01:49:21,120 --> 01:49:24,040
the battery technology and
stuff, cobalt mining in in
1940
01:49:24,040 --> 01:49:25,360
Africa.
I mean it's brutal.
1941
01:49:25,360 --> 01:49:29,200
It's it's so like it's just
like, Oh my God, little kids in
1942
01:49:29,200 --> 01:49:32,200
bare feet digging around through
these mines and it's just
1943
01:49:32,200 --> 01:49:34,720
disgusting getting paid.
You know, I forget what it was
1944
01:49:34,720 --> 01:49:38,840
$0.20 a day or something, but so
were you thinking of this as a
1945
01:49:38,840 --> 01:49:40,640
business?
You were you were intending to
1946
01:49:40,640 --> 01:49:44,920
do it as a business?
I think at one point, yeah.
1947
01:49:44,920 --> 01:49:49,200
And then, you know, lighting
kept just demanding my time and
1948
01:49:49,200 --> 01:49:51,360
then it was something that never
happened.
1949
01:49:51,720 --> 01:49:54,200
I never say never that I
wouldn't go back to it, but I
1950
01:49:54,200 --> 01:49:57,120
still love it and.
I'll connect.
1951
01:49:57,120 --> 01:50:00,000
You and Jamie.
Through an e-mail and and and
1952
01:50:00,000 --> 01:50:03,000
just say, hey, I had this guy
with a similar passion to yours
1953
01:50:03,040 --> 01:50:05,960
on and you know he did a
documentary and I'll connect you
1954
01:50:05,960 --> 01:50:08,600
guys in an e-mail.
See if see if anything comes
1955
01:50:08,600 --> 01:50:09,680
from.
It that's great.
1956
01:50:10,520 --> 01:50:13,640
Yeah, and so now gins too.
Scottish gins.
1957
01:50:13,760 --> 01:50:17,400
Yeah, Jen, I think I'm probably
closer to but to putting in a
1958
01:50:17,400 --> 01:50:21,760
real still and doing doing some
gin distilling really.
1959
01:50:22,640 --> 01:50:25,720
I think there's actually and and
I love a good gin, although
1960
01:50:25,720 --> 01:50:28,960
these days I'm not drinking as
much alcohol as I as I used to.
1961
01:50:30,120 --> 01:50:31,840
Yeah.
And I feel like there's a real
1962
01:50:31,840 --> 01:50:33,400
place.
I just can't do it.
1963
01:50:33,680 --> 01:50:37,320
I feel like there's a real place
in the in the market now for non
1964
01:50:37,320 --> 01:50:41,920
alcoholic versions of of these
things and no one that I have
1965
01:50:41,920 --> 01:50:45,360
found has made a really truly
great non alcoholic gin that
1966
01:50:45,360 --> 01:50:46,600
actually tastes like gin.
Interesting.
1967
01:50:47,760 --> 01:50:49,520
So kind of, I think that's going
to.
1968
01:50:49,640 --> 01:50:54,640
Be a huge market, Like the whole
non alcoholic cocktail thing is
1969
01:50:54,640 --> 01:50:57,400
already coming big.
But I heard, you know, I keep
1970
01:50:57,400 --> 01:51:00,280
reading articles and stuff that
it's just going to be monstrous.
1971
01:51:01,400 --> 01:51:03,840
Yeah, yeah.
And Scotland, believe it or not,
1972
01:51:03,840 --> 01:51:05,360
has some of the best gins in the
world.
1973
01:51:05,360 --> 01:51:08,760
I mean, it's obviously well
known for for whiskey, but yeah,
1974
01:51:08,760 --> 01:51:10,280
some of the they are just
amazing.
1975
01:51:10,280 --> 01:51:11,600
So yeah, when?
I saw these notes.
1976
01:51:11,760 --> 01:51:14,360
Oddish gins.
I was like Scottish gin.
1977
01:51:14,440 --> 01:51:16,160
Like that Just sounds weird to
me.
1978
01:51:16,520 --> 01:51:17,160
You.
Know, Right.
1979
01:51:17,520 --> 01:51:21,000
Yeah, yeah.
But now some amazing gins.
