March 28, 2024
#232 - Thomas Kubik / Tour Manager and FOH Engineer

Thomas Kubik started his career 28 years ago and took the classic course from stagehand to behind the console and touring. He has been touring since 1999 with Euro and metal bands including InFlames, Nevermore, Arch Enemy, Fear Factory, Angra, Lacuna Coil, Moonspell and Chimaira. Thomas has been extremely lucky to travel to pretty much all continents. Thomas has been with InFlames for 25 years in June as their Sound engineer and Tour Manager or in Thomas’s words, the babysitter. Thomas loves coffee, wine & Champagne and generally good food. This episode was brought to you by Ultimate Support and GearSource.
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Hello and thank you for joining
me again today for our very
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second live promo broadcast on
all sorts of different social
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media platforms and YouTube as
well.
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So thank you for joining me.
Today is Geezers of Gear Episode
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#232.
At least it's the promo for 232,
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which will launch next week on
Thursday, March 28th.
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And today's podcast is brought
to you by a new sponsor,
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Ultimate Support Systems.
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By far the best microphone boom
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This episode is also brought to
you today by Gearsource.
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Yes, so episode #232.
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But first back to talking about
Pro lights.
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So this week Pro Lights and
sound is going on in Frankfurt,
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Germany.
Certainly one of the best shows
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in the past.
It's questionable as to whether
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or not it'll be the best show in
the future because it seems to
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be shrinking quickly.
Sadly, because it used to be
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probably the biggest sound
lighting video staging show in
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the world.
It used to be partnered with
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Music Mesa.
It used to be massive 9 or 10
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halls I think, and it just seems
to be shrinking.
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So we'll see what happens to the
future of pro Lights.
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Maybe I'll get somebody on from
that show and they can tell me
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what they're doing, where what
what they're planning, etcetera.
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So if anyone knows anyone who's
involved in the planning and
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organization of pro lights,
please have them contact
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producer at geezersofgear.com
and Sarah will get us set up for
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a chat and we can talk about
what's going on with the show,
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what you're doing to protect the
future of the show, how it's
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going to grow, etcetera.
So at that show, lots and lots
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of new products have been
announced.
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We talked about a few of them
yesterday, but also I was
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reading about the AVO D7 Ava
lights of course recently
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purchased by Roby and that is
ramping up not only their
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product development but their
manufacturing capabilities as
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well.
And I think we're going to see a
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lot of really great things
coming out of AVO.
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You know it's going to take them
some time and effort and energy
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and people and talent and
everything else to catch up to
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MA on the top end of the market.
But I think that middle and
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lower end of the market, even
the top end, but I think the
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middle and lower end, certainly
MA have not expanded to a point
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where you've completely blocked
competitors.
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And that's allowed really great
companies like Obsidian and
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others, Camsys and and certainly
Ava Lights, who you know is kind
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of the originator of the
rock'n'roll lighting desk.
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So we'll see where it goes.
Obviously their D9 is their
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flagship console, their big call
it the grand MA of the Ava line.
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It's been making some noise, but
I would say it hasn't taken over
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the market by any stretch.
We'll see what happens again
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under the Ruby banner.
It's it's much more powerful
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console than it used to be just
from a standpoint of world, you
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know, global distribution,
global strength resources
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etcetera.
But now they introduced the D7
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which I saw in a social media
post somewhere.
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Someone commented that the D7 is
AD nine that you can check as
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baggage.
And so it's a very good point.
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It's basically a a mini me of
the D9 which call it the, you
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know, the MA 3 micro or whatever
similar to that console I guess.
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But I expect to see big things
from that, maybe AD 7, we'll
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give them more of an intro into
the the large scale market, the
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bigger end of the market and
we'll see.
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You know, again, maybe if
someone from AVO, you know, I
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used to talk with Steve Warren
all the time, but I don't know
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anyone else at AVO.
If anyone wants to come on and
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talk about, you know, the road
map, where it's going, how the
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brand has changed, how the
company's changed, feel free
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again.
Reach out to
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producer@geezersofgear.com and
one of my favorite brands.
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I have a bunch, but this is one
of them.
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Ayrton.
And so I am afraid to even
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pronounce the name of this new
product But Kayalami and so it
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looks like a magic dot.
It seems to act a lot like a
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magic dot, but it has a laser
light source in it and it's
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IP65.
They're calling this part of an
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extreme miniaturization line of
product and supposedly it does a
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lot of really cool stuff, lots
of effects packed into a very,
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very small package with a really
bright and intense light source,
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which is a laser.
And so that's exciting.
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You know, seeing Airton
miniaturize a laser sourced
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fixture is, is really exciting.
I think that's a sign of great
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things to come not only from
Airton, but other manufacturers
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as well.
I know a lot of people are
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playing with lasers right now,
and we'll see where that goes.
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And of course, if the US would
ever get our shit together and
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get the laser lighting fixtures
out of the hands of the Food and
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Drug Administration, from a
standpoint of of, you know, it
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just doesn't make any sense.
You know, what do they know
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about laser lighting and its
impact on your eyes and stuff
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like that?
Like otherwise, you know, they'd
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get rid of Sharpies and a lot of
other beam effects that are
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probably much more dangerous
than than some of these lasers.
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So anyways, we'll see where that
goes.
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I know a lot of companies are
certainly lobbying for changes,
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but we'll see where that goes.
Also from Airton is a Nando Wash
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and neat name.
I don't know much about it.
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I I cannot tell you what
differentiates the Nando Wash
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from all of the other LED wash
lights that Airton has come out
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with recently.
And maybe I'll talk to Ayrton
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about that and get more
information.
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But I don't really know what
differentiates this one other
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than it's IP65, but they've got
other IP65 LED wash lights.
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So we'll see.
We'll have to come back to that.
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One looks cool and lots and lots
of IP rated stuff, one that was
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a little confusing.
GLP announced a bunch of
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fixtures that have IP in the
name, but I couldn't see any IP
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in the specs.
So I would assume that IP in the
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name, like there's a there was a
bunch of them and you know
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there's an impression something
or other IP and just a bunch of
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GLP fixtures that have IP in the
name.
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And so I assumed that that's an
IP range.
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You know they're they're
weatherproof, but it didn't list
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that in the specs or at least
from the posts that I was able
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to see.
So moving on to episode #232,
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Thomas, and I'm not sure if he
pronounces it cubic or Kubic,
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but Thomas Kubic, I'm going to
call him.
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And so today's guest was
introduced to me by Sarah, our
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producer, who I don't know if
people know this, but Sarah used
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to tour and that was sort of how
I got introduced to Sarah to
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begin with.
She was touring, I think mostly
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in hospitality and catering, and
Sarah met this gentleman Thomas
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on tour where he was working
with In Flames and it was a Five
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Finger Death Punch and In Flames
tour.
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In Flames is a very heavy metal
band and and you know, so they
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met, hit it off, got to be
friends or whatever.
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And Sarah thought, hey, he'd be
a great guest.
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But it's funny because Sarah
thought he was the manager for
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In Flames because he did so many
different jobs with them, as
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you'll hear in his bio coming up
here in a second and lo and
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behold finds out he's the sound
engineer.
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So Thomas started his career 28
years ago, took the classic
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course from stagehand to behind
the console and touring.
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He has been touring since 1999
with Euro and metal bands
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including In Flames, Nevermore,
Arch, Enemy, Fear Factory, Angra
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Lacuna, Coil, Moon Spell,
Chimera, and Willie Nelson's
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Luck Reunion in Austin.
One of those just doesn't fit
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in, does it?
Thomas has been extremely lucky
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to travel to pretty much every
continent.
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Thomas has been within flames
for 25 years in June as their
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sound engineer and tour manager,
or, in Thomas's words, the
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babysitter.
Thomas loves coffee, wine and
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champagne and generally good
food.
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We'll be finding out a lot more
about Thomas's career, talking
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gear, what he's been up to
recently, and what he has in
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store for this year.
So please welcome Thomas Kubik.
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And for those of you who are
viewing this live, I'll see you
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next week.
In Flames and Five Finger Death
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Punch And I was like kind of
like, Oh my God, like this is
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going to be insane.
And like, you know, like I'd
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never like worked with, you
know, metal like that.
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And then I got there and
everybody was as soft as
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anything.
That's usually how it is they.
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Didn't scare you like you
thought metal people would scare
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you.
Yeah.
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Yeah.
And literally it was like, I
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mean, OK, did you think they?
Like burned they sacrificed
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babies and burned crosses.
And what did you think?
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I don't know.
I just thought it was gonna be
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like, really crazy.
But I remember the very first, I
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think the first couple of days
because of Five Finger, they
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were like Alcoholics Anonymous,
weren't they?
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So it was like.
Some of them, no.
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Yeah, no alcohol was allowed.
And I well, it was your camp.
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That was like, no way, just
because you've got a problem.
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And then that all changed.
So they were drinking, they were
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drinking vodka to sippy cups and
stuff.
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Yeah, seriously.
But anyway, it was great, so
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enjoy the show guys.
Sarah, Sarah, Any other stories
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you'd like to share while we're
recording here?
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No, I don't think so.
I got I now.
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Now you've put me on the spot.
The only thing I always remember
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is coming back into the dressing
room when everyone has finished.
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And Thomas would always have a
bottle of champagne.
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Nothing else.
Always champagne.
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Again, very unmetal.
Seriously.
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Yeah, Very.
Well, there we are.
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It's not wine.
It's champagne.
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Very unmetal.
I mean, unless you're drinking
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it out of the bottle.
I only do that on very few.
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Occasions.
Yeah.
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Only only when you've run out of
glasses.
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Yeah.
All right, Sarah, you're out.
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Bye.
We have to get serious now.
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We can't have you sitting there
yapping at us the whole time.
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So that was an interesting start
to the podcast.
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I hit record while Sarah was
blabbing and I need to do that
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more often because occasionally
she says something brilliant.
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So Thomas, welcome is so do you
pronounce your last name Kubic
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or Kubic?
I would guess Kubic sounds more
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German to me.
That's.
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Yeah, yeah.
Although it's not German, I
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think it's Czech or whatever.
Oh, OK.
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Originally, yeah.
Sounds like there's a story
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there.
But that's that's the right the
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right pronunciation.
So forever more it will be Kubic
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and I think I said it right in
the intro anyway, so that's
221
00:13:51,240 --> 00:13:54,920
good.
So you know, it's it's nice that
222
00:13:54,920 --> 00:13:58,520
we had Sarah here to kind of
greet you on because Sarah,
223
00:13:59,200 --> 00:14:02,440
you're the 1st guest I think
that she brought from her camp
224
00:14:03,520 --> 00:14:04,760
of people.
That she met on the.
225
00:14:04,760 --> 00:14:08,080
Road and just thought were
really cool people and and so
226
00:14:08,080 --> 00:14:10,240
she was pretty excited to get
you on so.
227
00:14:11,200 --> 00:14:13,160
Fantastic.
So thanks for I did.
228
00:14:13,240 --> 00:14:16,200
I had no idea that she's doing
that now.
229
00:14:16,320 --> 00:14:19,720
Then like, you know, it was like
out of the blue basically so.
230
00:14:19,720 --> 00:14:22,440
Well, on Crete, there's not so
many jobs.
231
00:14:22,440 --> 00:14:26,480
I mean, basically you could
collect plastic off the beaches,
232
00:14:26,480 --> 00:14:30,720
you could make kebabs, or you
could, you know, be a producer
233
00:14:30,720 --> 00:14:33,040
for a podcast in Florida.
You.
234
00:14:33,120 --> 00:14:34,480
Know.
Yeah, yeah, sure.
235
00:14:34,480 --> 00:14:36,400
Why not?
Just not many, not many
236
00:14:36,400 --> 00:14:40,040
opportunities.
And so she tripped over this
237
00:14:40,040 --> 00:14:41,960
one.
No, I was introduced from a
238
00:14:41,960 --> 00:14:44,960
friend.
You probably don't know Gordon,
239
00:14:44,960 --> 00:14:48,600
but I was introduced by Gordon
who works with production Park
240
00:14:49,040 --> 00:14:55,000
and and knew Sarah from there.
And yeah, we just, we hit it off
241
00:14:55,000 --> 00:14:57,080
and next thing you know she
became I.
242
00:14:57,080 --> 00:15:01,120
It's funny because I actually
put a a notice on my Facebook or
243
00:15:01,120 --> 00:15:04,840
something saying hey, anybody
want a part time easy gig being
244
00:15:04,840 --> 00:15:07,440
a producer for a podcast And she
was like I do.
245
00:15:08,240 --> 00:15:10,680
Yeah, yeah, yeah.
Would you even consider me?
246
00:15:10,760 --> 00:15:11,920
Me.
And I said you're hired.
247
00:15:11,920 --> 00:15:13,880
I mean, not only would I
consider you, it's over.
248
00:15:14,720 --> 00:15:16,920
So yeah.
Excellent.
249
00:15:16,960 --> 00:15:20,680
Excellent.
So she says she met you and
250
00:15:20,680 --> 00:15:24,160
we'll just continue down this
story on a tour that was Five
251
00:15:24,160 --> 00:15:26,400
Finger Death Punch and In
Flames.
252
00:15:26,400 --> 00:15:33,000
And she mentioned earlier on
this, this recording, that Five
253
00:15:33,000 --> 00:15:36,040
Finger Death Punch were, I
guess, in recovery, right?
254
00:15:37,120 --> 00:15:42,520
So they had, I get parts of it
or parts of them definitely,
255
00:15:42,600 --> 00:15:47,720
definitely were, Yeah.
We didn't really get too much
256
00:15:47,720 --> 00:15:52,600
into the detail of that either,
because usually it's just like,
257
00:15:52,600 --> 00:15:54,320
OK.
Those, whatever.
258
00:15:54,440 --> 00:15:56,800
Those are always interesting
situations though.
259
00:15:56,800 --> 00:16:02,480
I remember like Aerosmith early
or in their career, when I think
260
00:16:02,480 --> 00:16:06,160
when they first decided to get
sober and then fell off and then
261
00:16:06,160 --> 00:16:07,880
fell back on and then fell off
again.
262
00:16:07,880 --> 00:16:11,760
But when they first did, they
were really religious about it,
263
00:16:11,760 --> 00:16:15,560
like you couldn't have alcohol
or drugs or anything within
264
00:16:17,320 --> 00:16:20,920
miles of the arena.
No, I mean we usually, I mean
265
00:16:22,600 --> 00:16:29,320
being based in Sweden and, you
know, Scandinavian people are,
266
00:16:29,720 --> 00:16:34,600
you know, they like to drink.
So it's been it.
267
00:16:34,600 --> 00:16:38,880
It was very surprising on day
one that all of a sudden, you
268
00:16:38,880 --> 00:16:41,280
know, somebody came up and it's
like, oh, you can't do.
269
00:16:41,280 --> 00:16:44,080
What do you mean we can't?
This is like this is not going
270
00:16:44,080 --> 00:16:48,880
to work, you know, because it's
like that just ruins the.
271
00:16:48,880 --> 00:16:51,800
Movie part of their daily, part
of their daily ritual, right?
272
00:16:51,800 --> 00:16:53,480
Like, it's just what they do.
Exactly.
273
00:16:53,880 --> 00:16:57,160
Nothing bad, you know.
I mean, if it would have been
274
00:16:57,160 --> 00:17:01,360
communicated in the, you know,
in advance or whatever it would
275
00:17:01,520 --> 00:17:04,520
it would be, it would have been
a different story, I guess, But
276
00:17:05,520 --> 00:17:09,319
it would still and no, but at
least like it would have been
277
00:17:09,359 --> 00:17:12,560
prepared somehow that there's
something going on.
278
00:17:12,560 --> 00:17:15,560
You know, I get it because this
was definitely not the first
279
00:17:15,560 --> 00:17:19,880
tour where something like this
was going on.
280
00:17:19,880 --> 00:17:26,200
Like I remember back in 2003 or
2004 when we did Oz Fest, I mean
281
00:17:26,200 --> 00:17:31,840
there was a daily a a meeting in
catering for like you know I
282
00:17:31,840 --> 00:17:33,960
don't know how many.
There was like 2-3 hundred
283
00:17:33,960 --> 00:17:37,280
people touring and in, you know,
at I don't know.
284
00:17:37,640 --> 00:17:40,680
Half of before the meeting.
Or lunch service or whatever.
285
00:17:40,680 --> 00:17:42,920
They had this a a meeting in
there.
286
00:17:42,920 --> 00:17:47,000
So it's not a, it's.
It's not an uncommon thing for.
287
00:17:47,040 --> 00:17:51,640
Let's face it, you know,
especially drugs and also of
288
00:17:51,640 --> 00:17:55,120
course alcohol have been a
problem in our industry's past.
289
00:17:55,560 --> 00:18:00,280
And and you know, so it's it's a
good thing that that people who
290
00:18:00,280 --> 00:18:03,200
needed help have gotten help,
people who needed to stop have
291
00:18:03,200 --> 00:18:05,440
stopped.
You know, like I see that you're
292
00:18:05,440 --> 00:18:09,360
enjoying a glass of wine.
You know, to me, at my age now,
293
00:18:09,360 --> 00:18:12,720
that's pretty much the extent of
my drinking and a heavy night.
294
00:18:13,080 --> 00:18:15,560
I might have 3 glasses of wine,
you know, and then it's.
295
00:18:15,560 --> 00:18:17,400
Like oh, forget.
It I'm going to have a hangover
296
00:18:17,400 --> 00:18:18,800
if I even.
Touch it and drop.
297
00:18:18,800 --> 00:18:21,360
More you know, but it used.
To be it doesn't get any 3
298
00:18:21,400 --> 00:18:23,960
bottles of wine.
No, no.
299
00:18:24,200 --> 00:18:25,880
But it's a good thing.
I mean, it's a good thing.
300
00:18:25,880 --> 00:18:28,440
I mean, if I didn't get
hangovers or headaches or if it
301
00:18:28,440 --> 00:18:31,800
didn't bother me in some way,
I'd probably drink a whole lot
302
00:18:31,800 --> 00:18:33,480
more, you know, because I do
enjoy it.
303
00:18:33,480 --> 00:18:38,760
But but it's just, I don't know
the the the sexiness of of
304
00:18:38,760 --> 00:18:42,080
getting, you know, drunk to a
point where you pass out, you
305
00:18:42,080 --> 00:18:44,400
know, on the floor somewhere
where you don't even know where
306
00:18:44,400 --> 00:18:46,640
you are.
That's just not as attractive as
307
00:18:46,640 --> 00:18:49,040
it once was.
Not, no, exactly.
308
00:18:49,160 --> 00:18:50,680
Yeah.
Not necessarily attractive.
309
00:18:51,280 --> 00:18:55,360
So I wonder if you know, because
you're in that metal scene and
310
00:18:55,360 --> 00:18:58,960
do you do any like German bands
like I know that metal in
311
00:18:58,960 --> 00:19:01,160
Germany is, is a big thing
still.
312
00:19:04,520 --> 00:19:06,480
German metal bands have I worked
for German.
313
00:19:06,480 --> 00:19:07,800
Metal.
Well, the only reason I asked.
314
00:19:08,080 --> 00:19:10,840
I'm sure there was.
I have a very good friend who
315
00:19:10,840 --> 00:19:16,880
who I kind of grew up with in
Canada who's a drummer and it
316
00:19:16,880 --> 00:19:17,600
was funny.
Because.
317
00:19:18,440 --> 00:19:20,480
Randy Black.
Randy Black.
318
00:19:20,480 --> 00:19:20,800
Yeah.
Yeah.
319
00:19:20,800 --> 00:19:22,400
Yeah, of course.
I know, Randy.
320
00:19:22,680 --> 00:19:25,240
Oh, do you?
So you have to tell Randy that
321
00:19:25,240 --> 00:19:29,320
you were on my podcast, 'cause
we go back, you know, literally
322
00:19:29,320 --> 00:19:34,800
40 years, him and I and and you
know, so of course like it.
323
00:19:34,880 --> 00:19:37,000
I don't know if you know this,
but before he played in
324
00:19:37,000 --> 00:19:41,880
Annihilator, he played in
Canada's most popular Rush
325
00:19:41,880 --> 00:19:44,720
tribute band and it was a band
called Click.
326
00:19:45,360 --> 00:19:46,960
And I was very.
Good.
327
00:19:47,520 --> 00:19:51,400
I was very good friends with all
of them, but Randy and I were.
328
00:19:51,960 --> 00:19:57,080
We got in some trouble together,
let's just say, and I owned at
329
00:19:57,080 --> 00:20:01,000
the time a music store and I did
business with them and they were
330
00:20:01,000 --> 00:20:03,680
a client, but they also became
very good friends and the singer
331
00:20:03,680 --> 00:20:06,680
and keyboard player Keith I'm
very good friends with still
332
00:20:06,680 --> 00:20:08,720
today and.
Ran a tattoo.
333
00:20:08,720 --> 00:20:12,080
Quite often, but yeah, before
Annihilator he was in, he was a
334
00:20:12,080 --> 00:20:14,440
very technical drummer in a
rush.
335
00:20:14,440 --> 00:20:17,040
Tribune Band.
And then all of a sudden he's in
336
00:20:17,040 --> 00:20:19,880
Annihilator playing this, this
crazy metal music, and then he
337
00:20:19,880 --> 00:20:22,600
goes on with, you know, all
these other bands and ends up
338
00:20:22,640 --> 00:20:23,240
with.
Primal fear.
339
00:20:23,560 --> 00:20:27,480
And destruction and.
So yeah, yeah, Primal Fear that.
340
00:20:27,480 --> 00:20:30,400
Exactly.
That was the last ones that I
341
00:20:30,400 --> 00:20:32,400
know.
I think where he played.
342
00:20:32,680 --> 00:20:37,640
I met him when he was in an
Annihilator because I I toured
343
00:20:37,640 --> 00:20:40,560
with that.
Must have been early 2000s as
344
00:20:40,560 --> 00:20:44,320
well.
I toured with Nevermore and they
345
00:20:44,320 --> 00:20:48,800
did a European Tour together
with Annihilator and I was on
346
00:20:48,800 --> 00:20:51,760
that and that's that's where I
where I met him.
347
00:20:52,200 --> 00:20:55,240
Yeah, and and crazy Jeff Waters
and.
348
00:20:56,040 --> 00:20:57,880
Yeah.
He was an interesting,
349
00:20:58,000 --> 00:20:59,000
interesting tour.
He's.
350
00:20:59,440 --> 00:21:03,840
In He's in Destruction now and
still going strong, you know,
351
00:21:03,840 --> 00:21:04,640
touring.
Constantly.
352
00:21:04,640 --> 00:21:07,280
Oh, OK.
All the festivals in the summer
353
00:21:07,280 --> 00:21:11,400
and stuff, of course, But yeah,
so yeah, yeah.
354
00:21:11,400 --> 00:21:18,440
It's funny, you know, I gotta
ask because it to me like there
355
00:21:18,440 --> 00:21:22,760
are two really challenging jobs
I think in that type of music
356
00:21:23,320 --> 00:21:28,760
and one is being the drummer and
the other is being the sound
357
00:21:28,760 --> 00:21:32,400
engineer, you know, because it
like to me, it's just this wall
358
00:21:32,400 --> 00:21:37,040
of coming at you and you have to
somehow separate all of those
359
00:21:37,040 --> 00:21:41,880
sounds and sort of create nuance
among mayhem, call it.
360
00:21:41,920 --> 00:21:46,000
Yeah, yeah.
Well it's not, it's not a wall
361
00:21:46,000 --> 00:21:53,880
of noise with all the bands
there is good ones and really
362
00:21:53,880 --> 00:21:57,040
good ones and not so good ones
just like everywhere else as
363
00:21:57,040 --> 00:22:02,000
well.
And it's definitely more
364
00:22:02,000 --> 00:22:08,880
challenging with like when it's
just a bunch of noise or or the
365
00:22:08,960 --> 00:22:15,160
the musicians come with certain
ideas on how it should sound
366
00:22:15,160 --> 00:22:19,560
that work in a rehearsal space
situation but will never work in
367
00:22:19,560 --> 00:22:25,480
a in a club or let alone arena
or something like that.
368
00:22:26,000 --> 00:22:29,120
But I mean I was always pretty
lucky.
369
00:22:29,120 --> 00:22:34,240
I would say like mostly that the
bands that I work with or worked
370
00:22:34,240 --> 00:22:40,880
with either were also where very
young when I started.
371
00:22:40,920 --> 00:22:45,480
So we it wasn't this oh this
older guy is trying to tell us
372
00:22:45,480 --> 00:22:49,000
what to do.
It was always like experimenting
373
00:22:49,680 --> 00:22:52,800
on the same kind of you know,
level.
374
00:22:53,120 --> 00:22:54,360
Yeah, they.
Looked at you as a peer.
375
00:22:55,480 --> 00:22:56,520
Not as a, not as.
Yeah, trying.
376
00:22:56,640 --> 00:23:01,960
To straighten them out.
And then once I was in the
377
00:23:01,960 --> 00:23:05,560
business for like quite some
time and started to work for
378
00:23:05,560 --> 00:23:10,800
other people or whatever, I
already had a lot of experience
379
00:23:11,000 --> 00:23:19,120
for my age because I literally
started when I was like 1819,
380
00:23:19,200 --> 00:23:24,520
basically, like with the whole
stagehand situation even earlier
381
00:23:24,520 --> 00:23:27,280
than that.
So yeah, yeah.
382
00:23:27,840 --> 00:23:30,080
So were you a musician or
something?
383
00:23:30,080 --> 00:23:32,720
And then you you just.
I wouldn't call it.
384
00:23:33,080 --> 00:23:35,560
I wouldn't call myself a
musician.
385
00:23:35,880 --> 00:23:39,440
Yeah, I I did play guitar in a
band, but I wouldn't.
386
00:23:39,960 --> 00:23:42,840
You weren't very good.
I wouldn't go as far as as
387
00:23:43,200 --> 00:23:46,560
saying I'm a musician, no, but.
What what What you interested in
388
00:23:46,600 --> 00:23:50,320
in working behind the scenes,
like in becoming a a stagehand
389
00:23:50,320 --> 00:23:51,840
to start and then moving your
way up?
390
00:23:52,000 --> 00:23:55,160
It was.
It was the playing with my band
391
00:23:55,160 --> 00:24:00,760
at the time and it was like
pretty obvious very quickly to
392
00:24:00,760 --> 00:24:04,320
me that you know, obviously you
have to have a little bit of
393
00:24:04,320 --> 00:24:08,600
knowledge of all this so you can
communicate with like locals.
394
00:24:10,080 --> 00:24:15,200
And even back then, you know, we
wanted to have a good result for
395
00:24:15,200 --> 00:24:20,240
what we were doing.
And then, you know, that's
396
00:24:20,240 --> 00:24:24,760
that's how I basically got to
know the the people at the local
397
00:24:24,760 --> 00:24:29,040
club and then you know, one
thing led to another and you
398
00:24:29,160 --> 00:24:31,200
know it.
It's very typical.
399
00:24:31,520 --> 00:24:32,640
Yeah.
No, I mean.
400
00:24:32,640 --> 00:24:36,240
It's very typical career path.
I would, I would think, at least
401
00:24:36,280 --> 00:24:37,960
extend it was.
Yeah, it was.
402
00:24:37,960 --> 00:24:41,880
Now it's getting much more where
you actually, you decide really
403
00:24:41,880 --> 00:24:46,600
early on that you want to work
in the arts and you go to school
404
00:24:46,600 --> 00:24:49,680
and you go to some sort of
theater technology classes or
405
00:24:49,680 --> 00:24:51,240
something.
And you're either in lighting or
406
00:24:51,240 --> 00:24:55,440
you're in sound or you're in set
design or you're in costumes or
407
00:24:55,440 --> 00:25:01,040
whatever wardrobe.
And so now they're like a lot of
408
00:25:01,040 --> 00:25:05,720
the younger people who I have on
the podcast have taken a much
409
00:25:05,720 --> 00:25:10,080
more planned route into this
industry, whereas.
410
00:25:10,760 --> 00:25:12,560
You know.
You and beyond you.
411
00:25:13,360 --> 00:25:17,320
It was much more lucky.
I think, I think I was one of
412
00:25:17,320 --> 00:25:22,440
the last ones or like my
generation so to speak is one of
413
00:25:22,440 --> 00:25:29,560
the last ones that like got into
this somehow because at the time
414
00:25:29,560 --> 00:25:35,600
when I started doing this, the
schools really didn't exist to
415
00:25:35,600 --> 00:25:39,560
do anything of this like this.
You know, I mean you could go in
416
00:25:39,560 --> 00:25:44,440
Austria, you could you could go
to like university and and and
417
00:25:44,440 --> 00:25:46,880
you know get this master's
degree.
418
00:25:46,880 --> 00:25:48,960
But it was all very technical as
well.
419
00:25:48,960 --> 00:25:53,480
It was less of a just like try
and error type.
420
00:25:53,480 --> 00:25:56,200
Yeah, you were taking like a.
Where you could be creative or
421
00:25:56,200 --> 00:25:57,200
whatever.
Yeah, exactly.
422
00:25:57,200 --> 00:25:59,960
Acoustical engineering.
Not, not how to be the front of
423
00:25:59,960 --> 00:26:03,920
house guy for a metal band,
Exact. 101 Well, that wasn't
424
00:26:03,920 --> 00:26:06,040
really my plan either.
But, you know, that's just how
425
00:26:06,760 --> 00:26:07,760
it happened.
Yeah.
426
00:26:08,840 --> 00:26:10,440
Yeah, I want to ask you about
that.
427
00:26:10,440 --> 00:26:15,480
Like, you know, because you seem
to have become typecast, sort
428
00:26:15,480 --> 00:26:18,880
of, you know, like how Jim
Carrey can only do funny movies
429
00:26:19,080 --> 00:26:21,480
when he does a serious movie.
It's ridiculous, you know.
430
00:26:22,160 --> 00:26:24,960
Which is a lie, though I think
he's very good when he does it,
431
00:26:25,400 --> 00:26:26,680
when he does his serious movie
well.
432
00:26:26,680 --> 00:26:31,480
Maybe I chose a bad example, you
know, But when it's somebody who
433
00:26:31,960 --> 00:26:35,480
who's only in scary movies or
only in funny movies or
434
00:26:35,480 --> 00:26:37,120
whatever, it's hard to imagine
them.
435
00:26:37,400 --> 00:26:40,400
Like, do you watch Larry David,
Curb Your Enthusiasm.
436
00:26:40,440 --> 00:26:41,920
It's one of my favorite shows
ever.
437
00:26:42,600 --> 00:26:44,440
Could you imagine him in a
serious role?
438
00:26:44,960 --> 00:26:45,680
No.
Absolutely.
439
00:26:45,680 --> 00:26:48,360
Exactly.
You know, so I I have a hard
440
00:26:48,360 --> 00:26:54,960
time imagining you working with
Willie Nelson, you know, so, So
441
00:26:54,960 --> 00:26:57,560
to me it's similar, you know,
like you become.
442
00:26:57,560 --> 00:27:00,120
Known.
For a a particular genre or
443
00:27:00,120 --> 00:27:03,320
whatever and.
I think, I think it's mainly
444
00:27:03,320 --> 00:27:09,880
this is mainly down to like your
network so to speak.
445
00:27:10,080 --> 00:27:15,080
If you don't work for one of the
like big rental companies or or
446
00:27:15,080 --> 00:27:18,240
whatever, you know it's, it's
usually how it goes.
447
00:27:18,880 --> 00:27:23,000
And then for me it's a little
bit special so to speak as well,
448
00:27:23,000 --> 00:27:29,000
because I've been within flames
for so long and now with I
449
00:27:29,000 --> 00:27:32,840
started as just the sound guy,
then I turn it turned into the
450
00:27:33,040 --> 00:27:37,880
sound guy tour manager thing.
Then when it got bigger we got a
451
00:27:39,360 --> 00:27:46,000
separate tour manager again,
which I really liked, and then
452
00:27:46,120 --> 00:27:52,960
for various reasons he got
basically out very short before
453
00:27:52,960 --> 00:27:56,240
another tour was come, or in
between two tours actually.
454
00:27:56,320 --> 00:28:02,360
And then that was I think in
2015 and they asked me again if
455
00:28:02,360 --> 00:28:04,520
I could do it.
So we just don't have a stranger
456
00:28:04,520 --> 00:28:07,240
on the bus on the next run.
And I was.
457
00:28:07,240 --> 00:28:11,360
I wasn't really getting into it
again because I wasn't really
458
00:28:11,360 --> 00:28:15,720
keen on the job.
But it worked out really well to
459
00:28:15,720 --> 00:28:17,320
everybody's surprise I would
say.
460
00:28:19,200 --> 00:28:27,320
And then we just kept doing it.
But you know, originally I was
461
00:28:27,320 --> 00:28:30,600
only gonna, I was gonna stick to
just the sound.
462
00:28:31,120 --> 00:28:34,520
And if I would have done that, I
would have a lot more time to do
463
00:28:34,560 --> 00:28:38,720
other things as well.
And then I would probably try to
464
00:28:38,720 --> 00:28:40,600
get out of the metal a little
bit more.
465
00:28:41,120 --> 00:28:47,120
But since In Flames basically
kept me busy for 25 years now,
466
00:28:47,280 --> 00:28:52,400
yeah, there's very few months or
weeks where I can actually
467
00:28:52,400 --> 00:28:54,280
decide to do something.
Yeah, it's not like.
468
00:28:54,440 --> 00:28:56,640
You can book like.
Tours or something and.
469
00:28:56,840 --> 00:29:01,280
Really busy, yeah.
Which I mean on one hand it's
470
00:29:01,280 --> 00:29:06,440
it's super nice because it's a
very, you know, family type of
471
00:29:07,520 --> 00:29:10,600
environment.
Like I I obviously know all
472
00:29:10,600 --> 00:29:16,720
their wives and kids and even
parents and whatnot, which is
473
00:29:16,720 --> 00:29:19,400
really nice.
And a lot of the crew within
474
00:29:19,400 --> 00:29:24,200
flames is has been around for 10
plus years.
475
00:29:24,920 --> 00:29:26,640
So it's like, you know, it's
basically.
476
00:29:26,640 --> 00:29:30,280
Like a group of friends.
Being, being on, being on the
477
00:29:30,280 --> 00:29:36,440
bus, which has its is advantages
but obviously like all families,
478
00:29:36,480 --> 00:29:39,320
there's difficult.
Families have families have good
479
00:29:39,320 --> 00:29:41,800
and bad parts, for sure.
Yeah.
480
00:29:42,000 --> 00:29:43,680
Families have good and bad
parts.
481
00:29:43,960 --> 00:29:47,600
No, that's that's really cool.
And and you know again I'm not,
482
00:29:47,600 --> 00:29:51,640
I'm not saying that it's bad to
get stuck in metal or anything
483
00:29:51,640 --> 00:29:56,280
like that because obviously you
know you've done well, it's done
484
00:29:56,280 --> 00:29:58,800
well for you, they've done well
with you etcetera.
485
00:29:59,720 --> 00:30:02,120
But it's just a, it's an
interesting observation.
486
00:30:02,160 --> 00:30:06,800
And I would guess again going
back to the genre like I would
487
00:30:06,800 --> 00:30:11,000
guess that there are some skills
or whatever that are required
488
00:30:11,000 --> 00:30:14,320
that are different than doing
sound for a pop act or.
489
00:30:15,200 --> 00:30:18,360
I don't know.
I I I I don't really.
490
00:30:18,600 --> 00:30:21,920
I just see, I see looking at the
console and everything's
491
00:30:21,920 --> 00:30:25,040
clipping all the time, like I
just see red lights flashing
492
00:30:25,040 --> 00:30:26,760
everywhere.
That in my mind, right?
493
00:30:27,520 --> 00:30:30,000
Yeah, yeah.
Well, yeah, that's there's
494
00:30:30,000 --> 00:30:34,520
definitely people out there that
where it looks like that, but it
495
00:30:34,520 --> 00:30:37,120
shouldn't look like that.
Vocals, vocals, you know, one
496
00:30:37,120 --> 00:30:40,160
minute a guy's going La, La La
and then it's like.
497
00:30:42,920 --> 00:30:47,280
Yeah, yeah, yeah, yeah, sure.
But I mean you have that in
498
00:30:47,280 --> 00:30:52,760
other in other genres you have
just have different challenges
499
00:30:53,720 --> 00:30:59,280
but in the end it's all it's all
the same to me it is it's like I
500
00:30:59,280 --> 00:31:06,000
would, I actually think if you
get, if you get hired by
501
00:31:06,880 --> 00:31:10,840
somebody who's completely you're
not a fan of the music, you have
502
00:31:10,840 --> 00:31:13,240
nothing you would not listen to
this at home.
