May 3, 2023
#197 - Han Henze discussed almost 50 years in the business

Han started his career like so many, a guitar player in a high school band until one day, someone actually said "you know, you're just not very good". That's all he needed, he decided to do lighting instead! Since that time, he's grown into a career that carried him from working as a lighting tech, programmer, director and LD. He's been employed, without a pause for the entire time! Han is just another one of those "great guys" who everyone loves. And... he races cars! This episode is brought to you by .
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Hello.
And thank you for joining me
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today on geezers of Gear.
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Hello, and again, welcome to
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episode number 197 pretty
excited today.
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I've got Han henze on really
great guy.
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Been around the industry since I
believe the 70s long time, and
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really good guy.
Everybody knows.
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I'm everybody loves him.
He's just one of those guys kind
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of reminds me a little bit of
Bob.
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Harmon in Hawaii.
Speaking of Ayrton has anyone
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seen these light shows coming
out of Pro-Lite this past week
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in Germany?
You know, Pro-Lite Ting and
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sound is obviously a huge Stone
Frankfurt.
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Germany.
I've been there 10 times myself
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but this Ayrton light show that
they did as part of their Booth
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was incredible.
Robi also didn't an amazing
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amazing show and others.
I'm a huge fan of these trade
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show lighting, show
extravaganzas and I'm happy to
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see them in full force again I
mean for a while I think we went
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to these corporate sort of stand
still products on podium.
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Sort of booths.
And I'm not a fan of those.
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I understand you need to have
meeting tables and things like
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that, so that people can sit and
talk about, you know, the year
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in business orders or whatever
it is.
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But at the end of the day, I
want to entertain people.
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I want people to be entertained
on a booth.
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I want to be entertained on a
booth when I'm there to look at
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stuff.
And I don't know.
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I've always been a fan of it.
I obviously put on a few of the
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really good ones.
I was a part of them.
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I was lucky enough.
Enough to be in a position to to
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do those back in the 90s and so,
yeah, I love it.
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I love that that they're back in
full force and again, I loved
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the Ayrton one, I loved the
rob1.
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I don't know that I've seen many
of the I saw some stuff from
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clay Paki.
That looked pretty cool, but it
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was more of sort of a as I
recall it was a more stationary
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looking thing.
It wasn't a show.
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So yeah, check that stuff out.
I'm sure you can find it on
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YouTube, Facebook, whatever.
Wherever, Get your video content
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and speaking of trade shows and
speaking of pro light and sound,
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I've been reading a lot of
comments online, talking about
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pro light, being a much smaller
show this year, especially
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particularly with regard to
audio companies who have bailed
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on the show.
There apparently wasn't as much
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of an audio presents this year
and it used to be a pretty big
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audio show.
It was real big audio, real big
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lighting.
And apparently this year, a lot
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of the audio companies Moved
over to is in Spain and that has
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become a much more significant
show from what I'm hearing.
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It's more expensive.
It's a very expensive show for
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manufacturers to do so it's
harder.
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But, you know, I got a lot of
these sort of quality versus
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quantity.
Visitors, sort of comments from
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manufacturers this year which
tells me a show is shrinking
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either that or it's a show being
done during covid because we
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used to hear that about ldi and
stuff when covid-19 on, but When
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you hear a show post covid that
is that people are commenting,
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you know, the it wasn't as many
people but they were good
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people.
That to me is saying that a show
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is in a bit of trouble and so it
looks like pro light and sound
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or Lighting and Sound.
I'm not sure how they say it but
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it looks like it might be in a
little bit of trouble.
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I hope not because I think it's
a great show as much as
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Frankfurt may not be my favorite
place to go for a show.
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Ona kind of sounds like a better
place to go for a show but you
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know, I've always loved that
show.
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I think it's a great show and
and I hope they figure out
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whatever.
This problem is with the audio
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companies, ditching them and I
hope lighting companies continue
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to support it as well.
So let's see what happens next
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year.
If anyone has comments on that
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or knowledge of it, please reach
out to me.
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We can maybe do a follow-up
podcast and talk a little bit
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about what's going on at
Pro-Lite.
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Maybe even someone from pro-life
hears this and we Can do a quick
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podcast about it, but yeah,
again, especially audio Brands.
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Maybe I'll talk to an audio
brand and get them on the
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podcast and we can talk about
that show and why is see has
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been better for them.
We'll see another thing that I'm
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going to be very careful to
tread through is without
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mentioning any Brands.
I'm really disappointed to see
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some of the blatant copying
going on again.
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And it reminds me of The late
90s, maybe early 2000s.
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When people weren't even trying
to hide the fact that they were
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copying a product, pretty much
identical product.
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It happened a lot, with the
Italians.
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Italians were buying components
from the same suppliers and then
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just sort of reshaping them into
a different, but the same
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product, obviously a lot with
some of the Asian companies
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Chinese manufacturers.
And but recently, I'm seeing
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some stuff that You know, it's
just bothering me a bit and one
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of the reasons it's bothering
me.
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One of the things I've always
loved about our industry is the
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Innovation and really cool
development.
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That goes on lots of cool
products.
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Come out, lots of really, really
great designs and ideas go into
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those products, you know, when
you see things that you just go.
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Wow, that's really cool.
And I've seen a few of them
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recently.
You know certainly again going
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back to the Italians.
Clay pakhi has always been an
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innovator, they've always been a
little more Pricey than most
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companies.
But there's a reason behind
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that.
They're spending a huge amount
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of money on R&D and Innovation.
And so, you know, one of the
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most recent examples of this
problem that I've seen was a
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clay Packy product, I'm not even
going to say what product it
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was, but it's a product that
they showed at ldi, I believe,
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for the first time last year and
was really cool was very
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different, very Innovative, a
very crazy, wrinkle on some
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products that were already.
He's out on the market, but very
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unique.
And suddenly this year, I saw at
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Pro-Lite another rather large
manufacturer who has the same
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product and I've only seen it on
video and pictures and it looks
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identical to me.
So that concerns me.
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I mean again, because what do
companies do, when product start
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getting ripped off, they either
lawyer up and go to court, or
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they back off on Innovation.
And I think either one of those
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things is bad.
For us, bad for the market.
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And so, if you want Innovation
to continue happening, if you
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want new products and new
features to keep coming out at a
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high rate stuff that makes you
go.
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Wow, then you have to support
manufacturers who are coming out
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with those products, you have to
pay slightly higher prices and
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and pay for that Innovation.
Because when you pay for copies,
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what you're doing is, you're
supporting the other side of
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that, you're supporting the
side.
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That's not spending the money on
Innovation.
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And so again, Again I'm not I'm
not pointing fingers at any
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particular manufacturer.
I think as an industry we've all
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done it.
I think it's a problematic
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thing.
I think it's why a lot of
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companies end up in court.
I was talking to somebody
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yesterday about a, I guess
there's something going on
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between Roscoe and etc' right
now.
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It's got something to do with ET
C.
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Putting the Rosco colors in
their console, and Rosco says
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that that's a breach of their
intellectual Properties by using
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the Rosco numbers in your
console.
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It's a funny one.
Because again I'm not taking
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sides on this and I'm not a
lawyer, I don't know anything.
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I'm just some dumb guy with a
big mouth and a microphone but
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to me, you know, Roscoe used to
be proud of the fact that people
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used our numbers on colors and
the thing was, I guess it's
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supported their revenue back
then because they were selling
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gel in those are colors and now
they're not selling gel.
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00:11:04,700 --> 00:11:08,500
So they're trying to find a way
to I guess.
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00:11:08,500 --> 00:11:14,600
Monetize that Rosco chart or the
the color swatch or whatever you
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00:11:14,600 --> 00:11:17,600
want to call it.
And so maybe they're going to
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00:11:17,700 --> 00:11:20,900
charge manufacturers, I guess to
put that in consoles which will
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00:11:20,900 --> 00:11:23,900
probably just push manufacturers
to create another coloring
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00:11:23,900 --> 00:11:28,700
system.
But anyways, again lawyers I've
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got a lot of experience, you
know, I have sued a couple of
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00:11:32,200 --> 00:11:36,500
the largest companies in the
world and so sadly, I have some
197
00:11:36,500 --> 00:11:43,400
experience and nobody And, you
know, I hate to be, you know, to
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00:11:44,800 --> 00:11:47,700
say something so silly and
generic, but nobody wins in that
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00:11:47,700 --> 00:11:50,100
situation, you spend lots of
money and at the end of the day,
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00:11:50,100 --> 00:11:53,300
the one who's got the, most
money, usually can Outlast the
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other one and ends up winning.
And in that case, everyone spent
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way too much money, the lawyers
got rich, and none of the
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problems were solved, so I don't
like it.
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00:12:02,800 --> 00:12:05,400
So, anyways, let's move on to
today's episode.
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00:12:05,400 --> 00:12:09,900
Number 197 with Han and Z.
Well, hello there, mr.
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Han.
Angie, how are you today?
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I'm well how are you?
I'm freaking fantastic.
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Any better.
They'd be a Wednesday or
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Thursday.
What day is it today?
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Wednesday.
Yes it is it bad that we both
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have to think about it.
Well I'm a little lost in the
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days of the week because I've
been recuperating from this
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workplace injury so a lot of my
time has been right here in our
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home and you know I fractured my
pelvis and my left arm I can't
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tell all imagine people say, I
fractured my pelvis like so
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easily and I think about where
the Bell Is what that might feel
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like you know it's like it's the
most searing pain.
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You can imagine.
How many think about it, what?
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00:13:01,600 --> 00:13:05,800
So yeah, I was at the CMT Music
Awards in Austin.
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They decided to do that show an
Austin this year.
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And I'd actually finished my
part working with Tom, Kenny
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00:13:14,800 --> 00:13:20,100
lighting director on an outdoor
stage and we shot that in the
223
00:13:20,108 --> 00:13:22,100
middle of the week.
And Then we also shot a
224
00:13:22,100 --> 00:13:25,800
Crossroads and then I came over
to the arena to do.
225
00:13:25,800 --> 00:13:31,400
The main show per se the the
content we produce Tan on the
226
00:13:31,400 --> 00:13:34,500
outdoor stage was going to be
inserted in the main show,
227
00:13:34,500 --> 00:13:37,500
right?
Anyway, I was up on the stage,
228
00:13:37,500 --> 00:13:41,100
you know, helping the gaffer
actually lighting director
229
00:13:41,100 --> 00:13:46,900
pickles, doing some Focus work
and I kind I was up stage and
230
00:13:46,900 --> 00:13:49,900
they were loading up, which band
was it?
231
00:13:49,900 --> 00:13:55,600
I think it was the Tribute band
for Skynyrd, which had all
232
00:13:55,600 --> 00:14:02,500
these, you know Pickers from way
back / was one some of the guys
233
00:14:02,500 --> 00:14:05,500
from scanner.
Anyway, it was like a all-star
234
00:14:06,200 --> 00:14:08,400
band set up.
I'm just kind of up there
235
00:14:08,400 --> 00:14:11,500
looking at this gear going.
Wow, that's that's a nice
236
00:14:11,600 --> 00:14:13,200
equipment.
You know, a lot of vintage
237
00:14:13,200 --> 00:14:16,800
equipment and then I realize I
found in the way and I turned to
238
00:14:16,800 --> 00:14:21,000
take a step to go kind of
further off stage.
239
00:14:21,100 --> 00:14:25,300
Age and upstage left and their
remember, there was a trust our
240
00:14:25,300 --> 00:14:31,600
there and a curtain.
And I look down at the curtain
241
00:14:32,400 --> 00:14:34,600
and usually the curtain lands on
the deck, right?
242
00:14:34,600 --> 00:14:38,400
So I took a step with my left
foot and there was no deck
243
00:14:38,400 --> 00:14:44,700
there, I fell off into a hole on
my left side and yeah, fractured
244
00:14:44,700 --> 00:14:49,800
my pelvis and my left arm and
I'm guessing you couldn't even
245
00:14:49,800 --> 00:14:52,600
move, right?
Like you couldn't get No, no,
246
00:14:52,600 --> 00:14:54,400
no.
They had to put me on a
247
00:14:54,500 --> 00:14:59,900
stretcher and went through the
University of Texas had like a
248
00:14:59,908 --> 00:15:02,900
medical team there and they kind
of evaluating then they
249
00:15:02,900 --> 00:15:05,200
transported me.
So, I was in the hospital for
250
00:15:05,200 --> 00:15:10,100
three days and Austin boy, and
then fortunately, where the
251
00:15:10,100 --> 00:15:15,800
pelvis was broken.
The doctors told me, it was a
252
00:15:15,808 --> 00:15:19,600
non load-bearing area.
So in other words, I could get
253
00:15:19,600 --> 00:15:22,300
up and walk if I could stand the
pain.
254
00:15:22,300 --> 00:15:23,900
Yeah.
And it wouldn't it wouldn't make
255
00:15:23,900 --> 00:15:25,900
him furniture at anything other
than nothing.
256
00:15:26,400 --> 00:15:27,300
Yeah.
Yeah.
257
00:15:27,300 --> 00:15:31,800
In fact, the next day here they
are the physical therapy.
258
00:15:31,800 --> 00:15:34,800
Nurses are trying to get me up
out of bed and walking and I
259
00:15:34,808 --> 00:15:44,100
think I cannot do this.
This this was the beginning of
260
00:15:44,100 --> 00:15:49,000
April 5 weeks and now you're
walking and stuff.
261
00:15:49,700 --> 00:15:53,200
I can walk pretty good, you
know, I transition from a
262
00:15:53,200 --> 00:15:58,900
wheelchair to a cane and my
steps are pretty smooth.
263
00:15:59,000 --> 00:16:03,700
You know, I don't look like one
of my PT therapists who are
264
00:16:03,700 --> 00:16:08,500
saying, don't walk like grandpa
in the old sitcom.
265
00:16:09,900 --> 00:16:12,100
Can't remember which one it was
but, you know, he kind of
266
00:16:12,100 --> 00:16:17,700
lurching around and yeah, but So
that's looking much better.
267
00:16:17,800 --> 00:16:23,700
Now, my left arm I haven't been
released to load it up, so that
268
00:16:23,700 --> 00:16:27,700
makes it really challenging, you
know, even using a computer,
269
00:16:27,700 --> 00:16:32,700
whatever they said, you can pick
up anything, nothing heavier
270
00:16:32,700 --> 00:16:34,700
than a cup of coffee.
No tea.
271
00:16:34,800 --> 00:16:40,300
So that's that's my reward.
You break your arm here in the
272
00:16:40,300 --> 00:16:44,700
elbow Rotator.
Yeah.
273
00:16:44,800 --> 00:16:48,700
Yeah, I think it's a bone.
It wraps around like that boy.
274
00:16:48,900 --> 00:16:51,400
So it's just, it's from what I
saw.
275
00:16:51,400 --> 00:16:54,200
The x-rays and pretty clean
fracture just sort of a
276
00:16:54,200 --> 00:16:57,000
straight.
Yeah, but if you will, and I
277
00:16:57,008 --> 00:17:02,700
don't think the bone actually
displays but, you know, they,
278
00:17:03,000 --> 00:17:06,400
the doctors just don't want me.
Loading it up and put pressure
279
00:17:06,400 --> 00:17:09,000
on.
So hopefully next week I'll be
280
00:17:09,000 --> 00:17:12,099
released to go back to light
duty work.
281
00:17:12,099 --> 00:17:14,200
At least I've got some projects
coming up.
282
00:17:14,500 --> 00:17:18,599
Yeah, And I want to get back on
location and damn, I'm sorry you
283
00:17:18,599 --> 00:17:22,099
had to go through that.
Does the I don't even know if
284
00:17:22,099 --> 00:17:23,800
this is a good question to ask
or not.
285
00:17:23,800 --> 00:17:26,200
But does the production take
care of you in that type of a
286
00:17:26,208 --> 00:17:27,900
situation?
Or are you just on your own
287
00:17:27,900 --> 00:17:30,600
insurance and stuff?
How does well?
288
00:17:30,600 --> 00:17:35,200
So, fortunately on this
production was on a pink
289
00:17:35,200 --> 00:17:38,800
contract through iatse, okay,
which you may be familiar with
290
00:17:39,300 --> 00:17:44,600
so that contract goes through
payroll.
291
00:17:44,800 --> 00:17:46,700
All company called cast and
crew.
292
00:17:46,900 --> 00:17:49,500
Okay.
So they are the responsible
293
00:17:49,500 --> 00:17:52,300
party as far as workman's comp
is concerned.
294
00:17:52,300 --> 00:17:55,700
Okay.
And I've had tremendous backup
295
00:17:55,700 --> 00:17:59,900
from not only the folks that are
work with its EMT.
296
00:18:00,200 --> 00:18:05,800
But also the people at casterly
crew, there's multiple like
297
00:18:06,200 --> 00:18:10,100
account managers and nurses and
everybody's following up on my
298
00:18:10,100 --> 00:18:13,900
progress and that's amazing.
And and frankly had I've had had
299
00:18:13,900 --> 00:18:17,700
to spend very Little money on my
own behalf and or said you have
300
00:18:17,700 --> 00:18:21,000
to know.
Yeah, no I mean it it's one of
301
00:18:21,000 --> 00:18:24,400
the things that, you know, you
hear horror stories in our
302
00:18:24,400 --> 00:18:28,300
industry of people with no
savings, no insurance, you know,
303
00:18:28,300 --> 00:18:31,500
the typical Gypsy, you know,
Roadie person, right?
304
00:18:31,800 --> 00:18:34,500
Yeah and it scares the hell out
of me, you know?
305
00:18:34,500 --> 00:18:38,400
Like I the last thing I want is
to see someone, you know, who
306
00:18:38,400 --> 00:18:43,200
can't afford to deal with some
sort of an illness or injury or
307
00:18:43,200 --> 00:18:46,300
whatever and I I've heard of
loads of people getting hurt on
308
00:18:46,300 --> 00:18:49,000
Productions that were just
basically, you know, flip the
309
00:18:49,000 --> 00:18:55,700
bird, you know, ya know, I can
relate to that because one of my
310
00:18:55,700 --> 00:18:59,300
early jobs after moving to
Nashville, I was basically told
311
00:18:59,300 --> 00:19:07,200
that when I went from a salaried
situation to like you know gig
312
00:19:08,700 --> 00:19:13,500
and the artist basically told us
look you don't, we don't I'm not
313
00:19:13,500 --> 00:19:16,800
going to carry any kind of
insurance on this you guys.
314
00:19:16,800 --> 00:19:20,100
So you need to go out and get
your own insurance which
315
00:19:20,100 --> 00:19:23,000
actually was a great thing
because it prompted me to seek
316
00:19:23,000 --> 00:19:30,000
health insurance which at the
time was When I was a younger
317
00:19:30,000 --> 00:19:34,400
man and I remember it took us a
while to kind of find it.
318
00:19:34,400 --> 00:19:38,200
Yes.
A this is back in the 80s and
319
00:19:38,200 --> 00:19:41,300
also in the insurance company
for an order for me to get to
320
00:19:41,800 --> 00:19:44,400
health insurance and made me
take out a life insurance
321
00:19:44,400 --> 00:19:48,000
policy, which I really didn't
want to do because I was so
322
00:19:48,000 --> 00:19:56,000
young and that I kept up all
those years and actually was
323
00:19:56,000 --> 00:19:59,500
able to cash it in for real.