1980
01:51:21,120 --> 01:51:24,680
Yeah, for sure.
That's was that a passion that
1981
01:51:24,680 --> 01:51:27,600
you picked up since you've been
in Scotland or or you were a
1982
01:51:27,600 --> 01:51:28,320
big?
Fan of gin?
1983
01:51:28,360 --> 01:51:32,280
Prior to that, maybe the past
10-15 years I really got into
1984
01:51:32,280 --> 01:51:33,560
gin.
I, you know, I didn't used to
1985
01:51:33,560 --> 01:51:35,040
like gin at all.
And I realized that's because
1986
01:51:35,040 --> 01:51:36,840
I'd never really tried a good
gin.
1987
01:51:37,040 --> 01:51:38,960
And yeah, I don't think I ever
come to think of it.
1988
01:51:39,000 --> 01:51:41,720
I might have to, yeah, I might
have to research that.
1989
01:51:41,800 --> 01:51:43,800
I don't really.
Drink like I think the main
1990
01:51:44,160 --> 01:51:47,520
stuff I've become a real.
Wimp when it comes to drinking.
1991
01:51:47,520 --> 01:51:49,920
Like I drink red wine and that's
about it anymore.
1992
01:51:50,360 --> 01:51:53,600
An occasional beer, but you
know, usually it's it's a glass
1993
01:51:53,600 --> 01:51:55,680
or two of red wine and that's it
for me.
1994
01:51:55,960 --> 01:51:58,400
And I used to be a drinker of
pretty much anything you put in
1995
01:51:58,400 --> 01:52:00,720
front of me, so especially at.
LDI Yeah.
1996
01:52:01,680 --> 01:52:03,560
Oh yeah, yeah.
Or or any trade show.
1997
01:52:03,560 --> 01:52:07,800
I just, I just got back from Pro
Light and Sound on Saturday in
1998
01:52:07,800 --> 01:52:11,000
Frankfurt, so of course that's
the same situation.
1999
01:52:11,520 --> 01:52:14,440
Yeah, but how it was, I heard
it's a lot smaller.
2000
01:52:15,560 --> 01:52:19,200
Obviously it is.
I thought it was still a really,
2001
01:52:19,200 --> 01:52:21,200
I thought it was still a really
good show this year.
2002
01:52:21,200 --> 01:52:25,200
I think it's coming back a bit.
You know talking to a number of
2003
01:52:25,200 --> 01:52:28,160
people there, I feel like
they're they're going to try
2004
01:52:28,160 --> 01:52:33,040
going to ISE in Barcelona next
year as opposed to Frankfurt.
2005
01:52:33,040 --> 01:52:35,400
We'll see what happens with
that.
2006
01:52:35,400 --> 01:52:39,200
But yeah, I mean back in the the
old days been going to that show
2007
01:52:39,200 --> 01:52:43,040
for a really long time and you
know used to take over all of
2008
01:52:43,040 --> 01:52:45,760
the halls and then you had the
music, let's say happening next
2009
01:52:45,760 --> 01:52:49,840
door with all the music, the
music manufacturers and now it's
2010
01:52:49,840 --> 01:52:55,840
just all 12 up and down is is
lighting and hall 11 is is
2011
01:52:55,840 --> 01:52:58,680
sound.
So it's a much smaller show.
2012
01:52:58,960 --> 01:53:02,320
Yeah, yeah, it's too bad.
I mean I used to love going to
2013
01:53:02,320 --> 01:53:06,160
that show in Frankfurt and been
doing it for a number of years.
2014
01:53:06,160 --> 01:53:10,280
Cuz I actually, before I got
into lighting, I was in music.
2015
01:53:10,960 --> 01:53:16,600
You know I I owned a music store
in Canada and so I went to Music
2016
01:53:16,600 --> 01:53:21,360
Mesa as a music guy 1st and and
then eventually you know as as
2017
01:53:21,360 --> 01:53:26,560
sound lighting, whatever.
But yeah, I mean I I've just
2018
01:53:26,560 --> 01:53:29,360
heard from everybody that it was
such a smaller show and if you
2019
01:53:29,360 --> 01:53:32,200
look at the lighting boost like
robe was big elation.