503
00:31:13,840 --> 00:31:19,120
I actually think you get go into
this with a completely different
504
00:31:20,320 --> 00:31:25,000
mindset so to speak.
And it's it's to to me this is
505
00:31:25,000 --> 00:31:32,960
more objective than you know,
being being a fan of of the band
506
00:31:32,960 --> 00:31:35,560
that's on stage.
So it's like.
507
00:31:36,000 --> 00:31:42,120
Are you a fan of the genre?
I used to like I would like
508
00:31:42,280 --> 00:31:46,720
before or at the beginning.
When I got into it, I I I would
509
00:31:46,720 --> 00:31:50,560
listen to that type of not
necessarily like in flames,
510
00:31:50,560 --> 00:31:55,320
which you know they come out of
like a death metal, whatever
511
00:31:56,040 --> 00:31:59,440
that was.
That was never really my my, my
512
00:31:59,440 --> 00:32:02,240
thing.
But like metal in general I
513
00:32:02,240 --> 00:32:05,040
would listen or back in those
days it was like the hardcore
514
00:32:05,040 --> 00:32:08,560
days like Biohazard and all the
you know, these kind of things.
515
00:32:08,880 --> 00:32:14,320
I would listen to that.
But nowadays I'm actually, I
516
00:32:14,320 --> 00:32:16,800
mean, I'm happy if there's no
music.
517
00:32:16,800 --> 00:32:22,560
And if there is music, it's
usually not metal.
518
00:32:22,920 --> 00:32:26,920
Yeah, at all, you know, I mean.
It's like jazz or something,
519
00:32:26,920 --> 00:32:28,680
right?
Something nice.
520
00:32:28,880 --> 00:32:33,080
And it's it's like it obviously
the the like when you grow older
521
00:32:33,080 --> 00:32:38,600
I think the you know the taste
gets a little bit broader or or
522
00:32:38,600 --> 00:32:41,920
whatever.
I mean, being being from, being
523
00:32:41,920 --> 00:32:46,320
from Austria, being from
Salzburg, it's always it has the
524
00:32:46,320 --> 00:32:51,320
classical component as well that
you can't get around and that
525
00:32:51,320 --> 00:32:55,680
you hate as a kid and whatnot.
And nowadays I'm actually
526
00:32:55,680 --> 00:32:58,240
enjoying orchestra stuff or
whatever as well.
527
00:32:58,360 --> 00:33:02,840
Yeah, so it's.
At the same time, for me
528
00:33:02,840 --> 00:33:08,000
anyways, I've always had a
pretty wide musical taste.
529
00:33:09,240 --> 00:33:12,520
I was kind of a metalhead and
and you'd walk into my music
530
00:33:12,520 --> 00:33:15,320
store and I was listening to
Michael Jackson in the 80s.
531
00:33:15,320 --> 00:33:17,520
You know the bad.
When the bad album came out,
532
00:33:17,760 --> 00:33:20,840
because of the production
quality of it, I was just blown
533
00:33:20,840 --> 00:33:22,280
away.
I was blown away by the
534
00:33:22,280 --> 00:33:24,640
production and some of the
sounds that were coming out of
535
00:33:24,640 --> 00:33:27,120
it.
And you know, so it wasn't I.
536
00:33:27,200 --> 00:33:31,680
I was about to say I I back in
in those early days I used to
537
00:33:31,680 --> 00:33:37,200
listen to a bunch of pop albums
that just for the production.
538
00:33:37,920 --> 00:33:38,560
Yeah.
Exactly.
539
00:33:38,560 --> 00:33:39,600
You know, it was the same
reason.
540
00:33:40,160 --> 00:33:43,960
I liked, I liked a lot of the
80s bands when they came out,
541
00:33:43,960 --> 00:33:49,480
you know, like like Def Leppard
and and Winger who everyone
542
00:33:49,480 --> 00:33:51,280
hated.
But I loved because they were
543
00:33:51,280 --> 00:33:54,320
just so well produced, you know,
and.
544
00:33:54,320 --> 00:33:55,720
Absolutely, yeah.
Some of those.
545
00:33:55,720 --> 00:33:57,560
Producers, a lot of them were
just so good.
546
00:33:59,400 --> 00:34:05,080
Nowadays, I think is completely
like over the top, like sounds
547
00:34:05,080 --> 00:34:10,800
are completely, you know, not.
You can't reproduce half of it
548
00:34:12,600 --> 00:34:16,480
live.
It's just it runs through chains
549
00:34:16,480 --> 00:34:19,679
and chains of like in plugins
and whatnot.
550
00:34:19,679 --> 00:34:21,920
It's like, why are you doing
this?
551
00:34:21,920 --> 00:34:25,199
This is not, you know, this is
not necessary, yeah.
552
00:34:25,800 --> 00:34:28,639
But do metal bands?
Do metal bands play to play to
553
00:34:28,639 --> 00:34:31,440
tracks?
Yeah, yeah.
554
00:34:32,000 --> 00:34:34,920
Yeah.
I know very few bands that don't
555
00:34:34,920 --> 00:34:42,120
have tracks to be, yeah, at at
least not like, you know the the
556
00:34:42,120 --> 00:34:45,239
occasional keyboard track or or
whatever.
557
00:34:45,239 --> 00:34:49,120
It's, yeah, yeah, some use it
more than others, but.
558
00:34:49,600 --> 00:34:53,560
It's so common now and and you
know, I'm always surprised when
559
00:34:53,560 --> 00:34:57,600
I find out about it because I'm
like really like those guys who
560
00:34:57,600 --> 00:35:01,120
I've always liked so much.
They're playing to tracks and
561
00:35:01,120 --> 00:35:03,960
you know, like you said,
sometimes it's just a keyboard
562
00:35:03,960 --> 00:35:07,960
track, sometimes it's maybe some
background vocals or something.
563
00:35:07,960 --> 00:35:12,560
But yeah, yeah, But when it's
more than that, you know, like
564
00:35:12,560 --> 00:35:15,840
when you hear that, you know, on
Motley Crue's stadium tour,
565
00:35:15,840 --> 00:35:17,760
Nikki Sixx wasn't playing the
bass.
566
00:35:17,760 --> 00:35:20,280
It was a bass track, you know,
and things like that.
567
00:35:20,360 --> 00:35:24,080
Yeah, that that's disturbing.
You know, that's that's a bit
568
00:35:24,080 --> 00:35:28,240
disturbing.
Yeah, but that's also not very
569
00:35:30,200 --> 00:35:33,840
metal specific.
That happens everywhere.
570
00:35:33,840 --> 00:35:36,480
Of course not, yeah.
And I I actually think it
571
00:35:36,480 --> 00:35:39,800
happens in pop way more than it
does 100.
572
00:35:39,800 --> 00:35:41,240
Percent.
Most.
573
00:35:41,240 --> 00:35:43,680
Of them don't sing at all, or or
you.
574
00:35:43,680 --> 00:35:46,400
Know most of the.
Instruments aren't even real,
575
00:35:46,440 --> 00:35:47,800
you know.
Yeah.
576
00:35:48,040 --> 00:35:52,040
Yeah, yeah, it's it's, it's an
interesting thing, but you know,
577
00:35:52,440 --> 00:35:56,000
back to the this genre, which
I'm obviously intrigued with,
578
00:35:56,000 --> 00:35:57,400
'cause I don't know that much
about it.
579
00:35:58,120 --> 00:36:01,320
And by the way, like, so you you
said as we grow older, we change
580
00:36:01,320 --> 00:36:03,280
our taste and stuff.
So one of the one of the
581
00:36:03,280 --> 00:36:07,560
earliest metal concerts I went
to was Judas Priest, probably in
582
00:36:07,560 --> 00:36:10,280
like, I don't know, 1980 or
something.
583
00:36:10,760 --> 00:36:16,400
And and I I'm listening like
crazy to the new Judas Priest
584
00:36:16,400 --> 00:36:18,320
album right now.
It's so good.
585
00:36:18,600 --> 00:36:21,200
You know, Rob Halford is 74.
Years old.
586
00:36:21,200 --> 00:36:23,440
Or something.
And his voice is incredible on
587
00:36:23,440 --> 00:36:26,240
this album, like he's hitting
the notes that he hit when he
588
00:36:26,240 --> 00:36:30,920
was in his 20s.
It's crazy and but anyways back
589
00:36:30,920 --> 00:36:36,800
to the genre.
So are there any gear like
590
00:36:36,920 --> 00:36:41,360
things that are that are
uncommon maybe in other types of
591
00:36:41,360 --> 00:36:42,640
music?
Like, do you have to use
592
00:36:42,640 --> 00:36:46,600
different equipment for this
type of music or or is it pretty
593
00:36:46,600 --> 00:36:49,920
much all the same?
No, I wouldn't, I wouldn't say,
594
00:36:50,480 --> 00:36:56,120
I wouldn't say different
equipment at all.
595
00:36:56,280 --> 00:37:01,400
I mean a lot of people nowadays
go to you know the digital amp
596
00:37:02,280 --> 00:37:10,200
thing like be it KEMPO or XFX or
or neural DSP whatever whatever
597
00:37:10,200 --> 00:37:12,640
it is that you know that's your
preference.
598
00:37:13,520 --> 00:37:22,320
And I don't necessarily agree
with that trend because it
599
00:37:22,320 --> 00:37:24,400
definitely it's not the same
yet.
600
00:37:24,760 --> 00:37:29,120
You know I don't even, I'm not
sure it will even get to the
601
00:37:29,120 --> 00:37:34,880
point where it's the same that
to a real like to BAM maybe
602
00:37:34,880 --> 00:37:40,120
maybe in you know for the next
generation but not in not in my
603
00:37:40,120 --> 00:37:42,560
lifetime.
I don't see that on the horizon
604
00:37:43,840 --> 00:37:48,560
anywhere.
So I mean, yeah, I don't, I
605
00:37:48,560 --> 00:37:51,200
don't think it's, but I mean
what we do different or we
606
00:37:51,200 --> 00:37:56,320
started doing different than now
a lot of people are doing it is
607
00:37:56,320 --> 00:38:03,920
that we use isolation caps for
guitars and bass which yeah, for
608
00:38:03,920 --> 00:38:08,640
a long, like a long, long time.
I know that like arena bands or
609
00:38:08,640 --> 00:38:12,440
bigger bands have done that for
a very long time as well like
610
00:38:12,440 --> 00:38:14,240
Metallica.
I think we're ones and one of
611
00:38:14,240 --> 00:38:17,400
the first ones that that did
that.
612
00:38:18,520 --> 00:38:25,720
But I don't remember really any
of the smaller bands or like the
613
00:38:25,720 --> 00:38:31,080
bands that that were in flames
of size that did that when we
614
00:38:31,080 --> 00:38:33,880
started doing it.
And it was basically what that
615
00:38:33,880 --> 00:38:35,560
is for people who don't
understand.
616
00:38:36,120 --> 00:38:38,680
Yeah, it's very.
It's a very simple concept
617
00:38:38,760 --> 00:38:44,000
actually.
It's basically just it used to
618
00:38:44,000 --> 00:38:48,000
be just a case where you put the
guitar speaker in and then you
619
00:38:48,000 --> 00:38:51,840
might get in the case, you close
the case so you can lower your
620
00:38:53,240 --> 00:38:57,200
stage volume and therefore you
have more control over the
621
00:38:57,200 --> 00:39:02,080
actual guitar tone and the like
how loud your stage is.
622
00:39:02,520 --> 00:39:07,280
And we started using it shortly
after the guys decided that they
623
00:39:07,280 --> 00:39:12,960
want to use in ears like in ear
monitors and then that made the
624
00:39:12,960 --> 00:39:18,280
most sense to do that.
And the ones that we are using
625
00:39:18,280 --> 00:39:25,280
now is like a purpose built that
is basically speaker cabinet and
626
00:39:25,720 --> 00:39:31,600
case in one unit.
It's just it just has like 3
627
00:39:31,600 --> 00:39:34,880
connectors in the back, two for
the mic, one for the for the
628
00:39:34,880 --> 00:39:36,560
actual speaker and then that's
it.
629
00:39:36,560 --> 00:39:41,800
It's got one like 12 inch
speaker in it and and that's it.
630
00:39:43,720 --> 00:39:50,240
And I mean that drastically
improves the quality especially
631
00:39:50,240 --> 00:39:54,520
on on smaller shows for instance
because the stage gets so much
632
00:39:54,520 --> 00:39:58,080
more quiet that you can actually
on front of house, you know
633
00:39:58,080 --> 00:40:01,600
actually mix.
And on bigger shows it's much
634
00:40:01,600 --> 00:40:05,680
better also because like if you
listen, I recorded all the shows
635
00:40:05,680 --> 00:40:11,440
on on multitrack and if you
listen to the guitar that's it.
636
00:40:11,800 --> 00:40:14,600
There's only guitar.
There's no bleed from the from
637
00:40:14,600 --> 00:40:16,280
the drums.
There's nothing else.
638
00:40:16,280 --> 00:40:17,920
There's no.
Are you also?
639
00:40:18,000 --> 00:40:23,040
Isolating drums.
Though no, but I mean the only
640
00:40:23,040 --> 00:40:27,160
the only noise that's on stage
literally is the acoustic drum
641
00:40:27,160 --> 00:40:31,600
kit and a little bit of side
field which also has mainly
642
00:40:31,800 --> 00:40:35,040
drums or whatever.
There's nothing else that's
643
00:40:35,040 --> 00:40:38,360
going on.
On stage we have, we still have
644
00:40:38,360 --> 00:40:41,360
guitar caps, so you know when
they need to do like some
645
00:40:41,360 --> 00:40:44,800
feedbacks or whatever, they can
do that, but they're obviously
646
00:40:45,120 --> 00:40:48,840
on a way lower level than what
you would have them.
647
00:40:48,880 --> 00:40:54,520
If this would be your main
source for the mic, yeah, So
648
00:40:55,200 --> 00:40:59,800
well, I really think that makes
a big, big difference, and a lot
649
00:40:59,800 --> 00:41:03,400
of other bands started to adapt
that after.
650
00:41:04,160 --> 00:41:07,200
Well, well you said something
that I think is key which it
651
00:41:07,200 --> 00:41:10,320
just gives you more control, you
know because if everybody's just
652
00:41:10,560 --> 00:41:14,240
you know got everything turned
up to 10 and and it's just a a
653
00:41:14,240 --> 00:41:17,960
bunch of noise on stage.
You know, obviously it makes
654
00:41:17,960 --> 00:41:20,880
your job more difficult,
especially for the first five or
655
00:41:20,880 --> 00:41:23,680
six rows, you know, in front of
the stage where.
656
00:41:24,000 --> 00:41:25,640
They're.
Hearing, they're hearing sound
657
00:41:25,640 --> 00:41:29,560
off the stage, not out of your.
But it's like for me this is
658
00:41:29,560 --> 00:41:33,440
also, it's always been like
that.
659
00:41:33,440 --> 00:41:39,760
I'm a big fan of DB limits.
I always was as long as they're
660
00:41:39,760 --> 00:41:44,640
implemented in a in a like
sensible way.
661
00:41:45,360 --> 00:41:50,800
Because like when I started, it
was already like Switzerland had
662
00:41:50,800 --> 00:41:53,560
them.
As long as I can think ever
663
00:41:53,560 --> 00:41:55,800
since I've been to Switzerland
from.
664
00:41:55,800 --> 00:41:57,800
How many times?
What's their limit?
665
00:41:59,520 --> 00:42:07,440
It's believe it's 90 average
over a certain period of time.
666
00:42:07,440 --> 00:42:13,080
From the from the toilets.
Unless you provide, unless you
667
00:42:13,080 --> 00:42:19,240
provide free hearing protection,
then you can go to 99 or 100.
668
00:42:19,240 --> 00:42:25,320
And nowadays, I don't know the
exact law, but it seems to be
669
00:42:25,320 --> 00:42:30,440
like pretty much like 100 over
like 15 minutes or half an hour,
670
00:42:32,640 --> 00:42:36,480
which is more than enough.
But it's quite low compared to
671
00:42:36,480 --> 00:42:39,120
what I'm what I'm used to when I
grew up, you know, with the
672
00:42:39,120 --> 00:42:41,840
walls of speakers.
Yeah, yeah, yeah, yeah.
673
00:42:42,280 --> 00:42:44,360
Yeah.
I mean that whole technology
674
00:42:44,360 --> 00:42:51,120
just completely that changed so
much in the last 1520 years,
675
00:42:51,120 --> 00:42:52,640
well.
Especially because of line array
676
00:42:52,640 --> 00:42:55,080
and stuff right?
Like it's a much more scientific
677
00:42:55,080 --> 00:42:59,480
approach.
Because of line array obviously.
678
00:42:59,480 --> 00:43:06,080
Also it got, it got way more
precise even once the line the
679
00:43:06,080 --> 00:43:11,600
rays were already there.
Now the new thing basically is
680
00:43:11,600 --> 00:43:18,160
like beam steering or like
cardioid systems that only
681
00:43:18,160 --> 00:43:23,640
really throw in One Direction
where again you just don't have
682
00:43:23,640 --> 00:43:27,480
any spill back on stage.
You don't have that much like
683
00:43:28,040 --> 00:43:32,080
secondary noise so to speak, and
it get just gets everything out.
684
00:43:32,120 --> 00:43:34,880
It cleans it up really.
Nice.
685
00:43:34,880 --> 00:43:37,320
Yeah, Much familiar with that
technology.
686
00:43:37,320 --> 00:43:41,200
So that so speakers are just
very narrow.
687
00:43:43,600 --> 00:43:47,640
They well they started, they
started this in the in the in
688
00:43:47,640 --> 00:43:55,240
the with a sub speakers because
obviously the lower the
689
00:43:55,240 --> 00:44:04,080
frequency gets the more of a
circle the dispersion is so to
690
00:44:04,080 --> 00:44:09,640
speak.
And so cardioid sub arrays were
691
00:44:09,640 --> 00:44:15,320
like the first step in that
development basically.
692
00:44:15,800 --> 00:44:23,600
And then this German company DMB
actually released a system that
693
00:44:23,600 --> 00:44:28,480
would do the same thing, but not
only for the sub frequencies, it
694
00:44:28,480 --> 00:44:32,960
does it over basically the whole
bandwidth, you know.
695
00:44:32,960 --> 00:44:39,480
So all this like muddy
everything below 3400, whatever.
696
00:44:39,720 --> 00:44:43,640
Everything that you know just
basically makes it difficult to
697
00:44:44,080 --> 00:44:50,760
to or makes it more difficult in
in arenas and and and stuff is
698
00:44:50,760 --> 00:44:53,480
basically gone or improves
drastically.
699
00:44:53,680 --> 00:44:59,640
And that combined with a very
precise software to to calculate
700
00:44:59,640 --> 00:45:06,480
where you need your speakers to
hit just makes an overall
701
00:45:07,320 --> 00:45:09,680
difference.
You know, it's this little, this
702
00:45:09,680 --> 00:45:13,800
little pieces.
The isolation cabs is just one
703
00:45:13,800 --> 00:45:17,680
of them.
And then this speaker technology
704
00:45:17,680 --> 00:45:19,240
and this and this and this and
this.
705
00:45:19,640 --> 00:45:22,040
It just makes it completely
different.
706
00:45:22,040 --> 00:45:27,160
Like if you want it to be, and
if the artist or the musicians
707
00:45:27,800 --> 00:45:31,520
actually want this to be the
best it can be.
708
00:45:31,840 --> 00:45:34,920
There's a lot you can.
There's a lot of technology that
709
00:45:34,920 --> 00:45:39,400
you can utilize these days.
It hasn't been there like 5-10
710
00:45:39,400 --> 00:45:40,880
years ago.
Yeah, it's crazy.
711
00:45:40,880 --> 00:45:43,560
It's very, very interesting
because like I said earlier,
712
00:45:43,560 --> 00:45:46,520
nuance to mayhem or whatever.
But it's really, it's adding
713
00:45:46,520 --> 00:45:50,160
precision, you know, to mayhem.
So you know what?
714
00:45:50,280 --> 00:45:53,840
What's being played might be
very confusing and noisy and
715
00:45:53,840 --> 00:45:57,240
everything else, but then you
start to really kind of tighten
716
00:45:57,240 --> 00:46:00,840
everything up first of all with
isolating sounds on stage.
717
00:46:00,840 --> 00:46:04,360
But then you know the system
itself being able to do even
718
00:46:04,360 --> 00:46:08,840
more of that in a much more.
Direct approach and I mean it
719
00:46:08,840 --> 00:46:12,480
was for for me this was very
funny because once we switched
720
00:46:12,480 --> 00:46:18,000
to this new PA technology on one
tour, it was actually the tour
721
00:46:18,080 --> 00:46:25,400
in 2017 with Sarah.
This is, this is we had, we had
722
00:46:25,400 --> 00:46:29,040
a pre release system out.
It wasn't really a beta test,
723
00:46:29,040 --> 00:46:32,040
but it was almost finished.
But it wasn't released yet.
724
00:46:32,920 --> 00:46:42,640
And yes exactly it's called GSL
and they actually gave us an
725
00:46:42,640 --> 00:46:45,840
arena system.
They sent one of their guys out
726
00:46:46,040 --> 00:46:51,640
with it to help out with like
our systems engineer to like set
727
00:46:51,640 --> 00:46:53,560
it up and and and straighten it
out.
728
00:46:53,760 --> 00:46:58,000
And it was basically for them,
it was like a field test like we
729
00:46:58,000 --> 00:47:01,240
know it's, you know the products
ready, but how does it do,
730
00:47:01,240 --> 00:47:04,600
what's the the little things
that we still need to tweak a
731
00:47:04,600 --> 00:47:10,440
little bit, you know being being
like how quick you can rig it or
732
00:47:10,520 --> 00:47:14,480
like small adjustments in the
software that that controls it
733
00:47:14,480 --> 00:47:20,720
and stuff like that.
And on those first shows I
734
00:47:20,720 --> 00:47:27,080
remember that like for me it was
like Oh my God, I actually have
735
00:47:27,080 --> 00:47:32,480
to clean up my mix.
I can hear things now that I
736
00:47:32,480 --> 00:47:38,000
couldn't hear systems.
It's like it actually in the end
737
00:47:38,880 --> 00:47:43,600
more work for me because it was
just like, OK, what is this, you
738
00:47:43,600 --> 00:47:46,040
know, and I had like doubts in
the beginning.
739
00:47:46,920 --> 00:47:50,280
It's like what this is what you
have been doing for the last 15
740
00:47:50,280 --> 00:47:56,760
years, but it also made it
better and and you know, make
741
00:47:56,800 --> 00:48:02,680
the mix better and it's funny
now because obviously you don't
742
00:48:02,680 --> 00:48:05,760
have that same exact system
everywhere you go.
743
00:48:06,240 --> 00:48:11,880
So now, even though they thank
God, are quite common nowadays,
744
00:48:11,880 --> 00:48:15,680
especially on outdoor festivals
and stuff, but you sometimes go
745
00:48:15,680 --> 00:48:19,640
back to like a not so advanced
system or an older system.
746
00:48:19,840 --> 00:48:24,120
And even those mixes are
sounding better now because what
747
00:48:24,120 --> 00:48:26,680
you're sending out of the
console is already way more
748
00:48:26,680 --> 00:48:31,240
precise because you can hear it
on this, you know, it's crazy.
749
00:48:31,360 --> 00:48:33,560
It's absolutely great.
Like for me this was a very,
750
00:48:33,600 --> 00:48:38,280
very interesting process over
this tour and like the tours
751
00:48:38,280 --> 00:48:43,680
after because I I like realized
OK, there's a lot of I can do a
752
00:48:43,680 --> 00:48:50,000
lot more work here and in this
part and on that part where I
753
00:48:50,000 --> 00:48:52,680
would have said a couple of
months earlier, no, this, you
754
00:48:52,680 --> 00:48:54,600
know this is going to be as good
as it gets.
755
00:48:54,600 --> 00:48:57,960
There's no there's nothing more
to gain here.
756
00:48:58,760 --> 00:49:03,800
So it's it's, I like it because
it it, it also means that it
757
00:49:03,800 --> 00:49:08,760
doesn't make the job boring,
boring, so to speak, you know,
758
00:49:08,760 --> 00:49:12,200
because you're always, you're
always aiming and trying to to
759
00:49:12,600 --> 00:49:15,040
find something that to make it a
little bit better.
760
00:49:15,360 --> 00:49:19,000
So you started early enough to
where you obviously started on
761
00:49:19,000 --> 00:49:23,640
analog consoles.
And So what was that transition
762
00:49:23,640 --> 00:49:25,520
like for you and when did it
happen?
763
00:49:27,440 --> 00:49:30,560
I know the exact time when it
happened.
764
00:49:30,760 --> 00:49:40,440
I refused for a very long time
to to change because every
765
00:49:40,440 --> 00:49:46,520
single time I had a digital
console in my hands before, that
766
00:49:46,680 --> 00:49:49,400
was just like, what?
What is this?
767
00:49:49,600 --> 00:49:51,440
You know, whatever this does
not.
768
00:49:53,000 --> 00:49:56,400
It feels like a toy.
It sounds like a toy.
769
00:49:57,400 --> 00:50:03,840
This is not what I want.
And then we were on gigantour
770
00:50:03,840 --> 00:50:08,000
with Megadeth in the US.
And Dream Theater, I saw that.
771
00:50:09,120 --> 00:50:11,720
No, it wasn't Dream Theater.
Oh oh.
772
00:50:11,720 --> 00:50:13,880
I didn't know they did more than
one Gigantour.
773
00:50:14,080 --> 00:50:17,000
Oh, yeah, yeah, yeah, yeah.
This one was Lamb of God and
774
00:50:17,000 --> 00:50:18,000
Megadeth.
Exactly.
775
00:50:18,360 --> 00:50:19,880
We were on the One with Lamb of
God.
776
00:50:20,280 --> 00:50:22,120
This is the same 1 Dream Theater
was on it.
777
00:50:23,720 --> 00:50:24,960
No.
Huh.
778
00:50:25,680 --> 00:50:29,600
We no, but we didn't tour the we
didn't tour with during theater.
779
00:50:30,160 --> 00:50:30,760
Huh.
Interesting.
780
00:50:31,040 --> 00:50:32,640
Maybe they just did whatever or
something.
781
00:50:33,200 --> 00:50:39,600
Yeah it it it was it was it must
have been early ish 2000s as
782
00:50:39,600 --> 00:50:43,480
well 2000, five 2006.
Something like that in Orlando,
783
00:50:43,480 --> 00:50:46,400
at the at the Hard Rock Live in
Orlando.
784
00:50:46,400 --> 00:50:48,400
I'm a big dream theatre fan, you
know.
785
00:50:48,640 --> 00:50:50,840
Yeah, Prog rock.
I don't know.
786
00:50:50,840 --> 00:50:52,320
I don't think it was dream
theatre.
787
00:50:52,440 --> 00:50:54,800
Yeah, I would.
I would remember Dream Theatre.
788
00:50:54,880 --> 00:50:56,840
Well, I only went for Dream
Theatre.
789
00:50:56,840 --> 00:50:58,360
Lamb of God.
And if it.
790
00:50:58,360 --> 00:51:01,840
Was your band And some of the
other ones were like, Oh my God,
791
00:51:01,840 --> 00:51:03,000
what am I listening to?
Really.
792
00:51:03,000 --> 00:51:08,080
It was definitely High On Fire,
I think.
793
00:51:13,160 --> 00:51:16,400
I don't remember.
It doesn't it doesn't matter at
794
00:51:16,400 --> 00:51:20,880
that time though, the guy who
did front of house for Megadeth
795
00:51:22,560 --> 00:51:29,320
was a friend of mine and and he
actually called me or emailed me
796
00:51:29,320 --> 00:51:33,000
before the tour and he basically
was like, OK, we have two
797
00:51:33,000 --> 00:51:35,920
choices.
It's like either I can take
798
00:51:36,040 --> 00:51:41,160
Midas heritage for me, which is
an analog console and all the
799
00:51:41,160 --> 00:51:44,920
supports are going to get like a
cheap Yamaha, whatever the
800
00:51:44,920 --> 00:51:50,600
Yamaha of the day was back then.
Or we can all agree on taking a
801
00:51:50,600 --> 00:51:57,680
Digi design D show console and
share that between all of us.
802
00:51:57,680 --> 00:52:02,000
And I'm like, well, you know, if
you ask me like that, then I
803
00:52:02,000 --> 00:52:05,520
would prefer the Digi design
because I know that at least
804
00:52:05,600 --> 00:52:11,520
like one of the most decent
digital consoles at that time.
805
00:52:13,920 --> 00:52:18,040
And then three weeks later or
whatever, the tour started and
806
00:52:18,040 --> 00:52:21,560
we had like a production day
somewhere in the US And that was
807
00:52:21,560 --> 00:52:26,480
the first time I I I started
mixing on the digital console,
808
00:52:26,720 --> 00:52:29,240
like on the tour, I think
straight.
809
00:52:29,520 --> 00:52:32,800
Into the deep.
End and then I mean that was
810
00:52:33,200 --> 00:52:38,160
it's it's really funny because
we're still using like digit
811
00:52:38,160 --> 00:52:43,360
design became Avid and you know
Avid had like a bunch of
812
00:52:43,360 --> 00:52:48,640
different consoles and now the
latest they released the S6 or
813
00:52:49,520 --> 00:52:54,400
SXL platform.
We switched to that, I don't
814
00:52:54,400 --> 00:52:56,600
know five years ago or something
like that.
815
00:52:56,600 --> 00:52:57,760
I don't.
Know so you've always stayed
816
00:52:57,880 --> 00:53:00,760
with the same.
Same brand, yeah.
817
00:53:00,840 --> 00:53:05,880
Yeah, because it's like all the
integration with all the like
818
00:53:05,880 --> 00:53:11,040
we're we're we're using very
heavy snapshots for instance,
819
00:53:11,160 --> 00:53:14,680
which is a little bit uncommon
for like a metal band or
820
00:53:14,680 --> 00:53:18,000
whatever, you know.
And the integration with Pro
821
00:53:18,000 --> 00:53:21,680
Tools and the recording and
virtual sound check where you
822
00:53:21,680 --> 00:53:27,680
can just play back stuff through
the PA, be it for yourself to
823
00:53:28,120 --> 00:53:31,400
work on something or if a
musician wants to hear something
824
00:53:31,680 --> 00:53:34,000
or you know it's all very, very
easy.
825
00:53:35,080 --> 00:53:40,240
And in the beginning Avid or
Digit design.
826
00:53:40,240 --> 00:53:44,880
Back then we're really the only
guys where this was doable.
827
00:53:45,520 --> 00:53:50,560
Now you can do it with a lot
more consoles, obviously, and
828
00:53:50,560 --> 00:53:55,840
also with a lot cheaper
consoles, you know, technology
829
00:53:55,840 --> 00:53:59,960
here as well.
It evolved like crazy basically,
830
00:54:00,080 --> 00:54:02,000
you know?
But for me this was also this
831
00:54:02,000 --> 00:54:07,320
was one of like the key moments.
Because like when I was still
832
00:54:07,320 --> 00:54:11,080
with analogue gear, I remember I
would like write myself cue
833
00:54:11,080 --> 00:54:16,160
cards for each song which is
basically like an analogue form
834
00:54:16,160 --> 00:54:21,760
of of snapshots where you know,
I would note down like delay
835
00:54:21,760 --> 00:54:25,480
times or in reverb types and and
shit like that.
836
00:54:25,880 --> 00:54:32,280
And like back back then I would,
I would MIT song, I would
837
00:54:32,280 --> 00:54:37,240
already start thinking about
what I need to do between the
838
00:54:37,240 --> 00:54:41,120
two songs to make you know to
set up for the next one.
839
00:54:41,640 --> 00:54:45,840
And it takes away a lot of
concentration, obviously.
840
00:54:47,160 --> 00:54:50,760
And it's one of those things
that you don't really realize.
841
00:54:51,160 --> 00:54:54,160
But once you have a tool like
this snapshot thing where you
842
00:54:54,160 --> 00:55:01,400
can store stuff, you finally
realize it's like, oh, actually,
843
00:55:01,480 --> 00:55:03,960
you know, now I don't need to
think about this anymore.
844
00:55:03,960 --> 00:55:09,000
And it frees up my my, my head
and my time to actually do what
845
00:55:09,000 --> 00:55:11,320
the band is paying me for, which
is mix a show.
846
00:55:11,720 --> 00:55:14,760
So on that tour, like halfway
through it was a pretty long
847
00:55:14,760 --> 00:55:16,440
tour.
It was almost two months I
848
00:55:16,440 --> 00:55:18,960
think.
And halfway through I started
849
00:55:19,400 --> 00:55:23,640
getting into snapshots and stuff
and try out this technology.
850
00:55:23,640 --> 00:55:27,800
And then I actually immediately
started to like it because I saw
851
00:55:27,800 --> 00:55:30,720
the potential.
It wasn't necessarily there
852
00:55:30,720 --> 00:55:38,440
sound wise yet, but now I think
it's very, it's very close.
853
00:55:38,920 --> 00:55:40,640
Like there's not.
Still a warmth.
854
00:55:40,640 --> 00:55:42,720
That you get from analog
consoles.
855
00:55:42,720 --> 00:55:45,720
That's better or whatever.
Yeah, yeah, it is.
856
00:55:45,720 --> 00:55:51,400
But I mean, I would still take
out an analog console if I like.
857
00:55:51,440 --> 00:55:55,240
If we would only do arenas and
money was no object.
858
00:55:55,240 --> 00:55:59,400
And it's like, if I could
choose, I would maybe try it
859
00:55:59,400 --> 00:56:02,680
out.
It would always be with like a
860
00:56:02,680 --> 00:56:07,640
digital sidecar does all the
automation stuff because at this
861
00:56:07,720 --> 00:56:12,560
point there's so much automation
going on during the show that is
862
00:56:12,560 --> 00:56:17,080
also these little little details
that would that I would just
863
00:56:17,080 --> 00:56:21,320
miss because you you know you
can't physically do it on an
864
00:56:21,320 --> 00:56:25,800
analog console like unless you
have like 3 people pushing
865
00:56:25,840 --> 00:56:29,360
buttons or whatever.
So this is for me like an
866
00:56:29,360 --> 00:56:34,880
overall package thing where I
think, OK, the advantages of the
867
00:56:34,880 --> 00:56:39,880
digital world definitely
outweigh taking an analog
868
00:56:39,880 --> 00:56:46,280
console, whereas coming back to
guitar amps that's not there
869
00:56:46,280 --> 00:56:49,760
yet.
Because you know, especially
870
00:56:49,760 --> 00:56:53,160
when we do like headline tours
or it's not fly shows where it
871
00:56:53,160 --> 00:56:57,680
matters, if you take like a
Marshall head or a tiny little
872
00:56:57,680 --> 00:57:00,440
digital box, it makes no
difference to me.
873
00:57:00,840 --> 00:57:04,360
And then I would always choose
the the analog amp, but I mean
874
00:57:04,360 --> 00:57:08,480
we just did Australia and Asia
for instance where we had to fly
875
00:57:08,480 --> 00:57:15,560
almost every second day and we
take neural DSP gear there as
876
00:57:15,560 --> 00:57:20,160
well because obviously the
advantage of being moving around
877
00:57:20,160 --> 00:57:26,280
so much outweighs carrying in
and and to bamp that possibly
878
00:57:26,280 --> 00:57:29,120
gets broken by the airline.
So, you know, you have to
879
00:57:29,880 --> 00:57:35,280
battle, so to speak, but.
So you think you think guitar
880
00:57:35,280 --> 00:57:37,760
amplifiers are getting close to
a point where nobody will be
881
00:57:37,760 --> 00:57:42,480
using tube amplifiers anymore
and all the modeling amplifiers
882
00:57:42,480 --> 00:57:44,400
and stuff are are going to take
over, No.
883
00:57:44,880 --> 00:57:49,120
I think it's like vinyl it there
will be a big, I don't think it
884
00:57:49,160 --> 00:57:55,240
will go away completely just
like vinyl never did, you know
885
00:57:55,240 --> 00:57:59,400
there was always this freaks
that somewhere that would that
886
00:57:59,400 --> 00:58:01,600
would keep building their record
collection.
887
00:58:02,520 --> 00:58:05,760
You know, it's funny because I,
I, I have a house up in Canada
888
00:58:05,760 --> 00:58:08,920
in the mountains and one of my
plans for the because I spend
889
00:58:08,920 --> 00:58:12,720
the the warm months there from
May until September, October or
890
00:58:12,720 --> 00:58:15,520
whatever.
And one of my plans this year is
891
00:58:15,520 --> 00:58:19,400
to buy a turntable and a bunch
of vinyl to start collecting
892
00:58:19,480 --> 00:58:21,760
back.