The good return.
324
00:19:59,700 --> 00:20:03,000
Oh, well, good, yeah, this is
about 10 years ago.
325
00:20:03,100 --> 00:20:04,600
Okay, for you.
Good for you.
326
00:20:04,600 --> 00:20:07,200
I love when people can spend
their own life insurance while
327
00:20:07,200 --> 00:20:09,300
they're still alive.
Yeah.
328
00:20:09,600 --> 00:20:11,400
Yeah.
As long as there's money
329
00:20:11,400 --> 00:20:16,600
somewhere for someone to bury
you, you know, who we're not
330
00:20:16,600 --> 00:20:20,900
responsible to feed the people
around us for the rest of their
331
00:20:20,900 --> 00:20:22,600
lives.
They can go fend for themselves
332
00:20:22,600 --> 00:20:26,300
like we did, right?
So that's that's actually a
333
00:20:26,300 --> 00:20:30,100
really good segue to kind of
Lead in, if you want to talk
334
00:20:30,100 --> 00:20:33,200
about my early career, know I'd
love to because honestly I don't
335
00:20:33,200 --> 00:20:35,900
I you know I've known you
because we've done business for
336
00:20:35,900 --> 00:20:40,400
the last 10 years or so but I
don't go further back than that.
337
00:20:40,400 --> 00:20:47,800
Yeah, I don't need 800, I don't
really know, you know, where you
338
00:20:47,800 --> 00:20:50,900
started and how you started and
and you know, just given your
339
00:20:50,900 --> 00:20:54,300
age similar to mine.
I'm guessing, you know, you came
340
00:20:54,300 --> 00:20:59,000
from either you were a musician
and you know, realized Used, it
341
00:20:59,000 --> 00:21:02,000
wasn't going to pay well, see,
you found a different route or
342
00:21:02,000 --> 00:21:04,500
something?
Is that a familiar story?
343
00:21:04,800 --> 00:21:09,600
Pretty, pretty much.
Yeah, I played rock guitar and
344
00:21:09,600 --> 00:21:15,400
bands in high school, right?
And it was me, my Junior and
345
00:21:15,400 --> 00:21:20,200
Senior year and, you know,
started buying guitars and amps
346
00:21:20,200 --> 00:21:24,500
and all that stuff.
And when I graduated from high
347
00:21:24,500 --> 00:21:26,600
school, this was in San Antonio,
Texas.
348
00:21:27,200 --> 00:21:29,500
And that would have been the
It's 70s.
349
00:21:29,700 --> 00:21:35,300
You know I graduated in 75 it's
kind of Tonio at that period of
350
00:21:35,300 --> 00:21:40,100
time was like a test bed or hard
work Rock acts, they had a
351
00:21:40,800 --> 00:21:45,700
station down there, an FM
station Kiss radio which was
352
00:21:45,700 --> 00:21:51,300
actually the first Ki SS radio
and they would bring in a lot of
353
00:21:51,300 --> 00:21:54,800
Canadian acts.
Actually detest them in that
354
00:21:54,800 --> 00:21:59,800
market because of all the
Military bases.
355
00:21:59,800 --> 00:22:02,600
The demographics.
There were really good for
356
00:22:02,700 --> 00:22:05,200
testing out, new bands and
material.
357
00:22:05,200 --> 00:22:07,800
Wasn't it?
Triumph that kind of broken San
358
00:22:07,800 --> 00:22:11,200
Antonio rushing to remember that
from there?
359
00:22:12,100 --> 00:22:17,700
From that sort of biopic thing
that they did recently occupied.
360
00:22:17,900 --> 00:22:23,500
They broke them and San Antonio
Rush some other American acts
361
00:22:23,500 --> 00:22:27,900
you know that some of them
became Quite famous others.
362
00:22:27,900 --> 00:22:29,300
Not so much.
Yeah.
363
00:22:29,300 --> 00:22:37,600
So there was a really diverse
and lucrative market market for
364
00:22:37,700 --> 00:22:41,200
up-and-coming acts in San
Antonio that period of time
365
00:22:41,200 --> 00:22:46,700
thing.
So after a while I was playing
366
00:22:46,700 --> 00:22:52,200
in these bands, I decided to
start lighting my band.
367
00:22:52,200 --> 00:22:54,200
Right?
Cuz, you know, didn't have any
368
00:22:54,200 --> 00:22:59,700
lights and I saw were a couple
other groups and bars had used
369
00:22:59,700 --> 00:23:04,200
just like flood light fixtures,
you know, your regular screw
370
00:23:04,200 --> 00:23:06,400
base.
Flood lights had made these
371
00:23:06,400 --> 00:23:09,700
boxes.
With one end open, you can put
372
00:23:09,700 --> 00:23:13,900
three of those ceramic
floodlight receptacles in there.
373
00:23:14,500 --> 00:23:17,800
Go ahead and put your red was my
room with my lighting rig, when
374
00:23:17,800 --> 00:23:19,700
I was a kid too.
Absolutely.
375
00:23:20,100 --> 00:23:22,600
Exactly.
And you just ran what three
376
00:23:22,600 --> 00:23:26,500
Edison chords, right?
All the way back to something,
377
00:23:26,500 --> 00:23:31,200
whether It was a foot switch on
the stage for me for me, I
378
00:23:31,200 --> 00:23:36,000
actually made my own console
which was basically I think it
379
00:23:36,000 --> 00:23:40,700
had eight household switches and
they were gang together on two
380
00:23:40,700 --> 00:23:43,900
plugs because I knew I could get
you know if I could find the
381
00:23:43,900 --> 00:23:47,900
solid 15, 20 amp receptacle
somewhere I could plug just
382
00:23:47,900 --> 00:23:51,100
about anything.
I wanted in four on one side and
383
00:23:51,100 --> 00:23:57,400
four on another and so yeah made
my own board and Had those
384
00:23:57,400 --> 00:24:01,900
floodlights.
I acquired was, she's at term
385
00:24:01,900 --> 00:24:04,300
some theatrical fixtures along
the way.
386
00:24:04,300 --> 00:24:07,500
Yeah, they confirm a lure to, I
think I had.
387
00:24:08,900 --> 00:24:16,100
And so really what happened was
very soon.
388
00:24:16,100 --> 00:24:19,300
After high school, I was playing
in this band and we were pretty
389
00:24:19,300 --> 00:24:21,700
good.
I thought we were good and
390
00:24:21,700 --> 00:24:28,100
somebody had a Beer party said,
told me that I suck at Guitar,
391
00:24:28,600 --> 00:24:33,100
so it's kind of stuck with me.
I'm like, well, maybe I'm not as
392
00:24:33,100 --> 00:24:34,800
good as I think I am.
Yeah.
393
00:24:35,100 --> 00:24:44,000
And so, I kind of graduated from
playing into working for bands.
394
00:24:44,000 --> 00:24:47,900
Whether some bands, I was like,
the backline guy, but mostly
395
00:24:47,900 --> 00:24:55,200
doing lighting and eventually
actually got A house gig at one
396
00:24:55,200 --> 00:25:01,200
Club in San Antonio, so that had
been my first paying job doing
397
00:25:01,200 --> 00:25:02,800
lighting.
Well, then that would have been
398
00:25:02,800 --> 00:25:06,700
in those early days like that
was, you were such a rarity,
399
00:25:06,700 --> 00:25:08,800
right?
So like when, when people in
400
00:25:08,800 --> 00:25:14,100
town heard that this guy henze
had, you know, some experience
401
00:25:14,100 --> 00:25:16,800
or knowledge and lighting
suddenly, it was like, hey,
402
00:25:16,900 --> 00:25:21,000
aren't you that lighting guy,
you know, and suddenly you've
403
00:25:21,000 --> 00:25:24,000
got opportunities to work with
You want?
404
00:25:24,500 --> 00:25:27,900
Yeah.
It's, you know, some of the
405
00:25:27,900 --> 00:25:31,900
better bands, local bands would
have lining guides, others
406
00:25:31,900 --> 00:25:39,000
wouldn't, I'd say the vast
majority did and so I did that.
407
00:25:39,000 --> 00:25:42,200
And I also during that period of
time when I, when I got out of
408
00:25:42,200 --> 00:25:44,500
high school, in order to make a
living because that lighting
409
00:25:44,500 --> 00:25:49,300
stuff been paid crap, I was
running, heavy equipment, doing
410
00:25:49,300 --> 00:25:51,700
construction, work, running
loaders.
411
00:25:51,700 --> 00:25:56,700
And, you know, No track hoes and
graters and all that stuff
412
00:25:56,700 --> 00:25:59,000
during the day.
So I work at 10:00 hour 12 hour
413
00:25:59,000 --> 00:26:02,300
shift during the day and then go
work in the club not.
414
00:26:02,300 --> 00:26:05,200
Oh yeah.
Burning the candle at 0 to be a
415
00:26:05,200 --> 00:26:08,700
kid again, right?
Totally.
416
00:26:10,500 --> 00:26:17,500
I saw that was Challenging and I
didn't sleep much.
417
00:26:17,500 --> 00:26:20,800
Yeah.
And there may have been
418
00:26:20,800 --> 00:26:23,700
substances at the time.
Yeah, I don't know.
419
00:26:23,700 --> 00:26:30,700
Yeah.
But me either eventually this
420
00:26:30,700 --> 00:26:34,400
other lighting guy.
I had met approached me and said
421
00:26:35,400 --> 00:26:39,200
he said two things.
He said I need a guy to come run
422
00:26:39,200 --> 00:26:45,600
a follow spot.
And I was super show, and if
423
00:26:45,600 --> 00:26:49,000
you're good at it, I've got a
road job for you.
424
00:26:49,000 --> 00:26:51,400
So your sound cut out for a
second.
425
00:26:51,400 --> 00:26:53,000
Are you said in an Alice?
Cooper show.
426
00:26:53,700 --> 00:26:57,700
Yeah, propolis spot files,
powered our supership but a
427
00:26:57,700 --> 00:27:02,900
carbon Arc, which I did.
I had no idea, you know how
428
00:27:02,900 --> 00:27:07,700
carbon are well, many danger you
were getting yourself into, I
429
00:27:07,708 --> 00:27:13,500
was ready to try and What's
really interesting about this
430
00:27:13,500 --> 00:27:16,200
club?
And you can Google it.
431
00:27:16,200 --> 00:27:18,800
It was a club called Randy's
Rodeo.
432
00:27:18,800 --> 00:27:21,900
It's probably the biggest Club
in San Antonio, at the time, the
433
00:27:21,900 --> 00:27:25,800
Sex Pistols played one of their,
oh, few shows there.
434
00:27:26,400 --> 00:27:30,400
And here's another connection.
Before I talk to this fellow
435
00:27:30,400 --> 00:27:36,100
about these two jobs run, follow
spot in the subsequent wrote or
436
00:27:36,400 --> 00:27:40,400
I had gone down there and done a
rush show with some of my
437
00:27:40,400 --> 00:27:42,800
equipment.
Went and helped out another
438
00:27:42,800 --> 00:27:46,800
lighting guy from another local
band who was opening for Rush
439
00:27:47,000 --> 00:27:50,200
and guess who the LD was Howard
on the ladder.
440
00:27:50,800 --> 00:27:53,500
Yeah.
Now he, by the way, that's
441
00:27:53,500 --> 00:27:56,200
another really great podcasts.
He listened to.
442
00:27:56,300 --> 00:27:59,400
He tells a couple stories on
there that had me in stitches.
443
00:28:00,000 --> 00:28:05,800
One in particular, about a pony,
you got it here that I'm telling
444
00:28:05,800 --> 00:28:06,500
you.
It's a good one.
445
00:28:06,800 --> 00:28:13,900
Yeah. so, Anyway, I went, and I
did the Alice Cooper show
446
00:28:13,900 --> 00:28:17,400
learned how to run the fall spot
and keep the park in the right
447
00:28:17,400 --> 00:28:20,400
spot.
And, you know, when to change
448
00:28:20,400 --> 00:28:26,400
the rods and all that stuff.
And then I went from that, this
449
00:28:26,600 --> 00:28:30,100
can't remember his name for the
life of the sld for this local
450
00:28:30,100 --> 00:28:34,100
band that.
Okay, I'm going to train you To
451
00:28:34,100 --> 00:28:37,600
take my place as I don't want to
tour with these guys anymore.
452
00:28:37,600 --> 00:28:43,800
So the group was called the
American Peddlers and really
453
00:28:43,800 --> 00:28:47,300
interesting bunch of guys, they
were older you know in their
454
00:28:47,300 --> 00:28:54,700
mid-thirties here I would have
been 23 at the time 24 and we're
455
00:28:54,700 --> 00:29:04,400
talking this was at the
beginning of 1982 and These guys
456
00:29:04,400 --> 00:29:10,000
in this band could play, they
had a little rock show, that was
457
00:29:10,000 --> 00:29:12,600
like covers and they had their
own material.
458
00:29:13,200 --> 00:29:16,200
Then they also had they could do
a country show.
459
00:29:16,500 --> 00:29:18,700
I mean, they can play country
music, really decent.
460
00:29:18,700 --> 00:29:22,400
If they, if they were booked in
a country bar, they do that and
461
00:29:22,400 --> 00:29:24,700
put on that cowboy boots.
And nobody would know the
462
00:29:24,700 --> 00:29:28,100
difference even though they had
the long hair and everything and
463
00:29:28,100 --> 00:29:33,200
then they also had this like a
Trilogy that was more like
464
00:29:33,400 --> 00:29:37,900
Dinner Show where it was three
parts where you started off with
465
00:29:37,900 --> 00:29:40,900
the 50 and then they did the
60s, you know, with
466
00:29:40,900 --> 00:29:45,500
intermissions in between, and we
did curtains, you know, little
467
00:29:45,500 --> 00:29:50,800
black box, and had the lighting
and special effects and
468
00:29:50,800 --> 00:29:54,200
Mirrorball everything that
worked really well for the
469
00:29:54,200 --> 00:29:57,200
trilogy show.
So, they least guys they they
470
00:29:57,200 --> 00:30:00,600
knew what they were doing.
They knew how to put on a decent
471
00:30:00,600 --> 00:30:07,300
show and do.
So I think he trained me maybe
472
00:30:07,300 --> 00:30:09,800
one day.
And then I went out on the road
473
00:30:09,800 --> 00:30:14,300
with them and they actually had
some really decent equipment.
474
00:30:14,300 --> 00:30:18,900
They had cd80 Democrats.
I don't you remember those?
475
00:30:19,000 --> 00:30:21,700
Yeah, that's old, codger.
Yeah.
476
00:30:23,200 --> 00:30:30,400
And two of those packs 12-way
packs and they had the Strand
477
00:30:30,400 --> 00:30:33,100
board that would communicate
with them because it is a
478
00:30:33,100 --> 00:30:38,800
special protocol is a little
micro Flex connector and strand
479
00:30:38,800 --> 00:30:43,800
board was called a man tricks I
believe and to see.
480
00:30:43,800 --> 00:30:46,300
But you could actually program
looks on faders.
481
00:30:46,300 --> 00:30:51,400
I mean, it was state-of-the-art
stuff for that time and then
482
00:30:51,800 --> 00:30:55,900
they own to follow spots to
regular Troopers.
483
00:30:57,500 --> 00:31:01,800
They had some wrong time.
We're trusting and Park Hands,
484
00:31:02,500 --> 00:31:05,400
multi cable, which I've never
seen before.
485
00:31:05,800 --> 00:31:09,200
Like, this is wonderful.
You know, I could do six
486
00:31:09,200 --> 00:31:12,000
circuits also and so the band
owned, all the gear they toured
487
00:31:12,000 --> 00:31:14,000
with all their own gear.
Okay, cool.
488
00:31:14,800 --> 00:31:18,900
So and what else?
You know, special effects.
489
00:31:18,900 --> 00:31:22,800
They had pyro pack.
Flash pods with a little
490
00:31:22,800 --> 00:31:27,500
controller and all that stuff
and dry ice machine, you know
491
00:31:27,600 --> 00:31:31,900
everything you needed to.
To really do an interesting and
492
00:31:32,200 --> 00:31:40,800
full-featured type show.
So they generally toward at like
493
00:31:40,900 --> 00:31:46,500
military installations Air Force
clubs, especially some army
494
00:31:46,500 --> 00:31:50,500
bases, and then we would do
regular clubs on the side.
495
00:31:51,000 --> 00:31:57,500
And they had had a silver eagle
used bus that they got from
496
00:31:57,500 --> 00:32:00,400
another touring act with a big
trailer behind it.
497
00:32:00,900 --> 00:32:04,200
We had Genie Towers.
We used to put super Towers in
498
00:32:04,200 --> 00:32:10,000
The Bays of the bus.
His each other couldn't even
499
00:32:10,000 --> 00:32:12,800
close the doors on the bus
because the genie Towers were
500
00:32:13,600 --> 00:32:17,900
much too crazy.
But but Ron tower on top of the
501
00:32:17,900 --> 00:32:20,800
trailer and strap it down.
And was like, what kind of
502
00:32:20,808 --> 00:32:25,100
venues the airman's clubs could
be pretty big.
503
00:32:25,800 --> 00:32:30,300
Surprisingly.
I remember the one at Lackland,
504
00:32:30,300 --> 00:32:34,200
in San Antonio was huge Club.
Hold probably five, six hundred
505
00:32:34,800 --> 00:32:39,400
Air Force, you know, they're all
In training at that point and
506
00:32:39,400 --> 00:32:45,300
very enthusiastic.
Here's, I was think about this,
507
00:32:45,300 --> 00:32:49,700
they to get the power for the
dimmer packs, right?
508
00:32:49,700 --> 00:32:52,600
You know, because you're looking
at with the number instrument,
509
00:32:52,600 --> 00:32:58,000
they had maybe 200 amps and we
had feeder, but there was never
510
00:32:58,600 --> 00:33:03,700
a dedicated disconnect for that.
So they had one set of Cam locks
511
00:33:04,200 --> 00:33:08,400
with giant alligator clips.
It and they, we would open up a
512
00:33:08,400 --> 00:33:13,700
panel kid, you not open up the
panel, go on the line side and
513
00:33:13,700 --> 00:33:19,600
clamp pose as a Taylor Swift,
you'd be like doing this and
514
00:33:19,600 --> 00:33:21,700
Sparks Fly.
Oh my God.
515
00:33:25,800 --> 00:33:29,100
Yeah, you know, I mean, it might
explain some things, but when I
516
00:33:29,100 --> 00:33:32,600
was in bands, half the time, for
some reason, I was always the
517
00:33:32,600 --> 00:33:35,900
guy that had to go up to the
bartender and I was in the band,
518
00:33:35,900 --> 00:33:37,400
I was a member of the band,
right?
519
00:33:37,400 --> 00:33:40,200
But the lighting guy wouldn't do
it in the sound guy, wouldn't do
520
00:33:40,200 --> 00:33:41,500
it.
So I'd have to go up to the
521
00:33:41,500 --> 00:33:47,900
bartender and ask him to turn
off the power on the stage, you
522
00:33:47,900 --> 00:33:51,300
know, so that we could connect
to the to the thing on the
523
00:33:51,300 --> 00:33:54,400
stage, right?