2020
01:53:32,680 --> 01:53:35,200
There were a couple two or three
big booths, but then a lot of
2021
01:53:35,200 --> 01:53:36,520
them were much smaller this.
Year.
2022
01:53:36,560 --> 01:53:38,760
A lot of them just.
Shut down.
2023
01:53:38,920 --> 01:53:40,520
Yeah.
Yeah.
2024
01:53:40,520 --> 01:53:40,920
Yeah.
Yeah.
2025
01:53:40,920 --> 01:53:43,720
So, yeah.
I mean, have you been to ISC
2026
01:53:43,720 --> 01:53:45,800
yet?
I've not been.
2027
01:53:45,800 --> 01:53:48,120
I almost went this year and I
said no, I'm going to stay
2028
01:53:48,120 --> 01:53:49,680
because, you know, you can't go
to every trade show.
2029
01:53:49,680 --> 01:53:52,600
But I know I was just like, I'm
going to do Frankfurt and I had
2030
01:53:52,720 --> 01:53:54,600
too much going on.
But I said next year I'm
2031
01:53:54,600 --> 01:53:58,680
definitely going to go to ISE,
check it out, yeah, and sort of
2032
01:53:58,960 --> 01:54:00,880
get a.
Everyone has told me it's it's
2033
01:54:00,880 --> 01:54:06,880
the important show now you know
Pro Light not so much ISE, you
2034
01:54:06,880 --> 01:54:10,320
know, it's pretty much taken
over a lot of the big budgets
2035
01:54:10,320 --> 01:54:12,680
and stuff like that where Pro
Light used to be.
2036
01:54:12,680 --> 01:54:14,480
So it's interesting.
Right.
2037
01:54:15,560 --> 01:54:19,600
Yeah.
So I was made aware that in July
2038
01:54:19,600 --> 01:54:26,000
you're going to be competing in
a charity thing, right?
2039
01:54:26,320 --> 01:54:27,080
What?
What is that?
2040
01:54:27,080 --> 01:54:29,080
Tell me about that.
Yeah, yeah, yeah.
2041
01:54:29,080 --> 01:54:31,800
So I do.
I mentioned early on so I'm a a
2042
01:54:31,800 --> 01:54:33,880
CrossFit Masters athlete and
Level 1.
2043
01:54:33,920 --> 01:54:40,480
What is a CrossFit?
Master that means I'm and that I
2044
01:54:40,480 --> 01:54:43,720
compete at the Masters level I.
Get it?
2045
01:54:43,760 --> 01:54:44,240
OK.
Yeah.
2046
01:54:44,760 --> 01:54:47,040
I thought it meant you were
like, you know, the Master
2047
01:54:47,360 --> 01:54:49,280
Semolonier, you know?
Or I'm the master.
2048
01:54:49,760 --> 01:54:54,280
Yeah, exactly.
No, it's it's a charity event.
2049
01:54:54,960 --> 01:54:57,760
This one's in Edinburgh called
Battle for Cancer.
2050
01:54:58,280 --> 01:55:00,920
It is.
It's just that where we have a
2051
01:55:00,920 --> 01:55:02,520
team of four of us that we put
together.
2052
01:55:02,520 --> 01:55:05,960
So we'll go in for competition
over that weekend and
2053
01:55:07,120 --> 01:55:12,880
essentially the the majority of
it is we have one set of
2054
01:55:12,880 --> 01:55:17,680
workouts where we have to do
20,000 reps in 90 minutes
2055
01:55:18,320 --> 01:55:21,560
amongst the four of us and the
idea is that.
2056
01:55:21,560 --> 01:55:25,760
We're 5000 then.
Right, exactly.
2057
01:55:26,120 --> 01:55:29,120
We're we're raising, we're
raising money basically at a per
2058
01:55:29,120 --> 01:55:31,960
Rep kind of scenario.
So you know, you can sponsor,
2059
01:55:32,240 --> 01:55:35,760
sponsor our team per Rep So if
we get up to that point, that's
2060
01:55:35,760 --> 01:55:38,000
great.