I got rid of all my vinyl, I
893
00:58:21,760 --> 00:58:24,800
don't know, 30 years ago or
something, and now I'm going to
894
00:58:24,800 --> 00:58:28,080
start collecting it again at
like 20 times the price or
895
00:58:28,080 --> 00:58:30,440
whatever, right?
Probably, yeah.
896
00:58:30,440 --> 00:58:32,280
Yeah.
More than no.
897
00:58:32,280 --> 00:58:35,440
I don't think this will go away.
Yeah, at all.
898
00:58:35,960 --> 00:58:42,360
So aside from like you've had
two major shifts in technology I
899
00:58:42,360 --> 00:58:47,920
think in audio obviously line
array and digital consoles.
900
00:58:48,080 --> 00:58:52,400
Have there been, has there been
like mic technology or other
901
00:58:52,400 --> 00:58:55,920
things power, obviously digital
power has has changed some
902
00:58:55,920 --> 00:58:56,960
things but.
Yeah.
903
00:58:57,480 --> 00:59:00,200
Has there been any like
revolutionary changes?
904
00:59:00,480 --> 00:59:05,360
That that's the two.
That's the two major, major,
905
00:59:06,000 --> 00:59:09,840
it's pretty big things like
digital consoles definitely
906
00:59:09,840 --> 00:59:14,080
being like I would say that's
even bigger than the line array
907
00:59:15,320 --> 00:59:20,960
technology and then yeah, line
array probably the the second
908
00:59:20,960 --> 00:59:23,800
one, but I mean other than that
it's very.
909
00:59:25,120 --> 00:59:28,720
Well, digital consoles is such a
big topic too, because you know
910
00:59:28,720 --> 00:59:32,560
Dante and all of the plugins and
that whole universe.
911
00:59:32,760 --> 00:59:35,240
It's not.
Just the the control surface
912
00:59:35,240 --> 00:59:37,520
itself.
It's all of the other stuff that
913
00:59:37,520 --> 00:59:40,040
came with it, right?
I mean, yeah.
914
00:59:40,040 --> 00:59:43,600
And and that actually I would,
if you would separate that a
915
00:59:43,600 --> 00:59:48,960
little bit that that that part
from the console like the DSP
916
00:59:49,600 --> 00:59:54,800
power processing power is maybe
the third one because that's
917
00:59:54,840 --> 00:59:59,600
obviously not only a thing in,
in consoles, but it's also in in
918
00:59:59,600 --> 01:00:05,000
like reverb units or even the
guitar processing stuff,
919
01:00:05,000 --> 01:00:07,760
modeling amps, blah, blah.
But that would have not been
920
01:00:07,760 --> 01:00:12,120
possible.
Without having this ginormous
921
01:00:12,120 --> 01:00:16,480
amount of processing power
basically in your hand.
922
01:00:16,840 --> 01:00:23,880
I mean you also experienced the
birth of of cell phones and and
923
01:00:23,880 --> 01:00:29,960
how this looked in the beginning
and like basically first laptops
924
01:00:29,960 --> 01:00:34,720
and how how laptops look now of
course like I was also in the
925
01:00:34,720 --> 01:00:37,000
middle of all this when I when I
grew up.
926
01:00:37,000 --> 01:00:41,280
And this is like you know what
used to be a suitcase sized
927
01:00:42,640 --> 01:00:47,600
thing is now basically in your
in your hand and even even more
928
01:00:48,080 --> 01:00:49,280
than that.
So it's.
929
01:00:49,280 --> 01:00:51,720
Well, they always compare.
They always compare, like the
930
01:00:51,720 --> 01:00:56,840
iPhone, the power of an iPhone
to like the original space
931
01:00:56,840 --> 01:00:59,440
shuttle.
This has more computing power
932
01:00:59,440 --> 01:01:01,720
than the original space.
Shuttle right, Which is?
933
01:01:01,720 --> 01:01:02,720
Incredible.
You know.
934
01:01:05,000 --> 01:01:08,840
So what was I gonna ask you?
Oh, so you use D and BI guess
935
01:01:09,240 --> 01:01:11,120
pretty much exclusively if you
can if.
936
01:01:11,360 --> 01:01:16,160
If I can, yeah.
You know, so I I had a very, I
937
01:01:16,160 --> 01:01:18,760
have a very good relationship
with them because that's
938
01:01:18,760 --> 01:01:22,720
basically what I grew up on.
Of course, like on on on their
939
01:01:22,720 --> 01:01:27,720
PA's like from 20 years ago that
the club I started to work in
940
01:01:28,600 --> 01:01:33,240
here in Salzburg, I just had a
DMB install and that's when I
941
01:01:33,240 --> 01:01:36,440
had my first contact.
So I know a lot of people there
942
01:01:36,440 --> 01:01:42,880
and yeah, yeah, it's I always
like it to yeah, semi close
943
01:01:43,160 --> 01:01:49,400
proximity and it's like they
they like me for some reason and
944
01:01:49,440 --> 01:01:52,840
they always, I can give feedback
on certain things.
945
01:01:52,840 --> 01:01:55,280
That's cool.
It's always nice to do things
946
01:01:55,280 --> 01:02:00,200
like that.
Yeah, I'm old enough.
947
01:02:00,400 --> 01:02:05,960
I started in the industry on the
lighting side, and I came into
948
01:02:05,960 --> 01:02:09,920
lighting right when automated
lighting was becoming a thing.
949
01:02:10,320 --> 01:02:15,760
And so the whole transition
from, you know, fixed park hands
950
01:02:15,760 --> 01:02:17,840
and things.
So, you know, when I started,
951
01:02:17,840 --> 01:02:20,280
most shows were still mostly
park hands.
952
01:02:20,480 --> 01:02:23,080
Occasionally you had somebody
who had some Vera lights, but
953
01:02:23,080 --> 01:02:26,080
that was it, right.
And then the companies I was
954
01:02:26,080 --> 01:02:29,320
working with were creating
alternatives to the to the Vera
955
01:02:29,320 --> 01:02:32,760
lights.
And so I just saw something
956
01:02:32,760 --> 01:02:35,960
similar.
I remember when I saw my first
957
01:02:35,960 --> 01:02:38,560
moving light and I was like,
whoa, you know, nobody's ever
958
01:02:38,560 --> 01:02:41,800
going to use a fixed position
light again.
959
01:02:41,800 --> 01:02:44,800
Why would you, you know, when
you can change color, Why would
960
01:02:44,800 --> 01:02:47,000
you use a light that just does
one thing.
961
01:02:47,800 --> 01:02:53,080
I recently, so I'm from Calgary,
Canada, and last summer when I
962
01:02:53,080 --> 01:02:56,480
was there, my house is just
outside of Calgary in the
963
01:02:56,480 --> 01:02:58,680
mountains.
And when I was there last
964
01:02:58,680 --> 01:03:05,040
summer, I was invited to PK
Sound to see their system and I
965
01:03:05,040 --> 01:03:07,080
didn't really know what I was
walking into.
966
01:03:07,080 --> 01:03:08,840
Right.
And I went into their showroom
967
01:03:09,560 --> 01:03:12,720
and they said, you know here's a
typical setup for an
968
01:03:12,720 --> 01:03:17,400
installation and but let's say
there's suddenly a 12 foot wide
969
01:03:17,400 --> 01:03:21,040
column right in front of your
your, you know your your
970
01:03:21,040 --> 01:03:26,000
speakers and you know you're
missing sound to a a big part of
971
01:03:26,000 --> 01:03:30,360
the venue or whatever.
And the rig started moving and I
972
01:03:30,360 --> 01:03:33,720
was like what the hell is going
on here?
973
01:03:34,040 --> 01:03:35,600
And they showed it to me on the
screen.
974
01:03:35,600 --> 01:03:38,760
What was happening and the all
the science behind it and the
975
01:03:39,480 --> 01:03:43,200
and I was just blown away and I
remember feeling the same thing
976
01:03:43,200 --> 01:03:48,400
like why would anyone want a rig
that you can't adjust in the air
977
01:03:48,760 --> 01:03:54,760
once you see this technology you
know and but I think you know
978
01:03:54,760 --> 01:03:58,320
that the challenge to that is
obviously that it's kind of like
979
01:03:58,320 --> 01:04:01,960
Betamax where everybody knew
Betamax was better but because
980
01:04:01,960 --> 01:04:05,920
it was only available from Sony
in that one device, it didn't
981
01:04:05,920 --> 01:04:08,880
make much sense where VHS you
could get it anywhere, right.
982
01:04:09,400 --> 01:04:12,600
And so that might become a
problem where people don't want
983
01:04:12,600 --> 01:04:15,080
to change brands just to get
that feature.
984
01:04:15,480 --> 01:04:16,920
I don't know.
Do you have any thoughts about?
985
01:04:16,920 --> 01:04:23,480
Yeah, I I it's funny because
like Daryl is on me all the time
986
01:04:23,480 --> 01:04:28,400
as well when we were in Canada
to come and and see one of their
987
01:04:28,400 --> 01:04:29,440
systems.
Yeah.
988
01:04:32,560 --> 01:04:38,280
So I mean I don't I heard of it
and I know that it's like self
989
01:04:38,280 --> 01:04:42,400
adjusting so to speak.
But I don't know there's a lot
990
01:04:42,400 --> 01:04:51,200
of there's nothing that it does
that you can't really do with
991
01:04:51,200 --> 01:04:56,080
something else either other than
like I can't think of a
992
01:04:56,080 --> 01:05:01,160
situation where I'm like setting
it up in the morning and then
993
01:05:01,160 --> 01:05:05,240
all of a sudden I have the I
have the urge or the need to to
994
01:05:05,280 --> 01:05:09,480
to move it again.
So that that that's where I see
995
01:05:09,480 --> 01:05:12,880
the issue with with that.
And then it's, it's very heavy
996
01:05:12,880 --> 01:05:16,960
as far as I know, obviously
because there's motors in it
997
01:05:17,080 --> 01:05:17,920
and.
Stuff into.
998
01:05:18,400 --> 01:05:23,200
The box I mean EAW tried
something similar if I remember
999
01:05:23,200 --> 01:05:31,160
correctly with the idea a couple
of years back and I.
1000
01:05:31,280 --> 01:05:32,760
I just find it intriguing, you
know?
1001
01:05:32,840 --> 01:05:37,240
Like to me, when I saw it, I was
like, wow, you know?
1002
01:05:37,480 --> 01:05:42,840
It's an interesting idea, yeah,
that's for sure.
1003
01:05:42,840 --> 01:05:47,640
I'm not sure how, how practical
it it is.
1004
01:05:47,640 --> 01:05:54,400
Like in a real world doing 300
shows a year type of situation,
1005
01:05:54,600 --> 01:05:56,640
yeah.
But you know, who knows?
1006
01:05:57,520 --> 01:06:01,720
It's like.
I for me this is always very
1007
01:06:03,320 --> 01:06:07,160
like I got asked a couple of
times like in Frankfurt or
1008
01:06:07,160 --> 01:06:09,720
whatever on the on the pro light
and sound, it's like where do
1009
01:06:09,720 --> 01:06:12,920
you think a certain technology
is going or whatever.
1010
01:06:12,920 --> 01:06:17,640
It's like, I don't know.
It's like I just use it, you
1011
01:06:17,720 --> 01:06:19,160
know?
Did you go to the show this
1012
01:06:19,240 --> 01:06:21,320
year?
No, no.
1013
01:06:21,320 --> 01:06:24,760
The pro Latin sound has been
dead for a couple of years.
1014
01:06:25,200 --> 01:06:30,400
Now since it's I think Messa.
Right, Yeah.
1015
01:06:31,440 --> 01:06:33,880
Was it a complete?
I don't remember what how that
1016
01:06:33,880 --> 01:06:35,960
happened.
Well, Messa, I just heard hasn't
1017
01:06:35,960 --> 01:06:39,640
come back, so oh.
It It hasn't.
1018
01:06:39,760 --> 01:06:41,520
Oh, that's true.
It hasn't come back at all.
1019
01:06:41,520 --> 01:06:42,560
It hasn't come back.
Yeah, yeah, yeah.
1020
01:06:42,840 --> 01:06:44,360
Yeah.
Because it used to be such a
1021
01:06:44,480 --> 01:06:46,840
huge show like I used to go to
music.
1022
01:06:47,280 --> 01:06:48,840
Messa and.
Pro Light every year.
1023
01:06:49,000 --> 01:06:51,760
Crazy.
And it was just such a massive
1024
01:06:51,760 --> 01:06:53,480
show.
You had to take the bus to get
1025
01:06:53,480 --> 01:06:56,320
from, you know, the sound
pavilion to the lighting
1026
01:06:56,360 --> 01:06:58,920
pavilion or whatever, right?
Hold on one second.
1027
01:07:00,760 --> 01:07:03,600
Now it's now it's much smaller.
Yeah.
1028
01:07:03,960 --> 01:07:09,680
So, you know, you you, you gave
us back a funny statement when
1029
01:07:09,680 --> 01:07:15,440
she asked you, you know, just
funny stories of being on the
1030
01:07:15,440 --> 01:07:20,200
road for 25 years with this band
and, you know, being their
1031
01:07:20,200 --> 01:07:23,720
babysitter.
And you know, I mean, that's so
1032
01:07:23,720 --> 01:07:27,120
typical.
Rock bands in particular, I
1033
01:07:27,120 --> 01:07:30,320
think worse than pop artists,
Like pop artists I think have
1034
01:07:30,800 --> 01:07:34,120
sort of there's a list of things
that every pop artist is going
1035
01:07:34,120 --> 01:07:37,080
to do wrong or whatever.
But rock bands are looking for
1036
01:07:37,080 --> 01:07:39,400
trouble.
Like rock bands started the
1037
01:07:39,400 --> 01:07:42,360
whole thing of throwing
televisions out hotel windows
1038
01:07:42,360 --> 01:07:46,720
and flipping cars over.
And you know, I remember one
1039
01:07:46,720 --> 01:07:50,960
time we, we, we took furniture
out of all the hotel rooms and
1040
01:07:50,960 --> 01:07:55,960
we furnished the elevators and
and we were like betting on who
1041
01:07:55,960 --> 01:07:58,000
could furnish the elevator
better.
1042
01:07:58,000 --> 01:08:00,560
Like there were six elevators or
whatever, and we furnished the
1043
01:08:00,560 --> 01:08:04,120
elevators with plants and
televisions and couches and
1044
01:08:04,120 --> 01:08:04,800
everything.
Right.
1045
01:08:05,680 --> 01:08:08,680
It's just stupid things you do
when you're bored, you know?
1046
01:08:09,360 --> 01:08:13,520
But, you know, you mentioned one
story in particular about
1047
01:08:13,520 --> 01:08:15,760
running around South America
with lots of cash.
1048
01:08:16,240 --> 01:08:21,439
And it's funny because when I
was early with Martin Lighting,
1049
01:08:22,160 --> 01:08:25,399
I remember we had a guy who was
relatively new with us.
1050
01:08:25,399 --> 01:08:28,720
Now he works for Robe Lighting,
but he was new with us at the
1051
01:08:28,720 --> 01:08:33,720
time and he had to go with one
of our sales people down to he.
1052
01:08:33,720 --> 01:08:36,560
He was a guy who did the demos
like he controlled the lights
1053
01:08:36,560 --> 01:08:39,640
and stuff during demos and he
had to go to South America to
1054
01:08:39,640 --> 01:08:42,560
show off some new technology in
a few different countries.
1055
01:08:43,080 --> 01:08:45,960
And the first country we went,
they went to, it was him.
1056
01:08:45,960 --> 01:08:49,040
And one of our sales people,
first country they went to, paid
1057
01:08:49,040 --> 01:08:53,240
us like 60,000 in cash or
something to pay off something
1058
01:08:53,240 --> 01:08:57,359
on their account.
And he was so nervous 'cause he
1059
01:08:57,359 --> 01:09:02,200
was traveling all over South
America with this, this $60,000
1060
01:09:02,200 --> 01:09:05,520
in cash in his suitcase and he
had to keep checking that box
1061
01:09:05,520 --> 01:09:08,399
saying I don't have more than
10,000 in cash or whatever.
1062
01:09:09,000 --> 01:09:12,439
And he was so nervous.
So your your statement reminded
1063
01:09:12,439 --> 01:09:16,040
me of that.
Yeah, I mean thank God those
1064
01:09:16,080 --> 01:09:22,479
those days are basically over.
And to me it was always very
1065
01:09:22,920 --> 01:09:27,600
bizarre anyway because it's
like, I mean in South America,
1066
01:09:27,600 --> 01:09:31,920
OK, that's one thing.
But you know like especially in
1067
01:09:31,920 --> 01:09:36,880
the in the earlier days it was
pretty much like a Wild West
1068
01:09:37,760 --> 01:09:40,000
type of situation and and you
knew that.
1069
01:09:40,560 --> 01:09:46,520
But even in the US there was so
many things that were handled
1070
01:09:46,840 --> 01:09:50,600
cash where I'm like what do you
want me to do with this?
1071
01:09:50,640 --> 01:09:53,359
This is like what?
Just wire it.
1072
01:09:53,880 --> 01:09:55,120
Yeah.
What do you mean?
1073
01:09:55,600 --> 01:09:59,800
And this is like literally just
like 15 years ago where they
1074
01:09:59,960 --> 01:10:02,200
crazy.
It was either cash or it was a
1075
01:10:02,200 --> 01:10:05,680
check.
And I'm like, I'm European.
1076
01:10:05,680 --> 01:10:07,600
I have never seen a check in my
life.
1077
01:10:08,080 --> 01:10:10,600
You know what I mean?
I have a bank account and a card
1078
01:10:10,600 --> 01:10:13,320
and you can wire to this bank
account.
1079
01:10:13,320 --> 01:10:17,040
This is how it works.
Like how are you not, this is
1080
01:10:17,160 --> 01:10:20,440
very bizarre for me.
But on this, this was one of the
1081
01:10:20,440 --> 01:10:23,760
first like the note that I that
I that I wrote.
1082
01:10:23,760 --> 01:10:30,240
This was one of the first South
American runs I did and it just
1083
01:10:30,240 --> 01:10:36,520
kept piling on and I had like
this little like to me Weekender
1084
01:10:37,080 --> 01:10:40,160
back basically.
And by the end of the of the run
1085
01:10:40,160 --> 01:10:43,080
it wasn't even that long.
It was like 10 days or two weeks
1086
01:10:43,080 --> 01:10:45,440
or something.
It was literally, it was, it was
1087
01:10:45,440 --> 01:10:52,000
filled to the top with like in
U.S. dollars and it was, it was
1088
01:10:52,000 --> 01:10:57,760
not a comfortable no.
And I mean I would definitely, I
1089
01:10:57,760 --> 01:11:00,960
wouldn't do something like that
nowadays.
1090
01:11:01,040 --> 01:11:03,640
I would just refuse.
It's like, yeah, it's not you
1091
01:11:03,640 --> 01:11:06,600
talk to the agent and you figure
it out how we get the money.
1092
01:11:06,600 --> 01:11:07,440
I don't.
I don't care.
1093
01:11:07,960 --> 01:11:11,560
You know, but it's funny because
until very recently, like I
1094
01:11:11,560 --> 01:11:14,160
talked to a lot of tour managers
and stuff and until very
1095
01:11:14,160 --> 01:11:18,640
recently settlements were done
in cash and.
1096
01:11:18,880 --> 01:11:22,680
Oh, it's not like they're gone.
We just did South America in
1097
01:11:22,680 --> 01:11:27,040
November, December last year.
There was a bunch of them that
1098
01:11:27,040 --> 01:11:30,320
were like, Oh yeah, we couldn't
get to the bank to wire it in
1099
01:11:30,320 --> 01:11:32,840
times that we're going to pay
you the balance in cash.
1100
01:11:33,120 --> 01:11:35,880
No, you're not.
I'm not picking up like in 50
1101
01:11:36,000 --> 01:11:39,040
grand or whatever you do, you
know, it's like, are you insane?
1102
01:11:39,640 --> 01:11:41,360
It's like I have three weeks to
go.
1103
01:11:41,360 --> 01:11:45,280
I'm going to like, in Colombia.
And you know, I have no
1104
01:11:45,360 --> 01:11:48,240
intention to carry that amount
of money.
1105
01:11:48,600 --> 01:11:50,920
No.
Well, and I mean the same, by
1106
01:11:50,920 --> 01:11:53,920
the way, the same person at the
venue who did that settlement
1107
01:11:53,920 --> 01:11:58,040
for 50,000 in cash, he's calling
up his brother and saying, hey,
1108
01:11:58,160 --> 01:12:00,920
they're driving a white van.
White van.
1109
01:12:01,360 --> 01:12:04,520
They're going from here to
Bolivia and they're going to
1110
01:12:04,520 --> 01:12:08,560
cross this road right here, you
know, And then your, your car,
1111
01:12:08,680 --> 01:12:12,160
your car is getting attacked by
a bunch of guys jumping out of
1112
01:12:12,160 --> 01:12:15,240
the jungle or something and and
you lose the money, right.
1113
01:12:15,400 --> 01:12:17,640
So yeah.
I mean, it was pretty.
1114
01:12:17,720 --> 01:12:23,120
It was pretty dumb so to speak
to do it back in the day but it
1115
01:12:23,120 --> 01:12:28,120
was also I mean it was also
obviously way different sums we
1116
01:12:28,120 --> 01:12:35,640
were talking and I just think in
general this it changed like
1117
01:12:35,640 --> 01:12:43,480
back then it was more like you
know if you could take if you
1118
01:12:43,480 --> 01:12:46,320
have worked with certain
promoters a couple of times you
1119
01:12:46,320 --> 01:12:49,600
could take the word for it and
and you know it all it was kind
1120
01:12:49,600 --> 01:12:54,920
of it had this type of quality
which which was nice and and
1121
01:12:54,920 --> 01:12:57,640
nowadays it's either.
Super.
1122
01:12:57,640 --> 01:13:00,400
Corporate.
It's super shady.
1123
01:13:00,640 --> 01:13:03,000
There's nothing in between
anymore.
1124
01:13:03,000 --> 01:13:09,400
You know I'm I'm, I'm lucky to
be on the Super corporate type
1125
01:13:10,480 --> 01:13:14,640
or side of things where I don't
have to worry about these type
1126
01:13:14,760 --> 01:13:21,400
of situations most of the time.
But yeah, the big.
1127
01:13:21,560 --> 01:13:23,800
The big.
Pop the big pop and country
1128
01:13:23,800 --> 01:13:26,480
tours and stuff.
You know, I was, I was.
1129
01:13:26,520 --> 01:13:28,640
I refer to this article all the
time.
1130
01:13:28,640 --> 01:13:33,880
But I read an article from
Rapino from Live Nation and he
1131
01:13:33,880 --> 01:13:38,800
says that the the reason that
tours just keep growing and
1132
01:13:38,800 --> 01:13:42,440
growing and growing and ticket
sales are so crazy and all of
1133
01:13:42,440 --> 01:13:46,000
this stuff is because of social
media followings.
1134
01:13:46,360 --> 01:13:49,440
You know, these artists might
have 10 million followers on
1135
01:13:49,440 --> 01:13:51,920
social media.
And he said my job's easy.
1136
01:13:51,920 --> 01:13:56,600
All I got to do is sell tickets
to 5% of them and but in in the
1137
01:13:56,600 --> 01:14:00,280
middle genre I would think that
it's not so much like that like
1138
01:14:00,280 --> 01:14:03,960
or or is it also driven by
social media and?
1139
01:14:05,280 --> 01:14:11,920
I think it got a lot more
important maybe later than than
1140
01:14:11,920 --> 01:14:17,320
in other genres, but by now you
can definitely tell that that
1141
01:14:17,800 --> 01:14:24,640
there is some bands that do
really well, partly because of
1142
01:14:24,960 --> 01:14:29,280
how they deal with their social
media and how well they actually
1143
01:14:29,680 --> 01:14:34,280
play it.
You know, there's, I can't think
1144
01:14:34,280 --> 01:14:37,880
of anybody right now, but
there's definitely a few out
1145
01:14:37,880 --> 01:14:42,320
there that wouldn't be as big as
they are if it wouldn't be
1146
01:14:42,320 --> 01:14:47,400
partly because of social media.
But then again, I mean, you
1147
01:14:47,400 --> 01:14:49,640
know, people are not stupid
either.
1148
01:14:49,640 --> 01:14:52,400
Audiences are not stupid
nowadays.
1149
01:14:52,400 --> 01:14:58,360
If you don't deliver a certain
quality of show, they go once
1150
01:14:58,720 --> 01:15:01,960
and that's it.
And then that doesn't really
1151
01:15:01,960 --> 01:15:04,760
help anyone either, because
sooner or later you're going to
1152
01:15:04,760 --> 01:15:07,280
run out of people to sell
tickets to.
1153
01:15:07,520 --> 01:15:11,240
Exactly.
But it's a very bizarre time.
1154
01:15:11,240 --> 01:15:16,040
Now post Kovid, so to speak
anyway, because there's all
1155
01:15:16,040 --> 01:15:19,080
this, you know, you hear it
everywhere.
1156
01:15:19,080 --> 01:15:21,640
All the cost of living just
exploded.
1157
01:15:21,640 --> 01:15:23,600
People don't have any money
anymore.
1158
01:15:23,600 --> 01:15:27,600
Everything is so expensive,
especially over here in Europe
1159
01:15:27,680 --> 01:15:31,280
with like electricity and gas
and whatnot, with the war in
1160
01:15:31,280 --> 01:15:33,600
Ukraine and all this bullshit
going on.
1161
01:15:34,880 --> 01:15:43,240
But on the other hand, like
whatever Taylor Swift or
1162
01:15:43,240 --> 01:15:47,680
Coldplay who who pay like play
like 10 shows in the same city,
1163
01:15:48,800 --> 01:15:52,040
you know, for ticket prices that
are like way higher than
1164
01:15:52,680 --> 01:15:58,200
probably any metal tour ever.
And at the same time, like what
1165
01:15:58,200 --> 01:16:03,240
we've seen or what I've seen
with a bunch of bands is merch
1166
01:16:03,240 --> 01:16:10,640
sales are crazy.
After COVID, when we went to
1167
01:16:10,640 --> 01:16:14,720
certain cities where we would
do, I don't know, 5 bucks ahead,
1168
01:16:14,920 --> 01:16:18,400
it's 10 now and it's like, how
is that?
1169
01:16:18,440 --> 01:16:20,160
Like I don't get it and.
They'll buy.
1170
01:16:21,440 --> 01:16:23,640
Anything.
This doesn't really go together
1171
01:16:23,640 --> 01:16:28,480
with what you read everywhere
that people don't have any
1172
01:16:28,480 --> 01:16:30,240
money.
It's like okay, Obviously they
1173
01:16:30,240 --> 01:16:33,680
do have money, they just spend
it way differently than what
1174
01:16:33,680 --> 01:16:36,400
they did like three years ago.
I was talking recently with
1175
01:16:36,400 --> 01:16:41,040
someone in the confetti business
and they said, like after a show
1176
01:16:41,040 --> 01:16:44,640
like a Taylor Swift show or
something, people are on eBay
1177
01:16:44,920 --> 01:16:49,240
selling pieces of confetti for
like $20 or €20 or whatever,
1178
01:16:49,240 --> 01:16:52,320
right?
For a little tiny bag of pieces
1179
01:16:52,320 --> 01:16:55,280
of confetti that were blown off
in the show the two nights
1180
01:16:55,280 --> 01:16:59,080
earlier or something, it's it's
shocking to me.
1181
01:16:59,240 --> 01:16:59,880
It's.
Shocking.
1182
01:16:59,880 --> 01:17:02,240
Yeah, that's crazy.
And that's probably even the
1183
01:17:02,240 --> 01:17:04,840
more short.
Sweeping up the stadium floor or
1184
01:17:04,840 --> 01:17:06,520
whatever.
You know, it's probably those
1185
01:17:06,520 --> 01:17:09,080
people who got smart and said
I'm going to sell this shit on
1186
01:17:09,080 --> 01:17:12,480
eBay and they're filling their
pockets and bags with confetti
1187
01:17:12,480 --> 01:17:15,960
and stuff, right?
But more crazy to me than
1188
01:17:15,960 --> 01:17:18,200
selling it is actually that
there's people out there who
1189
01:17:18,200 --> 01:17:21,080
actually will buy that.
That is something that I
1190
01:17:21,080 --> 01:17:23,440
completely do not understand
well.
1191
01:17:23,480 --> 01:17:24,200
It's like.
Remember.
1192
01:17:24,200 --> 01:17:27,240
People will pay $1,000,000 for
like a what was it?
1193
01:17:27,240 --> 01:17:28,840
A grilled cheese sandwich or
whatever?
1194
01:17:28,840 --> 01:17:32,480
Because it looked like Jesus, I
forget the story, but you know,
1195
01:17:33,000 --> 01:17:36,760
people will pay.
There's so much money out there
1196
01:17:36,760 --> 01:17:40,680
right now that seems to a lot of
it is in the hands of really
1197
01:17:40,680 --> 01:17:44,240
stupid people who will spend any
amount of money to buy things.
1198
01:17:44,600 --> 01:17:48,960
And you know, like, I'm a big
fan of, I'm a big fan of classic
1199
01:17:48,960 --> 01:17:53,360
cars, classic sports cars,
Camaros and you know, all kinds
1200
01:17:53,360 --> 01:17:55,560
of them.
Cutlass and all of the beautiful
1201
01:17:55,560 --> 01:18:00,480
cars from the 60s and stuff.
Corvettes and the pricing now is
1202
01:18:00,480 --> 01:18:03,120
so insane, you know?
It's just.
1203
01:18:03,280 --> 01:18:06,960
Completely insane.
It's it's, I don't know, there's
1204
01:18:06,960 --> 01:18:08,760
a lot of money out there, you
know?
1205
01:18:08,960 --> 01:18:12,120
Yeah.
And I mean it, it has to be it's
1206
01:18:12,120 --> 01:18:15,200
yeah, yeah, I can't.
I can't really.
1207
01:18:16,280 --> 01:18:20,920
Does most of your.
Does most of your work come from
1208
01:18:21,040 --> 01:18:24,400
touring or or festivals?
I know festivals, especially in
1209
01:18:24,400 --> 01:18:26,120
metal festivals, are huge in
Europe.
1210
01:18:26,120 --> 01:18:27,080
Still right?
But.
1211
01:18:28,920 --> 01:18:32,000
Yeah, I mean there are huge,
there's huge festivals
1212
01:18:32,000 --> 01:18:36,760
everywhere I would say.
I mean the Europeans obviously
1213
01:18:37,680 --> 01:18:43,040
in invented the the like 3 day
type of camping blah blah blah.
1214
01:18:43,520 --> 01:18:47,200
That to my knowledge at least
that doesn't that didn't exist
1215
01:18:47,200 --> 01:18:51,920
in the in the US before
Coachella and it doesn't really
1216
01:18:51,920 --> 01:18:57,440
exist other than with Coachella
either you know.
1217
01:18:59,320 --> 01:19:06,760
But it's yeah usually like there
is always there's always a good
1218
01:19:06,760 --> 01:19:11,960
amount of of festivals on on
every on every cycle.
1219
01:19:12,480 --> 01:19:19,160
You usually do like on an album
cycle you you might do 2 to 3
1220
01:19:19,160 --> 01:19:23,280
summers of festivals.
You know the big important ones
1221
01:19:23,280 --> 01:19:26,360
in the first year when the album
came out and then like the
1222
01:19:26,360 --> 01:19:32,600
secondary ones that you couldn't
do because of date clashes or
1223
01:19:32,600 --> 01:19:36,320
whatever you do the second year
and then you you go to the
1224
01:19:36,920 --> 01:19:40,080
obscure ones so to speak like
that are in in the Wilder
1225
01:19:40,080 --> 01:19:44,360
countries in the third year.
So it's it's it's a lot, but
1226
01:19:44,360 --> 01:19:47,760
it's also very compressed in in
time so.
1227
01:19:47,800 --> 01:19:52,520
Yeah, but I remember somebody
recently in the Netherlands was
1228
01:19:52,520 --> 01:19:56,480
telling me, you know, touring's
not so big in the Netherlands
1229
01:19:56,480 --> 01:19:59,200
and I said, oh, that's too bad,
so you don't get to see no much
1230
01:19:59,200 --> 01:20:01,800
live music.
And he said no, there are.
1231
01:20:01,800 --> 01:20:06,240
I forget the number.
I think it was 1500 festivals.
1232
01:20:06,560 --> 01:20:08,800
In the Netherlands oh that's
yeah I'm.
1233
01:20:09,360 --> 01:20:12,400
Yeah, yeah, I'm.
Just like what, you know, it's a
1234
01:20:12,440 --> 01:20:15,440
small country of what, 5 million
people or something.
1235
01:20:15,920 --> 01:20:16,760
I don't.
Even remember.
1236
01:20:17,200 --> 01:20:19,840
But.
Yeah, 1500 festivals,
1237
01:20:21,160 --> 01:20:29,760
Netherlands and Belgium.
Is is is special because it's
1238
01:20:29,760 --> 01:20:34,200
very they pump a lot of
government money into the
1239
01:20:34,200 --> 01:20:39,120
entertainment industry.
And so I mean the best, one of
1240
01:20:39,120 --> 01:20:46,800
the best European festivals in
my opinion for the metal genre
1241
01:20:46,800 --> 01:20:53,240
is definitely Cusp up in Belgium
because everything is just
1242
01:20:54,200 --> 01:20:56,960
perfect.
The whole infrastructure with
1243
01:20:57,160 --> 01:21:01,120
the way that backstage is set
up, it's even if the weather is
1244
01:21:01,120 --> 01:21:05,040
not good, you're not in the mud.
It's not you know you have like
1245
01:21:05,040 --> 01:21:09,360
proper facilities with like
showers and bathrooms and it's
1246
01:21:09,360 --> 01:21:14,560
it's all really, really nice and
really well done and that's very
1247
01:21:14,560 --> 01:21:18,000
unique to to like Belgium and
Netherlands, like all the
1248
01:21:18,000 --> 01:21:22,560
smaller, there's a lot of
smallish clubs in in the
1249
01:21:22,560 --> 01:21:27,520
Netherlands that like between
1000 to like 15103 thousand
1250
01:21:27,520 --> 01:21:33,080
people or whatever.
And they're all like purpose
1251
01:21:33,080 --> 01:21:39,000
built venues, you know with with
the little details that are
1252
01:21:39,000 --> 01:21:43,120
important, a lot of dressing
rooms, you know a big enough
1253
01:21:43,160 --> 01:21:46,960
freight elevator or whatever.
Most of the time what they do is
1254
01:21:46,960 --> 01:21:51,880
they build buildings where they
have like 3 capacity sizes in
1255
01:21:51,880 --> 01:21:55,680
the same building.
So you know you can, you can be
1256
01:21:55,680 --> 01:21:59,120
a band that's on the verge and
you get booked into 500 capacity
1257
01:21:59,120 --> 01:22:01,520
and all this, Oh no we didn't.
Let's move it and make.
1258
01:22:01,560 --> 01:22:04,960
It to the big room.
Stuff like that.
1259
01:22:04,960 --> 01:22:08,920
But it all, it all makes a lot
of sense and you can tell that
1260
01:22:08,920 --> 01:22:15,520
there's a that there's a lot of
government money spent because
1261
01:22:16,360 --> 01:22:22,560
obviously some people in the
government value that this is
1262
01:22:23,160 --> 01:22:25,640
that this is actually important
to people and I mean they're
1263
01:22:26,440 --> 01:22:30,160
making arts off of it and life,
entertainment, whatever genre it
1264
01:22:30,160 --> 01:22:32,720
might be, is important to the
people.
1265
01:22:33,200 --> 01:22:36,320
You know it's important for
mental health as we have seen a
1266
01:22:36,320 --> 01:22:39,280
couple of years ago that it's
not good if everything just
1267
01:22:39,320 --> 01:22:42,240
stops.
So you know, it's like I I don't
1268
01:22:42,840 --> 01:22:50,040
it's to me, it's very bizarre
that that this is so spotty, so
1269
01:22:50,040 --> 01:22:52,320
to speak.
Where, where why why is there
1270
01:22:52,320 --> 01:22:56,200
not more money spent on on all
this could be all a much nicer
1271
01:22:56,200 --> 01:23:00,120
experience for everyone, you
know, for the people working the
1272
01:23:00,120 --> 01:23:04,280
industry, for the people who go
to the shows.
1273
01:23:05,160 --> 01:23:07,520
It's it's not rocket science,
you know.
1274
01:23:07,560 --> 01:23:11,200
And it's obviously still big
business, like there's good
1275
01:23:11,200 --> 01:23:13,160
money to be made, of course.