And so I'd go do that.
524
00:33:54,500 --> 00:33:58,700
That and then I have to go and
connect to the onto the,
525
00:33:58,700 --> 00:34:02,400
whatever the hell it's called.
And of course, half the time it
526
00:34:02,400 --> 00:34:04,500
was still hot and I'd be like,
nah.
527
00:34:04,600 --> 00:34:08,300
Oh yeah.
Oh yeah, oh yeah, oh yeah, are
528
00:34:08,300 --> 00:34:10,100
you sure it's off?
Oh yeah, I'm sure.
529
00:34:10,900 --> 00:34:14,199
Yeah.
Well, you know, and then you
530
00:34:15,400 --> 00:34:18,900
know buddy I don't know that I
owned an amp probe.
531
00:34:19,300 --> 00:34:21,500
Not at that time.
You just basically turn
532
00:34:21,500 --> 00:34:25,300
everything on and you know, ask
him behind If you're using the
533
00:34:25,300 --> 00:34:28,000
same disconnect as far, okay.
Is everything on.
534
00:34:28,000 --> 00:34:29,500
Are we going to trip any
Breakers?
535
00:34:29,500 --> 00:34:31,400
Yeah I think I'm gonna catch on
fire.
536
00:34:32,500 --> 00:34:37,600
That's about all you could do.
But yeah, so these guys in this
537
00:34:37,600 --> 00:34:43,199
band they've been doing this
this touring for quite some time
538
00:34:43,199 --> 00:34:46,500
and that actually had made
themselves a little niche in San
539
00:34:46,500 --> 00:34:50,100
Antonio through the guys in the
band were promoters as well.
540
00:34:50,199 --> 00:34:52,199
Okay.
And they they would get
541
00:34:52,400 --> 00:34:55,699
contracts to do touring a
national touring Act.
542
00:34:57,100 --> 00:34:59,800
In the same venue that they work
with their group, right?
543
00:34:59,800 --> 00:35:04,000
And they would promote them and
those contracts would usually be
544
00:35:04,000 --> 00:35:07,600
buyer provides.
In other words, they the
545
00:35:07,800 --> 00:35:12,400
promoter would provide the gear
there for me and the sound guy,
546
00:35:12,500 --> 00:35:15,300
they would send us out to do
these other shows.
547
00:35:16,300 --> 00:35:24,000
We did shows for like dr.
Hook Eddie Raven was a country
548
00:35:24,000 --> 00:35:28,100
act Reba McEntire.
Fire back when she was a
549
00:35:28,100 --> 00:35:29,400
McIntyre.
Yeah.
550
00:35:29,600 --> 00:35:36,200
And then they landed.
For shows with Louise Mandrell,
551
00:35:36,700 --> 00:35:38,300
one of the mandrel assistance,
right?
552
00:35:38,300 --> 00:35:42,900
The brunette.
So we went out and took a U-Haul
553
00:35:42,900 --> 00:35:46,400
with all their gear and went out
and did these series of shows
554
00:35:47,100 --> 00:35:55,200
and the last one was in
Louisiana, I think and they the
555
00:35:55,300 --> 00:35:59,100
production guy and the guys in
the band had all been coming up
556
00:35:59,100 --> 00:36:02,000
to me after the show's Main, and
you do really good job working.
557
00:36:02,300 --> 00:36:03,700
Clyde's.
We don't have anybody.
558
00:36:03,700 --> 00:36:06,100
We need somebody.
Well, sure enough.
559
00:36:06,100 --> 00:36:11,900
If that last show they
approached me and the tour
560
00:36:11,900 --> 00:36:15,300
manager production, guys that
look come with me out the bus.
561
00:36:15,300 --> 00:36:18,000
Louise wants to talk to you, I
went out there and since I look
562
00:36:18,400 --> 00:36:20,600
really like you, you do a great
job.
563
00:36:21,000 --> 00:36:23,700
Move to Nashville.
You can work with us all the
564
00:36:23,700 --> 00:36:27,400
time, and I'm like, hell yeah.
There you go.
565
00:36:27,600 --> 00:36:30,100
There's your brake home.
Yeah.
566
00:36:30,100 --> 00:36:34,200
Big-time big-time Break Stuff.
And you were in your mid-20s and
567
00:36:34,400 --> 00:36:36,400
you got to go home and tell your
parents.
568
00:36:36,500 --> 00:36:39,700
I've got a real job.
Finally, whatever.
569
00:36:39,700 --> 00:36:42,800
Yeah, good news is, I've got a
job, the bad news is its in
570
00:36:42,800 --> 00:36:44,100
Nashville.
Yeah.
571
00:36:44,200 --> 00:36:45,000
Yeah.
Yeah.
572
00:36:45,000 --> 00:36:47,500
Pretty much.
And, you know, I think my
573
00:36:47,500 --> 00:36:52,500
parents had already they'd moved
out of San Antonio - oh, I was
574
00:36:52,500 --> 00:36:56,400
living had been living on my own
until, you know, it wasn't that
575
00:36:56,500 --> 00:36:58,900
part of a pill and of course.
Yeah.
576
00:36:59,400 --> 00:37:02,500
So you're just glad you've been
in Nashville, a long time, Then
577
00:37:03,100 --> 00:37:05,000
yeah.
Since Karen huh?
578
00:37:05,000 --> 00:37:06,600
An 82.
Wow.
579
00:37:07,700 --> 00:37:09,400
Before.
It was kind of a thing.
580
00:37:10,600 --> 00:37:11,600
Yeah.
Yeah.
581
00:37:11,600 --> 00:37:15,200
It wasn't much of a dragon went.
Yeah, yeah.
582
00:37:15,200 --> 00:37:19,700
Yeah.
I mean, the whole, the whole
583
00:37:19,700 --> 00:37:22,400
country touring thing has
changed so much because I
584
00:37:22,400 --> 00:37:27,000
remember like back in the day
when it was TLS or banded and,
585
00:37:27,200 --> 00:37:30,600
you know, a dozen intelli beams,
you know, and that was a pretty
586
00:37:30,600 --> 00:37:35,100
big country show, you know, was
Was, you know, yeah. 40 40 or 50
587
00:37:35,100 --> 00:37:40,100
pars and and and a dozen intelli
beams and that was pretty much
588
00:37:40,100 --> 00:37:42,000
everybody like all the big
country artist.
589
00:37:42,000 --> 00:37:43,300
That's what they were touring
with.
590
00:37:44,900 --> 00:37:50,400
You know, to me, it didn't
really lighting didn't rate with
591
00:37:50,400 --> 00:37:54,100
most of the groups, especially,
you know, lower level groups or
592
00:37:54,100 --> 00:37:57,700
even the mid-level group,
lighting wasn't that important
593
00:37:58,200 --> 00:38:01,600
to you.
Get really into the 2000.
594
00:38:02,000 --> 00:38:05,300
I mean, even prior that.
Now, some of the bigger groups.
595
00:38:05,300 --> 00:38:07,100
Yeah.
Oakridge Boys.
596
00:38:08,100 --> 00:38:13,100
You know in the 90s who else,
you know, some of the really big
597
00:38:13,100 --> 00:38:14,100
Acts.
They yeah.
598
00:38:14,100 --> 00:38:15,900
They had big rigs.
Yeah.
599
00:38:15,900 --> 00:38:19,000
And we can talk about those as
we get down the timeline.
600
00:38:19,000 --> 00:38:22,900
Yeah, it just didn't seem to be
that important.
601
00:38:22,900 --> 00:38:28,200
I used to really frustrate me
really did because, you know,
602
00:38:28,200 --> 00:38:32,200
especially when you go off to do
a like a one-off and you don't
603
00:38:32,200 --> 00:38:35,300
have your gear with you and the
promoter.
604
00:38:35,300 --> 00:38:39,100
You know it's buyer provides a
don't stuff is a bunch of junk
605
00:38:39,100 --> 00:38:42,700
and you expect, you know, yeah,
I'd like to do a good job, same
606
00:38:42,700 --> 00:38:46,800
time I think.
You know, like the nostalgic
607
00:38:46,800 --> 00:38:50,100
side of me, you know, as much as
I've made loads of money selling
608
00:38:50,100 --> 00:38:55,900
lighting for Big Country acts
and stuff, I think the rawness,
609
00:38:55,900 --> 00:38:59,600
and, and just the down and
dirty, rawness of a Country tour
610
00:38:59,600 --> 00:39:02,000
back.
Then compared to today, where
611
00:39:02,000 --> 00:39:04,300
they're just like rock and roll
shows or pop shows today.
612
00:39:04,300 --> 00:39:07,100
Right there, the same thing.
Basically, you know, big video
613
00:39:07,100 --> 00:39:11,000
screen, loads of moving lights,
probably bigger in most cases
614
00:39:11,000 --> 00:39:13,400
than the Rock shows, because
they're making so much money.
615
00:39:13,900 --> 00:39:17,800
But it was just quite a back
then, like, you know, it was
616
00:39:17,800 --> 00:39:19,800
just different, they were much
more raw.
617
00:39:19,800 --> 00:39:25,000
And it was about the music and,
and the sort of mood, not not
618
00:39:25,000 --> 00:39:29,300
necessarily the show and great.
Yeah.
619
00:39:30,100 --> 00:39:35,100
So the and another aspect of all
that is and I was very fortunate
620
00:39:35,100 --> 00:39:40,600
for my career, to take that path
is that you learn what I would
621
00:39:40,600 --> 00:39:43,500
call the meat and potatoes.
Early.
622
00:39:43,500 --> 00:39:47,400
You know I mean how to put a
system together with just
623
00:39:47,400 --> 00:39:52,300
conventionals and you know have
it interesting how not to give
624
00:39:52,300 --> 00:39:57,100
it all up on the first song and
how how to hook all that stuff
625
00:39:57,100 --> 00:40:01,100
up?
Make it work you know whenever
626
00:40:01,100 --> 00:40:05,300
you just walk into a gig and
it's in disarray or they unload
627
00:40:05,300 --> 00:40:08,300
the trucks and nothing's prep,
you know, that's what we had to
628
00:40:08,300 --> 00:40:10,300
do that all the time.
Right?
629
00:40:10,500 --> 00:40:15,300
So I thought, oh yeah.
I toured started touring with
630
00:40:15,300 --> 00:40:21,300
Louise.
And here's a funny note, one of
631
00:40:21,300 --> 00:40:24,500
the first things they asked me
they said, okay, we're going to
632
00:40:24,500 --> 00:40:28,400
go out and We're going to start
a run.
633
00:40:28,700 --> 00:40:33,900
We're going to travel from
Nashville to Los Angeles and do
634
00:40:33,900 --> 00:40:36,900
a show at Disneyland.
And they're going to have all
635
00:40:36,900 --> 00:40:38,900
the lights we need there, right?
Okay.
636
00:40:38,900 --> 00:40:41,000
Great.
And then, we're going to go from
637
00:40:41,000 --> 00:40:42,700
there to Portland.
Maine.
638
00:40:43,100 --> 00:40:47,200
I'm like, isn't that like all
the way across the country?
639
00:40:47,400 --> 00:40:52,300
And yeah, and they, you know,
production guy said what?
640
00:40:52,500 --> 00:40:55,700
And, you know, after that, we're
going to be doing a whole bunch
641
00:40:55,700 --> 00:41:00,300
of county fairs state fairs.
And you know, all the lights
642
00:41:00,300 --> 00:41:04,000
you'll need will be there.
What it would, what can you
643
00:41:04,000 --> 00:41:06,800
think of that?
You would need to do the best
644
00:41:06,800 --> 00:41:11,000
job?
And the first thing I thought of
645
00:41:11,000 --> 00:41:15,100
was intercom because in those
types of, you know, especially
646
00:41:15,100 --> 00:41:18,000
the fares, the intercom is
always crap, right?
647
00:41:18,000 --> 00:41:21,800
So say, yeah, give me a clear
calm system with two Bell packs
648
00:41:21,800 --> 00:41:25,300
and headsets for the follow
spots, some cable and my own
649
00:41:25,300 --> 00:41:30,300
headset that Helped tremendously
and then the other really good
650
00:41:30,300 --> 00:41:31,700
call.
I don't know that I would have
651
00:41:31,700 --> 00:41:34,400
thought of that one but that's a
good call very good.
652
00:41:34,400 --> 00:41:40,100
The other the other item was a
big 12-foot, A-frame ladder with
653
00:41:40,100 --> 00:41:42,100
the extension that goes up the
middle.
654
00:41:42,100 --> 00:41:46,200
So you can get that joker like
16 feet in it, you know.
655
00:41:46,200 --> 00:41:49,100
Yeah.
Because I knew those fairs,
656
00:41:49,400 --> 00:41:53,500
you're going to get some rickety
piece of junk, the ladder, you
657
00:41:53,500 --> 00:41:57,800
know, and not be able to reach
any that this is forget it.
658
00:41:57,800 --> 00:42:01,300
Yeah.
So and they went out and bought
659
00:42:01,300 --> 00:42:04,600
that stuff and they put us in
this truck.
660
00:42:05,000 --> 00:42:09,700
It was like a Castaway truck
from Statler Brothers.
661
00:42:09,700 --> 00:42:13,200
They, you know, that they had
grown out of it Mercedes-Benz.
662
00:42:13,500 --> 00:42:18,000
It was a Furniture truck, right?
With the overhang over the cab
663
00:42:18,000 --> 00:42:21,000
and they had cut it where you've
got sleeping quarters.
664
00:42:21,000 --> 00:42:23,200
Yeah.
Well it, what the, what they had
665
00:42:23,200 --> 00:42:27,800
neglected to do is to make a
pathway from Driver's
666
00:42:27,800 --> 00:42:32,500
compartment into the sleeper, so
when you got in the sleeper it
667
00:42:32,500 --> 00:42:36,900
was like it was like a door with
the latches that the latches
668
00:42:36,900 --> 00:42:40,200
were on the outside.
So when me and Dan, the
669
00:42:40,207 --> 00:42:43,300
production guy went and looked
at this truck were like, okay,
670
00:42:43,300 --> 00:42:48,100
you get in the sleeper, you go
on, you know, five 600 miles.
671
00:42:48,100 --> 00:42:51,100
He got some guy driving.
How the hell do you get his
672
00:42:51,100 --> 00:42:51,900
attention?
You know.
673
00:42:51,900 --> 00:42:53,800
No cell phones or anything like
that?
674
00:42:53,800 --> 00:42:57,100
We didn't we didn't have radios.
Yeah, how do you How do you get
675
00:42:57,100 --> 00:43:00,700
his attention?
If somebody is, you know, in
676
00:43:00,700 --> 00:43:04,600
trouble, or you got to stop, you
know, use the restroom or
677
00:43:04,600 --> 00:43:09,500
whatever.
So we put these it did have like
678
00:43:09,500 --> 00:43:12,800
those slap glass windows like
you see in old style campers,
679
00:43:12,800 --> 00:43:16,200
really crank them up and we
could just see reaching out
680
00:43:16,200 --> 00:43:18,700
through those and getting arms
all, cut the hell.
681
00:43:19,200 --> 00:43:22,900
So, we eliminated those and put
this Plexi on there, that way we
682
00:43:22,900 --> 00:43:25,800
could reach the latch on the
outside to open the door.
683
00:43:26,000 --> 00:43:28,700
And also We could wave at the
driver in the rearview mirror.
684
00:43:28,700 --> 00:43:30,900
Hey stop.
Oh my goodness.
685
00:43:31,700 --> 00:43:34,200
What a system that is.
We called it.
686
00:43:34,200 --> 00:43:35,700
The death Truck.
Yeah.
687
00:43:35,700 --> 00:43:40,400
And we put we will put white
Gaff tape on the side and put in
688
00:43:41,000 --> 00:43:45,000
Sharpie on their skull and
crossbones death truck and we
689
00:43:45,000 --> 00:43:47,800
were driving through weigh
stations and that was the one
690
00:43:47,800 --> 00:43:50,700
that you had to go from
California to Maine in.
691
00:43:51,500 --> 00:43:55,300
Holy shit.
When we left, welcome to Turin,
692
00:43:55,300 --> 00:43:59,800
son.
What's my first show with her?
693
00:43:59,800 --> 00:44:04,700
You know, as an employee there
Disneyland was, like, I went
694
00:44:04,700 --> 00:44:09,000
from, you know, meat and
potatoes lighting to this
695
00:44:09,100 --> 00:44:13,300
incredible set up the river
stage or everything pops out of
696
00:44:13,308 --> 00:44:17,400
these boxes, all these pars and
leak owes.
697
00:44:17,400 --> 00:44:21,800
And, you know, they got a
computer console and then
698
00:44:21,800 --> 00:44:26,400
Gladiators so far away, you
can't see the thing, you know.
699
00:44:26,900 --> 00:44:28,600
Do they all sort of much are
they?
700
00:44:29,200 --> 00:44:32,900
I've walked up there and I go
guys, you know, what do I do?
701
00:44:33,000 --> 00:44:36,900
How do how do you know I didn't,
you know, it was like trying to
702
00:44:36,900 --> 00:44:42,300
figure out how do I explain
them, you know what I do for her
703
00:44:42,300 --> 00:44:46,200
show and they're just like, you
know, just tell us the colors
704
00:44:46,200 --> 00:44:49,800
you want for the songs and then
Q the follow spot.
705
00:44:49,800 --> 00:44:54,900
So it'll be really easy and it
was it was super easy and and it
706
00:44:54,900 --> 00:44:57,100
was just amazing.
Variants.
707
00:44:57,100 --> 00:45:00,400
And, you know, I realize that
technology right there, could be
708
00:45:00,400 --> 00:45:03,500
your friend, you know, what the
proper guys in the right places,
709
00:45:03,600 --> 00:45:06,200
you know, they could work really
well.
710
00:45:06,200 --> 00:45:11,800
Yeah, so yeah, went from that to
Portland and then all those
711
00:45:11,800 --> 00:45:16,200
fairs now, eventually, I think
it was the following year,
712
00:45:18,700 --> 00:45:21,800
Louise and her husband Archie
been decided to do like this
713
00:45:21,800 --> 00:45:24,300
Vegas type stroke.
They really wanted to Jazz it
714
00:45:24,300 --> 00:45:30,000
up, they went out and had
risers, fabricated me, and Dan
715
00:45:30,000 --> 00:45:34,100
Waters, made the engineering
drawing for these risers,
716
00:45:34,100 --> 00:45:37,900
literally on a napkin, and their
truck stopped, and gave it to a
717
00:45:37,900 --> 00:45:40,400
local manufacturing company for
the risers.
718
00:45:40,400 --> 00:45:42,700
They would stand up on their
backs and roll off.
719
00:45:42,700 --> 00:45:47,200
They're really cool.
We had a plexiglass I On the
720
00:45:47,207 --> 00:45:50,600
front of the Riser.
Louise was backlit with many
721
00:45:50,600 --> 00:45:53,900
broads.
Had a couple of the old boys,
722
00:45:53,900 --> 00:45:56,800
the Rosco smoke machine.
The first one that came out.
723
00:45:56,800 --> 00:46:00,700
I remember, I can't remember how
the heck we were triggering
724
00:46:00,700 --> 00:46:03,200
those things though because it
was just a remote.