It's tough, tough to do that,
2061
01:55:39,360 --> 01:55:45,560
but yeah, good, good 'cause just
giving money to Cancer Research
2062
01:55:45,560 --> 01:55:49,640
and and and charity there and
and bro, yeah.
2063
01:55:50,080 --> 01:55:53,080
So we're gonna, and Sarah, I'm
telling you this now, we're
2064
01:55:53,080 --> 01:55:56,880
gonna include all the
information for that for your
2065
01:55:56,880 --> 01:55:59,800
charity and and ways that people
can donate and stuff.
2066
01:55:59,800 --> 01:56:02,240
We'll include that with any of
the promo that we're doing for
2067
01:56:02,240 --> 01:56:04,720
this episode to make sure.
That people.
2068
01:56:05,240 --> 01:56:09,680
Can get in touch with with that.
That's really and I really
2069
01:56:09,680 --> 01:56:13,680
appreciate that and and if I
could just follow up on that
2070
01:56:13,680 --> 01:56:19,560
something completely different.
I have done been a part of the
2071
01:56:19,560 --> 01:56:25,840
ET CS Fred Foster mentorship
program for maybe 12 years now
2072
01:56:26,640 --> 01:56:30,160
and have helped helped lead that
program, bring a lot of new
2073
01:56:30,320 --> 01:56:33,880
students and talent into the
industry, pairing them with
2074
01:56:33,880 --> 01:56:37,080
mentors in the industry to kind
of help them find their way as
2075
01:56:37,080 --> 01:56:39,280
they're getting started.
I know so many of us, like I
2076
01:56:39,280 --> 01:56:41,280
said, we're knocking on doors
and trying to figure out
2077
01:56:41,280 --> 01:56:45,160
anything we could do.
This really gives these, these
2078
01:56:45,160 --> 01:56:49,400
exceptional students a leg up on
really getting that start in the
2079
01:56:49,400 --> 01:56:53,400
industry that that program is
starting up again for this year.
2080
01:56:53,400 --> 01:56:57,960
They're taking applications as
of now and I'll give you the
2081
01:56:57,960 --> 01:57:00,200
link to that if you wouldn't
mind putting it up there.
2082
01:57:00,400 --> 01:57:05,080
It's for students to apply for
that program, so absolutely.
2083
01:57:05,440 --> 01:57:08,880
Yeah, and if if you know the
link, like is it something that
2084
01:57:08,880 --> 01:57:10,880
you can say right now that
people could write down or
2085
01:57:10,880 --> 01:57:15,280
anything or is it incredibly
long whereits.com/this dot that
2086
01:57:15,280 --> 01:57:18,720
slash this because.
If you can say it, it might.
2087
01:57:18,720 --> 01:57:21,440
Be helpful as well?
Or if there's a place they could
2088
01:57:21,440 --> 01:57:23,280
go to find it, like if it's
just, ETC.
2089
01:57:23,280 --> 01:57:31,520
Yeah, go to the ETC website.
It is yes etc. etcconnect.com
2090
01:57:32,360 --> 01:57:35,520
and then slash student
mentorship I believe.
2091
01:57:35,920 --> 01:57:41,440
Let's double check that yes,
etcconnect.com/studentmentorship.
2092
01:57:41,680 --> 01:57:44,880
That's easy enough.
So people go check that out and
2093
01:57:45,640 --> 01:57:49,280
so you're taking applications
now for that and then So what,
2094
01:57:49,280 --> 01:57:52,280
what does that involve?
Like if someone applies you know
2095
01:57:52,280 --> 01:57:56,040
is it it's it's a full
scholarship or how does it work?
2096
01:57:57,240 --> 01:58:00,240
So there's a, there's a a North
American program and then
2097
01:58:00,240 --> 01:58:01,440
there's an international
program.
2098
01:58:01,440 --> 01:58:04,960
So it used to be all together.
But I think we quickly realized
2099
01:58:04,960 --> 01:58:07,400
that in recent years that we're
getting more and more
2100
01:58:07,400 --> 01:58:10,320
international students applying.
So we need to separate them out.
2101
01:58:10,400 --> 01:58:14,160
That makes sense.
It used to be that students were
2102
01:58:14,160 --> 01:58:15,640
pared down.