So.
1276
01:23:13,720 --> 01:23:15,640
It's.
When did you get back to work
1277
01:23:15,640 --> 01:23:17,240
after COVID?
Speaking of COVID.
1278
01:23:19,520 --> 01:23:25,840
We did our first tour in 2022.
OK.
1279
01:23:26,520 --> 01:23:30,720
March, February, February 22.
You had pretty much two full
1280
01:23:30,720 --> 01:23:35,720
years off then.
I had almost exactly 2 years off
1281
01:23:36,120 --> 01:23:37,800
our.
It was for us.
1282
01:23:37,800 --> 01:23:45,880
It was very bizarre because we
were going to do Australia and
1283
01:23:45,880 --> 01:23:56,840
Asia and then quite late, late
in the game, they booked two
1284
01:23:56,840 --> 01:23:58,920
shows in Russia right before
that.
1285
01:23:59,600 --> 01:24:06,960
So our last show before COVID
hit was Saint Petersburg and
1286
01:24:06,960 --> 01:24:14,760
then we flew to Auckland in New
Zealand just to basically meet
1287
01:24:14,800 --> 01:24:19,360
at the lobby of the hotel and
then turn around, get get back
1288
01:24:19,360 --> 01:24:25,600
on the get back in the well.
We slept one night and then we
1289
01:24:25,600 --> 01:24:29,800
flew back home the next day.
Long flight to do an overnight
1290
01:24:30,080 --> 01:24:32,000
which you.
Know Stay Which Which was
1291
01:24:32,000 --> 01:24:35,680
bizarre.
And then I remember I got back
1292
01:24:35,680 --> 01:24:39,960
home on the like I flew, I
arrived in Auckland on the on
1293
01:24:39,960 --> 01:24:43,200
the on the Friday or Saturday
morning.
1294
01:24:43,480 --> 01:24:48,080
I flew back home on on Sunday
and I arrived at 5:00 or 6:00 in
1295
01:24:48,080 --> 01:24:52,600
the morning in Vienna on the
first day of our first lockdown
1296
01:24:53,480 --> 01:24:56,320
and it was just bizarre.
When I got out of the plane,
1297
01:24:56,680 --> 01:25:00,520
there was like 3 people at the
airport and then I took a
1298
01:25:01,280 --> 01:25:05,320
there's like a 2 1/2 hour train
ride from Vienna to Salzburg
1299
01:25:06,120 --> 01:25:08,720
again, I think I was the only
one on the train.
1300
01:25:08,720 --> 01:25:09,000
Oh.
My.
1301
01:25:09,520 --> 01:25:10,920
God.
And it was just, it was like
1302
01:25:10,920 --> 01:25:15,840
some somebody wiped out the,
the, the, all the people it.
1303
01:25:16,000 --> 01:25:21,240
Was like a bad sci-fi movie.
It was crazy, absolutely crazy,
1304
01:25:21,320 --> 01:25:25,000
you know, And I mean now
obviously it's especially crazy
1305
01:25:25,000 --> 01:25:29,680
with thinking that like playing
shows in Russia is, you know,
1306
01:25:29,680 --> 01:25:32,520
this is, I mean it's not going
to happen again in my lifetime.
1307
01:25:32,840 --> 01:25:34,880
I don't know.
I'm 100.
1308
01:25:34,920 --> 01:25:38,640
No, I'm 100% sure that we're not
going to go back to.
1309
01:25:38,720 --> 01:25:44,280
Yeah, this is not happening.
This is going to take way, way
1310
01:25:44,600 --> 01:25:50,920
too long to to re establish if
it's even going to happen.
1311
01:25:51,360 --> 01:25:54,760
I mean, we'll see what?
I don't know you.
1312
01:25:55,000 --> 01:25:57,960
Know what happens with the
Orange one in September and then
1313
01:25:58,360 --> 01:26:03,400
how that plays out in terms of
Ukraine and Russia and maybe we
1314
01:26:03,400 --> 01:26:07,160
have bigger issues come January
anyway.
1315
01:26:07,160 --> 01:26:12,280
But yeah, I don't, I don't, I
don't see any any real touring
1316
01:26:12,280 --> 01:26:14,920
going back there anytime anytime
soon.
1317
01:26:15,360 --> 01:26:18,880
No, it's.
Interesting, because I think as
1318
01:26:19,040 --> 01:26:22,240
as a world, we have a short
memory.
1319
01:26:23,040 --> 01:26:27,120
And you know, like remember all
the changes that we were going
1320
01:26:27,120 --> 01:26:29,560
to make during COVID, oh, we'll
never do this again.
1321
01:26:29,560 --> 01:26:31,440
And we're going to do it like
this in the future.
1322
01:26:31,440 --> 01:26:33,680
And now we're going to change
all of these things and it's
1323
01:26:33,680 --> 01:26:35,840
going to be much safer and much
better and we're going to treat
1324
01:26:35,840 --> 01:26:38,000
our people better and blah, blah
blah, yeah.
1325
01:26:38,000 --> 01:26:39,520
Bullshit.
Yeah, well.
1326
01:26:39,640 --> 01:26:40,280
That's it.
Yeah.
1327
01:26:40,400 --> 01:26:43,600
You know, here we are a few
years later, and we're worse
1328
01:26:43,600 --> 01:26:45,600
than we were in 2019 in most.
Ways.
1329
01:26:45,600 --> 01:26:47,000
Yeah, absolutely.
Yeah.
1330
01:26:47,040 --> 01:26:47,400
Yeah.
Yeah.
1331
01:26:47,880 --> 01:26:49,560
Yeah.
So I I I agree.
1332
01:26:49,720 --> 01:26:54,560
It's crazy.
Yeah, Sarah put a question in
1333
01:26:54,560 --> 01:26:57,280
here That said, are there any
frameworks, methods, or
1334
01:26:57,280 --> 01:27:00,800
processes that you found to be
especially useful in your work
1335
01:27:01,080 --> 01:27:06,560
that others may find useful too?
And you gave us an answer, but
1336
01:27:06,560 --> 01:27:07,640
do you remember what you
answered?
1337
01:27:08,600 --> 01:27:12,720
I think it was the thing that
what originally drew me to,
1338
01:27:13,160 --> 01:27:20,800
yeah, the audio side of things,
which which is the the fact that
1339
01:27:20,800 --> 01:27:25,880
you can basically try anything.
There is obviously certain
1340
01:27:26,720 --> 01:27:33,440
physical rules that apply, you
know, just like with a lot of a
1341
01:27:33,440 --> 01:27:37,920
lot of other or most other jobs
as well.
1342
01:27:38,600 --> 01:27:43,920
But I mean one thing
specifically would be that if
1343
01:27:43,920 --> 01:27:47,200
you have two mics on the snare
drum that you always have to
1344
01:27:47,200 --> 01:27:53,360
turn the bottom one in phase.
So it's as a whole, it's in
1345
01:27:53,360 --> 01:27:56,800
phase again.
And that's one of the that's the
1346
01:27:56,800 --> 01:27:57,840
rule.
You have to do it.
1347
01:27:58,040 --> 01:28:00,520
No, you don't.
You know, you don't have to do
1348
01:28:00,520 --> 01:28:04,160
it because yes, it makes sense
and on paper and you know, if
1349
01:28:04,160 --> 01:28:08,200
you calculate it, it's probably
right that you have to do it,
1350
01:28:08,440 --> 01:28:12,040
but you might actually get the
result that you are looking for
1351
01:28:12,160 --> 01:28:16,080
with not doing it as an as an
example.
1352
01:28:16,360 --> 01:28:20,880
It's like what I like about it
is doing, doing doing stuff
1353
01:28:21,400 --> 01:28:26,080
differently just to try it, not
for the sake of it, but you know
1354
01:28:26,200 --> 01:28:27,880
try it out.
There's nothing.
1355
01:28:27,880 --> 01:28:30,560
It's not going to hurt anyone.
It's not going to destroy
1356
01:28:30,560 --> 01:28:33,520
anything.
But where are you getting with
1357
01:28:33,600 --> 01:28:35,320
with this when you try things
out?
1358
01:28:35,560 --> 01:28:43,280
And I think that's a very
interesting thing to do in
1359
01:28:43,280 --> 01:28:47,320
general.
Like I I still do this to this
1360
01:28:47,320 --> 01:28:53,200
day after more than 20 years.
Just, you know, wipe out all my
1361
01:28:53,280 --> 01:28:59,160
EQ's for instance on on a show
file and like redo it or do it
1362
01:28:59,160 --> 01:29:02,520
with a different plug in or do
it completely.
1363
01:29:02,800 --> 01:29:06,600
That's interesting.
You know, try out things that
1364
01:29:06,600 --> 01:29:11,600
I've never tried before and with
some things it's definitely, you
1365
01:29:11,600 --> 01:29:16,080
know, don't never change your
running system like you
1366
01:29:16,080 --> 01:29:18,000
shouldn't.
This has been tried and tested
1367
01:29:18,000 --> 01:29:20,800
for 30 years.
Let's keep it like this because
1368
01:29:21,560 --> 01:29:24,200
it's fine.
But on other things it's like,
1369
01:29:24,200 --> 01:29:27,040
God, this is crazy.
This is actually awesome.
1370
01:29:27,040 --> 01:29:34,120
How how good that works and
different artists or different
1371
01:29:34,120 --> 01:29:39,080
genres require different
solutions And so it's like it's
1372
01:29:39,080 --> 01:29:44,320
it's one way of like keeping
myself on my toes so to speak, a
1373
01:29:44,320 --> 01:29:50,200
little bit to keep like learning
more or new things.
1374
01:29:50,920 --> 01:29:55,520
You know, sometimes I'm I'm
like, OK, I try something it
1375
01:29:55,520 --> 01:29:57,520
doesn't work for what I'm trying
to do.
1376
01:29:57,840 --> 01:30:02,040
And then years later I'm doing
something completely else.
1377
01:30:02,040 --> 01:30:05,080
And I remember, oh, I tried this
once and I do it in this
1378
01:30:05,080 --> 01:30:08,320
different application and it's
like, oh, this is great and this
1379
01:30:08,320 --> 01:30:12,040
is this is what it what it
should be in in in my opinion.
1380
01:30:12,040 --> 01:30:14,440
Or this means why I like my job
as much as?
1381
01:30:14,440 --> 01:30:16,440
I do.
I like, I like that concept
1382
01:30:16,440 --> 01:30:20,480
because I think you have to
challenge, you know, the norm or
1383
01:30:20,480 --> 01:30:22,760
challenge the rules or break the
rules.
1384
01:30:22,760 --> 01:30:25,280
You have to break things in
order to figure out how to make
1385
01:30:25,280 --> 01:30:28,080
them better sometimes, right?
And absolutely I.
1386
01:30:28,080 --> 01:30:30,240
Always use.
I always use racing examples
1387
01:30:30,320 --> 01:30:33,440
because my son is a racing
driver, but he grew up in go
1388
01:30:33,440 --> 01:30:37,920
karts and when he first started
karting and he was frustrated
1389
01:30:37,920 --> 01:30:39,600
that he wasn't getting faster
and stuff.
1390
01:30:39,600 --> 01:30:44,400
One of the things we did is I
would pay him 5-5 dollars every
1391
01:30:44,400 --> 01:30:48,120
time he went off at a corner and
hit the barrier.
1392
01:30:48,480 --> 01:30:51,760
I would pay him to hit the
barrier, and the reason I was
1393
01:30:51,760 --> 01:30:56,720
doing this was because he was
forcing himself to carry more
1394
01:30:56,720 --> 01:31:01,160
speed through those corners.
And when he when he found the
1395
01:31:01,160 --> 01:31:05,000
limit, he you'd have to go over
the limit to find the limit,
1396
01:31:05,000 --> 01:31:06,960
right?
So he'd go over the limit, hit
1397
01:31:06,960 --> 01:31:10,080
the barrier, and now he knew I
just got to lift a tiny bit
1398
01:31:10,080 --> 01:31:12,800
sooner, or I got a break a bit
sooner, a bit harder or
1399
01:31:12,800 --> 01:31:14,080
whatever.
Yeah, yeah.
1400
01:31:14,560 --> 01:31:18,520
Yeah, so he was learning highly
valuable lessons that were
1401
01:31:18,520 --> 01:31:23,520
making him a much better driver.
It was only costing me $5 and
1402
01:31:24,560 --> 01:31:27,560
and and he didn't get hurt, you
know, the barriers were soft and
1403
01:31:27,560 --> 01:31:29,440
it wasn't going to hurt him or
anything.
1404
01:31:29,800 --> 01:31:33,120
And it got over the fear of
going off track too, you know,
1405
01:31:33,120 --> 01:31:36,480
because every other driver was
lifting really early, breaking
1406
01:31:36,600 --> 01:31:40,720
really hard, etcetera.
So anyways, tell me about
1407
01:31:41,000 --> 01:31:44,840
Speaking of Russia.
There's something here about
1408
01:31:44,840 --> 01:31:48,920
naked musicians in in trains,
which sounds like a good name
1409
01:31:49,000 --> 01:31:51,280
for a metal song.
Naked Musicians in Russian
1410
01:31:51,280 --> 01:31:53,480
trains, you know.
Yeah, yeah.
1411
01:31:53,720 --> 01:31:56,280
What's that?
Yeah, that's that's also a long
1412
01:31:56,280 --> 01:32:02,440
time ago we used to take, we
used to take the night train
1413
01:32:02,440 --> 01:32:07,160
from Saint Petersburg to Moscow
or the other way.
1414
01:32:07,520 --> 01:32:11,360
So it would basically be do a
show in the one city, pack up,
1415
01:32:11,520 --> 01:32:14,880
go to the train station, get on
the train at like 1:00 in the
1416
01:32:14,880 --> 01:32:18,120
morning and then sleep on the
train.
1417
01:32:19,120 --> 01:32:23,360
It's such an arrive in the, in
the, in the other it was it was
1418
01:32:23,360 --> 01:32:24,680
awesome.
I'm joking.
1419
01:32:25,320 --> 01:32:28,160
I mean now, now it's fine
because they have this high
1420
01:32:28,160 --> 01:32:32,000
speed train now between the two
cities, which is only like 3
1421
01:32:32,000 --> 01:32:34,720
hours or something which is a
little bit more comfortable.
1422
01:32:35,280 --> 01:32:38,080
But there was nothing wrong with
it and it was always like, you
1423
01:32:38,080 --> 01:32:39,720
know, it was always a party
basically.
1424
01:32:40,920 --> 01:32:46,680
And that's how it is the naked
musicians came to, basically.
1425
01:32:46,720 --> 01:32:50,960
Because no, it's like
Scandinavian people for some
1426
01:32:50,960 --> 01:32:55,560
reason get naked in the most
bizarre.
1427
01:32:55,560 --> 01:32:59,520
Because they're drunk.
Yeah, but not sometimes they're
1428
01:32:59,520 --> 01:33:01,080
sober as well.
They just don't.
1429
01:33:01,360 --> 01:33:04,600
This was like something new to
me as well in the in the very
1430
01:33:04,600 --> 01:33:09,280
beginning, starting with these
guys and and also with other
1431
01:33:10,120 --> 01:33:13,800
Scandinavian bands.
It's like they they just don't.
1432
01:33:14,000 --> 01:33:16,360
I don't know, They feel the urge
sometimes to do it.
1433
01:33:16,360 --> 01:33:20,480
I don't know, maybe it's the
Finnish sauna mentality or?
1434
01:33:21,440 --> 01:33:23,280
Russia.
Russia to me seems like the
1435
01:33:23,280 --> 01:33:25,600
wrong place to do this though,
you know.
1436
01:33:26,080 --> 01:33:27,720
That's where the alcohol comes
in.
1437
01:33:28,000 --> 01:33:32,200
Yeah, this just seems.
Like the wrong place to do it
1438
01:33:32,200 --> 01:33:33,160
like something?
Happened.
1439
01:33:33,160 --> 01:33:35,360
Russian is going to come and say
net.
1440
01:33:37,200 --> 01:33:42,480
If that happened also, it was a
very big Russian lady that came
1441
01:33:42,480 --> 01:33:48,400
from the, from the, what do you
call it like the restaurant cart
1442
01:33:49,280 --> 01:33:51,640
basically came back to our
thing.
1443
01:33:51,640 --> 01:33:55,360
It was like don't do that again
because somebody dared him to
1444
01:33:55,360 --> 01:34:00,680
run like basically all the way
through the train and come back.
1445
01:34:02,240 --> 01:34:03,400
It was as.
Yeah, yeah.
1446
01:34:03,400 --> 01:34:08,360
It wasn't only our it wasn't
only our car it was Oh my God
1447
01:34:08,640 --> 01:34:11,960
all the way through.
And he made it and nothing
1448
01:34:11,960 --> 01:34:14,080
happened.
So it's it's it's fine.
1449
01:34:16,200 --> 01:34:21,120
The same same guy was chased by
Japanese hotel security in Tokyo
1450
01:34:22,880 --> 01:34:26,160
through the hallways and stuff.
It's, yeah.
1451
01:34:26,760 --> 01:34:29,240
You were you weren't married at
the time, right?
1452
01:34:30,240 --> 01:34:31,960
No.
Because I just wonder if that's
1453
01:34:31,960 --> 01:34:35,000
a story that you call your wife
and say, Oh yeah, Did anything
1454
01:34:35,000 --> 01:34:37,840
happen today, honey?
Well, yeah, we kind of got in
1455
01:34:37,840 --> 01:34:40,560
trouble for running naked
through the train, you know?
1456
01:34:40,560 --> 01:34:42,080
But.
Yeah.
1457
01:34:42,080 --> 01:34:44,560
Oh yeah, it would.
I would definitely tell her
1458
01:34:44,600 --> 01:34:46,480
those stories.
Really.
1459
01:34:46,560 --> 01:34:48,840
It's one of.
Yeah, it's.
1460
01:34:49,040 --> 01:34:51,560
Is she from the industry?
Nothing.
1461
01:34:51,560 --> 01:34:57,760
No, nothing really ever happened
that had, like, bad
1462
01:34:57,760 --> 01:35:01,440
consequences.
And there was some really stupid
1463
01:35:02,000 --> 01:35:05,000
things done back in the day.
And even now.
1464
01:35:05,320 --> 01:35:11,440
I mean, I had musicians arrested
for various reasons and it was
1465
01:35:11,440 --> 01:35:13,600
always like, OK, slap on the
wrist.
1466
01:35:16,000 --> 01:35:22,160
It's I think as long as you're
not a complete idiot, the time
1467
01:35:22,160 --> 01:35:28,120
when you face like an authority,
yeah, then you're you're usually
1468
01:35:28,120 --> 01:35:29,680
good.
Yeah, yeah, it's.
1469
01:35:30,000 --> 01:35:34,640
Like, you know that's hilarious.
And then if not, you just go to
1470
01:35:34,640 --> 01:35:37,680
jail for a night and.
Yeah, so I know you.
1471
01:35:37,720 --> 01:35:41,400
I know you've been drinking wine
during this recording and it's
1472
01:35:41,400 --> 01:35:43,240
morning for me, so I'm jealous.
But.
1473
01:35:43,560 --> 01:35:45,680
And you've mentioned that you
love champagne.
1474
01:35:46,560 --> 01:35:48,560
Yes, yeah, that was actually
champagne as well.
1475
01:35:48,920 --> 01:35:51,200
Oh, was it?
Just yeah, yeah.
1476
01:35:51,480 --> 01:35:54,920
Day drinking champagne.
I like it, Yes.
1477
01:35:55,600 --> 01:35:57,240
But you're also a big coffee
guy.
1478
01:35:58,200 --> 01:36:00,520
Yes.
Is that is that because of,
1479
01:36:00,520 --> 01:36:03,440
like, the drug in coffee that
keeps you awake and makes you
1480
01:36:03,520 --> 01:36:05,440
buzzed?
Or is it the flavor and stuff,
1481
01:36:05,440 --> 01:36:06,360
Which is why I?
Like it?
1482
01:36:06,360 --> 01:36:07,480
No.
Yeah, it's.
1483
01:36:07,600 --> 01:36:16,040
I mean, Austria having a very
vast coffee house tradition.
1484
01:36:16,680 --> 01:36:20,080
That's definitely one thing.
Yeah, I didn't know that.
1485
01:36:20,080 --> 01:36:24,280
And then and then, oh, Vienna is
like full of it.
1486
01:36:24,560 --> 01:36:30,320
And it's the the oldest, the
oldest coffee cafes in the
1487
01:36:30,320 --> 01:36:32,680
world, really, you know,
together.
1488
01:36:32,800 --> 01:36:35,080
But I've never been to.
I've never been to Austria.
1489
01:36:35,760 --> 01:36:38,320
I've been to many places, but
I've never been to Austria.
1490
01:36:38,640 --> 01:36:40,240
I want to.
I always wanted.
1491
01:36:40,240 --> 01:36:43,040
To go, because I grew up in
Canada skiing, you know, and I
1492
01:36:43,040 --> 01:36:45,960
always wanted to go to Austria
skiing even, you know, but I
1493
01:36:45,960 --> 01:36:48,920
just never got there.
Yeah, no, I mean that's
1494
01:36:48,920 --> 01:36:51,680
definitely a big part of it.
And then obviously being very
1495
01:36:51,680 --> 01:36:58,120
close to Italy and and spending
lots and lots of childhood
1496
01:36:58,520 --> 01:37:06,400
family vacations in Italy that's
that's another I think and it's
1497
01:37:06,400 --> 01:37:12,040
like I'm not a I'm not a nerdy
coffee drinker like you know
1498
01:37:12,040 --> 01:37:15,720
searching for the and I need to
try this new bean and that new
1499
01:37:15,720 --> 01:37:21,360
bean or whatever like I bought
myself espresso machine right at
1500
01:37:21,360 --> 01:37:25,040
the beginning of the of when
COVID hit because obviously they
1501
01:37:25,040 --> 01:37:29,080
closed all the cafes and I was
like OK I can't I need to have
1502
01:37:29,080 --> 01:37:32,960
something at home And it was
from the beginning that I that I
1503
01:37:32,960 --> 01:37:37,760
was just in search of the let's
call it the perfect espresso
1504
01:37:38,560 --> 01:37:45,680
like what the you know the the
the port or shipyard worker in
1505
01:37:45,720 --> 01:37:52,360
in in Napoli what they drink as
coffee the €1.00 at the bar in
1506
01:37:52,360 --> 01:37:56,800
the morning one zip and and
that's it and that's what I
1507
01:37:56,800 --> 01:38:01,560
basically have.
I have like 2-3 different beans
1508
01:38:02,200 --> 01:38:06,120
that I change up every now and
then, but that's it I may.
1509
01:38:06,160 --> 01:38:08,120
Well, here's, here's what we're
gonna do.
1510
01:38:08,120 --> 01:38:10,880
Sarah's gonna reach out and get
your address and we're gonna
1511
01:38:10,880 --> 01:38:14,680
send you.
We have a relationship with a
1512
01:38:14,720 --> 01:38:17,440
local coffee maker here.
So it's a guy.
1513
01:38:18,040 --> 01:38:23,680
It's a guy from our industry who
took on a passion for coffee and
1514
01:38:23,680 --> 01:38:26,520
at some point he bought a small
roaster and put it in his
1515
01:38:26,680 --> 01:38:29,040
garage.
And he really learned.
1516
01:38:29,040 --> 01:38:32,280
And he flew around all over the
world figuring out learning the
1517
01:38:32,280 --> 01:38:34,880
best beans and things.
And it became such a passion
1518
01:38:35,120 --> 01:38:38,600
that eventually people started
saying, Jamie, your coffee is
1519
01:38:38,600 --> 01:38:40,200
amazing, can you make me a bag
of it?
1520
01:38:40,200 --> 01:38:42,120
Can you make me?
So he was giving it away to all
1521
01:38:42,120 --> 01:38:44,840
his friends and then they were
saying, well my buddy wants one,
1522
01:38:45,120 --> 01:38:47,880
can I buy one?
And so Long story short it
1523
01:38:47,880 --> 01:38:51,680
became a a business called
coffee cult with KS like German
1524
01:38:52,160 --> 01:38:55,760
and and so.
I think I've seen this before.
1525
01:38:55,960 --> 01:38:59,600
So we created.
So I started drinking it just as
1526
01:38:59,600 --> 01:39:04,960
a customer and I I love dark
coffee.
1527
01:39:04,960 --> 01:39:08,200
So I I make like a regular
American cup of coffee from a
1528
01:39:08,200 --> 01:39:12,560
nice espresso machine that that
is a Delonghi automatic machine.
1529
01:39:12,560 --> 01:39:14,520
Very easy to use and really
nice.
1530
01:39:15,280 --> 01:39:18,200
And so I drink regular coffee
and espresso, but I usually
1531
01:39:18,200 --> 01:39:20,400
drink like an American tall
coffee, you know?
1532
01:39:20,880 --> 01:39:23,280
And so I would drink the dark
one.
1533
01:39:23,280 --> 01:39:25,960
And my girlfriend was like, oh,
it's too strong for me.
1534
01:39:26,320 --> 01:39:31,320
And so I started mixing their
medium roast and this particular
1535
01:39:31,320 --> 01:39:35,240
dark roast, which was called Rd.
Dog and because he's from our
1536
01:39:35,240 --> 01:39:41,000
industry and so it was perfect.
And so one time I told him I
1537
01:39:41,000 --> 01:39:43,880
mixed these and he goes, well,
we should make you a custom
1538
01:39:43,880 --> 01:39:46,640
blend and we'll.
Just them together in one bag.
1539
01:39:46,640 --> 01:39:49,400
Yeah, that's awesome.
So we did that and we called it
1540
01:39:49,400 --> 01:39:52,160
geezers grind and so now it's
branded.
1541
01:39:52,960 --> 01:39:56,560
Fantastic.
So the cool thing is all of the
1542
01:39:56,560 --> 01:40:01,200
proceeds from that coffee go to
our industry for people who got
1543
01:40:01,200 --> 01:40:05,000
injured or don't have a health
insurance or have a problem or
1544
01:40:05,240 --> 01:40:08,520
mental health, whatever it is,
but it goes to a charity to
1545
01:40:08,520 --> 01:40:11,720
support our industry.
And so anyways, Long story
1546
01:40:11,720 --> 01:40:15,560
short, it's a really good coffee
and we'll have Sarah get your
1547
01:40:15,560 --> 01:40:18,800
address and we'll we'll figure
out a way to ship a a bag of it
1548
01:40:18,800 --> 01:40:21,320
over to Austria.
Excellent.
1549
01:40:21,760 --> 01:40:22,760
Yeah.
Thank you.
1550
01:40:22,760 --> 01:40:25,360
Thank you.
Yeah, of course So.
1551
01:40:25,360 --> 01:40:29,480
And I I share your your passion
for coffee, but I'm not, you
1552
01:40:29,480 --> 01:40:31,320
know, I'm Canadian.
Our coffee is terrible.
1553
01:40:31,320 --> 01:40:33,400
In Canada, we have this place
called Tim Horton's.
1554
01:40:33,560 --> 01:40:35,400
Tim.
Yeah, Tim, Tim Horton's.
1555
01:40:35,400 --> 01:40:37,960
I don't know if you know, but
he, he was a very good hockey
1556
01:40:37,960 --> 01:40:40,920
player and I know I didn't.
Yeah.
1557
01:40:40,920 --> 01:40:42,640
He started this chain of coffee
shops.
1558
01:40:42,640 --> 01:40:44,840
He just died a few years ago, I
think, actually.
1559
01:40:45,200 --> 01:40:47,840
But.
But their coffee is terrible,
1560
01:40:47,840 --> 01:40:51,200
you know, And compared to what
you drink and what I drink now,
1561
01:40:51,200 --> 01:40:52,840
yeah.
So yeah.
1562
01:40:53,400 --> 01:40:58,240
I mean nowadays I have to say
it's a lot easier to to get good
1563
01:40:58,240 --> 01:41:00,760
and decent coffee.
You know the guy.
1564
01:41:00,760 --> 01:41:05,760
In the beginning in in
especially in the US, it was it
1565
01:41:05,760 --> 01:41:08,320
was difficult.
There was, there was nothing.
1566
01:41:08,760 --> 01:41:11,880
And then all of a sudden, OK,
Starbucks, which at least it's
1567
01:41:11,880 --> 01:41:13,720
like, OK, at least it's
consistent.
1568
01:41:14,120 --> 01:41:16,160
It's not great, but it's it's
not.
1569
01:41:16,440 --> 01:41:18,480
At least it's not like truck
stop coffee.
1570
01:41:18,520 --> 01:41:22,520
Yeah, you know, but nowadays,
but.
1571
01:41:22,520 --> 01:41:25,080
It's $7.00 which pisses me off,
You know, like a.
1572
01:41:25,080 --> 01:41:26,800
Cup of coffee.
Is 7 bucks.
1573
01:41:26,800 --> 01:41:29,880
It's so stupid.
That's one, yeah.
1574
01:41:30,320 --> 01:41:33,160
That's and like you said in in
Italy, you know you go to a
1575
01:41:33,160 --> 01:41:36,720
little cafe and it's €1.00 and
it's 10 times better.
1576
01:41:38,200 --> 01:41:42,000
Yeah, yeah.
But we actually have with Within
1577
01:41:42,000 --> 01:41:46,360
in Flames crew, we have this
unofficial coffee club.
1578
01:41:47,840 --> 01:41:55,440
It's the lighting guy, the one
of the guitar techs and me who
1579
01:41:55,440 --> 01:42:02,000
basically we try to like every
day on a, on a, on a show day,
1580
01:42:02,000 --> 01:42:04,400
we try to go out and like, you
know.
1581
01:42:04,840 --> 01:42:07,880
Coffee.
Find a good a good espresso
1582
01:42:08,520 --> 01:42:12,040
within the vicinity of of the
you.
1583
01:42:12,040 --> 01:42:14,360
Know it's so funny because 30
years ago you would have been
1584
01:42:14,360 --> 01:42:16,640
looking for a strip club.
Now you're looking for a cup of
1585
01:42:16,640 --> 01:42:19,080
coffee.
It's so funny.
1586
01:42:19,600 --> 01:42:22,040
Yeah, how things have changed,
right?
1587
01:42:22,320 --> 01:42:25,000
Yeah.
Thomas, I appreciate you taking
1588
01:42:25,000 --> 01:42:28,120
the time today to do this with
us and it's been a pleasure
1589
01:42:28,120 --> 01:42:32,120
getting to know you.
And like I said, we'll get you,
1590
01:42:32,280 --> 01:42:34,120
we'll get you a bag of coffee
somehow.
1591
01:42:34,120 --> 01:42:38,600
And and as much as I'm not a
massive fan of the music, if I
1592
01:42:38,760 --> 01:42:42,800
see you popping around Florida
at any point, I'll make a point
1593
01:42:42,800 --> 01:42:44,200
of reaching out and coming to
see you.
1594
01:42:45,400 --> 01:42:46,560
Absolutely.
Please do.
1595
01:42:47,200 --> 01:42:49,640
All right my friend.
Thanks so much and have a great
1596
01:42:49,640 --> 01:42:51,080
one.
Thank you.
1597
01:42:51,080 --> 01:43:07,080
You too.
Yeah.
00:00:02,360 --> 00:00:06,440
Hello and thank you for joining
me again today for our very
2
00:00:06,600 --> 00:00:13,640
second live promo broadcast on
all sorts of different social
3
00:00:13,640 --> 00:00:17,000
media platforms and YouTube as
well.
4
00:00:17,000 --> 00:00:20,600
So thank you for joining me.
Today is Geezers of Gear Episode
5
00:00:20,600 --> 00:00:25,000
#232.
At least it's the promo for 232,
6
00:00:25,000 --> 00:00:29,440
which will launch next week on
Thursday, March 28th.
7
00:00:30,040 --> 00:00:34,440
And today's podcast is brought
to you by a new sponsor,
8
00:00:34,440 --> 00:00:38,800
Ultimate Support Systems.
For over 45 years, Ultimate
9
00:00:38,800 --> 00:00:42,880
Support Systems has provided
musicians with unique Support
10
00:00:42,880 --> 00:00:47,120
Solutions that are crafted with
unparalleled innovation and
11
00:00:47,120 --> 00:00:50,000
quality.
Ultimate Support has always been
12
00:00:50,000 --> 00:00:54,040
determined to invent, design and
manufacture the smartest Support
13
00:00:54,040 --> 00:00:58,840
Solutions and music accessories
in the music industry, and that
14
00:00:58,840 --> 00:01:01,160
commitment to innovation
continues to this day.
15
00:01:01,480 --> 00:01:04,000
Be sure to visit
ultimatesupport.com where you
16
00:01:04,000 --> 00:01:07,120
can learn all about their
solutions for content creators,
17
00:01:07,360 --> 00:01:10,080
touring, musicians, recording
studios, and more.
18
00:01:10,360 --> 00:01:13,720
From acoustic treatment to best
in class speaker stands,
19
00:01:13,920 --> 00:01:17,880
Ultimate Support has premium
accessories you can count on and
20
00:01:17,880 --> 00:01:21,680
I will add that my new
microphone boom arm right here
21
00:01:22,080 --> 00:01:24,920
is brought to you by Ultimate
Support Systems.
22
00:01:24,920 --> 00:01:28,960
By far the best microphone boom
arm I have had for my podcast.
23
00:01:29,480 --> 00:01:35,480
This episode is also brought to
you today by Gearsource.
24
00:01:37,040 --> 00:01:40,640
Gearsource was founded in 2002
with a mission to help global
25
00:01:40,640 --> 00:01:44,480
live events businesses move gear
around the planet.
26
00:01:44,760 --> 00:01:48,640
Since that time, the company has
transacted in more than 100
27
00:01:48,640 --> 00:01:52,240
countries and has sold 1/4
billion dollars and sound,
28
00:01:52,240 --> 00:01:54,440
lighting, staging and video
gear.
29
00:01:55,640 --> 00:01:59,440
Gearsource recently completely
evolved its platform for massive
30
00:01:59,440 --> 00:02:03,600
global growth, enabling 14
different localized currencies,
31
00:02:03,840 --> 00:02:07,720
payments held in escrow to
protect buyers and sellers, AI
32
00:02:07,720 --> 00:02:11,400
powered logistics behind a new
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33
00:02:11,400 --> 00:02:17,760
moves and so much more.
Visit gearsource.com today and
34
00:02:17,760 --> 00:02:21,840
expand your access to global
markets for your gear and global
35
00:02:21,840 --> 00:02:55,720
gear for your markets.
Yes, so episode #232.
36
00:02:55,720 --> 00:02:59,720
But first back to talking about
Pro lights.
37
00:02:59,720 --> 00:03:03,000
So this week Pro Lights and
sound is going on in Frankfurt,
38
00:03:03,000 --> 00:03:07,400
Germany.
Certainly one of the best shows
39
00:03:07,400 --> 00:03:10,720
in the past.
It's questionable as to whether
40
00:03:10,720 --> 00:03:13,160
or not it'll be the best show in
the future because it seems to
41
00:03:13,160 --> 00:03:16,760
be shrinking quickly.
Sadly, because it used to be
42
00:03:17,480 --> 00:03:20,960
probably the biggest sound
lighting video staging show in
43
00:03:20,960 --> 00:03:23,000
the world.
It used to be partnered with
44
00:03:23,000 --> 00:03:26,680
Music Mesa.
It used to be massive 9 or 10
45
00:03:26,680 --> 00:03:31,120
halls I think, and it just seems
to be shrinking.
46
00:03:31,160 --> 00:03:34,040
So we'll see what happens to the
future of pro Lights.
47
00:03:34,560 --> 00:03:37,160
Maybe I'll get somebody on from
that show and they can tell me
48
00:03:37,160 --> 00:03:39,880
what they're doing, where what
what they're planning, etcetera.
49
00:03:39,880 --> 00:03:43,160
So if anyone knows anyone who's
involved in the planning and
50
00:03:43,160 --> 00:03:47,400
organization of pro lights,
please have them contact
51
00:03:48,160 --> 00:03:53,080
producer at geezersofgear.com
and Sarah will get us set up for
52
00:03:53,080 --> 00:03:56,080
a chat and we can talk about
what's going on with the show,
53
00:03:56,360 --> 00:03:59,360
what you're doing to protect the
future of the show, how it's
54
00:03:59,360 --> 00:04:02,760
going to grow, etcetera.
So at that show, lots and lots
55
00:04:02,760 --> 00:04:04,600
of new products have been
announced.
56
00:04:04,600 --> 00:04:09,680
We talked about a few of them
yesterday, but also I was
57
00:04:10,080 --> 00:04:14,480
reading about the AVO D7 Ava
lights of course recently
58
00:04:14,480 --> 00:04:19,959
purchased by Roby and that is
ramping up not only their
59
00:04:20,200 --> 00:04:22,800
product development but their
manufacturing capabilities as
60
00:04:22,800 --> 00:04:24,800
well.