725
00:46:04,000 --> 00:46:11,000
And what else typically tubes?
You may have those original rope
726
00:46:11,000 --> 00:46:14,200
light.
Yeah, that goes all the way
727
00:46:14,200 --> 00:46:16,500
across the apron.
And then on the edging, on the
728
00:46:16,500 --> 00:46:21,600
rise, ER, I had a little little
controller for that we had pyro
729
00:46:23,400 --> 00:46:28,800
and what else confetti cannon.
So we had this whole special
730
00:46:28,800 --> 00:46:34,300
effects package that we could
come in and add, you know, using
731
00:46:34,300 --> 00:46:39,500
the house system and really make
it, you know, a cool show, you
732
00:46:39,500 --> 00:46:41,700
know.
And I mean we take this stuff
733
00:46:41,700 --> 00:46:45,400
into state fairs county fairs
and the people just, you know,
734
00:46:45,500 --> 00:46:46,800
they never seen anything like
it.
735
00:46:47,500 --> 00:46:51,900
They were just blown away.
Yeah, but controlling all that
736
00:46:51,900 --> 00:46:56,400
crap because this is, you know,
you didn't have a board back
737
00:46:56,400 --> 00:46:59,000
then that would control all
those different devices.
738
00:46:59,000 --> 00:47:02,800
So each one of those devices
that is separate controller for
739
00:47:02,800 --> 00:47:05,700
it, which got be pretty crazy.
Yeah.
740
00:47:05,700 --> 00:47:10,100
What up trying to trying to do
an on dim over here?
741
00:47:10,200 --> 00:47:14,800
Typically to changing great over
here and oh don't forget the
742
00:47:14,800 --> 00:47:16,800
Pyro Q, you know?
Yeah.
743
00:47:17,600 --> 00:47:19,500
So what was touring like back
then?
744
00:47:19,500 --> 00:47:22,000
From a, from a living
standpoint, like you weren't on
745
00:47:22,000 --> 00:47:25,800
tour buses where you were, you
staying in half decent hotels or
746
00:47:26,700 --> 00:47:28,000
well.
Most of the time we're on the
747
00:47:28,000 --> 00:47:30,500
truck oh really?
Well, yeah.
748
00:47:30,500 --> 00:47:35,500
I mean we did get hotel rooms,
you know, I would say maybe once
749
00:47:35,500 --> 00:47:39,700
a week but I mean, we were hit.
I think that that second year I
750
00:47:39,700 --> 00:47:42,100
was with, or we did almost 200
show.
751
00:47:43,200 --> 00:47:47,300
I mean, it was, it was crazy
him, by the way, remember I
752
00:47:47,300 --> 00:47:49,700
warned you about the roofing guy
above my head.
753
00:47:49,700 --> 00:47:53,500
So yeah, he's just decided to
come back and tweak some stuff
754
00:47:53,500 --> 00:47:56,200
apparently.
So he was gone an hour ago, but
755
00:47:56,200 --> 00:47:59,300
now he's back.
So I might mute my mic and
756
00:47:59,300 --> 00:48:08,900
between talk, okay, no worries.
So yeah, it was a great learning
757
00:48:08,900 --> 00:48:12,800
experience.
Plus it got you to Nashville.
758
00:48:13,700 --> 00:48:15,400
Yeah.
You know and it was well is that
759
00:48:15,400 --> 00:48:17,100
a cool place to come to
Nashville?
760
00:48:17,100 --> 00:48:19,900
Like what are a cool time to
come to Nashville or was that
761
00:48:19,900 --> 00:48:21,500
pretty sleepy at that point?
Still?
762
00:48:22,500 --> 00:48:25,400
It was kind of sleepy.
I mean, you know, Broadway was
763
00:48:25,400 --> 00:48:28,100
Broadway, a lot of honky-tonks
down there.
764
00:48:28,300 --> 00:48:33,700
Yeah the Ryman was in a very sad
State at that point they weren't
765
00:48:33,700 --> 00:48:39,000
even using In the Ryman, the
Opry show was over, at Opryland
766
00:48:39,000 --> 00:48:43,500
park in that what they call the
Opry today, which is the big
767
00:48:43,500 --> 00:48:49,200
stage and I believe TNN, the
Nashville network was already up
768
00:48:49,200 --> 00:48:55,500
and running, okay?
So that and that actually worked
769
00:48:55,600 --> 00:49:00,600
out really well for me.
Because at the end of that
770
00:49:00,800 --> 00:49:06,000
second year with Louise like
we're talking about earlier,
771
00:49:06,000 --> 00:49:10,100
she's laid us off from our
salary and said well you can
772
00:49:10,100 --> 00:49:14,800
come back next tour and I'll
hire you but you're done.
773
00:49:14,900 --> 00:49:17,300
And this was like in middle of
November.
774
00:49:18,000 --> 00:49:20,600
So here I was in Nashville
without a job.
775
00:49:20,600 --> 00:49:27,900
So I went to The union hall and
applied for a job and started
776
00:49:27,900 --> 00:49:31,800
working, you know, they didn't
give me a union card right away
777
00:49:31,800 --> 00:49:34,100
or anything like that.
You had to work certain amount
778
00:49:34,100 --> 00:49:37,900
of days or whatever, you know,
meet all their requirements, go
779
00:49:37,900 --> 00:49:41,000
up for the vote, all that stuff,
which I would really wasn't
780
00:49:41,000 --> 00:49:43,300
interested in all I wanted is
work.
781
00:49:43,400 --> 00:49:48,000
Yeah.
And so, while I was doing that,
782
00:49:48,100 --> 00:49:53,200
you know, I was exposed to some
really big shows in the
783
00:49:53,400 --> 00:50:00,000
Auditorium there, like Van Halen
1984, I worked at, so just a
784
00:50:00,000 --> 00:50:04,000
monster.
So when you say you work the
785
00:50:04,000 --> 00:50:08,000
show super you like a stagehand
at that point or yeah.
786
00:50:08,400 --> 00:50:09,500
On the lighting crew.
Yeah.
787
00:50:09,500 --> 00:50:12,500
Okay, basically.
Yeah, they started bringing in.
788
00:50:12,800 --> 00:50:16,000
They think that show pre-rigged
at six in the morning for a
789
00:50:16,008 --> 00:50:20,900
mother grid about an hour after
that.
790
00:50:21,000 --> 00:50:23,600
Trusted lighting truss is
started coming in when Other
791
00:50:23,600 --> 00:50:28,000
good would go up and Marcel from
that period on.
792
00:50:28,300 --> 00:50:33,200
They would bring in me tracks
with lamp bars, non-stop one
793
00:50:33,300 --> 00:50:38,600
right after the other, it was
like through lunch at like 3:00
794
00:50:38,600 --> 00:50:42,400
wasn't that the one where there
was like eight hundred pilot or
795
00:50:42,400 --> 00:50:44,700
something?
It's insane.
796
00:50:44,700 --> 00:50:47,300
I can't remember.
But it was a lot of a lot of
797
00:50:47,300 --> 00:50:49,000
land.
Oh yeah, yeah yeah.
798
00:50:49,900 --> 00:50:54,700
And and they lied.
The crew, they were working them
799
00:50:54,700 --> 00:50:57,200
and shift.
So you'd work the morning with
800
00:50:57,200 --> 00:51:00,600
one guy you know.
Hanging powerbars is one right
801
00:51:00,600 --> 00:51:03,200
after another trust and fly up.
Here's another one.
802
00:51:03,500 --> 00:51:07,100
Bam, bam, bam and also in this
guy would leave, you're going.
803
00:51:07,100 --> 00:51:11,800
Okay, where do you go?
Here comes another guy because
804
00:51:11,800 --> 00:51:15,300
you know they were doing, we're
literally working nonstop, you
805
00:51:15,300 --> 00:51:19,200
know, I mean there may have been
a break what a four or five hour
806
00:51:19,200 --> 00:51:21,500
break while they went from one
city to another.
807
00:51:21,500 --> 00:51:23,100
It's just crazy.
Yeah.
808
00:51:23,400 --> 00:51:32,900
What I was I was at the Genesis
tour in 1984 the big first
809
00:51:32,900 --> 00:51:36,300
moving light tour.
Yeah, and that that's where I.
810
00:51:36,700 --> 00:51:44,200
I'm pretty sure I first saw Bill
ones first time I saw any moving
811
00:51:44,200 --> 00:51:47,100
light.
Yeah, and I don't know if you've
812
00:51:47,100 --> 00:51:49,100
ever seen pictures of that rig,
of course.
813
00:51:49,100 --> 00:51:52,800
Yeah.
It's just yeah, it was wild.
814
00:51:53,300 --> 00:51:55,600
Yeah, that's what gives me
goosebumps.
815
00:51:55,600 --> 00:51:59,200
Because the crowd there, they
just stole it is.
816
00:51:59,200 --> 00:52:02,800
Didn't look at the light rig?
It just well, that was just such
817
00:52:02,800 --> 00:52:09,200
a big evolution for shows, like
just it was like, whoa, we just
818
00:52:09,200 --> 00:52:11,100
went to a whole different level
now.
819
00:52:11,400 --> 00:52:18,200
Yeah, yeah, yeah, we're sure.
And so, I was getting a good
820
00:52:18,200 --> 00:52:22,600
exposure to the other side of
the industry, you know, where
821
00:52:22,600 --> 00:52:28,900
the he was way out there and
scale with much larger doing
822
00:52:28,900 --> 00:52:32,800
those types of shows and then
also with the Union I started
823
00:52:32,800 --> 00:52:37,600
doing television stuff, you
know, at local venues with
824
00:52:38,000 --> 00:52:43,900
tienen lighting directors, you
know and you know at first I was
825
00:52:43,900 --> 00:52:48,000
kind of kind of sorted sort of
interested in it but yeah I
826
00:52:48,008 --> 00:52:50,700
really like a rock and roll
stuff you know you're glad
827
00:52:51,200 --> 00:52:54,400
that's okay, I'll go out, make a
few Bots or whatever.
828
00:52:54,400 --> 00:52:56,800
Right.
Didn't think there was much art
829
00:52:56,800 --> 00:52:58,400
to it per se.
Yeah.
830
00:52:58,400 --> 00:53:00,300
You know, was it?
Do you remember, was it a
831
00:53:00,300 --> 00:53:03,100
different pay scale or anything
or were you being paid the same?
832
00:53:03,100 --> 00:53:06,600
Whether you went on a TV on
those you knew calls.
833
00:53:06,600 --> 00:53:09,400
It could be all over the map.
Pretty much generally The Rock
834
00:53:09,400 --> 00:53:13,300
shows didn't pay as well.
Yeah, you know depending on what
835
00:53:13,300 --> 00:53:16,300
position you were in?
Yeah you know if that's what I
836
00:53:16,300 --> 00:53:18,900
was thinking like maybe it
wasn't as fun but you made more
837
00:53:18,900 --> 00:53:22,200
money.
No, The Rock stuff did not pay
838
00:53:22,200 --> 00:53:24,600
as well as TV.
Yeah, he there.
839
00:53:25,900 --> 00:53:28,700
But you know, I back then, I
didn't really care that much
840
00:53:28,700 --> 00:53:30,700
about the money.
Yeah, yeah.
841
00:53:32,800 --> 00:53:40,400
So let's getting starting to get
exposure to television and I
842
00:53:40,400 --> 00:53:44,200
think that the third year, I
looked worked for Louise, we
843
00:53:44,200 --> 00:53:49,100
ended up doing some bigger shows
where she was like a support
844
00:53:49,100 --> 00:53:51,200
act.
They used to have this big tour
845
00:53:51,200 --> 00:53:54,200
called Marlboro country music.
To her, okay?
846
00:53:54,600 --> 00:53:58,000
And every year they would go
out, you know, with a headliner
847
00:53:58,000 --> 00:54:03,100
and then pick up support acts,
you know, they do probably, I
848
00:54:03,100 --> 00:54:05,900
don't know, it's probably 30 or
40 shows around the country and
849
00:54:05,900 --> 00:54:12,000
it it was big production.
But remember Louise was booked
850
00:54:12,000 --> 00:54:17,800
on one and Someplace on the east
coast.
851
00:54:17,800 --> 00:54:22,000
And we were the very first brute
with the lowest group on the
852
00:54:22,000 --> 00:54:26,800
bill, right?
So when they brought her band
853
00:54:26,800 --> 00:54:31,300
here to the stage for sound
check, they literally had 15
854
00:54:31,300 --> 00:54:34,500
minutes and I walked out the
front of house.
855
00:54:35,100 --> 00:54:39,700
Here's this giant Park and and
it had vo ones on it rigged.
856
00:54:40,600 --> 00:54:43,700
And I'm going.
Fifteen minutes.
857
00:54:43,700 --> 00:54:46,200
What can I get done?
And guess who the programmer
858
00:54:46,200 --> 00:54:49,400
was?
It was Jim wait Jesus.
859
00:54:50,100 --> 00:54:54,600
Oh yeah.
And he said look, you need to
860
00:54:54,600 --> 00:54:59,600
look at these lights.
He's moving lights as what you
861
00:54:59,600 --> 00:55:04,300
need to find.
One or two, maybe three things
862
00:55:04,300 --> 00:55:08,300
that they'll do really well.
That maybe you don't have that
863
00:55:08,300 --> 00:55:12,900
particular kind of light in the
rig and use those likes to do
864
00:55:12,900 --> 00:55:15,100
that purpose.
Maybe another purpose.
865
00:55:16,300 --> 00:55:20,100
Let me program that today and
then the next time you come back
866
00:55:20,100 --> 00:55:25,200
we'll get a couple more end and
just build off of that and which
867
00:55:25,200 --> 00:55:30,400
was really kind of revolutionary
thing because, you know, most of
868
00:55:30,408 --> 00:55:34,500
the guys that I've seen that
when they walk in with moving
869
00:55:34,500 --> 00:55:36,600
lights with first-time, first
thing they do is try to make
870
00:55:36,600 --> 00:55:39,300
them value right there.
Moving little shit out of move
871
00:55:39,800 --> 00:55:42,700
Gotta Move.
Yeah, that was that was not what
872
00:55:42,700 --> 00:55:46,700
I think what I did was that,
that particular system Didn't
873
00:55:46,700 --> 00:55:51,200
have an audience wants on it
from some odd reason, okay?
874
00:55:51,300 --> 00:55:53,900
That's it.
Jim no audience license, use
875
00:55:53,900 --> 00:55:56,900
them for audience, like I said,
yeah, great bam.
876
00:55:57,600 --> 00:56:01,300
And that's what we did and then
each time we would pick back up.
877
00:56:01,400 --> 00:56:04,700
Same thing, we do it a little
bit more, do a stage wash, maybe
878
00:56:04,700 --> 00:56:09,800
do another stage wash and just
methodically work your way into
879
00:56:09,800 --> 00:56:14,100
it to where your they serve a
purpose rather than just
880
00:56:14,500 --> 00:56:17,400
willy-nilly.
You know, did it all begin for
881
00:56:17,400 --> 00:56:19,600
point where the artist was
saying to you?
882
00:56:19,600 --> 00:56:22,600
Hey why don't we have those
other lights this time?
883
00:56:22,600 --> 00:56:25,400
You know, I really like those
other lights or whatever like
884
00:56:26,300 --> 00:56:33,900
we're not at that time Louise
was always more conscious of the
885
00:56:33,900 --> 00:56:36,500
follow spot.
I remember that about her
886
00:56:36,500 --> 00:56:39,700
because man I tell you that
those follow spots weren't spot
887
00:56:39,700 --> 00:56:42,400
on.
Yeah, I would hear about it, you
888
00:56:42,400 --> 00:56:44,700
know, it's because she's old
school.
889
00:56:46,700 --> 00:56:49,400
I don't know if you've ever
recognize this is that the
890
00:56:49,400 --> 00:56:53,400
old-school performers Apollo
spots are their comfort zone,
891
00:56:53,600 --> 00:56:55,600
right?
And if that spot is not on them
892
00:56:55,600 --> 00:56:59,400
at the right time, sometimes is
even the right color, you know,
893
00:56:59,700 --> 00:57:02,400
they'll know it, you know, I'm
not supposed to be in red right
894
00:57:02,400 --> 00:57:05,900
now supposed to be pink.
Well, if you listen to smeaton's
895
00:57:05,900 --> 00:57:09,000
podcast, that he did with me, he
talks a lot about that.
896
00:57:09,000 --> 00:57:14,400
Like, because he dealt with a
lot of the, the Divas, you know.
897
00:57:14,600 --> 00:57:15,900
Yeah.
Oh yeah.
898
00:57:16,000 --> 00:57:19,200
And you know, like Diana Ross
and and whoever I don't even
899
00:57:19,200 --> 00:57:23,900
remember but, you know, he said
that was always sort of the
900
00:57:23,900 --> 00:57:27,900
thing, the follow spots and
especially you know, the color
901
00:57:27,900 --> 00:57:31,200
and the color that they didn't
want, like never put green on me
902
00:57:31,200 --> 00:57:32,900
or never put this on me or
whatever.
903
00:57:33,500 --> 00:57:36,600
And they were very, very
particular about that.
904
00:57:36,600 --> 00:57:38,700
If they ever saw a picture
anything of that.
905
00:57:38,700 --> 00:57:42,200
Yeah, with particular color or,
you know, whatever.
906
00:57:43,300 --> 00:57:45,900
So yeah, I can see it being
pretty.
907
00:57:46,100 --> 00:57:48,300
Pretty intense about the follow
spots for sure.
908
00:57:49,000 --> 00:57:51,100
Yeah.
Generally the more traditional
909
00:57:52,000 --> 00:57:54,900
artists, you know, they just
wanted them white, you know,
910
00:57:54,900 --> 00:58:00,100
open white and you know, I could
sometimes talk them into, you
911
00:58:00,100 --> 00:58:02,300
know, a Flesh Pink.
You know, that makes you look
912
00:58:02,300 --> 00:58:05,800
better, you know.
And then if it was some kind of
913
00:58:05,800 --> 00:58:09,800
real emotional ballad or
something, maybe get into a nice
914
00:58:09,800 --> 00:58:12,700
lavender, you know, you can
usually justify those kind of
915
00:58:12,700 --> 00:58:16,000
things.
But at that point, I never a
916
00:58:16,008 --> 00:58:19,000
really worked with anybody where
you get to truly saturated
917
00:58:19,000 --> 00:58:21,600
colors on your Paula spot.
I like watching.
918
00:58:24,200 --> 00:58:29,400
Film of the older rock shows,
where those of these had so much
919
00:58:29,400 --> 00:58:35,400
latitude on the follow spot
treatment of talent and with
920
00:58:35,400 --> 00:58:39,200
good film, I mean, the one that
really comes to mind.
921
00:58:39,300 --> 00:58:43,600
Think of, as Led Zeppelin Song,
Remains the saying where the LDS
922
00:58:43,600 --> 00:58:48,800
using super saturated colors and
it just looks so good.
923
00:58:48,900 --> 00:58:50,900
Yeah, you know?
Yeah, it's a cloud.
924
00:58:51,300 --> 00:58:55,500
That's a good one.
Yes, so great.
925
00:58:55,800 --> 00:58:59,800
Were you ever getting?