You might get, you know, a
2103
01:58:15,640 --> 01:58:18,520
hundred 200 applicants.
You know, we all go through
2104
01:58:18,520 --> 01:58:21,280
those applicants and there's a
lot of really great people in
2105
01:58:21,280 --> 01:58:22,520
there.
And it's tough to kind of pair
2106
01:58:22,520 --> 01:58:25,720
them down to a core group.
There's never a set number.
2107
01:58:25,720 --> 01:58:29,280
Sometimes it's eight, sometimes
it's up to 20, perhaps students.
2108
01:58:30,000 --> 01:58:33,120
It just depends on what we all
feel is best.
2109
01:58:34,120 --> 01:58:36,880
And it used to be they would all
go to LDIETC, would take them to
2110
01:58:36,880 --> 01:58:39,520
LDI, we'd put them with mentors
at LDI.
2111
01:58:39,520 --> 01:58:42,160
We'd have an evening where they
could get to know each other,
2112
01:58:42,160 --> 01:58:44,160
ask questions.
So you know, we have these are
2113
01:58:44,160 --> 01:58:50,640
people like Ken Billington and
Don Holder, and I mean, this
2114
01:58:50,880 --> 01:58:55,720
just goes on and on and on.
And small names.
2115
01:58:55,720 --> 01:58:57,440
Yeah, small, small, small names.
Yeah.
2116
01:58:57,960 --> 01:59:00,720
Nobody's.
Yeah.
2117
01:59:00,720 --> 01:59:04,680
And pairing these students with
with those industry veterans.
2118
01:59:04,680 --> 01:59:10,120
And so I think what we've
realized since COVID, COVID kind
2119
01:59:10,120 --> 01:59:12,520
of put a stop on like let's
bring the students to LDI, we
2120
01:59:12,520 --> 01:59:15,720
had to rethink that.
So we started doing zoom
2121
01:59:15,720 --> 01:59:18,560
meetings with breakouts and we
would have opportunities for the
2122
01:59:18,560 --> 01:59:22,680
students to share portfolios and
ask questions and and really
2123
01:59:22,680 --> 01:59:24,680
have round tables with these
designers.
2124
01:59:25,520 --> 01:59:27,400
And then the designers would
say, yeah, I'll take that
2125
01:59:27,400 --> 01:59:31,960
student on as my mentee for it's
not like for the next year or
2126
01:59:31,960 --> 01:59:33,600
six months, that's essentially
for life.
2127
01:59:33,600 --> 01:59:36,320
That's part of the program is
anytime that student needs
2128
01:59:36,320 --> 01:59:38,200
something, they can reach out to
that.
2129
01:59:38,560 --> 01:59:41,040
And the idea there is we kind of
cut them loose.
2130
01:59:41,040 --> 01:59:43,080
We make those introductions,
make it happen.
2131
01:59:43,400 --> 01:59:45,920
And then it's up to the student
really to go and develop that
2132
01:59:45,920 --> 01:59:49,120
relationship with that designer.
But we've had students that, you
2133
01:59:49,120 --> 01:59:52,880
know, have gone on to assist,
become associate designers for
2134
01:59:52,880 --> 01:59:57,480
for numerous folks.
We've had, I mean students that
2135
01:59:57,480 --> 02:00:00,680
are working now all over the
industry, working for companies
2136
02:00:00,680 --> 02:00:03,720
like Disney and doing things
that, you know, they may not
2137
02:00:03,720 --> 02:00:07,160
have had an opportunity to get a
foot in the door to even begin
2138
02:00:07,160 --> 02:00:10,120
to understand how to do that.
So it's it's a really great
2139
02:00:10,120 --> 02:00:13,120
program for these students.
Yeah, Yeah.
2140
02:00:13,240 --> 02:00:16,200
Well, and you know, Fred Foster
was such a great guy and and
2141
02:00:16,200 --> 02:00:22,680
cared so much about students and
and theater and so the fact that
2142
02:00:22,680 --> 02:00:24,880
it's in his name makes a huge
amount of sense.
2143
02:00:24,880 --> 02:00:26,760
I've known about the program for
a long time.