And I think we're going to see a
61
00:04:24,800 --> 00:04:26,720
lot of really great things
coming out of AVO.
62
00:04:27,800 --> 00:04:30,320
You know it's going to take them
some time and effort and energy
63
00:04:30,320 --> 00:04:33,560
and people and talent and
everything else to catch up to
64
00:04:34,000 --> 00:04:37,200
MA on the top end of the market.
But I think that middle and
65
00:04:37,200 --> 00:04:40,480
lower end of the market, even
the top end, but I think the
66
00:04:40,480 --> 00:04:45,040
middle and lower end, certainly
MA have not expanded to a point
67
00:04:45,040 --> 00:04:47,920
where you've completely blocked
competitors.
68
00:04:47,920 --> 00:04:52,280
And that's allowed really great
companies like Obsidian and
69
00:04:52,280 --> 00:04:58,240
others, Camsys and and certainly
Ava Lights, who you know is kind
70
00:04:58,240 --> 00:05:00,640
of the originator of the
rock'n'roll lighting desk.
71
00:05:00,640 --> 00:05:04,200
So we'll see where it goes.
Obviously their D9 is their
72
00:05:04,200 --> 00:05:09,680
flagship console, their big call
it the grand MA of the Ava line.
73
00:05:10,560 --> 00:05:14,720
It's been making some noise, but
I would say it hasn't taken over
74
00:05:14,720 --> 00:05:18,400
the market by any stretch.
We'll see what happens again
75
00:05:18,400 --> 00:05:21,160
under the Ruby banner.
It's it's much more powerful
76
00:05:21,160 --> 00:05:25,800
console than it used to be just
from a standpoint of world, you
77
00:05:25,800 --> 00:05:29,560
know, global distribution,
global strength resources
78
00:05:29,560 --> 00:05:32,560
etcetera.
But now they introduced the D7
79
00:05:32,560 --> 00:05:35,920
which I saw in a social media
post somewhere.
80
00:05:35,920 --> 00:05:40,680
Someone commented that the D7 is
AD nine that you can check as
81
00:05:40,680 --> 00:05:43,320
baggage.
And so it's a very good point.
82
00:05:43,320 --> 00:05:50,720
It's basically a a mini me of
the D9 which call it the, you
83
00:05:50,720 --> 00:05:57,120
know, the MA 3 micro or whatever
similar to that console I guess.
84
00:05:57,440 --> 00:06:02,480
But I expect to see big things
from that, maybe AD 7, we'll
85
00:06:02,480 --> 00:06:07,600
give them more of an intro into
the the large scale market, the
86
00:06:07,600 --> 00:06:09,880
bigger end of the market and
we'll see.
87
00:06:10,160 --> 00:06:13,440
You know, again, maybe if
someone from AVO, you know, I
88
00:06:13,440 --> 00:06:16,280
used to talk with Steve Warren
all the time, but I don't know
89
00:06:16,280 --> 00:06:18,320
anyone else at AVO.
If anyone wants to come on and
90
00:06:18,320 --> 00:06:21,960
talk about, you know, the road
map, where it's going, how the
91
00:06:21,960 --> 00:06:25,120
brand has changed, how the
company's changed, feel free
92
00:06:25,120 --> 00:06:26,080
again.
Reach out to
93
00:06:26,080 --> 00:06:31,040
producer@geezersofgear.com and
one of my favorite brands.
94
00:06:31,760 --> 00:06:33,680
I have a bunch, but this is one
of them.
95
00:06:33,680 --> 00:06:37,840
Ayrton.
And so I am afraid to even
96
00:06:37,840 --> 00:06:44,000
pronounce the name of this new
product But Kayalami and so it
97
00:06:44,000 --> 00:06:47,280
looks like a magic dot.
It seems to act a lot like a
98
00:06:47,280 --> 00:06:50,640
magic dot, but it has a laser
light source in it and it's
99
00:06:50,640 --> 00:06:53,440
IP65.
They're calling this part of an
100
00:06:53,440 --> 00:06:59,440
extreme miniaturization line of
product and supposedly it does a
101
00:06:59,440 --> 00:07:02,320
lot of really cool stuff, lots
of effects packed into a very,
102
00:07:02,320 --> 00:07:06,320
very small package with a really
bright and intense light source,
103
00:07:06,320 --> 00:07:09,280
which is a laser.
And so that's exciting.
104
00:07:09,320 --> 00:07:13,680
You know, seeing Airton
miniaturize a laser sourced
105
00:07:13,680 --> 00:07:17,720
fixture is, is really exciting.
I think that's a sign of great
106
00:07:17,720 --> 00:07:20,640
things to come not only from
Airton, but other manufacturers
107
00:07:20,640 --> 00:07:21,880
as well.
I know a lot of people are
108
00:07:21,880 --> 00:07:24,360
playing with lasers right now,
and we'll see where that goes.
109
00:07:24,760 --> 00:07:29,920
And of course, if the US would
ever get our shit together and
110
00:07:30,360 --> 00:07:34,680
get the laser lighting fixtures
out of the hands of the Food and
111
00:07:34,680 --> 00:07:40,040
Drug Administration, from a
standpoint of of, you know, it
112
00:07:40,040 --> 00:07:43,120
just doesn't make any sense.
You know, what do they know
113
00:07:43,120 --> 00:07:45,920
about laser lighting and its
impact on your eyes and stuff
114
00:07:45,920 --> 00:07:48,320
like that?
Like otherwise, you know, they'd
115
00:07:48,320 --> 00:07:51,280
get rid of Sharpies and a lot of
other beam effects that are
116
00:07:51,280 --> 00:07:54,960
probably much more dangerous
than than some of these lasers.
117
00:07:54,960 --> 00:07:57,400
So anyways, we'll see where that
goes.
118
00:07:57,400 --> 00:08:00,800
I know a lot of companies are
certainly lobbying for changes,
119
00:08:00,800 --> 00:08:05,000
but we'll see where that goes.
Also from Airton is a Nando Wash
120
00:08:05,600 --> 00:08:08,440
and neat name.
I don't know much about it.
121
00:08:08,440 --> 00:08:12,120
I I cannot tell you what
differentiates the Nando Wash
122
00:08:12,120 --> 00:08:15,920
from all of the other LED wash
lights that Airton has come out
123
00:08:15,920 --> 00:08:19,960
with recently.
And maybe I'll talk to Ayrton
124
00:08:19,960 --> 00:08:21,600
about that and get more
information.
125
00:08:21,600 --> 00:08:24,360
But I don't really know what
differentiates this one other
126
00:08:24,360 --> 00:08:28,200
than it's IP65, but they've got
other IP65 LED wash lights.
127
00:08:28,200 --> 00:08:31,120
So we'll see.
We'll have to come back to that.
128
00:08:31,120 --> 00:08:37,159
One looks cool and lots and lots
of IP rated stuff, one that was
129
00:08:37,159 --> 00:08:39,520
a little confusing.
GLP announced a bunch of
130
00:08:39,679 --> 00:08:43,440
fixtures that have IP in the
name, but I couldn't see any IP
131
00:08:43,440 --> 00:08:46,560
in the specs.
So I would assume that IP in the
132
00:08:46,560 --> 00:08:52,800
name, like there's a there was a
bunch of them and you know
133
00:08:52,800 --> 00:08:57,000
there's an impression something
or other IP and just a bunch of
134
00:08:57,120 --> 00:08:59,280
GLP fixtures that have IP in the
name.
135
00:08:59,280 --> 00:09:01,680
And so I assumed that that's an
IP range.
136
00:09:01,680 --> 00:09:04,800
You know they're they're
weatherproof, but it didn't list
137
00:09:04,800 --> 00:09:08,280
that in the specs or at least
from the posts that I was able
138
00:09:08,280 --> 00:09:14,360
to see.
So moving on to episode #232,
139
00:09:14,360 --> 00:09:18,440
Thomas, and I'm not sure if he
pronounces it cubic or Kubic,
140
00:09:18,600 --> 00:09:20,520
but Thomas Kubic, I'm going to
call him.
141
00:09:21,120 --> 00:09:24,240
And so today's guest was
introduced to me by Sarah, our
142
00:09:24,240 --> 00:09:27,720
producer, who I don't know if
people know this, but Sarah used
143
00:09:27,720 --> 00:09:32,280
to tour and that was sort of how
I got introduced to Sarah to
144
00:09:32,280 --> 00:09:35,120
begin with.
She was touring, I think mostly
145
00:09:35,120 --> 00:09:40,720
in hospitality and catering, and
Sarah met this gentleman Thomas
146
00:09:41,080 --> 00:09:48,080
on tour where he was working
with In Flames and it was a Five
147
00:09:48,080 --> 00:09:50,440
Finger Death Punch and In Flames
tour.
148
00:09:50,440 --> 00:09:57,320
In Flames is a very heavy metal
band and and you know, so they
149
00:09:57,320 --> 00:10:00,360
met, hit it off, got to be
friends or whatever.
150
00:10:00,360 --> 00:10:02,520
And Sarah thought, hey, he'd be
a great guest.
151
00:10:02,520 --> 00:10:05,560
But it's funny because Sarah
thought he was the manager for
152
00:10:05,560 --> 00:10:09,680
In Flames because he did so many
different jobs with them, as
153
00:10:09,680 --> 00:10:14,040
you'll hear in his bio coming up
here in a second and lo and
154
00:10:14,040 --> 00:10:16,120
behold finds out he's the sound
engineer.
155
00:10:16,120 --> 00:10:20,760
So Thomas started his career 28
years ago, took the classic
156
00:10:20,760 --> 00:10:24,160
course from stagehand to behind
the console and touring.
157
00:10:24,480 --> 00:10:29,120
He has been touring since 1999
with Euro and metal bands
158
00:10:29,120 --> 00:10:34,320
including In Flames, Nevermore,
Arch, Enemy, Fear Factory, Angra
159
00:10:35,040 --> 00:10:39,880
Lacuna, Coil, Moon Spell,
Chimera, and Willie Nelson's
160
00:10:39,880 --> 00:10:43,640
Luck Reunion in Austin.
One of those just doesn't fit
161
00:10:43,640 --> 00:10:46,760
in, does it?
Thomas has been extremely lucky
162
00:10:46,760 --> 00:10:49,360
to travel to pretty much every
continent.
163
00:10:49,640 --> 00:10:53,560
Thomas has been within flames
for 25 years in June as their
164
00:10:53,560 --> 00:10:57,160
sound engineer and tour manager,
or, in Thomas's words, the
165
00:10:57,160 --> 00:11:00,240
babysitter.
Thomas loves coffee, wine and
166
00:11:00,240 --> 00:11:02,320
champagne and generally good
food.
167
00:11:02,760 --> 00:11:05,440
We'll be finding out a lot more
about Thomas's career, talking
168
00:11:05,440 --> 00:11:08,720
gear, what he's been up to
recently, and what he has in
169
00:11:08,720 --> 00:11:12,920
store for this year.
So please welcome Thomas Kubik.
170
00:11:12,920 --> 00:11:16,360
And for those of you who are
viewing this live, I'll see you
171
00:11:16,360 --> 00:11:18,840
next week.
In Flames and Five Finger Death
172
00:11:18,840 --> 00:11:22,240
Punch And I was like kind of
like, Oh my God, like this is
173
00:11:22,240 --> 00:11:24,840
going to be insane.
And like, you know, like I'd
174
00:11:24,840 --> 00:11:28,280
never like worked with, you
know, metal like that.
175
00:11:28,640 --> 00:11:31,480
And then I got there and
everybody was as soft as
176
00:11:31,480 --> 00:11:35,560
anything.
That's usually how it is they.
177
00:11:35,760 --> 00:11:38,800
Didn't scare you like you
thought metal people would scare
178
00:11:38,800 --> 00:11:39,120
you.
Yeah.
179
00:11:39,680 --> 00:11:41,840
Yeah.
And literally it was like, I
180
00:11:41,840 --> 00:11:45,160
mean, OK, did you think they?
Like burned they sacrificed
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babies and burned crosses.
And what did you think?
182
00:11:49,680 --> 00:11:51,600
I don't know.
I just thought it was gonna be
183
00:11:51,600 --> 00:11:54,800
like, really crazy.
But I remember the very first, I
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think the first couple of days
because of Five Finger, they
185
00:11:58,280 --> 00:12:00,960
were like Alcoholics Anonymous,
weren't they?
186
00:12:01,480 --> 00:12:03,880
So it was like.
Some of them, no.
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00:12:04,640 --> 00:12:08,160
Yeah, no alcohol was allowed.
And I well, it was your camp.
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00:12:08,160 --> 00:12:10,440
That was like, no way, just
because you've got a problem.
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00:12:12,600 --> 00:12:15,560
And then that all changed.
So they were drinking, they were
190
00:12:15,560 --> 00:12:17,680
drinking vodka to sippy cups and
stuff.
191
00:12:18,160 --> 00:12:22,400
Yeah, seriously.
But anyway, it was great, so
192
00:12:22,440 --> 00:12:25,760
enjoy the show guys.
Sarah, Sarah, Any other stories
193
00:12:25,760 --> 00:12:27,480
you'd like to share while we're
recording here?
194
00:12:28,520 --> 00:12:30,320
No, I don't think so.
I got I now.
195
00:12:30,320 --> 00:12:35,000
Now you've put me on the spot.
The only thing I always remember
196
00:12:35,000 --> 00:12:37,600
is coming back into the dressing
room when everyone has finished.
197
00:12:38,000 --> 00:12:41,160
And Thomas would always have a
bottle of champagne.
198
00:12:41,160 --> 00:12:42,960
Nothing else.
Always champagne.
199
00:12:43,880 --> 00:12:47,200
Again, very unmetal.
Seriously.
200
00:12:47,200 --> 00:12:49,120
Yeah, Very.
Well, there we are.
201
00:12:49,120 --> 00:12:50,200
It's not wine.
It's champagne.
202
00:12:50,320 --> 00:12:52,360
Very unmetal.
I mean, unless you're drinking
203
00:12:52,360 --> 00:12:58,480
it out of the bottle.
I only do that on very few.
204
00:12:58,520 --> 00:13:00,760
Occasions.
Yeah.
205
00:13:00,960 --> 00:13:03,320
Only only when you've run out of
glasses.
206
00:13:04,200 --> 00:13:06,360
Yeah.
All right, Sarah, you're out.
207
00:13:07,080 --> 00:13:09,000
Bye.
We have to get serious now.
208
00:13:09,120 --> 00:13:12,400
We can't have you sitting there
yapping at us the whole time.
209
00:13:13,280 --> 00:13:16,000
So that was an interesting start
to the podcast.
210
00:13:16,000 --> 00:13:19,640
I hit record while Sarah was
blabbing and I need to do that
211
00:13:19,640 --> 00:13:22,440
more often because occasionally
she says something brilliant.
212
00:13:24,800 --> 00:13:28,120
So Thomas, welcome is so do you
pronounce your last name Kubic
213
00:13:28,120 --> 00:13:30,200
or Kubic?
I would guess Kubic sounds more
214
00:13:30,200 --> 00:13:31,480
German to me.
That's.
215
00:13:31,880 --> 00:13:34,400
Yeah, yeah.
Although it's not German, I
216
00:13:34,400 --> 00:13:38,080
think it's Czech or whatever.
Oh, OK.
217
00:13:38,080 --> 00:13:40,880
Originally, yeah.
Sounds like there's a story
218
00:13:40,880 --> 00:13:45,120
there.
But that's that's the right the
219
00:13:45,120 --> 00:13:48,520
right pronunciation.
So forever more it will be Kubic
220
00:13:48,600 --> 00:13:51,240
and I think I said it right in
the intro anyway, so that's
221
00:13:51,240 --> 00:13:54,920
good.
So you know, it's it's nice that
222
00:13:54,920 --> 00:13:58,520
we had Sarah here to kind of
greet you on because Sarah,
223
00:13:59,200 --> 00:14:02,440
you're the 1st guest I think
that she brought from her camp
224
00:14:03,520 --> 00:14:04,760
of people.
That she met on the.
225
00:14:04,760 --> 00:14:08,080
Road and just thought were
really cool people and and so
226
00:14:08,080 --> 00:14:10,240
she was pretty excited to get
you on so.
227
00:14:11,200 --> 00:14:13,160
Fantastic.
So thanks for I did.
228
00:14:13,240 --> 00:14:16,200
I had no idea that she's doing
that now.
229
00:14:16,320 --> 00:14:19,720
Then like, you know, it was like
out of the blue basically so.
230
00:14:19,720 --> 00:14:22,440
Well, on Crete, there's not so
many jobs.
231
00:14:22,440 --> 00:14:26,480
I mean, basically you could
collect plastic off the beaches,
232
00:14:26,480 --> 00:14:30,720
you could make kebabs, or you
could, you know, be a producer
233
00:14:30,720 --> 00:14:33,040
for a podcast in Florida.
You.
234
00:14:33,120 --> 00:14:34,480
Know.
Yeah, yeah, sure.
235
00:14:34,480 --> 00:14:36,400
Why not?
Just not many, not many
236
00:14:36,400 --> 00:14:40,040
opportunities.
And so she tripped over this
237
00:14:40,040 --> 00:14:41,960
one.
No, I was introduced from a
238
00:14:41,960 --> 00:14:44,960
friend.
You probably don't know Gordon,
239
00:14:44,960 --> 00:14:48,600
but I was introduced by Gordon
who works with production Park
240
00:14:49,040 --> 00:14:55,000
and and knew Sarah from there.
And yeah, we just, we hit it off
241
00:14:55,000 --> 00:14:57,080
and next thing you know she
became I.
242
00:14:57,080 --> 00:15:01,120
It's funny because I actually
put a a notice on my Facebook or
243
00:15:01,120 --> 00:15:04,840
something saying hey, anybody
want a part time easy gig being
244
00:15:04,840 --> 00:15:07,440
a producer for a podcast And she
was like I do.
245
00:15:08,240 --> 00:15:10,680
Yeah, yeah, yeah.
Would you even consider me?
246
00:15:10,760 --> 00:15:11,920
Me.
And I said you're hired.
247
00:15:11,920 --> 00:15:13,880
I mean, not only would I
consider you, it's over.
248
00:15:14,720 --> 00:15:16,920
So yeah.
Excellent.
249
00:15:16,960 --> 00:15:20,680
Excellent.
So she says she met you and
250
00:15:20,680 --> 00:15:24,160
we'll just continue down this
story on a tour that was Five
251
00:15:24,160 --> 00:15:26,400
Finger Death Punch and In
Flames.
252
00:15:26,400 --> 00:15:33,000
And she mentioned earlier on
this, this recording, that Five
253
00:15:33,000 --> 00:15:36,040
Finger Death Punch were, I
guess, in recovery, right?
254
00:15:37,120 --> 00:15:42,520
So they had, I get parts of it
or parts of them definitely,
255
00:15:42,600 --> 00:15:47,720
definitely were, Yeah.
We didn't really get too much
256
00:15:47,720 --> 00:15:52,600
into the detail of that either,
because usually it's just like,
257
00:15:52,600 --> 00:15:54,320
OK.
Those, whatever.
258
00:15:54,440 --> 00:15:56,800
Those are always interesting
situations though.
259
00:15:56,800 --> 00:16:02,480
I remember like Aerosmith early
or in their career, when I think
260
00:16:02,480 --> 00:16:06,160
when they first decided to get
sober and then fell off and then
261
00:16:06,160 --> 00:16:07,880
fell back on and then fell off
again.
262
00:16:07,880 --> 00:16:11,760
But when they first did, they
were really religious about it,
263
00:16:11,760 --> 00:16:15,560
like you couldn't have alcohol
or drugs or anything within
264
00:16:17,320 --> 00:16:20,920
miles of the arena.
No, I mean we usually, I mean
265
00:16:22,600 --> 00:16:29,320
being based in Sweden and, you
know, Scandinavian people are,
266
00:16:29,720 --> 00:16:34,600
you know, they like to drink.
So it's been it.
267
00:16:34,600 --> 00:16:38,880
It was very surprising on day
one that all of a sudden, you
268
00:16:38,880 --> 00:16:41,280
know, somebody came up and it's
like, oh, you can't do.
269
00:16:41,280 --> 00:16:44,080
What do you mean we can't?
This is like this is not going
270
00:16:44,080 --> 00:16:48,880
to work, you know, because it's
like that just ruins the.
271
00:16:48,880 --> 00:16:51,800
Movie part of their daily, part
of their daily ritual, right?
272
00:16:51,800 --> 00:16:53,480
Like, it's just what they do.
Exactly.
273
00:16:53,880 --> 00:16:57,160
Nothing bad, you know.
I mean, if it would have been
274
00:16:57,160 --> 00:17:01,360
communicated in the, you know,
in advance or whatever it would
275
00:17:01,520 --> 00:17:04,520
it would be, it would have been
a different story, I guess, But
276
00:17:05,520 --> 00:17:09,319
it would still and no, but at
least like it would have been
277
00:17:09,359 --> 00:17:12,560
prepared somehow that there's
something going on.
278
00:17:12,560 --> 00:17:15,560
You know, I get it because this
was definitely not the first
279
00:17:15,560 --> 00:17:19,880
tour where something like this
was going on.
280
00:17:19,880 --> 00:17:26,200
Like I remember back in 2003 or
2004 when we did Oz Fest, I mean
281
00:17:26,200 --> 00:17:31,840
there was a daily a a meeting in
catering for like you know I
282
00:17:31,840 --> 00:17:33,960
don't know how many.
There was like 2-3 hundred
283
00:17:33,960 --> 00:17:37,280
people touring and in, you know,
at I don't know.
284
00:17:37,640 --> 00:17:40,680
Half of before the meeting.
Or lunch service or whatever.
285
00:17:40,680 --> 00:17:42,920
They had this a a meeting in
there.
286
00:17:42,920 --> 00:17:47,000
So it's not a, it's.
It's not an uncommon thing for.
287
00:17:47,040 --> 00:17:51,640
Let's face it, you know,
especially drugs and also of
288
00:17:51,640 --> 00:17:55,120
course alcohol have been a
problem in our industry's past.
289
00:17:55,560 --> 00:18:00,280
And and you know, so it's it's a
good thing that that people who
290
00:18:00,280 --> 00:18:03,200
needed help have gotten help,
people who needed to stop have
291
00:18:03,200 --> 00:18:05,440
stopped.
You know, like I see that you're
292
00:18:05,440 --> 00:18:09,360
enjoying a glass of wine.
You know, to me, at my age now,
293
00:18:09,360 --> 00:18:12,720
that's pretty much the extent of
my drinking and a heavy night.
294
00:18:13,080 --> 00:18:15,560
I might have 3 glasses of wine,
you know, and then it's.
295
00:18:15,560 --> 00:18:17,400
Like oh, forget.
It I'm going to have a hangover
296
00:18:17,400 --> 00:18:18,800
if I even.
Touch it and drop.
297
00:18:18,800 --> 00:18:21,360
More you know, but it used.
To be it doesn't get any 3
298
00:18:21,400 --> 00:18:23,960
bottles of wine.
No, no.
299
00:18:24,200 --> 00:18:25,880
But it's a good thing.
I mean, it's a good thing.
300
00:18:25,880 --> 00:18:28,440
I mean, if I didn't get
hangovers or headaches or if it
301
00:18:28,440 --> 00:18:31,800
didn't bother me in some way,
I'd probably drink a whole lot
302
00:18:31,800 --> 00:18:33,480
more, you know, because I do
enjoy it.
303
00:18:33,480 --> 00:18:38,760
But but it's just, I don't know
the the the sexiness of of
304
00:18:38,760 --> 00:18:42,080
getting, you know, drunk to a
point where you pass out, you
305
00:18:42,080 --> 00:18:44,400
know, on the floor somewhere
where you don't even know where
306
00:18:44,400 --> 00:18:46,640
you are.
That's just not as attractive as
307
00:18:46,640 --> 00:18:49,040
it once was.
Not, no, exactly.
308
00:18:49,160 --> 00:18:50,680
Yeah.
Not necessarily attractive.
309
00:18:51,280 --> 00:18:55,360
So I wonder if you know, because
you're in that metal scene and
310
00:18:55,360 --> 00:18:58,960
do you do any like German bands
like I know that metal in
311
00:18:58,960 --> 00:19:01,160
Germany is, is a big thing
still.
312
00:19:04,520 --> 00:19:06,480
German metal bands have I worked
for German.
313
00:19:06,480 --> 00:19:07,800
Metal.
Well, the only reason I asked.
314
00:19:08,080 --> 00:19:10,840
I'm sure there was.
I have a very good friend who
315
00:19:10,840 --> 00:19:16,880
who I kind of grew up with in
Canada who's a drummer and it
316
00:19:16,880 --> 00:19:17,600
was funny.
Because.
317
00:19:18,440 --> 00:19:20,480
Randy Black.
Randy Black.
318
00:19:20,480 --> 00:19:20,800
Yeah.
Yeah.
319
00:19:20,800 --> 00:19:22,400
Yeah, of course.
I know, Randy.
320
00:19:22,680 --> 00:19:25,240
Oh, do you?
So you have to tell Randy that
321
00:19:25,240 --> 00:19:29,320
you were on my podcast, 'cause
we go back, you know, literally
322
00:19:29,320 --> 00:19:34,800
40 years, him and I and and you
know, so of course like it.
323
00:19:34,880 --> 00:19:37,000
I don't know if you know this,
but before he played in
324
00:19:37,000 --> 00:19:41,880
Annihilator, he played in
Canada's most popular Rush
325
00:19:41,880 --> 00:19:44,720
tribute band and it was a band
called Click.
326
00:19:45,360 --> 00:19:46,960
And I was very.
Good.
327
00:19:47,520 --> 00:19:51,400
I was very good friends with all
of them, but Randy and I were.
328
00:19:51,960 --> 00:19:57,080
We got in some trouble together,
let's just say, and I owned at
329
00:19:57,080 --> 00:20:01,000
the time a music store and I did
business with them and they were
330
00:20:01,000 --> 00:20:03,680
a client, but they also became
very good friends and the singer
331
00:20:03,680 --> 00:20:06,680
and keyboard player Keith I'm
very good friends with still
332
00:20:06,680 --> 00:20:08,720
today and.
Ran a tattoo.
333
00:20:08,720 --> 00:20:12,080
Quite often, but yeah, before
Annihilator he was in, he was a
334
00:20:12,080 --> 00:20:14,440
very technical drummer in a
rush.
335
00:20:14,440 --> 00:20:17,040
Tribune Band.
And then all of a sudden he's in
336
00:20:17,040 --> 00:20:19,880
Annihilator playing this, this
crazy metal music, and then he
337
00:20:19,880 --> 00:20:22,600
goes on with, you know, all
these other bands and ends up
338
00:20:22,640 --> 00:20:23,240
with.
Primal fear.
339
00:20:23,560 --> 00:20:27,480
And destruction and.
So yeah, yeah, Primal Fear that.
340
00:20:27,480 --> 00:20:30,400
Exactly.
That was the last ones that I
341
00:20:30,400 --> 00:20:32,400
know.
I think where he played.
342
00:20:32,680 --> 00:20:37,640
I met him when he was in an
Annihilator because I I toured
343
00:20:37,640 --> 00:20:40,560
with that.
Must have been early 2000s as
344
00:20:40,560 --> 00:20:44,320
well.
I toured with Nevermore and they
345
00:20:44,320 --> 00:20:48,800
did a European Tour together
with Annihilator and I was on
346
00:20:48,800 --> 00:20:51,760
that and that's that's where I
where I met him.
347
00:20:52,200 --> 00:20:55,240
Yeah, and and crazy Jeff Waters
and.
348
00:20:56,040 --> 00:20:57,880
Yeah.
He was an interesting,
349
00:20:58,000 --> 00:20:59,000
interesting tour.
He's.
350
00:20:59,440 --> 00:21:03,840
In He's in Destruction now and
still going strong, you know,
351
00:21:03,840 --> 00:21:04,640
touring.
Constantly.
352
00:21:04,640 --> 00:21:07,280
Oh, OK.
All the festivals in the summer
353
00:21:07,280 --> 00:21:11,400
and stuff, of course, But yeah,
so yeah, yeah.
354
00:21:11,400 --> 00:21:18,440
It's funny, you know, I gotta
ask because it to me like there
355
00:21:18,440 --> 00:21:22,760
are two really challenging jobs
I think in that type of music
356
00:21:23,320 --> 00:21:28,760
and one is being the drummer and
the other is being the sound
357
00:21:28,760 --> 00:21:32,400
engineer, you know, because it
like to me, it's just this wall
358
00:21:32,400 --> 00:21:37,040
of coming at you and you have to
somehow separate all of those
359
00:21:37,040 --> 00:21:41,880
sounds and sort of create nuance
among mayhem, call it.
360
00:21:41,920 --> 00:21:46,000
Yeah, yeah.
Well it's not, it's not a wall
361
00:21:46,000 --> 00:21:53,880
of noise with all the bands
there is good ones and really
362
00:21:53,880 --> 00:21:57,040
good ones and not so good ones
just like everywhere else as
363
00:21:57,040 --> 00:22:02,000
well.
And it's definitely more
364
00:22:02,000 --> 00:22:08,880
challenging with like when it's
just a bunch of noise or or the
365
00:22:08,960 --> 00:22:15,160
the musicians come with certain
ideas on how it should sound
366
00:22:15,160 --> 00:22:19,560
that work in a rehearsal space
situation but will never work in
367
00:22:19,560 --> 00:22:25,480
a in a club or let alone arena
or something like that.
368
00:22:26,000 --> 00:22:29,120
But I mean I was always pretty
lucky.
369
00:22:29,120 --> 00:22:34,240
I would say like mostly that the
bands that I work with or worked
370
00:22:34,240 --> 00:22:40,880
with either were also where very
young when I started.
371
00:22:40,920 --> 00:22:45,480
So we it wasn't this oh this
older guy is trying to tell us
372
00:22:45,480 --> 00:22:49,000
what to do.
It was always like experimenting
373
00:22:49,680 --> 00:22:52,800
on the same kind of you know,
level.
374
00:22:53,120 --> 00:22:54,360
Yeah, they.
Looked at you as a peer.
375
00:22:55,480 --> 00:22:56,520
Not as a, not as.
Yeah, trying.
376
00:22:56,640 --> 00:23:01,960
To straighten them out.
And then once I was in the
377
00:23:01,960 --> 00:23:05,560
business for like quite some
time and started to work for
378
00:23:05,560 --> 00:23:10,800
other people or whatever, I
already had a lot of experience
379
00:23:11,000 --> 00:23:19,120
for my age because I literally
started when I was like 1819,
380
00:23:19,200 --> 00:23:24,520
basically, like with the whole
stagehand situation even earlier
381
00:23:24,520 --> 00:23:27,280
than that.
So yeah, yeah.
382
00:23:27,840 --> 00:23:30,080
So were you a musician or
something?
383
00:23:30,080 --> 00:23:32,720
And then you you just.
I wouldn't call it.
384
00:23:33,080 --> 00:23:35,560
I wouldn't call myself a
musician.
385
00:23:35,880 --> 00:23:39,440
Yeah, I I did play guitar in a
band, but I wouldn't.
386
00:23:39,960 --> 00:23:42,840
You weren't very good.
I wouldn't go as far as as
387
00:23:43,200 --> 00:23:46,560
saying I'm a musician, no, but.
What what What you interested in
388
00:23:46,600 --> 00:23:50,320
in working behind the scenes,
like in becoming a a stagehand
389
00:23:50,320 --> 00:23:51,840
to start and then moving your
way up?
390
00:23:52,000 --> 00:23:55,160
It was.
It was the playing with my band
391
00:23:55,160 --> 00:24:00,760
at the time and it was like
pretty obvious very quickly to
392
00:24:00,760 --> 00:24:04,320
me that you know, obviously you
have to have a little bit of
393
00:24:04,320 --> 00:24:08,600
knowledge of all this so you can
communicate with like locals.
394
00:24:10,080 --> 00:24:15,200
And even back then, you know, we
wanted to have a good result for
395
00:24:15,200 --> 00:24:20,240
what we were doing.
And then, you know, that's
396
00:24:20,240 --> 00:24:24,760
that's how I basically got to
know the the people at the local
397
00:24:24,760 --> 00:24:29,040
club and then you know, one
thing led to another and you
398
00:24:29,160 --> 00:24:31,200
know it.
It's very typical.
399
00:24:31,520 --> 00:24:32,640
Yeah.
No, I mean.
400
00:24:32,640 --> 00:24:36,240
It's very typical career path.
I would, I would think, at least
401
00:24:36,280 --> 00:24:37,960
extend it was.
Yeah, it was.
402
00:24:37,960 --> 00:24:41,880
Now it's getting much more where
you actually, you decide really
403
00:24:41,880 --> 00:24:46,600
early on that you want to work
in the arts and you go to school
404
00:24:46,600 --> 00:24:49,680
and you go to some sort of
theater technology classes or
405
00:24:49,680 --> 00:24:51,240
something.
And you're either in lighting or
406
00:24:51,240 --> 00:24:55,440
you're in sound or you're in set
design or you're in costumes or
407
00:24:55,440 --> 00:25:01,040
whatever wardrobe.
And so now they're like a lot of
408
00:25:01,040 --> 00:25:05,720
the younger people who I have on
the podcast have taken a much
409
00:25:05,720 --> 00:25:10,080
more planned route into this
industry, whereas.
410
00:25:10,760 --> 00:25:12,560
You know.
You and beyond you.
411
00:25:13,360 --> 00:25:17,320
It was much more lucky.
I think, I think I was one of
412
00:25:17,320 --> 00:25:22,440
the last ones or like my
generation so to speak is one of
413
00:25:22,440 --> 00:25:29,560
the last ones that like got into
this somehow because at the time
414
00:25:29,560 --> 00:25:35,600
when I started doing this, the
schools really didn't exist to
415
00:25:35,600 --> 00:25:39,560
do anything of this like this.
You know, I mean you could go in
416
00:25:39,560 --> 00:25:44,440
Austria, you could you could go
to like university and and and
417
00:25:44,440 --> 00:25:46,880
you know get this master's
degree.
418
00:25:46,880 --> 00:25:48,960
But it was all very technical as
well.
419
00:25:48,960 --> 00:25:53,480
It was less of a just like try
and error type.
420
00:25:53,480 --> 00:25:56,200
Yeah, you were taking like a.
Where you could be creative or
421
00:25:56,200 --> 00:25:57,200
whatever.
Yeah, exactly.
422
00:25:57,200 --> 00:25:59,960
Acoustical engineering.
Not, not how to be the front of
423
00:25:59,960 --> 00:26:03,920
house guy for a metal band,
Exact. 101 Well, that wasn't
424
00:26:03,920 --> 00:26:06,040
really my plan either.
But, you know, that's just how
425
00:26:06,760 --> 00:26:07,760
it happened.
Yeah.
426
00:26:08,840 --> 00:26:10,440
Yeah, I want to ask you about
that.
427
00:26:10,440 --> 00:26:15,480
Like, you know, because you seem
to have become typecast, sort
428
00:26:15,480 --> 00:26:18,880
of, you know, like how Jim
Carrey can only do funny movies
429
00:26:19,080 --> 00:26:21,480
when he does a serious movie.
It's ridiculous, you know.
430
00:26:22,160 --> 00:26:24,960
Which is a lie, though I think
he's very good when he does it,
431
00:26:25,400 --> 00:26:26,680
when he does his serious movie
well.
432
00:26:26,680 --> 00:26:31,480
Maybe I chose a bad example, you
know, But when it's somebody who
433
00:26:31,960 --> 00:26:35,480
who's only in scary movies or
only in funny movies or
434
00:26:35,480 --> 00:26:37,120
whatever, it's hard to imagine
them.
435
00:26:37,400 --> 00:26:40,400
Like, do you watch Larry David,
Curb Your Enthusiasm.
436
00:26:40,440 --> 00:26:41,920
It's one of my favorite shows
ever.
437
00:26:42,600 --> 00:26:44,440
Could you imagine him in a
serious role?
438
00:26:44,960 --> 00:26:45,680
No.
Absolutely.
439
00:26:45,680 --> 00:26:48,360
Exactly.
You know, so I I have a hard
440
00:26:48,360 --> 00:26:54,960
time imagining you working with
Willie Nelson, you know, so, So
441
00:26:54,960 --> 00:26:57,560
to me it's similar, you know,
like you become.
442
00:26:57,560 --> 00:27:00,120
Known.
For a a particular genre or
443
00:27:00,120 --> 00:27:03,320
whatever and.
I think, I think it's mainly
444
00:27:03,320 --> 00:27:09,880
this is mainly down to like your
network so to speak.