So I mean you were bouncing back
926
00:58:59,800 --> 00:59:04,000
and forth between being in LD
with, with Louise and and being,
927
00:59:04,400 --> 00:59:07,300
you know, doing shows as a hand
or a part of the lighting crew
928
00:59:07,300 --> 00:59:11,500
or whatever had you decided by
that point, basically, I want to
929
00:59:11,508 --> 00:59:13,700
be an LD.
Like this is like where you
930
00:59:13,700 --> 00:59:17,800
starting to try and develop a
tingle a little bit, and it was
931
00:59:17,800 --> 00:59:19,700
like a I don't want to go back
to that.
932
00:59:19,700 --> 00:59:23,500
I want to do this.
Well, it's funny because a
933
00:59:23,508 --> 00:59:28,100
couple more senior guys at that,
the union said we were out.
934
00:59:28,200 --> 00:59:32,400
Out on a called setting up some
big HMI lights for tienen and
935
00:59:32,400 --> 00:59:34,200
we're in the back of the truck,
you know?
936
00:59:35,100 --> 00:59:38,400
And they go hey hon, you know,
you can come work with us.
937
00:59:39,500 --> 00:59:43,600
And and do that all the time and
make plenty of money and not
938
00:59:43,600 --> 00:59:46,300
travel.
And I said no, no.
939
00:59:46,700 --> 00:59:50,100
I think I'd rather travel.
Yeah, you had the bug.
940
00:59:50,100 --> 00:59:53,200
I remember that specifically.
Yeah, yeah.
941
00:59:53,200 --> 01:00:00,600
So so I stuck it out with Louise
till the end of 84 and I think
942
01:00:00,600 --> 01:00:03,700
her career was starting to taper
off the venue's from Britain
943
01:00:03,700 --> 01:00:08,400
getting crappier and crappier, I
don't know what my reasons were
944
01:00:08,400 --> 01:00:11,500
but you know, I've walked away
from that.
945
01:00:11,500 --> 01:00:18,500
It ran its and yeah and then I
think probably through my
946
01:00:18,500 --> 01:00:22,800
connections and working with the
guys that tienen, there was a
947
01:00:22,800 --> 01:00:28,500
another lighting vendor and
natural colored lights up owned
948
01:00:28,500 --> 01:00:33,200
by a fellow named Bob roach who
recently passed?
949
01:00:33,200 --> 01:00:35,000
Yeah, yeah.
I remember.
950
01:00:35,000 --> 01:00:36,600
And Minion.
I knew Bobby.
951
01:00:36,600 --> 01:00:38,400
Yeah.
Did you?
952
01:00:38,500 --> 01:00:40,700
Yeah.
Unfortunate.
953
01:00:41,600 --> 01:00:48,800
But he heard me that would be
the beginning of 85 and he had
954
01:00:48,800 --> 01:00:52,800
just landed an account for this
Christian rock, group called
955
01:00:52,800 --> 01:00:56,000
Petra huh?
That was huge the original
956
01:00:56,000 --> 01:01:00,600
Christian rock group really?
Yeah well I think scriber came
957
01:01:00,600 --> 01:01:05,300
out maybe a year or two the same
time but yeah I just was I mean
958
01:01:05,300 --> 01:01:08,900
they leaned into the Christian
side a little more than striper.
959
01:01:09,400 --> 01:01:12,300
Didn't really hide the fact that
they were a Christian rock band
960
01:01:12,300 --> 01:01:14,500
but they went out as a heavy
metal.
961
01:01:14,800 --> 01:01:19,200
You know Glam band not as a
Christian band whereas Petra was
962
01:01:19,200 --> 01:01:28,500
a Christian band so very much so
and so Bob went out and he the
963
01:01:28,500 --> 01:01:30,700
gear that he had up to that
point.
964
01:01:31,100 --> 01:01:35,400
I think he had a little bit of
PRP trust had a lot of
965
01:01:35,500 --> 01:01:40,900
Television stuff.
And but he went out and bought.
966
01:01:42,200 --> 01:01:46,100
It must have been at least 30
sections of Thomas trust, you
967
01:01:46,100 --> 01:01:52,400
know, fully hum double-loaded.
He got voiced, probably two
968
01:01:52,400 --> 01:01:57,700
dozen hoist.
He bought three dimmer acts that
969
01:01:57,700 --> 01:02:04,800
he put on that show.
LM Iraq's color scrollers, which
970
01:02:04,800 --> 01:02:07,500
were the original color map
packs, right?
971
01:02:08,100 --> 01:02:14,600
He bought two um 500's which was
the state-of-the-art console at
972
01:02:14,600 --> 01:02:22,500
the time or Sith and I mean we
was all these really cool toys
973
01:02:22,600 --> 01:02:27,200
when they hired me, you know, to
whiting direct that show was
974
01:02:27,200 --> 01:02:31,100
going to take it over after
associate is designed it.
975
01:02:32,800 --> 01:02:37,200
I'm like, yeah, I'm on board and
they I was there, the day, they
976
01:02:37,200 --> 01:02:40,300
will those Stresses in the
warehouse and we started
977
01:02:40,300 --> 01:02:44,400
building that system.
I mean up I was like a total
978
01:02:44,700 --> 01:02:48,800
babe in Toyland you know I mean
this is great for you it's real
979
01:02:48,800 --> 01:02:53,500
gear.
Yeah yeah real gear and so we
980
01:02:53,500 --> 01:02:57,600
put that show together, you know
and it's like 350 lights you
981
01:02:57,600 --> 01:03:02,300
know it's big rig.
Some interesting.
982
01:03:04,600 --> 01:03:08,900
The gear we had, I remember we
had a it was the Democrats were
983
01:03:08,900 --> 01:03:11,900
DMX which was kind of knew at
that point, right?
984
01:03:12,200 --> 01:03:17,500
And we had a an, a to d
converter shoes will patch you
985
01:03:17,500 --> 01:03:22,800
ever remember that?
I don't know, but it would allow
986
01:03:22,800 --> 01:03:26,400
you to soft patch dimmers two
channels on the able board.
987
01:03:27,300 --> 01:03:32,600
So you came in with the 90
channels of analog and
988
01:03:32,600 --> 01:03:36,000
outputted.
IMX back to the demo rack.
989
01:03:36,900 --> 01:03:45,700
So, and we had three trust
follow spots and we hit the road
990
01:03:45,700 --> 01:03:50,800
with all that stuff.
I think we're in for trucks MSI,
991
01:03:50,800 --> 01:04:00,900
sound the bulk of the crew were
born again, Christian texts that
992
01:04:00,900 --> 01:04:04,900
okay, the band had picked up,
you know, subsequent Ooh, that.
993
01:04:05,600 --> 01:04:09,600
And here we were, we were
contractors working for the
994
01:04:09,607 --> 01:04:11,300
companies.
The MSI crew.
995
01:04:11,700 --> 01:04:14,200
They were their own thing lights
up.
996
01:04:14,200 --> 01:04:19,100
We were on thing, right?
We weren't it wouldn't expected
997
01:04:19,100 --> 01:04:24,400
of us too.
How should I say be born again
998
01:04:24,400 --> 01:04:26,700
or to pray at the beginning of
every show?
999
01:04:27,200 --> 01:04:32,700
Well, they did have prayer
meetings after load out, which
1000
01:04:32,700 --> 01:04:37,800
was actually quite nuts because
the poor Christian Roadies, they
1001
01:04:37,800 --> 01:04:41,500
never got any sleep, which was
dangerous, because they drove
1002
01:04:41,500 --> 01:04:48,500
trucks also.
But so, Because of the churches
1003
01:04:48,500 --> 01:04:51,200
and everything we had Wednesdays
and Sundays off.
1004
01:04:51,600 --> 01:04:53,700
Right?
And that would be our days and
1005
01:04:53,700 --> 01:04:56,900
basically what the production
manager told us was, look you
1006
01:04:56,900 --> 01:05:01,400
guys.
You secular gais on these days
1007
01:05:01,400 --> 01:05:03,200
off.
Just leave the hotel.
1008
01:05:03,300 --> 01:05:07,600
We don't want to see you.
Do your thing, go have your fun,
1009
01:05:07,900 --> 01:05:10,500
and then come back and be ready
to work the next morning.
1010
01:05:10,600 --> 01:05:16,300
But that's what we did.
And I had Pat Brennan was my
1011
01:05:16,900 --> 01:05:23,700
electrician done quite well.
I had Bobby care already and we
1012
01:05:23,700 --> 01:05:27,400
had, we have really good times
on Wednesdays and Sundays.
1013
01:05:27,500 --> 01:05:32,200
Yeah, I would, yeah, yeah, I
remember a friend of mine.
1014
01:05:32,600 --> 01:05:37,500
One of his first tours was he
went out with striper and he was
1015
01:05:37,500 --> 01:05:44,200
one of the guys who really early
got into sampling and adding
1016
01:05:44,200 --> 01:05:48,300
like sampled kick drums to the
Dram to make it like just have
1017
01:05:48,300 --> 01:05:52,400
that real fat and and clicky
kind of bass drum sound.
1018
01:05:52,900 --> 01:05:56,700
And so he got striper into using
these sample drum sounds.
1019
01:05:57,300 --> 01:06:02,000
And so, you know, he was like a
guy that they loved on the tour
1020
01:06:02,000 --> 01:06:04,300
and stuff.
But he was telling me that,
1021
01:06:04,300 --> 01:06:07,200
like, at the time, and I can't
remember when this was probably
1022
01:06:07,200 --> 01:06:12,500
late 80s, early 90s.
He was telling me that, you
1023
01:06:12,500 --> 01:06:16,300
know, it was very, very strict.
Like, no alcohol, no cursing.
1024
01:06:16,600 --> 01:06:20,500
No girls.
No like no no no no, no nothing,
1025
01:06:20,500 --> 01:06:23,600
right?
Yeah, no cussing, no smoking, no
1026
01:06:23,800 --> 01:06:26,800
drinking, no women, nothing.
No fun.
1027
01:06:26,800 --> 01:06:31,700
Oh yeah, no fun.
Yeah, Wednesday and Sunday.
1028
01:06:31,700 --> 01:06:38,400
Yeah, yeah, so yeah, it was.
Unfortunately, the tour didn't
1029
01:06:38,400 --> 01:06:45,500
do very well because the band
was relying on the churches, the
1030
01:06:45,500 --> 01:06:49,400
book The Show, So they weren't
going through regular promoters.
1031
01:06:50,000 --> 01:06:54,200
So if the church is dropping
off, oh yeah, we started out,
1032
01:06:54,200 --> 01:06:59,600
you know, selling Seven eight
thousand seats and then it just
1033
01:06:59,600 --> 01:07:01,300
started getting smaller and
smaller.
1034
01:07:01,300 --> 01:07:06,800
So bam wanted to put the system
back, kind of redesigned it did
1035
01:07:07,000 --> 01:07:10,000
you know, a stripped-down
version of it and kind of hang
1036
01:07:10,000 --> 01:07:13,600
up held onto it, you know, till
the summer time and eventually
1037
01:07:13,600 --> 01:07:16,900
at one point I'm like, this is
not for me.
1038
01:07:17,000 --> 01:07:19,200
Yeah.
You know, it's just become so
1039
01:07:19,800 --> 01:07:23,600
Troublesome and just not enough
meat on it.
1040
01:07:23,600 --> 01:07:25,200
They the truth.
Yeah.
1041
01:07:25,200 --> 01:07:30,300
So, That would have been the end
of 85.
1042
01:07:30,300 --> 01:07:35,200
And I went out, and I did some
television treats for Bob for
1043
01:07:35,200 --> 01:07:39,300
lights up, you know, with pnn
and got exposed to that a little
1044
01:07:39,300 --> 01:07:47,500
bit more, right?
And then at the end of 85 Bob
1045
01:07:47,600 --> 01:07:50,900
called me up, I was on the road
thinking Orlando.
1046
01:07:51,400 --> 01:07:53,600
He said, look, I need you to
come on back.
1047
01:07:54,500 --> 01:08:00,700
Because I've got a new door for
you and I said, well who's it
1048
01:08:00,700 --> 01:08:02,300
with?
And he goes The Judds.
1049
01:08:03,700 --> 01:08:08,700
I didn't know who they were.
He had no idea that's so came
1050
01:08:08,700 --> 01:08:14,900
back and it was a Kenny G.
Steve Cohen design which was
1051
01:08:14,900 --> 01:08:18,000
really cool.
And interesting had like
1052
01:08:18,200 --> 01:08:21,800
everything was based around this
kind of quarter pie shape.
1053
01:08:22,100 --> 01:08:28,899
We had pods with Par 46 ACLS and
them clustered.
1054
01:08:29,600 --> 01:08:35,399
For those, we had rollers a lot
of soft goods.
1055
01:08:35,399 --> 01:08:40,399
A pink carpet is all really soft
and feminine but it look just
1056
01:08:40,500 --> 01:08:43,399
gorgeous really good-looking
show.
1057
01:08:43,899 --> 01:08:47,000
But we had a lot of we had to
fabricate in the shop, you know,
1058
01:08:47,000 --> 01:08:49,100
the custom pods and stuff like
that.
1059
01:08:49,700 --> 01:08:55,899
And You know, once we got him to
rehearsal, I think it was about
1060
01:08:55,899 --> 01:08:58,500
the time I got on the bus to go.
Do the first tour.
1061
01:08:58,500 --> 01:09:01,300
I finally ask.
Okay, what's my deal there?
1062
01:09:02,000 --> 01:09:06,000
And they said oh you just got
hired by the band's management
1063
01:09:06,000 --> 01:09:09,300
you're on salary.
Oh yeah.
1064
01:09:09,399 --> 01:09:12,000
So you're already working and
you hadn't worked out a deal.
1065
01:09:12,000 --> 01:09:13,600
Yeah, you didn't know what
you're gonna be, okay.
1066
01:09:14,300 --> 01:09:20,000
You 12 little too much, huh?
Yeah again important.
1067
01:09:20,899 --> 01:09:22,399
Yeah.
I get it.
1068
01:09:22,399 --> 01:09:27,500
But I mean, ultimately, I know
those, those kind of deals are
1069
01:09:27,500 --> 01:09:32,600
still out there for the very
first, the top-level guys, you
1070
01:09:32,600 --> 01:09:35,800
know, get retainers to get full
salary year round.
1071
01:09:36,200 --> 01:09:40,300
They're just hard to come by and
I wrote I wrote that for 11
1072
01:09:40,300 --> 01:09:42,700
years.
Wow, yeah.
1073
01:09:43,100 --> 01:09:45,200
That's beautiful.
Yeah.
1074
01:09:45,200 --> 01:09:49,399
So what was what what what you
were LD or director?
1075
01:09:49,600 --> 01:09:54,000
I was 12.
So you kind of start to see a
1076
01:09:54,008 --> 01:09:57,600
pattern develop here, right?
You see where the band will
1077
01:09:57,600 --> 01:10:02,200
bring in a designer right
designers show, maybe Q, it
1078
01:10:02,200 --> 01:10:06,100
maybe not even cute or whatever
and off the design to a lighting
1079
01:10:06,300 --> 01:10:08,300
director, that was my role,
right?
1080
01:10:08,300 --> 01:10:14,100
So I think by the time I took
the over that first judge
1081
01:10:14,100 --> 01:10:19,600
design, I've kind of had it
ingrained in me as my job was to
1082
01:10:19,600 --> 01:10:23,500
replicate that design.
Sign as closely as possible
1083
01:10:23,600 --> 01:10:27,000
every night, right?
That's what I was there for, you
1084
01:10:27,000 --> 01:10:31,700
know, and if it meant using
other gear or whatever because
1085
01:10:31,700 --> 01:10:36,600
we couldn't use our gear, it was
incumbent on me to find a way to
1086
01:10:36,600 --> 01:10:39,100
recreate that.
Look a little back to that,
1087
01:10:39,200 --> 01:10:42,200
right, right.
So, you know, everyone
1088
01:10:42,200 --> 01:10:45,000
swallowed, I would bad a new
song.
1089
01:10:45,000 --> 01:10:48,700
Obviously, you got to got to do
something to make it.
1090
01:10:50,800 --> 01:10:53,400
To have a look.
So, you know, that, we're
1091
01:10:53,400 --> 01:10:56,200
designing of song or whatever.
Yeah.
1092
01:10:56,700 --> 01:11:04,200
So, you know it I guess you
could look at it as taking a
1093
01:11:04,200 --> 01:11:08,200
backseat, But ultimately, you're
out there doing a job here,
1094
01:11:08,500 --> 01:11:13,400
working with the audit artist
your, you know, what the crowd
1095
01:11:13,400 --> 01:11:16,900
is seeing, you know, with the
product that you've reproduced.
1096
01:11:17,100 --> 01:11:19,000
Yeah.
You know, every day, the way
1097
01:11:19,000 --> 01:11:23,500
this industry Works to is, you
know, the moment that you go in
1098
01:11:23,500 --> 01:11:28,200
and chop, the designers legs
out, you know, no, you don't do
1099
01:11:28,200 --> 01:11:30,000
that.
You've created and he won't for
1100
01:11:30,000 --> 01:11:31,600
life.
At that point, right?
1101
01:11:31,600 --> 01:11:34,000
Totally.
And there's a very recent story
1102
01:11:34,000 --> 01:11:36,700
that I'm quite aware of that I
won't share with you right now.
1103
01:11:36,700 --> 01:11:41,000
But yeah I mean it's you know if
you're there to support the
1104
01:11:41,000 --> 01:11:43,400
designer you don't go in there
and say, Hey, you know, you
1105
01:11:43,400 --> 01:11:46,100
could get rid of this guy and
I'll do it for you for half as
1106
01:11:46,100 --> 01:11:50,500
much money and yeah, no, no, no,
don't do that.
1107
01:11:50,500 --> 01:11:52,700
That is the sensible thing.
You know what I mean?
1108
01:11:52,700 --> 01:11:55,300
Like in many of these
situations, you don't need a
1109
01:11:55,300 --> 01:11:59,400
designer and a director
necessarily but and the director
1110
01:11:59,400 --> 01:12:02,600
half the time is As talented as
the designer, if not more.
1111
01:12:02,600 --> 01:12:06,100
So totally, but totally.
But yeah, but I mean, it's a
1112
01:12:06,400 --> 01:12:10,100
symbiotic, relationship, you
know, and it's a respect thing,
1113
01:12:10,100 --> 01:12:12,400
right?
So, yeah, absolutely.
1114
01:12:12,500 --> 01:12:15,000
Yeah.
So, yeah, you know, I thought
1115
01:12:15,000 --> 01:12:21,700
that that design was so unusual.
Interesting and cool that I
1116
01:12:21,700 --> 01:12:24,800
really wanted to use it as much
as possible.
1117
01:12:24,800 --> 01:12:29,500
Unfortunately, the contracts
that those, that their
1118
01:12:29,500 --> 01:12:32,600
management and Sighing initially
early in their career were
1119
01:12:32,600 --> 01:12:36,200
catching up and they were all
buyer provide fed system sat in
1120
01:12:36,200 --> 01:12:38,500
the truck three-quarters of the
time.
1121
01:12:39,000 --> 01:12:43,900
And unfortunately, that really
hurt lights up because they had
1122
01:12:43,900 --> 01:12:48,700
cut a deal where they only got
paid when we use the system boy.