2144
02:00:27,080 --> 02:00:29,480
But yeah, it's really cool that
you're doing that and that
2145
02:00:29,480 --> 02:00:33,640
you're involved and and that you
know, young people coming up
2146
02:00:33,800 --> 02:00:36,600
into the industry have that
resource available.
2147
02:00:36,720 --> 02:00:39,200
It's big.
Yeah.
2148
02:00:39,320 --> 02:00:42,400
Anything else we've missed to
promote or to talk about or
2149
02:00:42,400 --> 02:00:45,320
anything?
Oh gosh, no.
2150
02:00:45,320 --> 02:00:48,360
I mean, I mean, we've talked
about a lot.
2151
02:00:48,360 --> 02:00:48,840
Happy.
Hour.
2152
02:00:49,120 --> 02:00:50,920
I'm trying to keep you all the
way through happy hour so you
2153
02:00:50,920 --> 02:00:53,600
can't get drunk in Scotland.
There, you know it's.
2154
02:00:53,800 --> 02:00:56,480
It's 4:00 PM here.
It's time to time to go and do
2155
02:00:56,480 --> 02:00:57,680
that.
Yeah, there you go.
2156
02:00:57,760 --> 02:00:58,880
That's a good idea.
Yeah.
2157
02:00:58,880 --> 02:01:00,960
For me, it's lunchtime.
So.
2158
02:01:01,400 --> 02:01:03,240
Well, I I appreciate you very
much.
2159
02:01:03,240 --> 02:01:05,120
I appreciate you taking time to
do this.
2160
02:01:05,720 --> 02:01:07,720
It's been a cool chat.
I feel like we could talk for
2161
02:01:07,720 --> 02:01:10,240
another two hours, but.
Oh, absolutely.
2162
02:01:10,480 --> 02:01:12,920
Even just looking at the notes
you sent us, I'm looking at it
2163
02:01:12,920 --> 02:01:14,920
going, Oh my God, we missed 20
things.
2164
02:01:15,400 --> 02:01:16,800
But yeah, I.
Mean, right.
2165
02:01:16,920 --> 02:01:18,280
Yeah.
I'm looking at some stuff here
2166
02:01:18,280 --> 02:01:22,200
going, yeah, another year, if
there's an extra space, we'll
2167
02:01:22,200 --> 02:01:23,600
come back.
I'm happy to come back anytime.
2168
02:01:23,600 --> 02:01:24,880
No, absolutely.
I'd love to.
2169
02:01:25,040 --> 02:01:27,160
Yeah, I'd love you to.
You got a really interesting
2170
02:01:27,160 --> 02:01:29,760
business.
You know, I like getting past
2171
02:01:29,760 --> 02:01:31,960
this first interview too,
because then we can talk about
2172
02:01:31,960 --> 02:01:34,200
the industry and we can talk
about what you're up to now and
2173
02:01:34,200 --> 02:01:37,600
all of those things a lot more.
But I do like to get people's
2174
02:01:37,600 --> 02:01:39,520
background.
It's just I never do it again on
2175
02:01:39,520 --> 02:01:41,080
the second time.
So we've had.
2176
02:01:41,080 --> 02:01:45,040
Loads.
Of of people on 2/3 four times,
2177
02:01:45,040 --> 02:01:47,640
you know.
So we'd love to have you back on
2178
02:01:47,640 --> 02:01:50,600
again and.
Yeah, this is a lot of fun.
2179
02:01:50,640 --> 02:01:52,400
Yeah, I've really enjoyed it.
Yeah, cool.
2180
02:01:52,480 --> 02:01:54,520
Good.
Well, and tell Herrick to get
2181
02:01:54,520 --> 02:01:57,000
his ass on the show, too.
Yeah, I will.
2182
02:01:57,400 --> 02:01:58,640
I'll poke him and see what
happens.
2183
02:01:58,760 --> 02:01:59,320
Good.
Promise.
2184
02:01:59,640 --> 02:02:00,440
Yeah.
Good luck.
2185
02:02:00,560 --> 02:02:01,760
Yeah.
All right, man.
2186
02:02:01,760 --> 02:02:16,280
Thank you
None.