445
00:27:10,080 --> 00:27:15,080
If you don't work for one of the
like big rental companies or or
446
00:27:15,080 --> 00:27:18,240
whatever, you know it's, it's
usually how it goes.
447
00:27:18,880 --> 00:27:23,000
And then for me it's a little
bit special so to speak as well,
448
00:27:23,000 --> 00:27:29,000
because I've been within flames
for so long and now with I
449
00:27:29,000 --> 00:27:32,840
started as just the sound guy,
then I turn it turned into the
450
00:27:33,040 --> 00:27:37,880
sound guy tour manager thing.
Then when it got bigger we got a
451
00:27:39,360 --> 00:27:46,000
separate tour manager again,
which I really liked, and then
452
00:27:46,120 --> 00:27:52,960
for various reasons he got
basically out very short before
453
00:27:52,960 --> 00:27:56,240
another tour was come, or in
between two tours actually.
454
00:27:56,320 --> 00:28:02,360
And then that was I think in
2015 and they asked me again if
455
00:28:02,360 --> 00:28:04,520
I could do it.
So we just don't have a stranger
456
00:28:04,520 --> 00:28:07,240
on the bus on the next run.
And I was.
457
00:28:07,240 --> 00:28:11,360
I wasn't really getting into it
again because I wasn't really
458
00:28:11,360 --> 00:28:15,720
keen on the job.
But it worked out really well to
459
00:28:15,720 --> 00:28:17,320
everybody's surprise I would
say.
460
00:28:19,200 --> 00:28:27,320
And then we just kept doing it.
But you know, originally I was
461
00:28:27,320 --> 00:28:30,600
only gonna, I was gonna stick to
just the sound.
462
00:28:31,120 --> 00:28:34,520
And if I would have done that, I
would have a lot more time to do
463
00:28:34,560 --> 00:28:38,720
other things as well.
And then I would probably try to
464
00:28:38,720 --> 00:28:40,600
get out of the metal a little
bit more.
465
00:28:41,120 --> 00:28:47,120
But since In Flames basically
kept me busy for 25 years now,
466
00:28:47,280 --> 00:28:52,400
yeah, there's very few months or
weeks where I can actually
467
00:28:52,400 --> 00:28:54,280
decide to do something.
Yeah, it's not like.
468
00:28:54,440 --> 00:28:56,640
You can book like.
Tours or something and.
469
00:28:56,840 --> 00:29:01,280
Really busy, yeah.
Which I mean on one hand it's
470
00:29:01,280 --> 00:29:06,440
it's super nice because it's a
very, you know, family type of
471
00:29:07,520 --> 00:29:10,600
environment.
Like I I obviously know all
472
00:29:10,600 --> 00:29:16,720
their wives and kids and even
parents and whatnot, which is
473
00:29:16,720 --> 00:29:19,400
really nice.
And a lot of the crew within
474
00:29:19,400 --> 00:29:24,200
flames is has been around for 10
plus years.
475
00:29:24,920 --> 00:29:26,640
So it's like, you know, it's
basically.
476
00:29:26,640 --> 00:29:30,280
Like a group of friends.
Being, being on, being on the
477
00:29:30,280 --> 00:29:36,440
bus, which has its is advantages
but obviously like all families,
478
00:29:36,480 --> 00:29:39,320
there's difficult.
Families have families have good
479
00:29:39,320 --> 00:29:41,800
and bad parts, for sure.
Yeah.
480
00:29:42,000 --> 00:29:43,680
Families have good and bad
parts.
481
00:29:43,960 --> 00:29:47,600
No, that's that's really cool.
And and you know again I'm not,
482
00:29:47,600 --> 00:29:51,640
I'm not saying that it's bad to
get stuck in metal or anything
483
00:29:51,640 --> 00:29:56,280
like that because obviously you
know you've done well, it's done
484
00:29:56,280 --> 00:29:58,800
well for you, they've done well
with you etcetera.
485
00:29:59,720 --> 00:30:02,120
But it's just a, it's an
interesting observation.
486
00:30:02,160 --> 00:30:06,800
And I would guess again going
back to the genre like I would
487
00:30:06,800 --> 00:30:11,000
guess that there are some skills
or whatever that are required
488
00:30:11,000 --> 00:30:14,320
that are different than doing
sound for a pop act or.
489
00:30:15,200 --> 00:30:18,360
I don't know.
I I I I don't really.
490
00:30:18,600 --> 00:30:21,920
I just see, I see looking at the
console and everything's
491
00:30:21,920 --> 00:30:25,040
clipping all the time, like I
just see red lights flashing
492
00:30:25,040 --> 00:30:26,760
everywhere.
That in my mind, right?
493
00:30:27,520 --> 00:30:30,000
Yeah, yeah.
Well, yeah, that's there's
494
00:30:30,000 --> 00:30:34,520
definitely people out there that
where it looks like that, but it
495
00:30:34,520 --> 00:30:37,120
shouldn't look like that.
Vocals, vocals, you know, one
496
00:30:37,120 --> 00:30:40,160
minute a guy's going La, La La
and then it's like.
497
00:30:42,920 --> 00:30:47,280
Yeah, yeah, yeah, yeah, sure.
But I mean you have that in
498
00:30:47,280 --> 00:30:52,760
other in other genres you have
just have different challenges
499
00:30:53,720 --> 00:30:59,280
but in the end it's all it's all
the same to me it is it's like I
500
00:30:59,280 --> 00:31:06,000
would, I actually think if you
get, if you get hired by
501
00:31:06,880 --> 00:31:10,840
somebody who's completely you're
not a fan of the music, you have
502
00:31:10,840 --> 00:31:13,240
nothing you would not listen to
this at home.
503
00:31:13,840 --> 00:31:19,120
I actually think you get go into
this with a completely different
504
00:31:20,320 --> 00:31:25,000
mindset so to speak.
And it's it's to to me this is
505
00:31:25,000 --> 00:31:32,960
more objective than you know,
being being a fan of of the band
506
00:31:32,960 --> 00:31:35,560
that's on stage.
So it's like.
507
00:31:36,000 --> 00:31:42,120
Are you a fan of the genre?
I used to like I would like
508
00:31:42,280 --> 00:31:46,720
before or at the beginning.
When I got into it, I I I would
509
00:31:46,720 --> 00:31:50,560
listen to that type of not
necessarily like in flames,
510
00:31:50,560 --> 00:31:55,320
which you know they come out of
like a death metal, whatever
511
00:31:56,040 --> 00:31:59,440
that was.
That was never really my my, my
512
00:31:59,440 --> 00:32:02,240
thing.
But like metal in general I
513
00:32:02,240 --> 00:32:05,040
would listen or back in those
days it was like the hardcore
514
00:32:05,040 --> 00:32:08,560
days like Biohazard and all the
you know, these kind of things.
515
00:32:08,880 --> 00:32:14,320
I would listen to that.
But nowadays I'm actually, I
516
00:32:14,320 --> 00:32:16,800
mean, I'm happy if there's no
music.
517
00:32:16,800 --> 00:32:22,560
And if there is music, it's
usually not metal.
518
00:32:22,920 --> 00:32:26,920
Yeah, at all, you know, I mean.
It's like jazz or something,
519
00:32:26,920 --> 00:32:28,680
right?
Something nice.
520
00:32:28,880 --> 00:32:33,080
And it's it's like it obviously
the the like when you grow older
521
00:32:33,080 --> 00:32:38,600
I think the you know the taste
gets a little bit broader or or
522
00:32:38,600 --> 00:32:41,920
whatever.
I mean, being being from, being
523
00:32:41,920 --> 00:32:46,320
from Austria, being from
Salzburg, it's always it has the
524
00:32:46,320 --> 00:32:51,320
classical component as well that
you can't get around and that
525
00:32:51,320 --> 00:32:55,680
you hate as a kid and whatnot.
And nowadays I'm actually
526
00:32:55,680 --> 00:32:58,240
enjoying orchestra stuff or
whatever as well.
527
00:32:58,360 --> 00:33:02,840
Yeah, so it's.
At the same time, for me
528
00:33:02,840 --> 00:33:08,000
anyways, I've always had a
pretty wide musical taste.
529
00:33:09,240 --> 00:33:12,520
I was kind of a metalhead and
and you'd walk into my music
530
00:33:12,520 --> 00:33:15,320
store and I was listening to
Michael Jackson in the 80s.
531
00:33:15,320 --> 00:33:17,520
You know the bad.
When the bad album came out,
532
00:33:17,760 --> 00:33:20,840
because of the production
quality of it, I was just blown
533
00:33:20,840 --> 00:33:22,280
away.
I was blown away by the
534
00:33:22,280 --> 00:33:24,640
production and some of the
sounds that were coming out of
535
00:33:24,640 --> 00:33:27,120
it.
And you know, so it wasn't I.
536
00:33:27,200 --> 00:33:31,680
I was about to say I I back in
in those early days I used to
537
00:33:31,680 --> 00:33:37,200
listen to a bunch of pop albums
that just for the production.
538
00:33:37,920 --> 00:33:38,560
Yeah.
Exactly.
539
00:33:38,560 --> 00:33:39,600
You know, it was the same
reason.
540
00:33:40,160 --> 00:33:43,960
I liked, I liked a lot of the
80s bands when they came out,
541
00:33:43,960 --> 00:33:49,480
you know, like like Def Leppard
and and Winger who everyone
542
00:33:49,480 --> 00:33:51,280
hated.
But I loved because they were
543
00:33:51,280 --> 00:33:54,320
just so well produced, you know,
and.
544
00:33:54,320 --> 00:33:55,720
Absolutely, yeah.
Some of those.
545
00:33:55,720 --> 00:33:57,560
Producers, a lot of them were
just so good.
546
00:33:59,400 --> 00:34:05,080
Nowadays, I think is completely
like over the top, like sounds
547
00:34:05,080 --> 00:34:10,800
are completely, you know, not.
You can't reproduce half of it
548
00:34:12,600 --> 00:34:16,480
live.
It's just it runs through chains
549
00:34:16,480 --> 00:34:19,679
and chains of like in plugins
and whatnot.
550
00:34:19,679 --> 00:34:21,920
It's like, why are you doing
this?
551
00:34:21,920 --> 00:34:25,199
This is not, you know, this is
not necessary, yeah.
552
00:34:25,800 --> 00:34:28,639
But do metal bands?
Do metal bands play to play to
553
00:34:28,639 --> 00:34:31,440
tracks?
Yeah, yeah.
554
00:34:32,000 --> 00:34:34,920
Yeah.
I know very few bands that don't
555
00:34:34,920 --> 00:34:42,120
have tracks to be, yeah, at at
least not like, you know the the
556
00:34:42,120 --> 00:34:45,239
occasional keyboard track or or
whatever.
557
00:34:45,239 --> 00:34:49,120
It's, yeah, yeah, some use it
more than others, but.
558
00:34:49,600 --> 00:34:53,560
It's so common now and and you
know, I'm always surprised when
559
00:34:53,560 --> 00:34:57,600
I find out about it because I'm
like really like those guys who
560
00:34:57,600 --> 00:35:01,120
I've always liked so much.
They're playing to tracks and
561
00:35:01,120 --> 00:35:03,960
you know, like you said,
sometimes it's just a keyboard
562
00:35:03,960 --> 00:35:07,960
track, sometimes it's maybe some
background vocals or something.
563
00:35:07,960 --> 00:35:12,560
But yeah, yeah, But when it's
more than that, you know, like
564
00:35:12,560 --> 00:35:15,840
when you hear that, you know, on
Motley Crue's stadium tour,
565
00:35:15,840 --> 00:35:17,760
Nikki Sixx wasn't playing the
bass.
566
00:35:17,760 --> 00:35:20,280
It was a bass track, you know,
and things like that.
567
00:35:20,360 --> 00:35:24,080
Yeah, that that's disturbing.
You know, that's that's a bit
568
00:35:24,080 --> 00:35:28,240
disturbing.
Yeah, but that's also not very
569
00:35:30,200 --> 00:35:33,840
metal specific.
That happens everywhere.
570
00:35:33,840 --> 00:35:36,480
Of course not, yeah.
And I I actually think it
571
00:35:36,480 --> 00:35:39,800
happens in pop way more than it
does 100.
572
00:35:39,800 --> 00:35:41,240
Percent.
Most.
573
00:35:41,240 --> 00:35:43,680
Of them don't sing at all, or or
you.
574
00:35:43,680 --> 00:35:46,400
Know most of the.
Instruments aren't even real,
575
00:35:46,440 --> 00:35:47,800
you know.
Yeah.
576
00:35:48,040 --> 00:35:52,040
Yeah, yeah, it's it's, it's an
interesting thing, but you know,
577
00:35:52,440 --> 00:35:56,000
back to the this genre, which
I'm obviously intrigued with,
578
00:35:56,000 --> 00:35:57,400
'cause I don't know that much
about it.
579
00:35:58,120 --> 00:36:01,320
And by the way, like, so you you
said as we grow older, we change
580
00:36:01,320 --> 00:36:03,280
our taste and stuff.
So one of the one of the
581
00:36:03,280 --> 00:36:07,560
earliest metal concerts I went
to was Judas Priest, probably in
582
00:36:07,560 --> 00:36:10,280
like, I don't know, 1980 or
something.
583
00:36:10,760 --> 00:36:16,400
And and I I'm listening like
crazy to the new Judas Priest
584
00:36:16,400 --> 00:36:18,320
album right now.
It's so good.
585
00:36:18,600 --> 00:36:21,200
You know, Rob Halford is 74.
Years old.
586
00:36:21,200 --> 00:36:23,440
Or something.
And his voice is incredible on
587
00:36:23,440 --> 00:36:26,240
this album, like he's hitting
the notes that he hit when he
588
00:36:26,240 --> 00:36:30,920
was in his 20s.
It's crazy and but anyways back
589
00:36:30,920 --> 00:36:36,800
to the genre.
So are there any gear like
590
00:36:36,920 --> 00:36:41,360
things that are that are
uncommon maybe in other types of
591
00:36:41,360 --> 00:36:42,640
music?
Like, do you have to use
592
00:36:42,640 --> 00:36:46,600
different equipment for this
type of music or or is it pretty
593
00:36:46,600 --> 00:36:49,920
much all the same?
No, I wouldn't, I wouldn't say,
594
00:36:50,480 --> 00:36:56,120
I wouldn't say different
equipment at all.
595
00:36:56,280 --> 00:37:01,400
I mean a lot of people nowadays
go to you know the digital amp
596
00:37:02,280 --> 00:37:10,200
thing like be it KEMPO or XFX or
or neural DSP whatever whatever
597
00:37:10,200 --> 00:37:12,640
it is that you know that's your
preference.
598
00:37:13,520 --> 00:37:22,320
And I don't necessarily agree
with that trend because it
599
00:37:22,320 --> 00:37:24,400
definitely it's not the same
yet.
600
00:37:24,760 --> 00:37:29,120
You know I don't even, I'm not
sure it will even get to the
601
00:37:29,120 --> 00:37:34,880
point where it's the same that
to a real like to BAM maybe
602
00:37:34,880 --> 00:37:40,120
maybe in you know for the next
generation but not in not in my
603
00:37:40,120 --> 00:37:42,560
lifetime.
I don't see that on the horizon
604
00:37:43,840 --> 00:37:48,560
anywhere.
So I mean, yeah, I don't, I
605
00:37:48,560 --> 00:37:51,200
don't think it's, but I mean
what we do different or we
606
00:37:51,200 --> 00:37:56,320
started doing different than now
a lot of people are doing it is
607
00:37:56,320 --> 00:38:03,920
that we use isolation caps for
guitars and bass which yeah, for
608
00:38:03,920 --> 00:38:08,640
a long, like a long, long time.
I know that like arena bands or
609
00:38:08,640 --> 00:38:12,440
bigger bands have done that for
a very long time as well like
610
00:38:12,440 --> 00:38:14,240
Metallica.
I think we're ones and one of
611
00:38:14,240 --> 00:38:17,400
the first ones that that did
that.
612
00:38:18,520 --> 00:38:25,720
But I don't remember really any
of the smaller bands or like the
613
00:38:25,720 --> 00:38:31,080
bands that that were in flames
of size that did that when we
614
00:38:31,080 --> 00:38:33,880
started doing it.
And it was basically what that
615
00:38:33,880 --> 00:38:35,560
is for people who don't
understand.
616
00:38:36,120 --> 00:38:38,680
Yeah, it's very.
It's a very simple concept
617
00:38:38,760 --> 00:38:44,000
actually.
It's basically just it used to
618
00:38:44,000 --> 00:38:48,000
be just a case where you put the
guitar speaker in and then you
619
00:38:48,000 --> 00:38:51,840
might get in the case, you close
the case so you can lower your
620
00:38:53,240 --> 00:38:57,200
stage volume and therefore you
have more control over the
621
00:38:57,200 --> 00:39:02,080
actual guitar tone and the like
how loud your stage is.
622
00:39:02,520 --> 00:39:07,280
And we started using it shortly
after the guys decided that they
623
00:39:07,280 --> 00:39:12,960
want to use in ears like in ear
monitors and then that made the
624
00:39:12,960 --> 00:39:18,280
most sense to do that.
And the ones that we are using
625
00:39:18,280 --> 00:39:25,280
now is like a purpose built that
is basically speaker cabinet and
626
00:39:25,720 --> 00:39:31,600
case in one unit.
It's just it just has like 3
627
00:39:31,600 --> 00:39:34,880
connectors in the back, two for
the mic, one for the for the
628
00:39:34,880 --> 00:39:36,560
actual speaker and then that's
it.
629
00:39:36,560 --> 00:39:41,800
It's got one like 12 inch
speaker in it and and that's it.
630
00:39:43,720 --> 00:39:50,240
And I mean that drastically
improves the quality especially
631
00:39:50,240 --> 00:39:54,520
on on smaller shows for instance
because the stage gets so much
632
00:39:54,520 --> 00:39:58,080
more quiet that you can actually
on front of house, you know
633
00:39:58,080 --> 00:40:01,600
actually mix.
And on bigger shows it's much
634
00:40:01,600 --> 00:40:05,680
better also because like if you
listen, I recorded all the shows
635
00:40:05,680 --> 00:40:11,440
on on multitrack and if you
listen to the guitar that's it.
636
00:40:11,800 --> 00:40:14,600
There's only guitar.
There's no bleed from the from
637
00:40:14,600 --> 00:40:16,280
the drums.
There's nothing else.
638
00:40:16,280 --> 00:40:17,920
There's no.
Are you also?
639
00:40:18,000 --> 00:40:23,040
Isolating drums.
Though no, but I mean the only
640
00:40:23,040 --> 00:40:27,160
the only noise that's on stage
literally is the acoustic drum
641
00:40:27,160 --> 00:40:31,600
kit and a little bit of side
field which also has mainly
642
00:40:31,800 --> 00:40:35,040
drums or whatever.
There's nothing else that's
643
00:40:35,040 --> 00:40:38,360
going on.
On stage we have, we still have
644
00:40:38,360 --> 00:40:41,360
guitar caps, so you know when
they need to do like some
645
00:40:41,360 --> 00:40:44,800
feedbacks or whatever, they can
do that, but they're obviously
646
00:40:45,120 --> 00:40:48,840
on a way lower level than what
you would have them.
647
00:40:48,880 --> 00:40:54,520
If this would be your main
source for the mic, yeah, So
648
00:40:55,200 --> 00:40:59,800
well, I really think that makes
a big, big difference, and a lot
649
00:40:59,800 --> 00:41:03,400
of other bands started to adapt
that after.
650
00:41:04,160 --> 00:41:07,200
Well, well you said something
that I think is key which it
651
00:41:07,200 --> 00:41:10,320
just gives you more control, you
know because if everybody's just
652
00:41:10,560 --> 00:41:14,240
you know got everything turned
up to 10 and and it's just a a
653
00:41:14,240 --> 00:41:17,960
bunch of noise on stage.
You know, obviously it makes
654
00:41:17,960 --> 00:41:20,880
your job more difficult,
especially for the first five or
655
00:41:20,880 --> 00:41:23,680
six rows, you know, in front of
the stage where.
656
00:41:24,000 --> 00:41:25,640
They're.
Hearing, they're hearing sound
657
00:41:25,640 --> 00:41:29,560
off the stage, not out of your.
But it's like for me this is
658
00:41:29,560 --> 00:41:33,440
also, it's always been like
that.
659
00:41:33,440 --> 00:41:39,760
I'm a big fan of DB limits.
I always was as long as they're
660
00:41:39,760 --> 00:41:44,640
implemented in a in a like
sensible way.
661
00:41:45,360 --> 00:41:50,800
Because like when I started, it
was already like Switzerland had
662
00:41:50,800 --> 00:41:53,560
them.
As long as I can think ever
663
00:41:53,560 --> 00:41:55,800
since I've been to Switzerland
from.
664
00:41:55,800 --> 00:41:57,800
How many times?
What's their limit?
665
00:41:59,520 --> 00:42:07,440
It's believe it's 90 average
over a certain period of time.
666
00:42:07,440 --> 00:42:13,080
From the from the toilets.
Unless you provide, unless you
667
00:42:13,080 --> 00:42:19,240
provide free hearing protection,
then you can go to 99 or 100.
668
00:42:19,240 --> 00:42:25,320
And nowadays, I don't know the
exact law, but it seems to be
669
00:42:25,320 --> 00:42:30,440
like pretty much like 100 over
like 15 minutes or half an hour,
670
00:42:32,640 --> 00:42:36,480
which is more than enough.
But it's quite low compared to
671
00:42:36,480 --> 00:42:39,120
what I'm what I'm used to when I
grew up, you know, with the
672
00:42:39,120 --> 00:42:41,840
walls of speakers.
Yeah, yeah, yeah, yeah.
673
00:42:42,280 --> 00:42:44,360
Yeah.
I mean that whole technology
674
00:42:44,360 --> 00:42:51,120
just completely that changed so
much in the last 1520 years,
675
00:42:51,120 --> 00:42:52,640
well.
Especially because of line array
676
00:42:52,640 --> 00:42:55,080
and stuff right?
Like it's a much more scientific
677
00:42:55,080 --> 00:42:59,480
approach.
Because of line array obviously.
678
00:42:59,480 --> 00:43:06,080
Also it got, it got way more
precise even once the line the
679
00:43:06,080 --> 00:43:11,600
rays were already there.
Now the new thing basically is
680
00:43:11,600 --> 00:43:18,160
like beam steering or like
cardioid systems that only
681
00:43:18,160 --> 00:43:23,640
really throw in One Direction
where again you just don't have
682
00:43:23,640 --> 00:43:27,480
any spill back on stage.
You don't have that much like
683
00:43:28,040 --> 00:43:32,080
secondary noise so to speak, and
it get just gets everything out.
684
00:43:32,120 --> 00:43:34,880
It cleans it up really.
Nice.
685
00:43:34,880 --> 00:43:37,320
Yeah, Much familiar with that
technology.
686
00:43:37,320 --> 00:43:41,200
So that so speakers are just
very narrow.
687
00:43:43,600 --> 00:43:47,640
They well they started, they
started this in the in the in
688
00:43:47,640 --> 00:43:55,240
the with a sub speakers because
obviously the lower the
689
00:43:55,240 --> 00:44:04,080
frequency gets the more of a
circle the dispersion is so to
690
00:44:04,080 --> 00:44:09,640
speak.
And so cardioid sub arrays were
691
00:44:09,640 --> 00:44:15,320
like the first step in that
development basically.
692
00:44:15,800 --> 00:44:23,600
And then this German company DMB
actually released a system that
693
00:44:23,600 --> 00:44:28,480
would do the same thing, but not
only for the sub frequencies, it
694
00:44:28,480 --> 00:44:32,960
does it over basically the whole
bandwidth, you know.
695
00:44:32,960 --> 00:44:39,480
So all this like muddy
everything below 3400, whatever.
696
00:44:39,720 --> 00:44:43,640
Everything that you know just
basically makes it difficult to
697
00:44:44,080 --> 00:44:50,760
to or makes it more difficult in
in arenas and and and stuff is
698
00:44:50,760 --> 00:44:53,480
basically gone or improves
drastically.
699
00:44:53,680 --> 00:44:59,640
And that combined with a very
precise software to to calculate
700
00:44:59,640 --> 00:45:06,480
where you need your speakers to
hit just makes an overall
701
00:45:07,320 --> 00:45:09,680
difference.
You know, it's this little, this
702
00:45:09,680 --> 00:45:13,800
little pieces.
The isolation cabs is just one
703
00:45:13,800 --> 00:45:17,680
of them.
And then this speaker technology
704
00:45:17,680 --> 00:45:19,240
and this and this and this and
this.
705
00:45:19,640 --> 00:45:22,040
It just makes it completely
different.
706
00:45:22,040 --> 00:45:27,160
Like if you want it to be, and
if the artist or the musicians
707
00:45:27,800 --> 00:45:31,520
actually want this to be the
best it can be.
708
00:45:31,840 --> 00:45:34,920
There's a lot you can.
There's a lot of technology that
709
00:45:34,920 --> 00:45:39,400
you can utilize these days.
It hasn't been there like 5-10
710
00:45:39,400 --> 00:45:40,880
years ago.
Yeah, it's crazy.
711
00:45:40,880 --> 00:45:43,560
It's very, very interesting
because like I said earlier,
712
00:45:43,560 --> 00:45:46,520
nuance to mayhem or whatever.
But it's really, it's adding
713
00:45:46,520 --> 00:45:50,160
precision, you know, to mayhem.
So you know what?
714
00:45:50,280 --> 00:45:53,840
What's being played might be
very confusing and noisy and
715
00:45:53,840 --> 00:45:57,240
everything else, but then you
start to really kind of tighten
716
00:45:57,240 --> 00:46:00,840
everything up first of all with
isolating sounds on stage.
717
00:46:00,840 --> 00:46:04,360
But then you know the system
itself being able to do even
718
00:46:04,360 --> 00:46:08,840
more of that in a much more.
Direct approach and I mean it
719
00:46:08,840 --> 00:46:12,480
was for for me this was very
funny because once we switched
720
00:46:12,480 --> 00:46:18,000
to this new PA technology on one
tour, it was actually the tour
721
00:46:18,080 --> 00:46:25,400
in 2017 with Sarah.
This is, this is we had, we had
722
00:46:25,400 --> 00:46:29,040
a pre release system out.
It wasn't really a beta test,
723
00:46:29,040 --> 00:46:32,040
but it was almost finished.
But it wasn't released yet.
724
00:46:32,920 --> 00:46:42,640
And yes exactly it's called GSL
and they actually gave us an
725
00:46:42,640 --> 00:46:45,840
arena system.
They sent one of their guys out
726
00:46:46,040 --> 00:46:51,640
with it to help out with like
our systems engineer to like set
727
00:46:51,640 --> 00:46:53,560
it up and and and straighten it
out.
728
00:46:53,760 --> 00:46:58,000
And it was basically for them,
it was like a field test like we
729
00:46:58,000 --> 00:47:01,240
know it's, you know the products
ready, but how does it do,
730
00:47:01,240 --> 00:47:04,600
what's the the little things
that we still need to tweak a
731
00:47:04,600 --> 00:47:10,440
little bit, you know being being
like how quick you can rig it or
732
00:47:10,520 --> 00:47:14,480
like small adjustments in the
software that that controls it
733
00:47:14,480 --> 00:47:20,720
and stuff like that.
And on those first shows I
734
00:47:20,720 --> 00:47:27,080
remember that like for me it was
like Oh my God, I actually have
735
00:47:27,080 --> 00:47:32,480
to clean up my mix.
I can hear things now that I
736
00:47:32,480 --> 00:47:38,000
couldn't hear systems.
It's like it actually in the end
737
00:47:38,880 --> 00:47:43,600
more work for me because it was
just like, OK, what is this, you
738
00:47:43,600 --> 00:47:46,040
know, and I had like doubts in
the beginning.
739
00:47:46,920 --> 00:47:50,280
It's like what this is what you
have been doing for the last 15
740
00:47:50,280 --> 00:47:56,760
years, but it also made it
better and and you know, make
741
00:47:56,800 --> 00:48:02,680
the mix better and it's funny
now because obviously you don't
742
00:48:02,680 --> 00:48:05,760
have that same exact system
everywhere you go.
743
00:48:06,240 --> 00:48:11,880
So now, even though they thank
God, are quite common nowadays,
744
00:48:11,880 --> 00:48:15,680
especially on outdoor festivals
and stuff, but you sometimes go
745
00:48:15,680 --> 00:48:19,640
back to like a not so advanced
system or an older system.
746
00:48:19,840 --> 00:48:24,120
And even those mixes are
sounding better now because what
747
00:48:24,120 --> 00:48:26,680
you're sending out of the
console is already way more
748
00:48:26,680 --> 00:48:31,240
precise because you can hear it
on this, you know, it's crazy.
749
00:48:31,360 --> 00:48:33,560
It's absolutely great.
Like for me this was a very,
750
00:48:33,600 --> 00:48:38,280
very interesting process over
this tour and like the tours
751
00:48:38,280 --> 00:48:43,680
after because I I like realized
OK, there's a lot of I can do a
752
00:48:43,680 --> 00:48:50,000
lot more work here and in this
part and on that part where I
753
00:48:50,000 --> 00:48:52,680
would have said a couple of
months earlier, no, this, you
754
00:48:52,680 --> 00:48:54,600
know this is going to be as good
as it gets.
755
00:48:54,600 --> 00:48:57,960
There's no there's nothing more
to gain here.
756
00:48:58,760 --> 00:49:03,800
So it's it's, I like it because
it it, it also means that it
757
00:49:03,800 --> 00:49:08,760
doesn't make the job boring,
boring, so to speak, you know,
758
00:49:08,760 --> 00:49:12,200
because you're always, you're
always aiming and trying to to
759
00:49:12,600 --> 00:49:15,040
find something that to make it a
little bit better.
760
00:49:15,360 --> 00:49:19,000
So you started early enough to
where you obviously started on
761
00:49:19,000 --> 00:49:23,640
analog consoles.
And So what was that transition
762
00:49:23,640 --> 00:49:25,520
like for you and when did it
happen?
763
00:49:27,440 --> 00:49:30,560
I know the exact time when it
happened.
764
00:49:30,760 --> 00:49:40,440
I refused for a very long time
to to change because every
765
00:49:40,440 --> 00:49:46,520
single time I had a digital
console in my hands before, that
766
00:49:46,680 --> 00:49:49,400
was just like, what?
What is this?
767
00:49:49,600 --> 00:49:51,440
You know, whatever this does
not.
768
00:49:53,000 --> 00:49:56,400
It feels like a toy.
It sounds like a toy.
769
00:49:57,400 --> 00:50:03,840
This is not what I want.
And then we were on gigantour
770
00:50:03,840 --> 00:50:08,000
with Megadeth in the US.
And Dream Theater, I saw that.
771
00:50:09,120 --> 00:50:11,720
No, it wasn't Dream Theater.
Oh oh.
772
00:50:11,720 --> 00:50:13,880
I didn't know they did more than
one Gigantour.
773
00:50:14,080 --> 00:50:17,000
Oh, yeah, yeah, yeah, yeah.
This one was Lamb of God and
774
00:50:17,000 --> 00:50:18,000
Megadeth.
Exactly.
775
00:50:18,360 --> 00:50:19,880
We were on the One with Lamb of
God.
776
00:50:20,280 --> 00:50:22,120
This is the same 1 Dream Theater
was on it.
777
00:50:23,720 --> 00:50:24,960
No.
Huh.
778
00:50:25,680 --> 00:50:29,600
We no, but we didn't tour the we
didn't tour with during theater.
779
00:50:30,160 --> 00:50:30,760
Huh.
Interesting.
780
00:50:31,040 --> 00:50:32,640
Maybe they just did whatever or
something.
781
00:50:33,200 --> 00:50:39,600
Yeah it it it was it was it must
have been early ish 2000s as
782
00:50:39,600 --> 00:50:43,480
well 2000, five 2006.
Something like that in Orlando,
783
00:50:43,480 --> 00:50:46,400
at the at the Hard Rock Live in
Orlando.
784
00:50:46,400 --> 00:50:48,400
I'm a big dream theatre fan, you
know.
785
00:50:48,640 --> 00:50:50,840
Yeah, Prog rock.
I don't know.
786
00:50:50,840 --> 00:50:52,320
I don't think it was dream
theatre.
787
00:50:52,440 --> 00:50:54,800
Yeah, I would.
I would remember Dream Theatre.
788
00:50:54,880 --> 00:50:56,840
Well, I only went for Dream
Theatre.
789
00:50:56,840 --> 00:50:58,360
Lamb of God.
And if it.
790
00:50:58,360 --> 00:51:01,840
Was your band And some of the
other ones were like, Oh my God,
791
00:51:01,840 --> 00:51:03,000
what am I listening to?
Really.
792
00:51:03,000 --> 00:51:08,080
It was definitely High On Fire,
I think.
793
00:51:13,160 --> 00:51:16,400
I don't remember.
It doesn't it doesn't matter at
794
00:51:16,400 --> 00:51:20,880
that time though, the guy who
did front of house for Megadeth
795
00:51:22,560 --> 00:51:29,320
was a friend of mine and and he
actually called me or emailed me
796
00:51:29,320 --> 00:51:33,000
before the tour and he basically
was like, OK, we have two
797
00:51:33,000 --> 00:51:35,920
choices.
It's like either I can take
798
00:51:36,040 --> 00:51:41,160
Midas heritage for me, which is
an analog console and all the
799
00:51:41,160 --> 00:51:44,920
supports are going to get like a
cheap Yamaha, whatever the
800
00:51:44,920 --> 00:51:50,600
Yamaha of the day was back then.
Or we can all agree on taking a
801
00:51:50,600 --> 00:51:57,680
Digi design D show console and
share that between all of us.
802
00:51:57,680 --> 00:52:02,000
And I'm like, well, you know, if
you ask me like that, then I
803
00:52:02,000 --> 00:52:05,520
would prefer the Digi design
because I know that at least
804
00:52:05,600 --> 00:52:11,520
like one of the most decent
digital consoles at that time.
805
00:52:13,920 --> 00:52:18,040
And then three weeks later or
whatever, the tour started and
806
00:52:18,040 --> 00:52:21,560
we had like a production day
somewhere in the US And that was
807
00:52:21,560 --> 00:52:26,480
the first time I I I started
mixing on the digital console,
808
00:52:26,720 --> 00:52:29,240
like on the tour, I think
straight.
809
00:52:29,520 --> 00:52:32,800
Into the deep.
End and then I mean that was
810
00:52:33,200 --> 00:52:38,160
it's it's really funny because
we're still using like digit
811
00:52:38,160 --> 00:52:43,360
design became Avid and you know
Avid had like a bunch of
812
00:52:43,360 --> 00:52:48,640
different consoles and now the
latest they released the S6 or
813
00:52:49,520 --> 00:52:54,400
SXL platform.
We switched to that, I don't
814
00:52:54,400 --> 00:52:56,600
know five years ago or something
like that.
815
00:52:56,600 --> 00:52:57,760
I don't.
Know so you've always stayed
816
00:52:57,880 --> 00:53:00,760
with the same.
Same brand, yeah.
817
00:53:00,840 --> 00:53:05,880
Yeah, because it's like all the
integration with all the like
818
00:53:05,880 --> 00:53:11,040
we're we're we're using very
heavy snapshots for instance,
819
00:53:11,160 --> 00:53:14,680
which is a little bit uncommon
for like a metal band or
820
00:53:14,680 --> 00:53:18,000
whatever, you know.
And the integration with Pro
821
00:53:18,000 --> 00:53:21,680
Tools and the recording and
virtual sound check where you
822
00:53:21,680 --> 00:53:27,680
can just play back stuff through
the PA, be it for yourself to
823
00:53:28,120 --> 00:53:31,400
work on something or if a
musician wants to hear something
824
00:53:31,680 --> 00:53:34,000
or you know it's all very, very
easy.
825
00:53:35,080 --> 00:53:40,240
And in the beginning Avid or
Digit design.
826
00:53:40,240 --> 00:53:44,880
Back then we're really the only
guys where this was doable.
827
00:53:45,520 --> 00:53:50,560
Now you can do it with a lot
more consoles, obviously, and
828
00:53:50,560 --> 00:53:55,840
also with a lot cheaper
consoles, you know, technology
829
00:53:55,840 --> 00:53:59,960
here as well.
It evolved like crazy basically,
830
00:54:00,080 --> 00:54:02,000
you know?
But for me this was also this
831
00:54:02,000 --> 00:54:07,320
was one of like the key moments.