1123
01:12:48,900 --> 01:12:53,600
That's a terrible deal.
Yeah, yeah, yeah, that is out of
1124
01:12:53,600 --> 01:12:57,300
our shop.
We can't use it on anything else
1125
01:12:57,400 --> 01:13:01,000
but we only get paid if, you
know, in the audience Chance
1126
01:13:01,000 --> 01:13:05,600
that the venue hasn't provided
boy, what a lousy deal.
1127
01:13:06,300 --> 01:13:09,800
And I frankly our production
manager wouldn't help in either
1128
01:13:09,800 --> 01:13:12,200
because just because he didn't
want to have to deal with it.
1129
01:13:12,400 --> 01:13:21,100
Yeah, so yeah, we we that first
year 86, you know, it got used,
1130
01:13:21,100 --> 01:13:24,800
rarely 87.
We changed it up a little Kenny
1131
01:13:24,800 --> 01:13:27,000
G.
Canaan in town, with change.
1132
01:13:27,000 --> 01:13:31,700
Some color went from paint, the
like some Purple or whatever.
1133
01:13:32,000 --> 01:13:35,500
And but it was more the same.
We're hardly ever used in the
1134
01:13:35,500 --> 01:13:42,700
system and it was at the
two-thirds of the way through
1135
01:13:42,700 --> 01:13:46,300
that tour, that lights up
holding.
1136
01:13:46,500 --> 01:13:50,300
Yeah, I mean, I guess, I guess,
yeah, yeah.
1137
01:13:50,500 --> 01:13:53,900
Unfortunately Bob God, Rest Your
Soul, you did a shitty deal
1138
01:13:53,900 --> 01:14:00,500
Jesus but uh, But what here's
here's the really interesting
1139
01:14:00,500 --> 01:14:04,600
thing, you know, a lot of that,
that equipment that he acquired
1140
01:14:04,800 --> 01:14:08,100
bought, you know, not only for
Petra before the judge later.
1141
01:14:08,400 --> 01:14:12,500
All kind of came through the
Bandit way Thomas and Bandit and
1142
01:14:12,500 --> 01:14:13,400
all that.
Yeah.
1143
01:14:13,400 --> 01:14:15,900
Well, guess who ended up with
the system in the company?
1144
01:14:16,500 --> 01:14:21,800
Who, and it lights?
I Really they literally came out
1145
01:14:22,700 --> 01:14:28,500
And Recent research, stencil the
cases from lights up abandoned
1146
01:14:28,500 --> 01:14:31,700
mines.
I kept the same Tech which by
1147
01:14:31,700 --> 01:14:35,400
that time was Donnie Lockridge.
It's just great.
1148
01:14:35,800 --> 01:14:38,200
It was no change.
It was just a different company.
1149
01:14:39,000 --> 01:14:43,100
So and so, they established a
relationship with the Jabs at
1150
01:14:43,100 --> 01:14:47,900
that time, went quite well for a
pretty long time.
1151
01:14:47,900 --> 01:14:52,600
So you are on payroll with The
Judds, for 11 years, you got Two
1152
01:14:53,200 --> 01:14:56,500
regular paycheck every month.
Whether they toured or not, they
1153
01:14:56,500 --> 01:14:58,100
probably toward most of the
time.
1154
01:14:58,600 --> 01:15:02,000
Yep.
Now that being said, was it
1155
01:15:02,000 --> 01:15:05,600
comparable to what a freelance
guy would get?
1156
01:15:05,600 --> 01:15:11,800
Ya freelance LD at the time,
maybe what 2,500 bucks a week or
1157
01:15:12,000 --> 01:15:16,500
so I've been at the top tier.
No yeah but it was a solid check
1158
01:15:16,500 --> 01:15:20,100
and he came every week.
Yeah well yeah you don't have to
1159
01:15:20,100 --> 01:15:23,100
go out and hunt for four gigs of
Time.
1160
01:15:23,100 --> 01:15:26,700
And yeah, yeah.
I mean, a lot of those gigs went
1161
01:15:26,700 --> 01:15:29,800
away.
If they still existed, they went
1162
01:15:29,800 --> 01:15:33,400
away during covid, you know.
Like, oh yeah, bands were just
1163
01:15:33,400 --> 01:15:36,600
like I'm out.
You know, they were tagging out
1164
01:15:36,600 --> 01:15:40,000
those deals real quick, a few of
them, like, I've heard of some
1165
01:15:40,000 --> 01:15:43,100
really good situations where
folks got paid all the way
1166
01:15:43,100 --> 01:15:48,000
through covid but not that many.
So so at what go?
1167
01:15:48,000 --> 01:15:51,000
Oh I'm sorry go on oh you're
right, go ahead.
1168
01:15:51,000 --> 01:15:54,800
No, so I'm I mean there's a lot
that happened in between there
1169
01:15:54,800 --> 01:15:59,700
and and and starting key light
and I want to get into key
1170
01:15:59,700 --> 01:16:01,500
light.
Oh, okay sure.
1171
01:16:01,500 --> 01:16:05,200
But what, what are we missing
between the mid-80s and and key
1172
01:16:05,200 --> 01:16:07,900
light because I think that was
around what two thousand two or
1173
01:16:07,900 --> 01:16:14,000
three or something.
Yeah, yeah well it's just judge
1174
01:16:14,700 --> 01:16:19,200
a couple of different designs
with, you know, I think candy
1175
01:16:19,200 --> 01:16:21,800
gram came back a couple of
times.
1176
01:16:22,500 --> 01:16:27,900
Designed with them.
A couple of times we transition
1177
01:16:28,300 --> 01:16:35,200
into moving lives and part of
that was, we would when we went
1178
01:16:35,208 --> 01:16:40,500
to the casinos to get a little
more bang for the buck, we'd
1179
01:16:40,500 --> 01:16:44,500
bring in a moving light system
and really at the time, very
1180
01:16:44,500 --> 01:16:49,300
light and and Orpheus, we're
pretty much comparable and cost
1181
01:16:49,500 --> 01:16:52,300
and equipment was pretty
comparable, you know, Pasquale.
1182
01:16:52,400 --> 01:16:59,300
Up to versus a v01 or what have
you, but what kind of push the
1183
01:16:59,300 --> 01:17:02,200
very light?
Way was a trucking actually, as
1184
01:17:02,200 --> 01:17:05,600
most of the keynote casinos, it
was cheaper to truck it from
1185
01:17:05,600 --> 01:17:09,800
Dallas than it was from the bay
area.
1186
01:17:10,500 --> 01:17:17,300
So I actually starting at that
time this have been like 88 I
1187
01:17:17,300 --> 01:17:21,400
started to get in training.
On very light equipment.
1188
01:17:21,700 --> 01:17:24,900
I was one, I was told I was one
of the first ld's to actually
1189
01:17:24,900 --> 01:17:28,600
run the v01 board because you
know, in the beginning, only
1190
01:17:28,600 --> 01:17:32,000
their guys are in that board.
Yeah, well we were so cheap, you
1191
01:17:32,000 --> 01:17:35,300
know, our management said we'll
use the system but you got to
1192
01:17:35,300 --> 01:17:40,800
let it home on run it.
So they trained me on that and
1193
01:17:42,400 --> 01:17:50,100
Let's see that went.
Well, we transition to Artisan
1194
01:17:50,200 --> 01:17:54,600
and later model l2s.
They hard?
1195
01:17:54,900 --> 01:17:57,200
Peter Morris become InDesign.
One year.
1196
01:17:57,200 --> 01:18:02,800
I think that would have been 89,
which was a blast I loved
1197
01:18:02,800 --> 01:18:06,800
working with Peter.
I still like, he's just such a
1198
01:18:06,808 --> 01:18:10,100
great great and he's never going
to come kick.
1199
01:18:10,100 --> 01:18:11,900
You off the board and say, let
me take over.
1200
01:18:12,000 --> 01:18:13,400
I'm going to show you what I
need.
1201
01:18:14,100 --> 01:18:19,000
You don't know how to turn the
boat on, but I've learned so
1202
01:18:19,000 --> 01:18:23,400
much working from Peter on his
methodology on how to break down
1203
01:18:23,400 --> 01:18:27,600
music and what to call the
pieces because I had no idea.
1204
01:18:27,900 --> 01:18:32,000
Yeah, this is a tag, this is,
you know, whatever.
1205
01:18:32,100 --> 01:18:35,900
Yeah, you know.
So all that was just a huge
1206
01:18:35,900 --> 01:18:39,200
learning experience for me and
something else I'll never
1207
01:18:39,200 --> 01:18:45,300
forget.
So, That led up to you know
1208
01:18:45,300 --> 01:18:54,200
Naomi's illness with hepatitis.
We went out to do the farewell
1209
01:18:54,200 --> 01:18:56,800
tour which actually lasted about
two years.
1210
01:18:58,100 --> 01:19:02,700
During that time without a
couple of videos, one of which
1211
01:19:02,700 --> 01:19:05,800
Alan Branton was involved in and
that's where I met Alan.
1212
01:19:08,000 --> 01:19:10,500
So talk about done some stuff,
huh?
1213
01:19:11,400 --> 01:19:15,100
Yeah.
When it came time to do the
1214
01:19:15,100 --> 01:19:22,100
final show in Murfreesboro
Allen, Brandon came in, brought
1215
01:19:22,100 --> 01:19:26,200
his team kept me on the
conventional board right for the
1216
01:19:26,200 --> 01:19:30,200
last show.
So big set, we added a ton more
1217
01:19:30,200 --> 01:19:35,000
Bearer light and you know that
was a great experience for me
1218
01:19:35,000 --> 01:19:38,500
super emotional, nobody knew
what was going to happen after
1219
01:19:38,500 --> 01:19:40,000
that with Wynonna and
everything.
1220
01:19:40,000 --> 01:19:42,000
The whole crew speaking out.
Yeah.
1221
01:19:42,000 --> 01:19:44,100
You know we don't know if we're
going to all get fired or
1222
01:19:44,100 --> 01:19:52,400
whatever so we get through that
at the huge success and You
1223
01:19:52,400 --> 01:19:55,300
know, Alan was super pleased.
I remember talking to him a
1224
01:19:55,300 --> 01:20:01,300
couple days later and then well,
what what's going to happen to
1225
01:20:01,300 --> 01:20:03,400
me?
And, you know, and he said,
1226
01:20:03,400 --> 01:20:08,900
well, their manager asked me
about you, what, you know, what
1227
01:20:08,900 --> 01:20:12,500
your skill set was, and I told
them you were the best in the
1228
01:20:12,500 --> 01:20:16,100
business.
So that was a huge and I was
1229
01:20:16,100 --> 01:20:17,800
helpful.
Yeah.
1230
01:20:18,200 --> 01:20:21,000
So we kept our jobs.
We rolled into Wynonna.
1231
01:20:21,700 --> 01:20:26,800
One designed her debut tour.
Of course I operated it
1232
01:20:28,500 --> 01:20:32,200
following.
That was the black and white or
1233
01:20:32,200 --> 01:20:34,900
which combination of black and
Wynonna, right?
1234
01:20:35,000 --> 01:20:40,700
Peter Moores design, Mike's,
Winterset, huge system.
1235
01:20:41,100 --> 01:20:47,000
OB system would tell us cans and
Vera life scrollers and just
1236
01:20:47,400 --> 01:20:56,200
everything you can think of And
that lasted for a year was
1237
01:20:56,900 --> 01:21:03,000
pretty successful and then what
would have followed that would
1238
01:21:03,000 --> 01:21:07,600
have been a sort of a cut down
here because she got pregnant,
1239
01:21:07,600 --> 01:21:11,100
she kept me on salary.
I went and did other stores
1240
01:21:11,100 --> 01:21:14,800
while I was on salary with her.
What's the stipulation?
1241
01:21:15,200 --> 01:21:20,600
The stipulation was if she says
jump I got to say how high I got
1242
01:21:20,600 --> 01:21:22,700
to come back and meet We drop
everything.
1243
01:21:23,200 --> 01:21:26,800
I did Little Texas, Tim McGraw
designed for little Texas.
1244
01:21:26,900 --> 01:21:32,400
That was a great tour 96.
I came back.
1245
01:21:32,400 --> 01:21:35,300
She came back, she done having
babies.
1246
01:21:35,300 --> 01:21:38,500
We did that a new album
Revelation store.
1247
01:21:38,500 --> 01:21:40,900
I designed it finally.
Oh, wow.
1248
01:21:40,900 --> 01:21:44,000
And yeah, it's really cool
system.
1249
01:21:44,000 --> 01:21:50,400
We had tracking pods and sixes
and fives Bo fives and sixes.
1250
01:21:50,900 --> 01:21:59,100
I used what were the HP?
He's not some are golden golden
1251
01:21:59,100 --> 01:22:01,800
tan.
Mike swynford set.
1252
01:22:02,200 --> 01:22:09,000
It was a beautiful show and At
the end of that tour.
1253
01:22:12,200 --> 01:22:15,500
We've been struggling to get
health insurance for ever from
1254
01:22:15,500 --> 01:22:18,000
her management company and they
just wouldn't do it.
1255
01:22:18,600 --> 01:22:24,400
So I cut a deal with very light
and at the end of that tour, I
1256
01:22:24,400 --> 01:22:30,100
trained being Spurlock who's one
of my ver like text operate that
1257
01:22:30,100 --> 01:22:34,200
show.
We redesigned the show slightly
1258
01:22:34,200 --> 01:22:37,000
different configuration.
It was quicker or whatever and
1259
01:22:37,000 --> 01:22:40,500
it off the dean and I went to
work Was time.
1260
01:22:40,500 --> 01:22:43,900
It very light, really just
because you couldn't get health
1261
01:22:43,900 --> 01:22:48,000
insurance Well, it's pretty
important because it was very
1262
01:22:48,000 --> 01:22:50,800
expensive.
Yeah, the time and and the very
1263
01:22:50,800 --> 01:22:52,500
light deal with it hasn't gone
down.
1264
01:22:52,500 --> 01:22:55,900
Any now I'll tell you that to
the very light bill was
1265
01:22:55,900 --> 01:22:58,100
comparable to what she was
paying.
1266
01:22:58,600 --> 01:23:01,400
So I it just was a win-win.
Yeah.
1267
01:23:01,400 --> 01:23:06,600
And there are some other factors
there had gotten sober and being
1268
01:23:06,600 --> 01:23:09,400
in that mix was probably not
going to help that.
1269
01:23:09,400 --> 01:23:14,600
Yeah.
So they're like sent me out on
1270
01:23:15,600 --> 01:23:19,700
Vince, Gill took over design
from Sparky.
1271
01:23:20,400 --> 01:23:23,300
Unfortunately, that didn't last
very long, he came back.
1272
01:23:24,400 --> 01:23:27,700
But that's whenever I started
doing a lot of TV with Alan
1273
01:23:27,700 --> 01:23:32,700
Bratton Peterson all that
violence award show and that's
1274
01:23:32,700 --> 01:23:37,400
when my really my exposure to
moving lights and television
1275
01:23:37,400 --> 01:23:40,200
really wants the moving lights.
Yeah, yeah.
1276
01:23:40,300 --> 01:23:44,600
So that was huge.
That's a great opportunity.
1277
01:23:44,800 --> 01:23:46,200
You know.
All those big shows.
1278
01:23:46,200 --> 01:23:49,700
The big award shows with Alan,
if I've been stuck on the road
1279
01:23:49,700 --> 01:23:53,000
doing concert touring, I would
have never gotten that exposure
1280
01:23:53,200 --> 01:23:56,300
right to it lighting, somebody's
face.
1281
01:23:56,400 --> 01:23:58,800
Yeah.
That's what that's all about.
1282
01:23:59,100 --> 01:24:02,800
Alan will tell you, it's not
about the wide shot, it's about
1283
01:24:03,200 --> 01:24:04,100
potential.
Yeah.
1284
01:24:04,300 --> 01:24:06,300
That's what that's what do.
You attribute?
1285
01:24:06,300 --> 01:24:09,200
Your success in staying
employed.
1286
01:24:09,200 --> 01:24:12,700
You know without big gaps in
between and all that stuff is it
1287
01:24:13,500 --> 01:24:17,200
is it like hard work and to now
NASA T is it you know just
1288
01:24:17,200 --> 01:24:21,200
always saying yes is it what is
it or is it just a combination
1289
01:24:21,200 --> 01:24:23,700
of all those?
Well I mean I used to think a
1290
01:24:23,708 --> 01:24:27,100
lot of it was just luck and in
the right place the right time
1291
01:24:27,100 --> 01:24:28,800
and knowing the right people is
and roll.
1292
01:24:31,300 --> 01:24:39,100
Yeah, skill set even within the
lighting realm, there are all
1293
01:24:39,100 --> 01:24:41,400
types of disciplines are
lighting, you know, concert
1294
01:24:41,400 --> 01:24:45,000
lighting you got special events.
You got caught.
1295
01:24:45,200 --> 01:24:47,700
Brittany.
Got television and there's some
1296
01:24:47,700 --> 01:24:50,300
guys that thought they do.
They all they do is Corporate?
1297
01:24:50,400 --> 01:24:51,900
Yes.
All they know how to do.
1298
01:24:52,100 --> 01:24:53,000
Yeah.
You know.
1299
01:24:53,100 --> 01:24:58,800
So it's having a good mix of all
that.
1300
01:24:58,800 --> 01:25:01,800
Yeah, I think it is really
important and there's a lot of
1301
01:25:01,800 --> 01:25:05,700
these out there that do Swiss
army knife of lighting guys.
1302
01:25:05,900 --> 01:25:12,400
Yeah, totally.
So the very light thing went
1303
01:25:12,400 --> 01:25:15,600
well, unfortunately, the
Nashville shop At which, you
1304
01:25:15,600 --> 01:25:18,100
know, it changed into vlps.
Yeah.
1305
01:25:18,400 --> 01:25:22,600
Right.
Virtuoso came out which I
1306
01:25:22,600 --> 01:25:27,500
actually was part of the demo
team for a while demonstrating
1307
01:25:27,500 --> 01:25:30,100
the virtuoso DX.
Great board.
1308
01:25:32,000 --> 01:25:36,300
Did some tours with Mary Chapin
Carpenter on the virtuoso DX,
1309
01:25:36,500 --> 01:25:39,400
some of them were a land-grant
institutions Ein last year was
1310
01:25:39,400 --> 01:25:45,700
my design and then at one point,
probably Lee.
1311
01:25:46,900 --> 01:25:54,600
Been 2000.
Maybe very light decided to take
1312
01:25:54,600 --> 01:25:59,800
all their Road staff that works
full-time and put them on as
1313
01:25:59,800 --> 01:26:04,300
needed basis or contract.
So they basically kind of kicked
1314
01:26:04,300 --> 01:26:07,800
us out the door, you know?
Maybe they will, they tell you,
1315
01:26:07,900 --> 01:26:09,200
you're going to make more money,
right?
1316
01:26:13,600 --> 01:26:17,500
Yeah, you know.
So, So that's when I form key
1317
01:26:17,500 --> 01:26:22,600
light.