Because like when I was still
832
00:54:07,320 --> 00:54:11,080
with analogue gear, I remember I
would like write myself cue
833
00:54:11,080 --> 00:54:16,160
cards for each song which is
basically like an analogue form
834
00:54:16,160 --> 00:54:21,760
of of snapshots where you know,
I would note down like delay
835
00:54:21,760 --> 00:54:25,480
times or in reverb types and and
shit like that.
836
00:54:25,880 --> 00:54:32,280
And like back back then I would,
I would MIT song, I would
837
00:54:32,280 --> 00:54:37,240
already start thinking about
what I need to do between the
838
00:54:37,240 --> 00:54:41,120
two songs to make you know to
set up for the next one.
839
00:54:41,640 --> 00:54:45,840
And it takes away a lot of
concentration, obviously.
840
00:54:47,160 --> 00:54:50,760
And it's one of those things
that you don't really realize.
841
00:54:51,160 --> 00:54:54,160
But once you have a tool like
this snapshot thing where you
842
00:54:54,160 --> 00:55:01,400
can store stuff, you finally
realize it's like, oh, actually,
843
00:55:01,480 --> 00:55:03,960
you know, now I don't need to
think about this anymore.
844
00:55:03,960 --> 00:55:09,000
And it frees up my my, my head
and my time to actually do what
845
00:55:09,000 --> 00:55:11,320
the band is paying me for, which
is mix a show.
846
00:55:11,720 --> 00:55:14,760
So on that tour, like halfway
through it was a pretty long
847
00:55:14,760 --> 00:55:16,440
tour.
It was almost two months I
848
00:55:16,440 --> 00:55:18,960
think.
And halfway through I started
849
00:55:19,400 --> 00:55:23,640
getting into snapshots and stuff
and try out this technology.
850
00:55:23,640 --> 00:55:27,800
And then I actually immediately
started to like it because I saw
851
00:55:27,800 --> 00:55:30,720
the potential.
It wasn't necessarily there
852
00:55:30,720 --> 00:55:38,440
sound wise yet, but now I think
it's very, it's very close.
853
00:55:38,920 --> 00:55:40,640
Like there's not.
Still a warmth.
854
00:55:40,640 --> 00:55:42,720
That you get from analog
consoles.
855
00:55:42,720 --> 00:55:45,720
That's better or whatever.
Yeah, yeah, it is.
856
00:55:45,720 --> 00:55:51,400
But I mean, I would still take
out an analog console if I like.
857
00:55:51,440 --> 00:55:55,240
If we would only do arenas and
money was no object.
858
00:55:55,240 --> 00:55:59,400
And it's like, if I could
choose, I would maybe try it
859
00:55:59,400 --> 00:56:02,680
out.
It would always be with like a
860
00:56:02,680 --> 00:56:07,640
digital sidecar does all the
automation stuff because at this
861
00:56:07,720 --> 00:56:12,560
point there's so much automation
going on during the show that is
862
00:56:12,560 --> 00:56:17,080
also these little little details
that would that I would just
863
00:56:17,080 --> 00:56:21,320
miss because you you know you
can't physically do it on an
864
00:56:21,320 --> 00:56:25,800
analog console like unless you
have like 3 people pushing
865
00:56:25,840 --> 00:56:29,360
buttons or whatever.
So this is for me like an
866
00:56:29,360 --> 00:56:34,880
overall package thing where I
think, OK, the advantages of the
867
00:56:34,880 --> 00:56:39,880
digital world definitely
outweigh taking an analog
868
00:56:39,880 --> 00:56:46,280
console, whereas coming back to
guitar amps that's not there
869
00:56:46,280 --> 00:56:49,760
yet.
Because you know, especially
870
00:56:49,760 --> 00:56:53,160
when we do like headline tours
or it's not fly shows where it
871
00:56:53,160 --> 00:56:57,680
matters, if you take like a
Marshall head or a tiny little
872
00:56:57,680 --> 00:57:00,440
digital box, it makes no
difference to me.
873
00:57:00,840 --> 00:57:04,360
And then I would always choose
the the analog amp, but I mean
874
00:57:04,360 --> 00:57:08,480
we just did Australia and Asia
for instance where we had to fly
875
00:57:08,480 --> 00:57:15,560
almost every second day and we
take neural DSP gear there as
876
00:57:15,560 --> 00:57:20,160
well because obviously the
advantage of being moving around
877
00:57:20,160 --> 00:57:26,280
so much outweighs carrying in
and and to bamp that possibly
878
00:57:26,280 --> 00:57:29,120
gets broken by the airline.
So, you know, you have to
879
00:57:29,880 --> 00:57:35,280
battle, so to speak, but.
So you think you think guitar
880
00:57:35,280 --> 00:57:37,760
amplifiers are getting close to
a point where nobody will be
881
00:57:37,760 --> 00:57:42,480
using tube amplifiers anymore
and all the modeling amplifiers
882
00:57:42,480 --> 00:57:44,400
and stuff are are going to take
over, No.
883
00:57:44,880 --> 00:57:49,120
I think it's like vinyl it there
will be a big, I don't think it
884
00:57:49,160 --> 00:57:55,240
will go away completely just
like vinyl never did, you know
885
00:57:55,240 --> 00:57:59,400
there was always this freaks
that somewhere that would that
886
00:57:59,400 --> 00:58:01,600
would keep building their record
collection.
887
00:58:02,520 --> 00:58:05,760
You know, it's funny because I,
I, I have a house up in Canada
888
00:58:05,760 --> 00:58:08,920
in the mountains and one of my
plans for the because I spend
889
00:58:08,920 --> 00:58:12,720
the the warm months there from
May until September, October or
890
00:58:12,720 --> 00:58:15,520
whatever.
And one of my plans this year is
891
00:58:15,520 --> 00:58:19,400
to buy a turntable and a bunch
of vinyl to start collecting
892
00:58:19,480 --> 00:58:21,760
back.
I got rid of all my vinyl, I
893
00:58:21,760 --> 00:58:24,800
don't know, 30 years ago or
something, and now I'm going to
894
00:58:24,800 --> 00:58:28,080
start collecting it again at
like 20 times the price or
895
00:58:28,080 --> 00:58:30,440
whatever, right?
Probably, yeah.
896
00:58:30,440 --> 00:58:32,280
Yeah.
More than no.
897
00:58:32,280 --> 00:58:35,440
I don't think this will go away.
Yeah, at all.
898
00:58:35,960 --> 00:58:42,360
So aside from like you've had
two major shifts in technology I
899
00:58:42,360 --> 00:58:47,920
think in audio obviously line
array and digital consoles.
900
00:58:48,080 --> 00:58:52,400
Have there been, has there been
like mic technology or other
901
00:58:52,400 --> 00:58:55,920
things power, obviously digital
power has has changed some
902
00:58:55,920 --> 00:58:56,960
things but.
Yeah.
903
00:58:57,480 --> 00:59:00,200
Has there been any like
revolutionary changes?
904
00:59:00,480 --> 00:59:05,360
That that's the two.
That's the two major, major,
905
00:59:06,000 --> 00:59:09,840
it's pretty big things like
digital consoles definitely
906
00:59:09,840 --> 00:59:14,080
being like I would say that's
even bigger than the line array
907
00:59:15,320 --> 00:59:20,960
technology and then yeah, line
array probably the the second
908
00:59:20,960 --> 00:59:23,800
one, but I mean other than that
it's very.
909
00:59:25,120 --> 00:59:28,720
Well, digital consoles is such a
big topic too, because you know
910
00:59:28,720 --> 00:59:32,560
Dante and all of the plugins and
that whole universe.
911
00:59:32,760 --> 00:59:35,240
It's not.
Just the the control surface
912
00:59:35,240 --> 00:59:37,520
itself.
It's all of the other stuff that
913
00:59:37,520 --> 00:59:40,040
came with it, right?
I mean, yeah.
914
00:59:40,040 --> 00:59:43,600
And and that actually I would,
if you would separate that a
915
00:59:43,600 --> 00:59:48,960
little bit that that that part
from the console like the DSP
916
00:59:49,600 --> 00:59:54,800
power processing power is maybe
the third one because that's
917
00:59:54,840 --> 00:59:59,600
obviously not only a thing in,
in consoles, but it's also in in
918
00:59:59,600 --> 01:00:05,000
like reverb units or even the
guitar processing stuff,
919
01:00:05,000 --> 01:00:07,760
modeling amps, blah, blah.
But that would have not been
920
01:00:07,760 --> 01:00:12,120
possible.
Without having this ginormous
921
01:00:12,120 --> 01:00:16,480
amount of processing power
basically in your hand.
922
01:00:16,840 --> 01:00:23,880
I mean you also experienced the
birth of of cell phones and and
923
01:00:23,880 --> 01:00:29,960
how this looked in the beginning
and like basically first laptops
924
01:00:29,960 --> 01:00:34,720
and how how laptops look now of
course like I was also in the
925
01:00:34,720 --> 01:00:37,000
middle of all this when I when I
grew up.
926
01:00:37,000 --> 01:00:41,280
And this is like you know what
used to be a suitcase sized
927
01:00:42,640 --> 01:00:47,600
thing is now basically in your
in your hand and even even more
928
01:00:48,080 --> 01:00:49,280
than that.
So it's.
929
01:00:49,280 --> 01:00:51,720
Well, they always compare.
They always compare, like the
930
01:00:51,720 --> 01:00:56,840
iPhone, the power of an iPhone
to like the original space
931
01:00:56,840 --> 01:00:59,440
shuttle.
This has more computing power
932
01:00:59,440 --> 01:01:01,720
than the original space.
Shuttle right, Which is?
933
01:01:01,720 --> 01:01:02,720
Incredible.
You know.
934
01:01:05,000 --> 01:01:08,840
So what was I gonna ask you?
Oh, so you use D and BI guess
935
01:01:09,240 --> 01:01:11,120
pretty much exclusively if you
can if.
936
01:01:11,360 --> 01:01:16,160
If I can, yeah.
You know, so I I had a very, I
937
01:01:16,160 --> 01:01:18,760
have a very good relationship
with them because that's
938
01:01:18,760 --> 01:01:22,720
basically what I grew up on.
Of course, like on on on their
939
01:01:22,720 --> 01:01:27,720
PA's like from 20 years ago that
the club I started to work in
940
01:01:28,600 --> 01:01:33,240
here in Salzburg, I just had a
DMB install and that's when I
941
01:01:33,240 --> 01:01:36,440
had my first contact.
So I know a lot of people there
942
01:01:36,440 --> 01:01:42,880
and yeah, yeah, it's I always
like it to yeah, semi close
943
01:01:43,160 --> 01:01:49,400
proximity and it's like they
they like me for some reason and
944
01:01:49,440 --> 01:01:52,840
they always, I can give feedback
on certain things.
945
01:01:52,840 --> 01:01:55,280
That's cool.
It's always nice to do things
946
01:01:55,280 --> 01:02:00,200
like that.
Yeah, I'm old enough.
947
01:02:00,400 --> 01:02:05,960
I started in the industry on the
lighting side, and I came into
948
01:02:05,960 --> 01:02:09,920
lighting right when automated
lighting was becoming a thing.
949
01:02:10,320 --> 01:02:15,760
And so the whole transition
from, you know, fixed park hands
950
01:02:15,760 --> 01:02:17,840
and things.
So, you know, when I started,
951
01:02:17,840 --> 01:02:20,280
most shows were still mostly
park hands.
952
01:02:20,480 --> 01:02:23,080
Occasionally you had somebody
who had some Vera lights, but
953
01:02:23,080 --> 01:02:26,080
that was it, right.
And then the companies I was
954
01:02:26,080 --> 01:02:29,320
working with were creating
alternatives to the to the Vera
955
01:02:29,320 --> 01:02:32,760
lights.
And so I just saw something
956
01:02:32,760 --> 01:02:35,960
similar.
I remember when I saw my first
957
01:02:35,960 --> 01:02:38,560
moving light and I was like,
whoa, you know, nobody's ever
958
01:02:38,560 --> 01:02:41,800
going to use a fixed position
light again.
959
01:02:41,800 --> 01:02:44,800
Why would you, you know, when
you can change color, Why would
960
01:02:44,800 --> 01:02:47,000
you use a light that just does
one thing.
961
01:02:47,800 --> 01:02:53,080
I recently, so I'm from Calgary,
Canada, and last summer when I
962
01:02:53,080 --> 01:02:56,480
was there, my house is just
outside of Calgary in the
963
01:02:56,480 --> 01:02:58,680
mountains.
And when I was there last
964
01:02:58,680 --> 01:03:05,040
summer, I was invited to PK
Sound to see their system and I
965
01:03:05,040 --> 01:03:07,080
didn't really know what I was
walking into.
966
01:03:07,080 --> 01:03:08,840
Right.
And I went into their showroom
967
01:03:09,560 --> 01:03:12,720
and they said, you know here's a
typical setup for an
968
01:03:12,720 --> 01:03:17,400
installation and but let's say
there's suddenly a 12 foot wide
969
01:03:17,400 --> 01:03:21,040
column right in front of your
your, you know your your
970
01:03:21,040 --> 01:03:26,000
speakers and you know you're
missing sound to a a big part of
971
01:03:26,000 --> 01:03:30,360
the venue or whatever.
And the rig started moving and I
972
01:03:30,360 --> 01:03:33,720
was like what the hell is going
on here?
973
01:03:34,040 --> 01:03:35,600
And they showed it to me on the
screen.
974
01:03:35,600 --> 01:03:38,760
What was happening and the all
the science behind it and the
975
01:03:39,480 --> 01:03:43,200
and I was just blown away and I
remember feeling the same thing
976
01:03:43,200 --> 01:03:48,400
like why would anyone want a rig
that you can't adjust in the air
977
01:03:48,760 --> 01:03:54,760
once you see this technology you
know and but I think you know
978
01:03:54,760 --> 01:03:58,320
that the challenge to that is
obviously that it's kind of like
979
01:03:58,320 --> 01:04:01,960
Betamax where everybody knew
Betamax was better but because
980
01:04:01,960 --> 01:04:05,920
it was only available from Sony
in that one device, it didn't
981
01:04:05,920 --> 01:04:08,880
make much sense where VHS you
could get it anywhere, right.
982
01:04:09,400 --> 01:04:12,600
And so that might become a
problem where people don't want
983
01:04:12,600 --> 01:04:15,080
to change brands just to get
that feature.
984
01:04:15,480 --> 01:04:16,920
I don't know.
Do you have any thoughts about?
985
01:04:16,920 --> 01:04:23,480
Yeah, I I it's funny because
like Daryl is on me all the time
986
01:04:23,480 --> 01:04:28,400
as well when we were in Canada
to come and and see one of their
987
01:04:28,400 --> 01:04:29,440
systems.
Yeah.
988
01:04:32,560 --> 01:04:38,280
So I mean I don't I heard of it
and I know that it's like self
989
01:04:38,280 --> 01:04:42,400
adjusting so to speak.
But I don't know there's a lot
990
01:04:42,400 --> 01:04:51,200
of there's nothing that it does
that you can't really do with
991
01:04:51,200 --> 01:04:56,080
something else either other than
like I can't think of a
992
01:04:56,080 --> 01:05:01,160
situation where I'm like setting
it up in the morning and then
993
01:05:01,160 --> 01:05:05,240
all of a sudden I have the I
have the urge or the need to to
994
01:05:05,280 --> 01:05:09,480
to move it again.
So that that that's where I see
995
01:05:09,480 --> 01:05:12,880
the issue with with that.
And then it's, it's very heavy
996
01:05:12,880 --> 01:05:16,960
as far as I know, obviously
because there's motors in it
997
01:05:17,080 --> 01:05:17,920
and.
Stuff into.
998
01:05:18,400 --> 01:05:23,200
The box I mean EAW tried
something similar if I remember
999
01:05:23,200 --> 01:05:31,160
correctly with the idea a couple
of years back and I.
1000
01:05:31,280 --> 01:05:32,760
I just find it intriguing, you
know?
1001
01:05:32,840 --> 01:05:37,240
Like to me, when I saw it, I was
like, wow, you know?
1002
01:05:37,480 --> 01:05:42,840
It's an interesting idea, yeah,
that's for sure.
1003
01:05:42,840 --> 01:05:47,640
I'm not sure how, how practical
it it is.
1004
01:05:47,640 --> 01:05:54,400
Like in a real world doing 300
shows a year type of situation,
1005
01:05:54,600 --> 01:05:56,640
yeah.
But you know, who knows?
1006
01:05:57,520 --> 01:06:01,720
It's like.
I for me this is always very
1007
01:06:03,320 --> 01:06:07,160
like I got asked a couple of
times like in Frankfurt or
1008
01:06:07,160 --> 01:06:09,720
whatever on the on the pro light
and sound, it's like where do
1009
01:06:09,720 --> 01:06:12,920
you think a certain technology
is going or whatever.
1010
01:06:12,920 --> 01:06:17,640
It's like, I don't know.
It's like I just use it, you
1011
01:06:17,720 --> 01:06:19,160
know?
Did you go to the show this
1012
01:06:19,240 --> 01:06:21,320
year?
No, no.
1013
01:06:21,320 --> 01:06:24,760
The pro Latin sound has been
dead for a couple of years.
1014
01:06:25,200 --> 01:06:30,400
Now since it's I think Messa.
Right, Yeah.
1015
01:06:31,440 --> 01:06:33,880
Was it a complete?
I don't remember what how that
1016
01:06:33,880 --> 01:06:35,960
happened.
Well, Messa, I just heard hasn't
1017
01:06:35,960 --> 01:06:39,640
come back, so oh.
It It hasn't.
1018
01:06:39,760 --> 01:06:41,520
Oh, that's true.
It hasn't come back at all.
1019
01:06:41,520 --> 01:06:42,560
It hasn't come back.
Yeah, yeah, yeah.
1020
01:06:42,840 --> 01:06:44,360
Yeah.
Because it used to be such a
1021
01:06:44,480 --> 01:06:46,840
huge show like I used to go to
music.
1022
01:06:47,280 --> 01:06:48,840
Messa and.
Pro Light every year.
1023
01:06:49,000 --> 01:06:51,760
Crazy.
And it was just such a massive
1024
01:06:51,760 --> 01:06:53,480
show.
You had to take the bus to get
1025
01:06:53,480 --> 01:06:56,320
from, you know, the sound
pavilion to the lighting
1026
01:06:56,360 --> 01:06:58,920
pavilion or whatever, right?
Hold on one second.
1027
01:07:00,760 --> 01:07:03,600
Now it's now it's much smaller.
Yeah.
1028
01:07:03,960 --> 01:07:09,680
So, you know, you you, you gave
us back a funny statement when
1029
01:07:09,680 --> 01:07:15,440
she asked you, you know, just
funny stories of being on the
1030
01:07:15,440 --> 01:07:20,200
road for 25 years with this band
and, you know, being their
1031
01:07:20,200 --> 01:07:23,720
babysitter.
And you know, I mean, that's so
1032
01:07:23,720 --> 01:07:27,120
typical.
Rock bands in particular, I
1033
01:07:27,120 --> 01:07:30,320
think worse than pop artists,
Like pop artists I think have
1034
01:07:30,800 --> 01:07:34,120
sort of there's a list of things
that every pop artist is going
1035
01:07:34,120 --> 01:07:37,080
to do wrong or whatever.
But rock bands are looking for
1036
01:07:37,080 --> 01:07:39,400
trouble.
Like rock bands started the
1037
01:07:39,400 --> 01:07:42,360
whole thing of throwing
televisions out hotel windows
1038
01:07:42,360 --> 01:07:46,720
and flipping cars over.
And you know, I remember one
1039
01:07:46,720 --> 01:07:50,960
time we, we, we took furniture
out of all the hotel rooms and
1040
01:07:50,960 --> 01:07:55,960
we furnished the elevators and
and we were like betting on who
1041
01:07:55,960 --> 01:07:58,000
could furnish the elevator
better.
1042
01:07:58,000 --> 01:08:00,560
Like there were six elevators or
whatever, and we furnished the
1043
01:08:00,560 --> 01:08:04,120
elevators with plants and
televisions and couches and
1044
01:08:04,120 --> 01:08:04,800
everything.
Right.
1045
01:08:05,680 --> 01:08:08,680
It's just stupid things you do
when you're bored, you know?
1046
01:08:09,360 --> 01:08:13,520
But, you know, you mentioned one
story in particular about
1047
01:08:13,520 --> 01:08:15,760
running around South America
with lots of cash.
1048
01:08:16,240 --> 01:08:21,439
And it's funny because when I
was early with Martin Lighting,
1049
01:08:22,160 --> 01:08:25,399
I remember we had a guy who was
relatively new with us.
1050
01:08:25,399 --> 01:08:28,720
Now he works for Robe Lighting,
but he was new with us at the
1051
01:08:28,720 --> 01:08:33,720
time and he had to go with one
of our sales people down to he.
1052
01:08:33,720 --> 01:08:36,560
He was a guy who did the demos
like he controlled the lights
1053
01:08:36,560 --> 01:08:39,640
and stuff during demos and he
had to go to South America to
1054
01:08:39,640 --> 01:08:42,560
show off some new technology in
a few different countries.
1055
01:08:43,080 --> 01:08:45,960
And the first country we went,
they went to, it was him.
1056
01:08:45,960 --> 01:08:49,040
And one of our sales people,
first country they went to, paid
1057
01:08:49,040 --> 01:08:53,240
us like 60,000 in cash or
something to pay off something
1058
01:08:53,240 --> 01:08:57,359
on their account.
And he was so nervous 'cause he
1059
01:08:57,359 --> 01:09:02,200
was traveling all over South
America with this, this $60,000
1060
01:09:02,200 --> 01:09:05,520
in cash in his suitcase and he
had to keep checking that box
1061
01:09:05,520 --> 01:09:08,399
saying I don't have more than
10,000 in cash or whatever.
1062
01:09:09,000 --> 01:09:12,439
And he was so nervous.
So your your statement reminded
1063
01:09:12,439 --> 01:09:16,040
me of that.
Yeah, I mean thank God those
1064
01:09:16,080 --> 01:09:22,479
those days are basically over.
And to me it was always very
1065
01:09:22,920 --> 01:09:27,600
bizarre anyway because it's
like, I mean in South America,
1066
01:09:27,600 --> 01:09:31,920
OK, that's one thing.
But you know like especially in
1067
01:09:31,920 --> 01:09:36,880
the in the earlier days it was
pretty much like a Wild West
1068
01:09:37,760 --> 01:09:40,000
type of situation and and you
knew that.
1069
01:09:40,560 --> 01:09:46,520
But even in the US there was so
many things that were handled
1070
01:09:46,840 --> 01:09:50,600
cash where I'm like what do you
want me to do with this?
1071
01:09:50,640 --> 01:09:53,359
This is like what?
Just wire it.
1072
01:09:53,880 --> 01:09:55,120
Yeah.
What do you mean?
1073
01:09:55,600 --> 01:09:59,800
And this is like literally just
like 15 years ago where they
1074
01:09:59,960 --> 01:10:02,200
crazy.
It was either cash or it was a
1075
01:10:02,200 --> 01:10:05,680
check.
And I'm like, I'm European.
1076
01:10:05,680 --> 01:10:07,600
I have never seen a check in my
life.
1077
01:10:08,080 --> 01:10:10,600
You know what I mean?
I have a bank account and a card
1078
01:10:10,600 --> 01:10:13,320
and you can wire to this bank
account.
1079
01:10:13,320 --> 01:10:17,040
This is how it works.
Like how are you not, this is
1080
01:10:17,160 --> 01:10:20,440
very bizarre for me.
But on this, this was one of the
1081
01:10:20,440 --> 01:10:23,760
first like the note that I that
I that I wrote.
1082
01:10:23,760 --> 01:10:30,240
This was one of the first South
American runs I did and it just
1083
01:10:30,240 --> 01:10:36,520
kept piling on and I had like
this little like to me Weekender
1084
01:10:37,080 --> 01:10:40,160
back basically.
And by the end of the of the run
1085
01:10:40,160 --> 01:10:43,080
it wasn't even that long.
It was like 10 days or two weeks
1086
01:10:43,080 --> 01:10:45,440
or something.
It was literally, it was, it was
1087
01:10:45,440 --> 01:10:52,000
filled to the top with like in
U.S. dollars and it was, it was
1088
01:10:52,000 --> 01:10:57,760
not a comfortable no.
And I mean I would definitely, I
1089
01:10:57,760 --> 01:11:00,960
wouldn't do something like that
nowadays.
1090
01:11:01,040 --> 01:11:03,640
I would just refuse.
It's like, yeah, it's not you
1091
01:11:03,640 --> 01:11:06,600
talk to the agent and you figure
it out how we get the money.
1092
01:11:06,600 --> 01:11:07,440
I don't.
I don't care.
1093
01:11:07,960 --> 01:11:11,560
You know, but it's funny because
until very recently, like I
1094
01:11:11,560 --> 01:11:14,160
talked to a lot of tour managers
and stuff and until very
1095
01:11:14,160 --> 01:11:18,640
recently settlements were done
in cash and.
1096
01:11:18,880 --> 01:11:22,680
Oh, it's not like they're gone.
We just did South America in
1097
01:11:22,680 --> 01:11:27,040
November, December last year.
There was a bunch of them that
1098
01:11:27,040 --> 01:11:30,320
were like, Oh yeah, we couldn't
get to the bank to wire it in
1099
01:11:30,320 --> 01:11:32,840
times that we're going to pay
you the balance in cash.
1100
01:11:33,120 --> 01:11:35,880
No, you're not.
I'm not picking up like in 50
1101
01:11:36,000 --> 01:11:39,040
grand or whatever you do, you
know, it's like, are you insane?
1102
01:11:39,640 --> 01:11:41,360
It's like I have three weeks to
go.
1103
01:11:41,360 --> 01:11:45,280
I'm going to like, in Colombia.
And you know, I have no
1104
01:11:45,360 --> 01:11:48,240
intention to carry that amount
of money.
1105
01:11:48,600 --> 01:11:50,920
No.
Well, and I mean the same, by
1106
01:11:50,920 --> 01:11:53,920
the way, the same person at the
venue who did that settlement
1107
01:11:53,920 --> 01:11:58,040
for 50,000 in cash, he's calling
up his brother and saying, hey,
1108
01:11:58,160 --> 01:12:00,920
they're driving a white van.
White van.
1109
01:12:01,360 --> 01:12:04,520
They're going from here to
Bolivia and they're going to
1110
01:12:04,520 --> 01:12:08,560
cross this road right here, you
know, And then your, your car,
1111
01:12:08,680 --> 01:12:12,160
your car is getting attacked by
a bunch of guys jumping out of
1112
01:12:12,160 --> 01:12:15,240
the jungle or something and and
you lose the money, right.
1113
01:12:15,400 --> 01:12:17,640
So yeah.
I mean, it was pretty.
1114
01:12:17,720 --> 01:12:23,120
It was pretty dumb so to speak
to do it back in the day but it
1115
01:12:23,120 --> 01:12:28,120
was also I mean it was also
obviously way different sums we
1116
01:12:28,120 --> 01:12:35,640
were talking and I just think in
general this it changed like
1117
01:12:35,640 --> 01:12:43,480
back then it was more like you
know if you could take if you
1118
01:12:43,480 --> 01:12:46,320
have worked with certain
promoters a couple of times you
1119
01:12:46,320 --> 01:12:49,600
could take the word for it and
and you know it all it was kind
1120
01:12:49,600 --> 01:12:54,920
of it had this type of quality
which which was nice and and
1121
01:12:54,920 --> 01:12:57,640
nowadays it's either.
Super.
1122
01:12:57,640 --> 01:13:00,400
Corporate.
It's super shady.
1123
01:13:00,640 --> 01:13:03,000
There's nothing in between
anymore.
1124
01:13:03,000 --> 01:13:09,400
You know I'm I'm, I'm lucky to
be on the Super corporate type
1125
01:13:10,480 --> 01:13:14,640
or side of things where I don't
have to worry about these type
1126
01:13:14,760 --> 01:13:21,400
of situations most of the time.
But yeah, the big.
1127
01:13:21,560 --> 01:13:23,800
The big.
Pop the big pop and country
1128
01:13:23,800 --> 01:13:26,480
tours and stuff.
You know, I was, I was.
1129
01:13:26,520 --> 01:13:28,640
I refer to this article all the
time.
1130
01:13:28,640 --> 01:13:33,880
But I read an article from
Rapino from Live Nation and he
1131
01:13:33,880 --> 01:13:38,800
says that the the reason that
tours just keep growing and
1132
01:13:38,800 --> 01:13:42,440
growing and growing and ticket
sales are so crazy and all of
1133
01:13:42,440 --> 01:13:46,000
this stuff is because of social
media followings.
1134
01:13:46,360 --> 01:13:49,440
You know, these artists might
have 10 million followers on
1135
01:13:49,440 --> 01:13:51,920
social media.
And he said my job's easy.
1136
01:13:51,920 --> 01:13:56,600
All I got to do is sell tickets
to 5% of them and but in in the
1137
01:13:56,600 --> 01:14:00,280
middle genre I would think that
it's not so much like that like
1138
01:14:00,280 --> 01:14:03,960
or or is it also driven by
social media and?
1139
01:14:05,280 --> 01:14:11,920
I think it got a lot more
important maybe later than than
1140
01:14:11,920 --> 01:14:17,320
in other genres, but by now you
can definitely tell that that
1141
01:14:17,800 --> 01:14:24,640
there is some bands that do
really well, partly because of
1142
01:14:24,960 --> 01:14:29,280
how they deal with their social
media and how well they actually
1143
01:14:29,680 --> 01:14:34,280
play it.
You know, there's, I can't think
1144
01:14:34,280 --> 01:14:37,880
of anybody right now, but
there's definitely a few out
1145
01:14:37,880 --> 01:14:42,320
there that wouldn't be as big as
they are if it wouldn't be
1146
01:14:42,320 --> 01:14:47,400
partly because of social media.
But then again, I mean, you
1147
01:14:47,400 --> 01:14:49,640
know, people are not stupid
either.
1148
01:14:49,640 --> 01:14:52,400
Audiences are not stupid
nowadays.
1149
01:14:52,400 --> 01:14:58,360
If you don't deliver a certain
quality of show, they go once
1150
01:14:58,720 --> 01:15:01,960
and that's it.
And then that doesn't really
1151
01:15:01,960 --> 01:15:04,760
help anyone either, because
sooner or later you're going to
1152
01:15:04,760 --> 01:15:07,280
run out of people to sell
tickets to.
1153
01:15:07,520 --> 01:15:11,240
Exactly.
But it's a very bizarre time.
1154
01:15:11,240 --> 01:15:16,040
Now post Kovid, so to speak
anyway, because there's all
1155
01:15:16,040 --> 01:15:19,080
this, you know, you hear it
everywhere.
1156
01:15:19,080 --> 01:15:21,640
All the cost of living just
exploded.
1157
01:15:21,640 --> 01:15:23,600
People don't have any money
anymore.
1158
01:15:23,600 --> 01:15:27,600
Everything is so expensive,
especially over here in Europe
1159
01:15:27,680 --> 01:15:31,280
with like electricity and gas
and whatnot, with the war in
1160
01:15:31,280 --> 01:15:33,600
Ukraine and all this bullshit
going on.
1161
01:15:34,880 --> 01:15:43,240
But on the other hand, like
whatever Taylor Swift or
1162
01:15:43,240 --> 01:15:47,680
Coldplay who who pay like play
like 10 shows in the same city,
1163
01:15:48,800 --> 01:15:52,040
you know, for ticket prices that
are like way higher than
1164
01:15:52,680 --> 01:15:58,200
probably any metal tour ever.
And at the same time, like what
1165
01:15:58,200 --> 01:16:03,240
we've seen or what I've seen
with a bunch of bands is merch
1166
01:16:03,240 --> 01:16:10,640
sales are crazy.
After COVID, when we went to
1167
01:16:10,640 --> 01:16:14,720
certain cities where we would
do, I don't know, 5 bucks ahead,
1168
01:16:14,920 --> 01:16:18,400
it's 10 now and it's like, how
is that?
1169
01:16:18,440 --> 01:16:20,160
Like I don't get it and.
They'll buy.
1170
01:16:21,440 --> 01:16:23,640
Anything.
This doesn't really go together
1171
01:16:23,640 --> 01:16:28,480
with what you read everywhere
that people don't have any
1172
01:16:28,480 --> 01:16:30,240
money.
It's like okay, Obviously they
1173
01:16:30,240 --> 01:16:33,680
do have money, they just spend
it way differently than what
1174
01:16:33,680 --> 01:16:36,400
they did like three years ago.
I was talking recently with
1175
01:16:36,400 --> 01:16:41,040
someone in the confetti business
and they said, like after a show
1176
01:16:41,040 --> 01:16:44,640
like a Taylor Swift show or
something, people are on eBay
1177
01:16:44,920 --> 01:16:49,240
selling pieces of confetti for
like $20 or €20 or whatever,
1178
01:16:49,240 --> 01:16:52,320
right?
For a little tiny bag of pieces
1179
01:16:52,320 --> 01:16:55,280
of confetti that were blown off
in the show the two nights
1180
01:16:55,280 --> 01:16:59,080
earlier or something, it's it's
shocking to me.
1181
01:16:59,240 --> 01:16:59,880
It's.
Shocking.
1182
01:16:59,880 --> 01:17:02,240
Yeah, that's crazy.
And that's probably even the
1183
01:17:02,240 --> 01:17:04,840
more short.
Sweeping up the stadium floor or
1184
01:17:04,840 --> 01:17:06,520
whatever.
You know, it's probably those
1185
01:17:06,520 --> 01:17:09,080
people who got smart and said
I'm going to sell this shit on
1186
01:17:09,080 --> 01:17:12,480
eBay and they're filling their
pockets and bags with confetti
1187
01:17:12,480 --> 01:17:15,960
and stuff, right?
But more crazy to me than
1188
01:17:15,960 --> 01:17:18,200
selling it is actually that
there's people out there who
1189
01:17:18,200 --> 01:17:21,080
actually will buy that.
That is something that I
1190
01:17:21,080 --> 01:17:23,440
completely do not understand
well.
1191
01:17:23,480 --> 01:17:24,200
It's like.
Remember.
1192
01:17:24,200 --> 01:17:27,240
People will pay $1,000,000 for
like a what was it?
1193
01:17:27,240 --> 01:17:28,840
A grilled cheese sandwich or
whatever?
1194
01:17:28,840 --> 01:17:32,480
Because it looked like Jesus, I
forget the story, but you know,
1195
01:17:33,000 --> 01:17:36,760
people will pay.
There's so much money out there
1196
01:17:36,760 --> 01:17:40,680
right now that seems to a lot of
it is in the hands of really
1197
01:17:40,680 --> 01:17:44,240
stupid people who will spend any
amount of money to buy things.
1198
01:17:44,600 --> 01:17:48,960
And you know, like, I'm a big
fan of, I'm a big fan of classic
1199
01:17:48,960 --> 01:17:53,360
cars, classic sports cars,
Camaros and you know, all kinds
1200
01:17:53,360 --> 01:17:55,560
of them.
Cutlass and all of the beautiful
1201
01:17:55,560 --> 01:18:00,480
cars from the 60s and stuff.
Corvettes and the pricing now is
1202
01:18:00,480 --> 01:18:03,120
so insane, you know?
It's just.
1203
01:18:03,280 --> 01:18:06,960
Completely insane.
It's it's, I don't know, there's
1204
01:18:06,960 --> 01:18:08,760
a lot of money out there, you
know?
1205
01:18:08,960 --> 01:18:12,120
Yeah.
And I mean it, it has to be it's
1206
01:18:12,120 --> 01:18:15,200
yeah, yeah, I can't.
I can't really.
1207
01:18:16,280 --> 01:18:20,920
Does most of your.
Does most of your work come from
1208
01:18:21,040 --> 01:18:24,400
touring or or festivals?
I know festivals, especially in
1209
01:18:24,400 --> 01:18:26,120
metal festivals, are huge in
Europe.
1210
01:18:26,120 --> 01:18:27,080
Still right?
But.
1211
01:18:28,920 --> 01:18:32,000
Yeah, I mean there are huge,
there's huge festivals
1212
01:18:32,000 --> 01:18:36,760
everywhere I would say.
I mean the Europeans obviously
1213
01:18:37,680 --> 01:18:43,040
in invented the the like 3 day
type of camping blah blah blah.
1214
01:18:43,520 --> 01:18:47,200
That to my knowledge at least
that doesn't that didn't exist
1215
01:18:47,200 --> 01:18:51,920
in the in the US before
Coachella and it doesn't really
1216
01:18:51,920 --> 01:18:57,440
exist other than with Coachella
either you know.
1217
01:18:59,320 --> 01:19:06,760
But it's yeah usually like there
is always there's always a good
1218
01:19:06,760 --> 01:19:11,960
amount of of festivals on on
every on every cycle.
1219
01:19:12,480 --> 01:19:19,160
You usually do like on an album
cycle you you might do 2 to 3
1220
01:19:19,160 --> 01:19:23,280
summers of festivals.
You know the big important ones
1221
01:19:23,280 --> 01:19:26,360
in the first year when the album
came out and then like the
1222
01:19:26,360 --> 01:19:32,600
secondary ones that you couldn't
do because of date clashes or
1223
01:19:32,600 --> 01:19:36,320
whatever you do the second year
and then you you go to the
1224
01:19:36,920 --> 01:19:40,080
obscure ones so to speak like
that are in in the Wilder
1225
01:19:40,080 --> 01:19:44,360
countries in the third year.
So it's it's it's a lot, but
1226
01:19:44,360 --> 01:19:47,760
it's also very compressed in in
time so.
1227
01:19:47,800 --> 01:19:52,520
Yeah, but I remember somebody
recently in the Netherlands was
1228
01:19:52,520 --> 01:19:56,480
telling me, you know, touring's
not so big in the Netherlands
1229
01:19:56,480 --> 01:19:59,200
and I said, oh, that's too bad,
so you don't get to see no much
1230
01:19:59,200 --> 01:20:01,800
live music.
And he said no, there are.
1231
01:20:01,800 --> 01:20:06,240
I forget the number.
I think it was 1500 festivals.
1232
01:20:06,560 --> 01:20:08,800
In the Netherlands oh that's
yeah I'm.
1233
01:20:09,360 --> 01:20:12,400
Yeah, yeah, I'm.
Just like what, you know, it's a
1234
01:20:12,440 --> 01:20:15,440
small country of what, 5 million
people or something.
1235
01:20:15,920 --> 01:20:16,760
I don't.
Even remember.
1236
01:20:17,200 --> 01:20:19,840
But.
Yeah, 1500 festivals,
1237
01:20:21,160 --> 01:20:29,760
Netherlands and Belgium.
Is is is special because it's
1238
01:20:29,760 --> 01:20:34,200
very they pump a lot of
government money into the
1239
01:20:34,200 --> 01:20:39,120
entertainment industry.
And so I mean the best, one of
1240
01:20:39,120 --> 01:20:46,800
the best European festivals in
my opinion for the metal genre
1241
01:20:46,800 --> 01:20:53,240
is definitely Cusp up in Belgium
because everything is just
1242
01:20:54,200 --> 01:20:56,960
perfect.
The whole infrastructure with
1243
01:20:57,160 --> 01:21:01,120
the way that backstage is set
up, it's even if the weather is
1244
01:21:01,120 --> 01:21:05,040
not good, you're not in the mud.
It's not you know you have like
1245
01:21:05,040 --> 01:21:09,360
proper facilities with like
showers and bathrooms and it's
1246
01:21:09,360 --> 01:21:14,560
it's all really, really nice and
really well done and that's very
1247
01:21:14,560 --> 01:21:18,000
unique to to like Belgium and
Netherlands, like all the
1248
01:21:18,000 --> 01:21:22,560
smaller, there's a lot of
smallish clubs in in the
1249
01:21:22,560 --> 01:21:27,520
Netherlands that like between
1000 to like 15103 thousand
1250
01:21:27,520 --> 01:21:33,080
people or whatever.
And they're all like purpose
1251
01:21:33,080 --> 01:21:39,000
built venues, you know with with
the little details that are
1252
01:21:39,000 --> 01:21:43,120
important, a lot of dressing
rooms, you know a big enough
1253
01:21:43,160 --> 01:21:46,960
freight elevator or whatever.
Most of the time what they do is
1254
01:21:46,960 --> 01:21:51,880
they build buildings where they
have like 3 capacity sizes in
1255
01:21:51,880 --> 01:21:55,680
the same building.
So you know you can, you can be
1256
01:21:55,680 --> 01:21:59,120
a band that's on the verge and
you get booked into 500 capacity
1257
01:21:59,120 --> 01:22:01,520
and all this, Oh no we didn't.
Let's move it and make.
1258
01:22:01,560 --> 01:22:04,960
It to the big room.
Stuff like that.
1259
01:22:04,960 --> 01:22:08,920
But it all, it all makes a lot
of sense and you can tell that
1260
01:22:08,920 --> 01:22:15,520
there's a that there's a lot of
government money spent because
1261
01:22:16,360 --> 01:22:22,560
obviously some people in the
government value that this is
1262
01:22:23,160 --> 01:22:25,640
that this is actually important
to people and I mean they're
1263
01:22:26,440 --> 01:22:30,160
making arts off of it and life,
entertainment, whatever genre it
1264
01:22:30,160 --> 01:22:32,720
might be, is important to the
people.
1265
01:22:33,200 --> 01:22:36,320
You know it's important for
mental health as we have seen a
1266
01:22:36,320 --> 01:22:39,280
couple of years ago that it's
not good if everything just
1267
01:22:39,320 --> 01:22:42,240
stops.
So you know, it's like I I don't
1268
01:22:42,840 --> 01:22:50,040
it's to me, it's very bizarre
that that this is so spotty, so
1269
01:22:50,040 --> 01:22:52,320
to speak.
Where, where why why is there
1270
01:22:52,320 --> 01:22:56,200
not more money spent on on all
this could be all a much nicer
1271
01:22:56,200 --> 01:23:00,120
experience for everyone, you
know, for the people working the
1272
01:23:00,120 --> 01:23:04,280
industry, for the people who go
to the shows.
1273
01:23:05,160 --> 01:23:07,520
It's it's not rocket science,
you know.
1274
01:23:07,560 --> 01:23:11,200
And it's obviously still big
business, like there's good
1275
01:23:11,200 --> 01:23:13,160
money to be made, of course.
So.
1276
01:23:13,720 --> 01:23:15,640
It's.
When did you get back to work
1277
01:23:15,640 --> 01:23:17,240
after COVID?
Speaking of COVID.
1278
01:23:19,520 --> 01:23:25,840
We did our first tour in 2022.
OK.
1279
01:23:26,520 --> 01:23:30,720
March, February, February 22.
You had pretty much two full
1280
01:23:30,720 --> 01:23:35,720
years off then.
I had almost exactly 2 years off
1281
01:23:36,120 --> 01:23:37,800
our.
It was for us.
1282
01:23:37,800 --> 01:23:45,880
It was very bizarre because we
were going to do Australia and
1283
01:23:45,880 --> 01:23:56,840
Asia and then quite late, late
in the game, they booked two
1284
01:23:56,840 --> 01:23:58,920
shows in Russia right before
that.
1285
01:23:59,600 --> 01:24:06,960
So our last show before COVID
hit was Saint Petersburg and
1286
01:24:06,960 --> 01:24:14,760
then we flew to Auckland in New
Zealand just to basically meet
1287
01:24:14,800 --> 01:24:19,360
at the lobby of the hotel and
then turn around, get get back
1288
01:24:19,360 --> 01:24:25,600
on the get back in the well.
We slept one night and then we
1289
01:24:25,600 --> 01:24:29,800
flew back home the next day.
Long flight to do an overnight
1290
01:24:30,080 --> 01:24:32,000
which you.
Know Stay Which Which was
1291
01:24:32,000 --> 01:24:35,680
bizarre.
And then I remember I got back
1292
01:24:35,680 --> 01:24:39,960
home on the like I flew, I
arrived in Auckland on the on
1293
01:24:39,960 --> 01:24:43,200
the on the Friday or Saturday
morning.
1294
01:24:43,480 --> 01:24:48,080
I flew back home on on Sunday
and I arrived at 5:00 or 6:00 in
1295
01:24:48,080 --> 01:24:52,600
the morning in Vienna on the
first day of our first lockdown
1296
01:24:53,480 --> 01:24:56,320
and it was just bizarre.
When I got out of the plane,
1297
01:24:56,680 --> 01:25:00,520
there was like 3 people at the
airport and then I took a
1298
01:25:01,280 --> 01:25:05,320
there's like a 2 1/2 hour train
ride from Vienna to Salzburg
1299
01:25:06,120 --> 01:25:08,720
again, I think I was the only
one on the train.
1300
01:25:08,720 --> 01:25:09,000
Oh.
My.
1301
01:25:09,520 --> 01:25:10,920
God.
And it was just, it was like
1302
01:25:10,920 --> 01:25:15,840
some somebody wiped out the,
the, the, all the people it.
1303
01:25:16,000 --> 01:25:21,240
Was like a bad sci-fi movie.
It was crazy, absolutely crazy,
1304
01:25:21,320 --> 01:25:25,000
you know, And I mean now
obviously it's especially crazy
1305
01:25:25,000 --> 01:25:29,680
with thinking that like playing
shows in Russia is, you know,
1306
01:25:29,680 --> 01:25:32,520
this is, I mean it's not going
to happen again in my lifetime.
1307
01:25:32,840 --> 01:25:34,880
I don't know.
I'm 100.
1308
01:25:34,920 --> 01:25:38,640
No, I'm 100% sure that we're not
going to go back to.
1309
01:25:38,720 --> 01:25:44,280
Yeah, this is not happening.
This is going to take way, way
1310
01:25:44,600 --> 01:25:50,920
too long to to re establish if
it's even going to happen.
1311
01:25:51,360 --> 01:25:54,760
I mean, we'll see what?
I don't know you.
1312
01:25:55,000 --> 01:25:57,960
Know what happens with the
Orange one in September and then
1313
01:25:58,360 --> 01:26:03,400
how that plays out in terms of
Ukraine and Russia and maybe we
1314
01:26:03,400 --> 01:26:07,160
have bigger issues come January
anyway.
1315
01:26:07,160 --> 01:26:12,280
But yeah, I don't, I don't, I
don't see any any real touring
1316
01:26:12,280 --> 01:26:14,920
going back there anytime anytime
soon.
1317
01:26:15,360 --> 01:26:18,880
No, it's.
Interesting, because I think as
1318
01:26:19,040 --> 01:26:22,240
as a world, we have a short
memory.
1319
01:26:23,040 --> 01:26:27,120
And you know, like remember all
the changes that we were going
1320
01:26:27,120 --> 01:26:29,560
to make during COVID, oh, we'll
never do this again.
1321
01:26:29,560 --> 01:26:31,440
And we're going to do it like
this in the future.
1322
01:26:31,440 --> 01:26:33,680
And now we're going to change
all of these things and it's
1323
01:26:33,680 --> 01:26:35,840
going to be much safer and much
better and we're going to treat
1324
01:26:35,840 --> 01:26:38,000
our people better and blah, blah
blah, yeah.
1325
01:26:38,000 --> 01:26:39,520
Bullshit.
Yeah, well.
1326
01:26:39,640 --> 01:26:40,280
That's it.
Yeah.
1327
01:26:40,400 --> 01:26:43,600
You know, here we are a few
years later, and we're worse
1328
01:26:43,600 --> 01:26:45,600
than we were in 2019 in most.
Ways.
1329
01:26:45,600 --> 01:26:47,000
Yeah, absolutely.
Yeah.
1330
01:26:47,040 --> 01:26:47,400
Yeah.
Yeah.
1331
01:26:47,880 --> 01:26:49,560
Yeah.
So I I I agree.
1332
01:26:49,720 --> 01:26:54,560
It's crazy.
Yeah, Sarah put a question in
1333
01:26:54,560 --> 01:26:57,280
here That said, are there any
frameworks, methods, or
1334
01:26:57,280 --> 01:27:00,800
processes that you found to be
especially useful in your work
1335
01:27:01,080 --> 01:27:06,560
that others may find useful too?
And you gave us an answer, but
1336
01:27:06,560 --> 01:27:07,640
do you remember what you
answered?
1337
01:27:08,600 --> 01:27:12,720
I think it was the thing that
what originally drew me to,
1338
01:27:13,160 --> 01:27:20,800
yeah, the audio side of things,
which which is the the fact that
1339
01:27:20,800 --> 01:27:25,880
you can basically try anything.
There is obviously certain
1340
01:27:26,720 --> 01:27:33,440
physical rules that apply, you
know, just like with a lot of a
1341
01:27:33,440 --> 01:27:37,920
lot of other or most other jobs
as well.
1342
01:27:38,600 --> 01:27:43,920
But I mean one thing
specifically would be that if
1343
01:27:43,920 --> 01:27:47,200
you have two mics on the snare
drum that you always have to
1344
01:27:47,200 --> 01:27:53,360
turn the bottom one in phase.
So it's as a whole, it's in
1345
01:27:53,360 --> 01:27:56,800
phase again.
And that's one of the that's the
1346
01:27:56,800 --> 01:27:57,840
rule.
You have to do it.
1347
01:27:58,040 --> 01:28:00,520
No, you don't.
You know, you don't have to do
1348
01:28:00,520 --> 01:28:04,160
it because yes, it makes sense
and on paper and you know, if
1349
01:28:04,160 --> 01:28:08,200
you calculate it, it's probably
right that you have to do it,
1350
01:28:08,440 --> 01:28:12,040
but you might actually get the
result that you are looking for
1351
01:28:12,160 --> 01:28:16,080
with not doing it as an as an
example.
1352
01:28:16,360 --> 01:28:20,880
It's like what I like about it
is doing, doing doing stuff
1353
01:28:21,400 --> 01:28:26,080
differently just to try it, not
for the sake of it, but you know
1354
01:28:26,200 --> 01:28:27,880
try it out.
There's nothing.
1355
01:28:27,880 --> 01:28:30,560
It's not going to hurt anyone.
It's not going to destroy
1356
01:28:30,560 --> 01:28:33,520
anything.
But where are you getting with
1357
01:28:33,600 --> 01:28:35,320
with this when you try things
out?
1358
01:28:35,560 --> 01:28:43,280
And I think that's a very
interesting thing to do in
1359
01:28:43,280 --> 01:28:47,320
general.
Like I I still do this to this
1360
01:28:47,320 --> 01:28:53,200
day after more than 20 years.
Just, you know, wipe out all my
1361
01:28:53,280 --> 01:28:59,160
EQ's for instance on on a show
file and like redo it or do it
1362
01:28:59,160 --> 01:29:02,520
with a different plug in or do
it completely.
1363
01:29:02,800 --> 01:29:06,600
That's interesting.
You know, try out things that
1364
01:29:06,600 --> 01:29:11,600
I've never tried before and with
some things it's definitely, you
1365
01:29:11,600 --> 01:29:16,080
know, don't never change your
running system like you
1366
01:29:16,080 --> 01:29:18,000
shouldn't.
This has been tried and tested
1367
01:29:18,000 --> 01:29:20,800
for 30 years.
Let's keep it like this because
1368
01:29:21,560 --> 01:29:24,200
it's fine.
But on other things it's like,
1369
01:29:24,200 --> 01:29:27,040
God, this is crazy.
This is actually awesome.
1370
01:29:27,040 --> 01:29:34,120
How how good that works and
different artists or different
1371
01:29:34,120 --> 01:29:39,080
genres require different
solutions And so it's like it's
1372
01:29:39,080 --> 01:29:44,320
it's one way of like keeping
myself on my toes so to speak, a
1373
01:29:44,320 --> 01:29:50,200
little bit to keep like learning
more or new things.
1374
01:29:50,920 --> 01:29:55,520
You know, sometimes I'm I'm
like, OK, I try something it
1375
01:29:55,520 --> 01:29:57,520
doesn't work for what I'm trying
to do.
1376
01:29:57,840 --> 01:30:02,040
And then years later I'm doing
something completely else.
1377
01:30:02,040 --> 01:30:05,080
And I remember, oh, I tried this
once and I do it in this
1378
01:30:05,080 --> 01:30:08,320
different application and it's
like, oh, this is great and this
1379
01:30:08,320 --> 01:30:12,040
is this is what it what it
should be in in in my opinion.
1380
01:30:12,040 --> 01:30:14,440
Or this means why I like my job
as much as?
1381
01:30:14,440 --> 01:30:16,440
I do.
I like, I like that concept
1382
01:30:16,440 --> 01:30:20,480
because I think you have to
challenge, you know, the norm or
1383
01:30:20,480 --> 01:30:22,760
challenge the rules or break the
rules.
1384
01:30:22,760 --> 01:30:25,280
You have to break things in
order to figure out how to make
1385
01:30:25,280 --> 01:30:28,080
them better sometimes, right?
And absolutely I.
1386
01:30:28,080 --> 01:30:30,240
Always use.
I always use racing examples
1387
01:30:30,320 --> 01:30:33,440
because my son is a racing
driver, but he grew up in go
1388
01:30:33,440 --> 01:30:37,920
karts and when he first started
karting and he was frustrated
1389
01:30:37,920 --> 01:30:39,600
that he wasn't getting faster
and stuff.
1390
01:30:39,600 --> 01:30:44,400
One of the things we did is I
would pay him 5-5 dollars every
1391
01:30:44,400 --> 01:30:48,120
time he went off at a corner and
hit the barrier.
1392
01:30:48,480 --> 01:30:51,760
I would pay him to hit the
barrier, and the reason I was
1393
01:30:51,760 --> 01:30:56,720
doing this was because he was
forcing himself to carry more
1394
01:30:56,720 --> 01:31:01,160
speed through those corners.
And when he when he found the
1395
01:31:01,160 --> 01:31:05,000
limit, he you'd have to go over
the limit to find the limit,
1396
01:31:05,000 --> 01:31:06,960
right?
So he'd go over the limit, hit
1397
01:31:06,960 --> 01:31:10,080
the barrier, and now he knew I
just got to lift a tiny bit
1398
01:31:10,080 --> 01:31:12,800
sooner, or I got a break a bit
sooner, a bit harder or
1399
01:31:12,800 --> 01:31:14,080
whatever.
Yeah, yeah.
1400
01:31:14,560 --> 01:31:18,520
Yeah, so he was learning highly
valuable lessons that were
1401
01:31:18,520 --> 01:31:23,520
making him a much better driver.
It was only costing me $5 and
1402
01:31:24,560 --> 01:31:27,560
and and he didn't get hurt, you
know, the barriers were soft and
1403
01:31:27,560 --> 01:31:29,440
it wasn't going to hurt him or
anything.
1404
01:31:29,800 --> 01:31:33,120
And it got over the fear of
going off track too, you know,
1405
01:31:33,120 --> 01:31:36,480
because every other driver was
lifting really early, breaking
1406
01:31:36,600 --> 01:31:40,720
really hard, etcetera.
So anyways, tell me about
1407
01:31:41,000 --> 01:31:44,840
Speaking of Russia.
There's something here about
1408
01:31:44,840 --> 01:31:48,920
naked musicians in in trains,
which sounds like a good name
1409
01:31:49,000 --> 01:31:51,280
for a metal song.
Naked Musicians in Russian
1410
01:31:51,280 --> 01:31:53,480
trains, you know.
Yeah, yeah.
1411
01:31:53,720 --> 01:31:56,280
What's that?
Yeah, that's that's also a long
1412
01:31:56,280 --> 01:32:02,440
time ago we used to take, we
used to take the night train
1413
01:32:02,440 --> 01:32:07,160
from Saint Petersburg to Moscow
or the other way.
1414
01:32:07,520 --> 01:32:11,360
So it would basically be do a
show in the one city, pack up,
1415
01:32:11,520 --> 01:32:14,880
go to the train station, get on
the train at like 1:00 in the
1416
01:32:14,880 --> 01:32:18,120
morning and then sleep on the
train.
1417
01:32:19,120 --> 01:32:23,360
It's such an arrive in the, in
the, in the other it was it was
1418
01:32:23,360 --> 01:32:24,680
awesome.
I'm joking.
1419
01:32:25,320 --> 01:32:28,160
I mean now, now it's fine
because they have this high
1420
01:32:28,160 --> 01:32:32,000
speed train now between the two
cities, which is only like 3
1421
01:32:32,000 --> 01:32:34,720
hours or something which is a
little bit more comfortable.
1422
01:32:35,280 --> 01:32:38,080
But there was nothing wrong with
it and it was always like, you
1423
01:32:38,080 --> 01:32:39,720
know, it was always a party
basically.
1424
01:32:40,920 --> 01:32:46,680
And that's how it is the naked
musicians came to, basically.
1425
01:32:46,720 --> 01:32:50,960
Because no, it's like
Scandinavian people for some
1426
01:32:50,960 --> 01:32:55,560
reason get naked in the most
bizarre.
1427
01:32:55,560 --> 01:32:59,520
Because they're drunk.
Yeah, but not sometimes they're
1428
01:32:59,520 --> 01:33:01,080
sober as well.
They just don't.
1429
01:33:01,360 --> 01:33:04,600
This was like something new to
me as well in the in the very
1430
01:33:04,600 --> 01:33:09,280
beginning, starting with these
guys and and also with other
1431
01:33:10,120 --> 01:33:13,800
Scandinavian bands.
It's like they they just don't.
1432
01:33:14,000 --> 01:33:16,360
I don't know, They feel the urge
sometimes to do it.
1433
01:33:16,360 --> 01:33:20,480
I don't know, maybe it's the
Finnish sauna mentality or?
1434
01:33:21,440 --> 01:33:23,280
Russia.
Russia to me seems like the
1435
01:33:23,280 --> 01:33:25,600
wrong place to do this though,
you know.
1436
01:33:26,080 --> 01:33:27,720
That's where the alcohol comes
in.
1437
01:33:28,000 --> 01:33:32,200
Yeah, this just seems.
Like the wrong place to do it
1438
01:33:32,200 --> 01:33:33,160
like something?
Happened.
1439
01:33:33,160 --> 01:33:35,360
Russian is going to come and say
net.
1440
01:33:37,200 --> 01:33:42,480
If that happened also, it was a
very big Russian lady that came
1441
01:33:42,480 --> 01:33:48,400
from the, from the, what do you
call it like the restaurant cart
1442
01:33:49,280 --> 01:33:51,640
basically came back to our
thing.
1443
01:33:51,640 --> 01:33:55,360
It was like don't do that again
because somebody dared him to
1444
01:33:55,360 --> 01:34:00,680
run like basically all the way
through the train and come back.
1445
01:34:02,240 --> 01:34:03,400
It was as.
Yeah, yeah.
1446
01:34:03,400 --> 01:34:08,360
It wasn't only our it wasn't
only our car it was Oh my God
1447
01:34:08,640 --> 01:34:11,960
all the way through.
And he made it and nothing
1448
01:34:11,960 --> 01:34:14,080
happened.
So it's it's it's fine.
1449
01:34:16,200 --> 01:34:21,120
The same same guy was chased by
Japanese hotel security in Tokyo
1450
01:34:22,880 --> 01:34:26,160
through the hallways and stuff.
It's, yeah.
1451
01:34:26,760 --> 01:34:29,240
You were you weren't married at
the time, right?
1452
01:34:30,240 --> 01:34:31,960
No.
Because I just wonder if that's
1453
01:34:31,960 --> 01:34:35,000
a story that you call your wife
and say, Oh yeah, Did anything
1454
01:34:35,000 --> 01:34:37,840
happen today, honey?
Well, yeah, we kind of got in
1455
01:34:37,840 --> 01:34:40,560
trouble for running naked
through the train, you know?
1456
01:34:40,560 --> 01:34:42,080
But.
Yeah.
1457
01:34:42,080 --> 01:34:44,560
Oh yeah, it would.
I would definitely tell her
1458
01:34:44,600 --> 01:34:46,480
those stories.
Really.
1459
01:34:46,560 --> 01:34:48,840
It's one of.
Yeah, it's.
1460
01:34:49,040 --> 01:34:51,560
Is she from the industry?
Nothing.
1461
01:34:51,560 --> 01:34:57,760
No, nothing really ever happened
that had, like, bad
1462
01:34:57,760 --> 01:35:01,440
consequences.
And there was some really stupid
1463
01:35:02,000 --> 01:35:05,000
things done back in the day.
And even now.
1464
01:35:05,320 --> 01:35:11,440
I mean, I had musicians arrested
for various reasons and it was
1465
01:35:11,440 --> 01:35:13,600
always like, OK, slap on the
wrist.
1466
01:35:16,000 --> 01:35:22,160
It's I think as long as you're
not a complete idiot, the time
1467
01:35:22,160 --> 01:35:28,120
when you face like an authority,
yeah, then you're you're usually
1468
01:35:28,120 --> 01:35:29,680
good.
Yeah, yeah, it's.
1469
01:35:30,000 --> 01:35:34,640
Like, you know that's hilarious.
And then if not, you just go to
1470
01:35:34,640 --> 01:35:37,680
jail for a night and.
Yeah, so I know you.
1471
01:35:37,720 --> 01:35:41,400
I know you've been drinking wine
during this recording and it's
1472
01:35:41,400 --> 01:35:43,240
morning for me, so I'm jealous.
But.
1473
01:35:43,560 --> 01:35:45,680
And you've mentioned that you
love champagne.
1474
01:35:46,560 --> 01:35:48,560
Yes, yeah, that was actually
champagne as well.
1475
01:35:48,920 --> 01:35:51,200
Oh, was it?
Just yeah, yeah.
1476
01:35:51,480 --> 01:35:54,920
Day drinking champagne.
I like it, Yes.
1477
01:35:55,600 --> 01:35:57,240
But you're also a big coffee
guy.
1478
01:35:58,200 --> 01:36:00,520
Yes.
Is that is that because of,
1479
01:36:00,520 --> 01:36:03,440
like, the drug in coffee that
keeps you awake and makes you
1480
01:36:03,520 --> 01:36:05,440
buzzed?
Or is it the flavor and stuff,
1481
01:36:05,440 --> 01:36:06,360
Which is why I?
Like it?
1482
01:36:06,360 --> 01:36:07,480
No.
Yeah, it's.
1483
01:36:07,600 --> 01:36:16,040
I mean, Austria having a very
vast coffee house tradition.
1484
01:36:16,680 --> 01:36:20,080
That's definitely one thing.
Yeah, I didn't know that.
1485
01:36:20,080 --> 01:36:24,280
And then and then, oh, Vienna is
like full of it.
1486
01:36:24,560 --> 01:36:30,320
And it's the the oldest, the
oldest coffee cafes in the
1487
01:36:30,320 --> 01:36:32,680
world, really, you know,
together.
1488
01:36:32,800 --> 01:36:35,080
But I've never been to.
I've never been to Austria.
1489
01:36:35,760 --> 01:36:38,320
I've been to many places, but
I've never been to Austria.
1490
01:36:38,640 --> 01:36:40,240
I want to.
I always wanted.
1491
01:36:40,240 --> 01:36:43,040
To go, because I grew up in
Canada skiing, you know, and I
1492
01:36:43,040 --> 01:36:45,960
always wanted to go to Austria
skiing even, you know, but I
1493
01:36:45,960 --> 01:36:48,920
just never got there.
Yeah, no, I mean that's
1494
01:36:48,920 --> 01:36:51,680
definitely a big part of it.
And then obviously being very
1495
01:36:51,680 --> 01:36:58,120
close to Italy and and spending
lots and lots of childhood
1496
01:36:58,520 --> 01:37:06,400
family vacations in Italy that's
that's another I think and it's
1497
01:37:06,400 --> 01:37:12,040
like I'm not a I'm not a nerdy
coffee drinker like you know
1498
01:37:12,040 --> 01:37:15,720
searching for the and I need to
try this new bean and that new
1499
01:37:15,720 --> 01:37:21,360
bean or whatever like I bought
myself espresso machine right at
1500
01:37:21,360 --> 01:37:25,040
the beginning of the of when
COVID hit because obviously they
1501
01:37:25,040 --> 01:37:29,080
closed all the cafes and I was
like OK I can't I need to have
1502
01:37:29,080 --> 01:37:32,960
something at home And it was
from the beginning that I that I
1503
01:37:32,960 --> 01:37:37,760
was just in search of the let's
call it the perfect espresso
1504
01:37:38,560 --> 01:37:45,680
like what the you know the the
the port or shipyard worker in
1505
01:37:45,720 --> 01:37:52,360
in in Napoli what they drink as
coffee the €1.00 at the bar in
1506
01:37:52,360 --> 01:37:56,800
the morning one zip and and
that's it and that's what I
1507
01:37:56,800 --> 01:38:01,560
basically have.
I have like 2-3 different beans
1508
01:38:02,200 --> 01:38:06,120
that I change up every now and
then, but that's it I may.
1509
01:38:06,160 --> 01:38:08,120
Well, here's, here's what we're
gonna do.
1510
01:38:08,120 --> 01:38:10,880
Sarah's gonna reach out and get
your address and we're gonna
1511
01:38:10,880 --> 01:38:14,680
send you.
We have a relationship with a
1512
01:38:14,720 --> 01:38:17,440
local coffee maker here.
So it's a guy.
1513
01:38:18,040 --> 01:38:23,680
It's a guy from our industry who
took on a passion for coffee and
1514
01:38:23,680 --> 01:38:26,520
at some point he bought a small
roaster and put it in his
1515
01:38:26,680 --> 01:38:29,040
garage.
And he really learned.
1516
01:38:29,040 --> 01:38:32,280
And he flew around all over the
world figuring out learning the
1517
01:38:32,280 --> 01:38:34,880
best beans and things.
And it became such a passion
1518
01:38:35,120 --> 01:38:38,600
that eventually people started
saying, Jamie, your coffee is
1519
01:38:38,600 --> 01:38:40,200
amazing, can you make me a bag
of it?
1520
01:38:40,200 --> 01:38:42,120
Can you make me?
So he was giving it away to all
1521
01:38:42,120 --> 01:38:44,840
his friends and then they were
saying, well my buddy wants one,
1522
01:38:45,120 --> 01:38:47,880
can I buy one?
And so Long story short it
1523
01:38:47,880 --> 01:38:51,680
became a a business called
coffee cult with KS like German
1524
01:38:52,160 --> 01:38:55,760
and and so.
I think I've seen this before.
1525
01:38:55,960 --> 01:38:59,600
So we created.
So I started drinking it just as
1526
01:38:59,600 --> 01:39:04,960
a customer and I I love dark
coffee.
1527
01:39:04,960 --> 01:39:08,200
So I I make like a regular
American cup of coffee from a
1528
01:39:08,200 --> 01:39:12,560
nice espresso machine that that
is a Delonghi automatic machine.
1529
01:39:12,560 --> 01:39:14,520
Very easy to use and really
nice.
1530
01:39:15,280 --> 01:39:18,200
And so I drink regular coffee
and espresso, but I usually
1531
01:39:18,200 --> 01:39:20,400
drink like an American tall
coffee, you know?
1532
01:39:20,880 --> 01:39:23,280
And so I would drink the dark
one.
1533
01:39:23,280 --> 01:39:25,960
And my girlfriend was like, oh,
it's too strong for me.
1534
01:39:26,320 --> 01:39:31,320
And so I started mixing their
medium roast and this particular
1535
01:39:31,320 --> 01:39:35,240
dark roast, which was called Rd.
Dog and because he's from our
1536
01:39:35,240 --> 01:39:41,000
industry and so it was perfect.
And so one time I told him I
1537
01:39:41,000 --> 01:39:43,880
mixed these and he goes, well,
we should make you a custom
1538
01:39:43,880 --> 01:39:46,640
blend and we'll.
Just them together in one bag.
1539
01:39:46,640 --> 01:39:49,400
Yeah, that's awesome.
So we did that and we called it
1540
01:39:49,400 --> 01:39:52,160
geezers grind and so now it's
branded.
1541
01:39:52,960 --> 01:39:56,560
Fantastic.
So the cool thing is all of the
1542
01:39:56,560 --> 01:40:01,200
proceeds from that coffee go to
our industry for people who got
1543
01:40:01,200 --> 01:40:05,000
injured or don't have a health
insurance or have a problem or
1544
01:40:05,240 --> 01:40:08,520
mental health, whatever it is,
but it goes to a charity to
1545
01:40:08,520 --> 01:40:11,720
support our industry.
And so anyways, Long story
1546
01:40:11,720 --> 01:40:15,560
short, it's a really good coffee
and we'll have Sarah get your
1547
01:40:15,560 --> 01:40:18,800
address and we'll we'll figure
out a way to ship a a bag of it
1548
01:40:18,800 --> 01:40:21,320
over to Austria.
Excellent.
1549
01:40:21,760 --> 01:40:22,760
Yeah.
Thank you.
1550
01:40:22,760 --> 01:40:25,360
Thank you.
Yeah, of course So.
1551
01:40:25,360 --> 01:40:29,480
And I I share your your passion
for coffee, but I'm not, you
1552
01:40:29,480 --> 01:40:31,320
know, I'm Canadian.
Our coffee is terrible.
1553
01:40:31,320 --> 01:40:33,400
In Canada, we have this place
called Tim Horton's.
1554
01:40:33,560 --> 01:40:35,400
Tim.
Yeah, Tim, Tim Horton's.
1555
01:40:35,400 --> 01:40:37,960
I don't know if you know, but
he, he was a very good hockey
1556
01:40:37,960 --> 01:40:40,920
player and I know I didn't.
Yeah.
1557
01:40:40,920 --> 01:40:42,640
He started this chain of coffee
shops.
1558
01:40:42,640 --> 01:40:44,840
He just died a few years ago, I
think, actually.
1559
01:40:45,200 --> 01:40:47,840
But.
But their coffee is terrible,
1560
01:40:47,840 --> 01:40:51,200
you know, And compared to what
you drink and what I drink now,
1561
01:40:51,200 --> 01:40:52,840
yeah.
So yeah.
1562
01:40:53,400 --> 01:40:58,240
I mean nowadays I have to say
it's a lot easier to to get good
1563
01:40:58,240 --> 01:41:00,760
and decent coffee.
You know the guy.
1564
01:41:00,760 --> 01:41:05,760
In the beginning in in
especially in the US, it was it
1565
01:41:05,760 --> 01:41:08,320
was difficult.
There was, there was nothing.
1566
01:41:08,760 --> 01:41:11,880
And then all of a sudden, OK,
Starbucks, which at least it's
1567
01:41:11,880 --> 01:41:13,720
like, OK, at least it's
consistent.
1568
01:41:14,120 --> 01:41:16,160
It's not great, but it's it's
not.
1569
01:41:16,440 --> 01:41:18,480
At least it's not like truck
stop coffee.
1570
01:41:18,520 --> 01:41:22,520
Yeah, you know, but nowadays,
but.
1571
01:41:22,520 --> 01:41:25,080
It's $7.00 which pisses me off,
You know, like a.
1572
01:41:25,080 --> 01:41:26,800
Cup of coffee.
Is 7 bucks.
1573
01:41:26,800 --> 01:41:29,880
It's so stupid.
That's one, yeah.
1574
01:41:30,320 --> 01:41:33,160
That's and like you said in in
Italy, you know you go to a
1575
01:41:33,160 --> 01:41:36,720
little cafe and it's €1.00 and
it's 10 times better.
1576
01:41:38,200 --> 01:41:42,000
Yeah, yeah.
But we actually have with Within
1577
01:41:42,000 --> 01:41:46,360
in Flames crew, we have this
unofficial coffee club.
1578
01:41:47,840 --> 01:41:55,440
It's the lighting guy, the one
of the guitar techs and me who
1579
01:41:55,440 --> 01:42:02,000
basically we try to like every
day on a, on a, on a show day,
1580
01:42:02,000 --> 01:42:04,400
we try to go out and like, you
know.
1581
01:42:04,840 --> 01:42:07,880
Coffee.
Find a good a good espresso
1582
01:42:08,520 --> 01:42:12,040
within the vicinity of of the
you.
1583
01:42:12,040 --> 01:42:14,360
Know it's so funny because 30
years ago you would have been
1584
01:42:14,360 --> 01:42:16,640
looking for a strip club.
Now you're looking for a cup of
1585
01:42:16,640 --> 01:42:19,080
coffee.
It's so funny.
1586
01:42:19,600 --> 01:42:22,040
Yeah, how things have changed,
right?
1587
01:42:22,320 --> 01:42:25,000
Yeah.
Thomas, I appreciate you taking
1588
01:42:25,000 --> 01:42:28,120
the time today to do this with
us and it's been a pleasure
1589
01:42:28,120 --> 01:42:32,120
getting to know you.
And like I said, we'll get you,
1590
01:42:32,280 --> 01:42:34,120
we'll get you a bag of coffee
somehow.
1591
01:42:34,120 --> 01:42:38,600
And and as much as I'm not a
massive fan of the music, if I
1592
01:42:38,760 --> 01:42:42,800
see you popping around Florida
at any point, I'll make a point
1593
01:42:42,800 --> 01:42:44,200
of reaching out and coming to
see you.
1594
01:42:45,400 --> 01:42:46,560
Absolutely.
Please do.
1595
01:42:47,200 --> 01:42:49,640
All right my friend.
Thanks so much and have a great
1596
01:42:49,640 --> 01:42:51,080
one.
Thank you.
1597
01:42:51,080 --> 01:43:07,080
You too.
Yeah.