And yeah, and my first piece of
1318
01:26:22,600 --> 01:26:27,300
equipment was a virtuoso DX that
I bought through Bandit whites
1319
01:26:27,300 --> 01:26:32,400
because they were very light
dealer and so kind of limped
1320
01:26:32,400 --> 01:26:36,600
along but that board, you know,
still getting calls from Allen
1321
01:26:36,600 --> 01:26:40,200
and all those guys to go out and
do shows, you know, mainly using
1322
01:26:40,200 --> 01:26:46,500
very light beer.
And then I finally got the
1323
01:26:46,500 --> 01:26:49,200
gumption to go out and buy some
lights in the first lines.
1324
01:26:49,200 --> 01:26:55,600
I bought from you for Turbo
sybers, that Chaz had put on
1325
01:26:55,600 --> 01:26:59,000
your site.
Oh, really remember that fibers?
1326
01:26:59,400 --> 01:27:04,300
Yeah, I don't fly.
Yeah.
1327
01:27:04,700 --> 01:27:09,600
It was 12 fixtures.
And so that kind of set that in
1328
01:27:09,600 --> 01:27:12,500
motion into the Moonlight world,
that's amazing.
1329
01:27:12,500 --> 01:27:19,600
So One thing this is a funny
story and it has a lot to do
1330
01:27:19,600 --> 01:27:21,900
with this.
The sex I had in my small
1331
01:27:21,900 --> 01:27:25,500
business, I drove up with this
little crappie jig and the
1332
01:27:25,500 --> 01:27:28,100
producer showed up.
It was had his own little
1333
01:27:28,100 --> 01:27:30,300
company.
I was sitting outside the arena
1334
01:27:30,700 --> 01:27:35,600
and my truck and he pulls up in
this big Hummer this giant
1335
01:27:35,600 --> 01:27:39,600
brand-new Hummer and you know,
George Bush has just done the
1336
01:27:39,600 --> 01:27:43,000
new tax cuts and all this stuff
I guess.
1337
01:27:43,100 --> 01:27:45,000
That would have been what?
Early 2000.
1338
01:27:45,000 --> 01:27:48,500
Yeah.
So this guy gets out you know
1339
01:27:48,500 --> 01:27:57,300
it's exact hey man I'm all this
and he knows you could have one
1340
01:27:57,300 --> 01:28:02,100
of these too.
George Bush will buy it for you
1341
01:28:04,300 --> 01:28:08,500
and he goes with the new
depreciation schedule.
1342
01:28:09,000 --> 01:28:12,700
You can buy this for business
purposes and write the whole
1343
01:28:12,700 --> 01:28:15,900
thing off.
At the end of the year, I'm like
1344
01:28:16,100 --> 01:28:21,200
that just doesn't make sense.
So I kind of got the wheels
1345
01:28:21,200 --> 01:28:26,700
turning right and Found out for
my tax account.
1346
01:28:26,700 --> 01:28:29,500
Yes.
You can do that.
1347
01:28:29,900 --> 01:28:34,800
However, if you ever sell that
truck that's capital gains and
1348
01:28:34,800 --> 01:28:37,500
you'll have to pay taxes on
every bit of that.
1349
01:28:38,200 --> 01:28:43,400
But what it said in motion was
Because of the different
1350
01:28:43,400 --> 01:28:46,500
depreciation levels.
There's three different
1351
01:28:46,500 --> 01:28:48,500
schedules at that time.
I don't know.
1352
01:28:48,800 --> 01:28:52,900
Now, you can play that from year
to year.
1353
01:28:52,900 --> 01:28:56,200
So if I bought another group of
Lights from you that I got 30
1354
01:28:56,200 --> 01:28:57,600
Studio colors.
Yeah.
1355
01:28:58,200 --> 01:29:00,600
Paid 50k or whatever.
Yeah.
1356
01:29:00,800 --> 01:29:04,300
Use those lights all year long,
make bunch of rental, money from
1357
01:29:04,300 --> 01:29:09,700
them, right?
I go, I take another
1358
01:29:09,700 --> 01:29:12,800
depreciation schedule, or it
Maps it out over five years or
1359
01:29:12,800 --> 01:29:16,100
whatever.
Then a couple years down the
1360
01:29:16,100 --> 01:29:17,600
line.
I stole them.
1361
01:29:17,800 --> 01:29:23,100
I can actually sell them at a
loss and come out ahead on my
1362
01:29:23,100 --> 01:29:26,100
taxes, that's wild.
Yeah.
1363
01:29:26,100 --> 01:29:29,600
And I remember when that was
kind of going crazy, because I
1364
01:29:29,608 --> 01:29:32,500
remember all the guys that were
buying, these Wicked, beautiful,
1365
01:29:32,500 --> 01:29:34,600
trucks and stuff.
Oh, yeah.
1366
01:29:34,800 --> 01:29:36,700
And they were just like Hey, I
gotta do it.
1367
01:29:36,700 --> 01:29:42,200
It's free what?
But missing the point I'm trying
1368
01:29:42,200 --> 01:29:44,800
to make is that that served me
really, really well.
1369
01:29:44,800 --> 01:29:47,900
Moving forward.
Yeah, being able to take those
1370
01:29:47,900 --> 01:29:51,400
groups of light and use the
depreciation.
1371
01:29:51,600 --> 01:29:57,400
Yeah, and I did that really well
until the flood hit.
1372
01:29:57,600 --> 01:29:59,500
Yeah.
And a skill in 2010.
1373
01:29:59,500 --> 01:30:01,900
So what happened?
How did that hit you so bad?
1374
01:30:02,500 --> 01:30:05,700
Well, I had my gear down at the
Mitchell Group.
1375
01:30:05,800 --> 01:30:11,100
Which is down on Cowan Street.
Just literally few steps away
1376
01:30:11,100 --> 01:30:18,900
from soundcheck and It came up
in the warehouse like 45 feet
1377
01:30:18,900 --> 01:30:22,700
high and I had just about all my
gear was in there and at the
1378
01:30:22,700 --> 01:30:31,000
time I think I had 60 60 heads.
I had consoles.
1379
01:30:31,000 --> 01:30:37,200
The only Council a lot was a
ma-1 light for that was 35 K
1380
01:30:37,200 --> 01:30:40,800
right there.
I knew I'd get you one for about
1381
01:30:40,800 --> 01:30:44,000
1,000 bucks now.
Maybe less.
1382
01:30:44,200 --> 01:30:48,100
But Yeah, I'm pretty much lost
everything.
1383
01:30:48,100 --> 01:30:53,600
Now, the good news out of all
that was So that's 2010.
1384
01:30:53,700 --> 01:31:00,000
Iams insured, at least.
It was but excluded for flood.
1385
01:31:01,000 --> 01:31:04,400
So when I called the insurance
agent up, right?
1386
01:31:04,700 --> 01:31:07,600
It was Hartford.
I said, okay, you know, this has
1387
01:31:07,600 --> 01:31:10,000
happened.
What am I going to get out of
1388
01:31:10,000 --> 01:31:11,900
this?
And he goes, he actually went
1389
01:31:11,900 --> 01:31:14,400
down there to look at the stuff
and then we talked and he said,
1390
01:31:15,100 --> 01:31:17,300
well unfortunately, you're
excluded for flood.
1391
01:31:17,300 --> 01:31:22,800
I'm like If I'm not going to get
coverage for flood, what do I
1392
01:31:22,800 --> 01:31:28,200
get coverage for?
He goes all well, sinkholes
1393
01:31:29,800 --> 01:31:33,800
think of us up on you?
Yeah, there you go.
1394
01:31:34,400 --> 01:31:40,400
Oh my God, nothing out of
insurance for that and you have
1395
01:31:40,400 --> 01:31:43,800
virtually 100% loss.
Yeah, yeah.
1396
01:31:43,800 --> 01:31:49,700
Only the only piece of equipment
that was out on tour was a Ma-1
1397
01:31:49,700 --> 01:31:52,900
full-size that was what 50,000
dollar board.
1398
01:31:52,900 --> 01:31:57,600
Yeah.
And The rest of the gear, I
1399
01:31:57,600 --> 01:32:02,200
brought it over my house.
I rented a shipping container
1400
01:32:02,200 --> 01:32:05,500
and put it in there and started
working on it trying to salvage.
1401
01:32:05,500 --> 01:32:09,900
It it was just awful but was
going to say was a good news.
1402
01:32:09,900 --> 01:32:16,000
Was I was Full-time, CMP, they
hired me in 2008 and Studio
1403
01:32:16,000 --> 01:32:21,200
lighting designer, okay?
And so that business was kind of
1404
01:32:21,400 --> 01:32:26,100
a side business at that point
and my house wasn't flooded.
1405
01:32:27,300 --> 01:32:31,200
I had a full-time job.
So in that regard, I was
1406
01:32:31,200 --> 01:32:33,600
fortunate because a lot of
people didn't have that.
1407
01:32:33,800 --> 01:32:37,600
Yeah, you know a lot of people
lost everything period.
1408
01:32:37,600 --> 01:32:41,000
Yeah, I was brutal time.
No good.
1409
01:32:41,100 --> 01:32:44,900
Buddy of mine.
How Mandy, you know him I do he
1410
01:32:44,900 --> 01:32:50,800
bought had some bl3 case spots
and he actually took those eight
1411
01:32:50,800 --> 01:32:53,400
lives and strip them down.
Completely replaced.
1412
01:32:53,400 --> 01:32:57,000
All the steppers and made good
money off of them.
1413
01:32:57,000 --> 01:33:00,200
For next 10 years, you want to
hear a quick crazy story.
1414
01:33:00,200 --> 01:33:09,500
So when Hurricane Katrina hit,
you know, New Orleans and and
1415
01:33:09,500 --> 01:33:15,700
Biloxi and all that stuff, We
got a call about six months
1416
01:33:15,700 --> 01:33:21,500
after Katrina, from a salver,
and the salver had taken over
1417
01:33:21,500 --> 01:33:27,900
The Grand Biloxi casino, and
they had the insurance had just
1418
01:33:27,900 --> 01:33:30,200
settled and everything.
But the stuff had been sitting
1419
01:33:30,200 --> 01:33:36,200
exposed in The Grand Biloxi
casino in Biloxi and so, like a
1420
01:33:36,200 --> 01:33:39,800
whole wall was gone out of the
place and it was just the Gulf
1421
01:33:39,800 --> 01:33:44,700
of Mexico right there, you know.
Oh and and so between actual
1422
01:33:44,700 --> 01:33:49,200
water coming into the venue and
just exposed to Salt Air and all
1423
01:33:49,200 --> 01:33:51,700
that stuff.
It was it was a bad situation.
1424
01:33:51,700 --> 01:33:55,500
So they called us and said look,
here's the situation, you know,
1425
01:33:55,500 --> 01:34:00,300
come and see what you can see
will give you 24 hours or will
1426
01:34:00,300 --> 01:34:04,400
give you a day of Daylight to
come in and take whatever you
1427
01:34:04,400 --> 01:34:08,500
want to take out of there.
Give me a price and so we worked
1428
01:34:08,500 --> 01:34:13,600
out a number and it was as I
recall it was probably 30 VL
1429
01:34:13,600 --> 01:34:19,300
3000's, maybe twenty four
washes, a v dusk sound system.
1430
01:34:19,300 --> 01:34:23,600
All the amp racks consoles, some
follow spots.
1431
01:34:23,900 --> 01:34:26,900
It was a lot of gear.
It was quite a bit of gear and
1432
01:34:26,900 --> 01:34:32,300
so you know we we had this this
side business that did these
1433
01:34:32,300 --> 01:34:35,900
types of liquidations cleaned
the gear up and then would put
1434
01:34:35,900 --> 01:34:38,300
it up for sale on gear Source
this stuff.
1435
01:34:38,300 --> 01:34:40,000
We had no idea what we were
getting into.
1436
01:34:40,000 --> 01:34:42,600
You couldn't plug in anything
and see if it I worked or
1437
01:34:42,600 --> 01:34:44,800
anything, right?
It was just it had literally
1438
01:34:44,800 --> 01:34:49,600
been sitting six months exposed
and so we bring it all back to
1439
01:34:49,600 --> 01:34:54,700
South Florida and I get a call
from David million.
1440
01:34:54,700 --> 01:34:56,700
He says, you got any vol 3
thousands?
1441
01:34:56,900 --> 01:34:59,000
And I said, no, and I go wait a
second.
1442
01:34:59,000 --> 01:35:03,400
Actually I have like, you know,
48 fixtures or whatever washes
1443
01:35:03,400 --> 01:35:06,900
in spots that just came out of
the Grand Biloxi.
1444
01:35:07,200 --> 01:35:10,200
We haven't even tested anything
yet and he said, well, do me a
1445
01:35:10,200 --> 01:35:12,900
favor just like plug-in like
Eight of them and tell me if
1446
01:35:12,900 --> 01:35:16,700
they turn on or not and we plug
in the first eight and I think
1447
01:35:16,700 --> 01:35:20,700
all eight of them turned on.
Yeah, and he goes, okay, I'll
1448
01:35:20,700 --> 01:35:23,500
take them from you for x amount
of dollars per light.
1449
01:35:24,000 --> 01:35:27,500
And I don't remember, I think at
the time vol 3 thousands were
1450
01:35:27,500 --> 01:35:30,200
the hottest thing and they were
selling for like 6 grand on the
1451
01:35:30,200 --> 01:35:33,800
used Market or 6500, BTUs
Market, I think I sold them to
1452
01:35:33,800 --> 01:35:38,100
him for 2,000 or 2,500 or
something, but he had to take
1453
01:35:38,100 --> 01:35:41,700
them all.
So he took all of them he used
1454
01:35:41,700 --> 01:35:44,000
out.
Of the call it 48 fixtures.
1455
01:35:44,100 --> 01:35:46,600
He used like 40 on a gig that
weekend.
1456
01:35:47,200 --> 01:35:49,900
Wow.
And so he used these for like a
1457
01:35:49,900 --> 01:35:53,400
year and then resold them on
gear source for like, you know
1458
01:35:53,400 --> 01:35:56,200
thirty five hundred or thousand
bucks each or something, right?
1459
01:35:56,200 --> 01:35:57,600
Yeah.
Because by then, he had
1460
01:35:57,600 --> 01:36:01,800
replaced, any Rusty screws or
Rusty parts, or separate or
1461
01:36:01,800 --> 01:36:04,300
whatever it was.
But I mean it was just a crazy
1462
01:36:04,300 --> 01:36:08,100
story like I the V task system
sold within a couple weeks and
1463
01:36:08,400 --> 01:36:13,900
it's sold to Claire Wing.
I think it was like 175 Grand or
1464
01:36:13,900 --> 01:36:16,400
something for like a three
hundred thousand three hundred
1465
01:36:16,400 --> 01:36:18,800
fifty thousand dollar.
Vetoes Greg, everything worked
1466
01:36:18,800 --> 01:36:21,800
perfectly, none of the speakers
were blown or anything it was
1467
01:36:22,400 --> 01:36:24,300
pretty cool.
I mean it was wildly.
1468
01:36:24,300 --> 01:36:28,800
What I went through I went I
heard stories that down at the
1469
01:36:28,800 --> 01:36:33,900
opera house, they had mostly
very light system and they were
1470
01:36:33,900 --> 01:36:37,500
taking down instruments that
were up, you know, the Opera
1471
01:36:37,500 --> 01:36:41,800
House, the stage, the water came
up to about the stage level.
1472
01:36:41,900 --> 01:36:46,000
And I believe his what I saw and
pictures do anything, that was
1473
01:36:46,000 --> 01:36:48,500
on the floor, whatever got
saturated.
1474
01:36:48,500 --> 01:36:51,700
However, they had all this
equipment up in the air, they
1475
01:36:51,700 --> 01:36:54,900
literally went in there and took
those instruments down and threw
1476
01:36:54,900 --> 01:36:59,000
them in dumpsters.
Yeah.
1477
01:36:59,900 --> 01:37:03,600
Wow that's crazy.
Yeah I didn't give anybody a
1478
01:37:03,600 --> 01:37:06,600
chance to.
I think there was this big
1479
01:37:06,600 --> 01:37:10,800
concern about the because that
flood you know, was the
1480
01:37:10,800 --> 01:37:14,200
Cumberland and all the effluent
that's in the Cumberland and
1481
01:37:14,200 --> 01:37:20,000
believe me, the mud and stuff I
found in my lights, it was bad
1482
01:37:20,000 --> 01:37:23,500
stuff and stuff.
Did you get your stuff working?
1483
01:37:25,200 --> 01:37:28,200
I like I said, how did I mean
myself?
1484
01:37:28,500 --> 01:37:33,600
And just got to the point Marcel
were, I would work a full shift
1485
01:37:33,700 --> 01:37:36,400
down at the studio, and come
back home and work on moving
1486
01:37:36,400 --> 01:37:39,000
lights for 45 hours after about
a week of that.
1487
01:37:39,000 --> 01:37:41,700
That's it.
I can't live like this, I can't
1488
01:37:41,700 --> 01:37:42,600
do it.
Yeah.
1489
01:37:42,600 --> 01:37:46,500
So you know I sold some other
lives to some other guys for
1490
01:37:46,500 --> 01:37:49,000
pennies on the dollar and yeah,
just got rid of that.
1491
01:37:49,000 --> 01:37:50,900
This one worth it.
I did.
1492
01:37:50,900 --> 01:37:53,700
I limped along like that a
little bit, I bought some more.
1493
01:37:54,200 --> 01:37:57,900
Fixtures from freed some
Malaysian spots.
1494
01:37:57,900 --> 01:38:04,400
Yeah and I've tried to run them
through through CMT but their
1495
01:38:04,400 --> 01:38:09,100
production was doing much.
So eventually it just got to the
1496
01:38:09,100 --> 01:38:13,200
point where kind of sold
everything off and, you know, I
1497
01:38:13,200 --> 01:38:16,500
could still use the name of the
business of doing my contract
1498
01:38:16,500 --> 01:38:20,300
work, but even that after a
while carrying the insurance and
1499
01:38:20,300 --> 01:38:22,900
then all the taxes associated
with small business.
1500
01:38:23,000 --> 01:38:25,300
Yeah, it's not With it, it's not
worth it.
1501
01:38:25,400 --> 01:38:27,700
You know.
So you just cry can just yeah,
1502
01:38:27,900 --> 01:38:31,300
with turned it off.
Didn't you end up at Morris at
1503
01:38:31,300 --> 01:38:32,800
some point?
I did.
1504
01:38:32,800 --> 01:38:37,600
I did 2019.
I work there all year.
1505
01:38:37,900 --> 01:38:43,300
Ahead of lighting department, it
was super intense.
1506
01:38:43,400 --> 01:38:48,500
We had some major clients Kenny
Chesney Old Dominion, Florida.
1507
01:38:48,500 --> 01:38:51,700
Georgia Line.
All those are 300-400 light
1508
01:38:51,700 --> 01:38:56,700
system.
Yeah, we Sent out BTS that year
1509
01:38:57,200 --> 01:39:03,900
or six shows around the world.
It was like 600 like system.
1510
01:39:05,500 --> 01:39:10,700
So you know I was managing at
one point I counted up all the
1511
01:39:10,700 --> 01:39:18,300
freelance and staff and permit
Lance workers I was were like 60
1512
01:39:18,300 --> 01:39:20,000
or reporting to me.
Wow.
1513
01:39:20,400 --> 01:39:26,100
And so, The only way I could
make my way through that Marcel
1514
01:39:26,100 --> 01:39:30,300
was you know fortunately I had
the background of running my own
1515
01:39:30,300 --> 01:39:35,400
small business but the whole
managing Personnel like that.
1516
01:39:35,400 --> 01:39:38,000
It's that's a lot.
Yeah.
1517
01:39:38,000 --> 01:39:39,900
So well you've been there.
Yeah.
1518
01:39:39,900 --> 01:39:41,500
I mean what's the most
employees?
1519
01:39:41,500 --> 01:39:46,300
You've had under your well I've
had a couple of companies but at
1520
01:39:46,300 --> 01:39:50,300
the same time maybe 50.
Yeah.
1521
01:39:50,400 --> 01:39:53,700
Just in gear Source.
I think we got up to about 20.
1522
01:39:53,900 --> 01:39:55,200
T.
At one point.
1523
01:39:56,100 --> 01:40:00,300
We're at about 14 right now
because we run a different ship
1524
01:40:00,300 --> 01:40:02,100
now.
So it we don't need quite as
1525
01:40:02,100 --> 01:40:06,700
many people but right.
But yeah, it's it's tough.
1526
01:40:06,700 --> 01:40:09,700
I mean, everyone thinks you're a
business owner, hon.
1527
01:40:09,700 --> 01:40:14,100
You got it may do you know, you
work twice as hard as anybody
1528
01:40:14,100 --> 01:40:17,000
else to, usually make half as
much as anybody else.
1529
01:40:17,000 --> 01:40:21,100
You get all the stress hardly
any of the, the joy.
1530
01:40:21,500 --> 01:40:23,800
And yeah, I mean, I'm not
complaining.
1531
01:40:23,900 --> 01:40:26,000
Planing because it's all I know
how to do anymore.
1532
01:40:26,000 --> 01:40:30,200
I don't know that I could be an
employee anymore, but you know,
1533
01:40:30,500 --> 01:40:34,000
it's certainly not as glamorous
as it appears, you know.
1534
01:40:34,700 --> 01:40:36,600
It's a lot of hard work and
stuff.
1535
01:40:36,600 --> 01:40:41,500
You know, we had the best year
that come in ever had at the end
1536
01:40:41,500 --> 01:40:44,700
of 2019.
We were prepping, Kenny Chesney
1537
01:40:44,700 --> 01:40:50,100
to go out yet again, when covid
hit and it just kind of turned
1538
01:40:50,100 --> 01:40:53,200
into.
Dumping, you know, with all the
1539
01:40:53,200 --> 01:40:56,400
zoom calls, you know, with no
business.
1540
01:40:56,400 --> 01:40:58,300
Yeah, I mean, you know what I
mean?
1541
01:40:58,300 --> 01:41:05,000
It's just got to be Surprisingly
more stressful to deal with than
1542
01:41:05,000 --> 01:41:08,800
actually being in the shop.
Yeah, it went weird.
1543
01:41:08,800 --> 01:41:11,900
They're like yeah, I bore they
sold to so low-tech.
1544
01:41:11,900 --> 01:41:15,700
It went weird and and, you know,
they were like I remember we got
1545
01:41:15,700 --> 01:41:17,900
a call from them and they said,
we want to sell I don't
1546
01:41:17,900 --> 01:41:20,300
remember.
I think it was like 400 clay
1547
01:41:20,300 --> 01:41:23,400
Paki.
I forget which fixture.
1548
01:41:23,400 --> 01:41:27,600
It was Meet those me.
So see ya at a price that was
1549
01:41:27,600 --> 01:41:31,500
like, 40% below the market price
and we went.
1550
01:41:31,800 --> 01:41:35,100
Those will sell pretty quick and
they did, we were selling them
1551
01:41:35,100 --> 01:41:37,800
as fast as they would let us
sell them.
1552
01:41:38,900 --> 01:41:42,900
And, and then all of a sudden,
you know, I started hearing
1553
01:41:42,900 --> 01:41:46,300
rumors about so low Tech coming
in and then, you know, we got a
1554
01:41:46,308 --> 01:41:49,100
call saying, hey guys, we don't
want to sell anything else, you
1555
01:41:49,100 --> 01:41:54,000
know, everything's off the
table, so then yeah, it quick.
1556
01:41:54,800 --> 01:41:59,300
So I just bailed out and
frankly, I went back The doing
1557
01:41:59,300 --> 01:42:01,500
something.
Totally different than the
1558
01:42:01,500 --> 01:42:04,100
lighting.
I did the heavy equipment thing
1559
01:42:04,100 --> 01:42:08,700
and it was really hard work.
Yeah, but I was, I was in a cab.
1560
01:42:08,800 --> 01:42:10,000
I myself.
Was that?
1561
01:42:10,000 --> 01:42:11,800
Because of covid was that?
Yeah.
1562
01:42:11,800 --> 01:42:14,800
Because colleges killed our
industry, so you had to Yeah.
1563
01:42:14,800 --> 01:42:17,800
Yeah, well, yeah.
And, and like you say it's
1564
01:42:17,800 --> 01:42:21,300
something I enjoy, you know, I
like running machine but, yeah,
1565
01:42:21,300 --> 01:42:24,400
just a lot of fun.
It's what every kid wants to do
1566
01:42:24,400 --> 01:42:27,100
is drive one of those things
with the big thing in the front
1567
01:42:27,100 --> 01:42:31,200
and, you know, Pick up a boulder
bigger than a car.
1568
01:42:31,200 --> 01:42:35,600
There's not many things more
masculine fun than that, right?
1569
01:42:35,800 --> 01:42:39,600
You know, you know but in the
meantime, I was still doing
1570
01:42:39,600 --> 01:42:44,500
gigs, you know, and I'd already
developed a really strong
1571
01:42:44,500 --> 01:42:47,900
relationship with Tom.
Kenny, why was that CMP we'd
1572
01:42:47,900 --> 01:42:51,700
already been doing you know,
artist of the year together and
1573
01:42:51,700 --> 01:42:55,700
Crossroads you know, me working
as a lot of director or gaffer
1574
01:42:55,700 --> 01:42:58,500
or whatever implementing his
designs doing.
1575
01:42:58,600 --> 01:43:02,600
His drawings.
So even even through all that
1576
01:43:02,700 --> 01:43:06,200
was, we maintain a good
relationship.
1577
01:43:06,900 --> 01:43:11,600
I would take as much time off as
I can take, you know, and do
1578
01:43:11,800 --> 01:43:14,000
gigs local gigs with them.
Yeah.
1579
01:43:14,000 --> 01:43:18,600
And make nice little lumps of
money, you know, which and and
1580
01:43:18,600 --> 01:43:20,800
plus keep one foot in the
business.
1581
01:43:20,800 --> 01:43:25,000
Yeah.
And so you know, and that's kind
1582
01:43:25,000 --> 01:43:28,900
of where I'm at now.
I mean it's interesting Somebody
1583
01:43:28,900 --> 01:43:31,100
made the comment.
I thought you were retired.
1584
01:43:31,300 --> 01:43:34,500
No, not really.
I don't know that I'll ever
1585
01:43:34,500 --> 01:43:38,800
retire.
Yeah, I'll keep doing this as
1586
01:43:38,800 --> 01:43:40,500
long as I can.
Yeah.
1587
01:43:40,500 --> 01:43:43,500
And you know, it's really
enjoyed.
1588
01:43:46,000 --> 01:43:49,600
I was so fortunate.
Last year was my best year ever
1589
01:43:50,100 --> 01:43:55,200
as just as for services work.
Yeah, you know, excluding key
1590
01:43:55,200 --> 01:43:58,400
light and rentals and all that.
Yeah, just do engage.
1591
01:43:59,100 --> 01:44:00,900
Last year was the best year
ever.
1592
01:44:00,900 --> 01:44:03,700
That's fantastic.
I actually designed three
1593
01:44:03,700 --> 01:44:09,000
television shows.
I did the tribute for Naomi
1594
01:44:09,000 --> 01:44:13,700
Judd, at the Ryman, another one
for Loretta Lynn at the upper
1595
01:44:13,700 --> 01:44:20,200
house and then kind of a really
full circle experience for me,
1596
01:44:20,400 --> 01:44:25,100
we went back to the Murphy
Center and did a another final
1597
01:44:25,100 --> 01:44:28,400
show with Wynonna in tribute to
Naomi.
1598
01:44:28,500 --> 01:44:32,800
Me.
So the pay-per-view that we did
1599
01:44:32,800 --> 01:44:36,500
what 30 years ago were basically
kind of doing it again.
1600
01:44:36,500 --> 01:44:42,500
So for CMT, with all these guest
artists and designed with pretty
1601
01:44:42,500 --> 01:44:46,000
large rig, I had Fuji their
programming.
1602
01:44:46,000 --> 01:44:50,500
Wonderful programming.
Can Hudson was on another board
1603
01:44:50,500 --> 01:44:55,900
and it just, I put everything I
had on the table to get it done
1604
01:44:55,900 --> 01:44:57,700
and it turned out really, really
good.
1605
01:44:57,700 --> 01:45:00,200
That's awesome.
It's really cool.
1606
01:45:00,900 --> 01:45:03,700
So, you know this year, are you
a heavy equipment guy or a
1607
01:45:03,708 --> 01:45:06,500
lighting guy?
What are you doing?
1608
01:45:06,500 --> 01:45:09,100
A mighty God.
I don't think I'll go back to
1609
01:45:09,100 --> 01:45:12,600
that.
I was so worried about getting
1610
01:45:12,600 --> 01:45:17,500
hurt out there on those machines
and that's incredible, isn't it?
1611
01:45:17,600 --> 01:45:20,800
Yeah, that's wild.
I mean you've done some
1612
01:45:20,800 --> 01:45:22,700
incredible stuff.
It's so cool.
1613
01:45:22,700 --> 01:45:26,600
And and I mean the longevity and
the fact that even through covid
1614
01:45:26,600 --> 01:45:28,500
you've never really been out of
work, you know?
1615
01:45:29,300 --> 01:45:33,600
So that to me, says, a lot like,
you know, the guys that I know
1616
01:45:33,600 --> 01:45:36,400
who are like, for six months,
trying to find a gig or
1617
01:45:36,400 --> 01:45:38,200
whatever.
There's a reason, you know,
1618
01:45:38,300 --> 01:45:41,100
they're sadly, there's no reason
you should probably change
1619
01:45:41,100 --> 01:45:43,300
something in the way that you're
doing things, you know.
1620
01:45:43,800 --> 01:45:48,100
And one of the one of the themes
that always seems to sort of
1621
01:45:48,100 --> 01:45:51,000
thread through everything.
Cosmo was one of the guys who
1622
01:45:51,000 --> 01:45:55,400
said it, most of the LDS and
people who come on my podcast,
1623
01:45:55,400 --> 01:45:59,500
say it is, is just say, yes, you
know, that's one of the The one
1624
01:45:59,500 --> 01:46:02,100
of the things that you need to
learn to do is just say yes to
1625
01:46:02,100 --> 01:46:03,700
everything.
And if you don't know how to do
1626
01:46:03,700 --> 01:46:05,800
it, go figure it out quickly,
you know.
1627
01:46:06,600 --> 01:46:10,300
And right, there's there's many
times when you actually have to
1628
01:46:10,308 --> 01:46:18,100
kind of Subjugate or come off of
your vision because the customer
1629
01:46:18,100 --> 01:46:21,700
wants something else.
I mean, you know what, I, you
1630
01:46:21,700 --> 01:46:24,700
know, a producer, a director,
you know, even though you've
1631
01:46:24,700 --> 01:46:28,900
created something, you think is
stunning and amazing and all
1632
01:46:28,900 --> 01:46:32,000
this.
And they have an idea that like,
1633
01:46:32,000 --> 01:46:34,300
who, yeah.
You know, you really don't want
1634
01:46:34,300 --> 01:46:39,100
to do that, sometimes you have
to do it, you know, boss,
1635
01:46:40,500 --> 01:46:45,400
exactly.
Some people seem to forget that,
1636
01:46:45,400 --> 01:46:47,600
you know, you're not the star.
You're not the boss.
1637
01:46:47,600 --> 01:46:48,600
They are.
Oh yeah.
1638
01:46:48,600 --> 01:46:49,600
Right.
You're just supposed to make
1639
01:46:49,600 --> 01:46:51,600
them look really good to their
Vision.
1640
01:46:51,600 --> 01:46:53,400
You know, they're the one with
the vision.
1641
01:46:53,400 --> 01:46:56,600
Not necessarily you, unless they
just say, I don't got anything.
1642
01:46:56,600 --> 01:46:59,500
Please tell me what I can do.
Tell me what I need to look
1643
01:46:59,500 --> 01:47:01,200
like, tell me which song to
sing.
1644
01:47:01,800 --> 01:47:03,600
Yeah.
Doesn't happen very often I
1645
01:47:03,600 --> 01:47:05,200
guess.
No, no, yeah.
1646
01:47:05,500 --> 01:47:08,800
So I like to, I like to end each
one of these with this, like go
1647
01:47:08,800 --> 01:47:11,200
to gear.
I'm a gear guy, obviously.
1648
01:47:11,400 --> 01:47:15,300
Yeah.
So what if you have to design a
1649
01:47:15,300 --> 01:47:19,000
show right now?
Give me your three pieces of
1650
01:47:19,000 --> 01:47:23,600
gear that you got to have for
every show whether it's specific
1651
01:47:23,600 --> 01:47:26,100
to manufacturer.
So, let's do that.
1652
01:47:27,000 --> 01:47:29,900
Okay.
So because I'm television guy,
1653
01:47:29,900 --> 01:47:31,400
we're going to start with the
key light.
1654
01:47:31,800 --> 01:47:40,200
And right now, I think.
For the long throw applications.
1655
01:47:42,900 --> 01:47:48,700
It's got to be the new Row.
V Forte is a stunning light.
1656
01:47:48,800 --> 01:47:52,100
Yes, really good.
I mean right behind it.
1657
01:47:52,100 --> 01:47:54,400
My second choice is a proteus
Maxima.
1658
01:47:56,800 --> 01:47:58,700
I mean they're both great
choices, they're both really
1659
01:47:58,700 --> 01:48:03,200
really, really really are.
Yeah and then as far as a
1660
01:48:03,200 --> 01:48:09,600
backlight, Same thing in a
longer Pro application, usually
1661
01:48:09,600 --> 01:48:12,500
don't need the Firepower that
you need from your key lines.
1662
01:48:14,000 --> 01:48:18,500
Although Fork again is a good
pic but if it's a shorter throw
1663
01:48:18,500 --> 01:48:26,300
application, I would use the
Spree or feel 2600, you know,
1664
01:48:26,400 --> 01:48:30,000
both to those are really good
lives that's in the profile.
1665
01:48:30,600 --> 01:48:33,100
Is, that's really where my realm
is.
1666
01:48:33,100 --> 01:48:36,500
Whenever an LD hires me, is the
lighting director on a
1667
01:48:36,500 --> 01:48:38,400
television job.
He expects me to light the
1668
01:48:38,400 --> 01:48:42,000
faces, anything that hits the
talent, I'm responsible for
1669
01:48:42,000 --> 01:48:46,600
that.
Yeah, and then, And then, all
1670
01:48:46,600 --> 01:48:48,500
the flashy stuff is somebody
else?
1671
01:48:48,600 --> 01:48:52,500
Yeah, that's yeah.
You know, but we got our key
1672
01:48:52,500 --> 01:48:54,200
light.
We got our backlight.
1673
01:48:54,900 --> 01:49:02,800
I have to pick a wash fixture
which What do you know what?
1674
01:49:02,800 --> 01:49:13,200
I really like the razor. 60, as
just as a wash picture.
1675
01:49:13,200 --> 01:49:15,600
I know it doesn't pixelate like
the other guy.
1676
01:49:16,200 --> 01:49:19,900
Did you raise their 760?
Because we do that for a second.
1677
01:49:20,300 --> 01:49:22,800
Yeah.
Razor 764 a relation.
1678
01:49:22,800 --> 01:49:24,400
Of course.
Yeah.
1679
01:49:24,900 --> 01:49:28,200
That's not really it.
The field and everything.
1680
01:49:28,500 --> 01:49:30,400
It's just it's really nice.
Yeah.
1681
01:49:31,200 --> 01:49:33,900
Oh that's a fantastic fixture.
What about control?
1682
01:49:33,900 --> 01:49:34,900
What do you use them for a
console?
1683
01:49:34,900 --> 01:49:36,800
These days.
Stone grinding.
1684
01:49:36,800 --> 01:49:41,700
Make three and ma2 mode.
I haven't totally taken the leap
1685
01:49:41,700 --> 01:49:47,600
into M83 mode yet.
I will eventually.
1686
01:49:47,800 --> 01:49:51,100
Yeah it's just learning a lot of
its or right.
1687
01:49:52,200 --> 01:49:55,300
Yeah it's tough to tell you
wouldn't believe how many boards
1688
01:49:55,300 --> 01:49:58,000
I've read?
Ya know, I would believe it, I
1689
01:49:58,000 --> 01:50:00,200
would believe it, but you gotta
do it right?
1690
01:50:00,200 --> 01:50:04,200
I mean it's like yeah you have
to I was doing my half-hour on
1691
01:50:04,200 --> 01:50:08,000
Facebook this morning at some
point and I saw some LD who's
1692
01:50:08,000 --> 01:50:11,100
out on shows somewhere in Europe
right now or something.
1693
01:50:11,100 --> 01:50:12,500
And he goes.
Hey everyone.
1694
01:50:12,500 --> 01:50:16,700
Quick who can tell me how to
learn a Cam sis board really
1695
01:50:16,700 --> 01:50:18,600
quickly.
What's the best way to dive into
1696
01:50:18,600 --> 01:50:21,500
a camps as board?
I've got a gig like next week or
1697
01:50:21,500 --> 01:50:25,700
whatever and I need to know how
to run that board and yeah.
1698
01:50:25,800 --> 01:50:29,800
I mean it's crazy but it is, I
mean, you gotta like I said, say
1699
01:50:29,800 --> 01:50:32,000
yes right?
And then go figure it out with a
1700
01:50:32,008 --> 01:50:33,200
board.
It's a little tougher.
1701
01:50:33,900 --> 01:50:37,500
I mean, well, I was spoiled
because in on the very light
1702
01:50:37,500 --> 01:50:40,900
consoles, we had the training
and they sent you down for two
1703
01:50:40,900 --> 01:50:43,600
or three days.
Yeah, and then you took a test
1704
01:50:43,800 --> 01:50:46,900
at the end they took, Played a
song say okay.
1705
01:50:46,900 --> 01:50:49,900
You design a show.
Yeah, with this console, but we
1706
01:50:49,900 --> 01:50:53,600
want you to do this this and
this we won't use macros and you
1707
01:50:53,600 --> 01:50:55,300
want to use effects here.
Yeah.
1708
01:50:55,400 --> 01:50:58,500
And you had all that laid out in
front of you and you've got to
1709
01:50:58,500 --> 01:51:01,800
step up to the plate, you know,
and they would rate, that's a
1710
01:51:01,800 --> 01:51:04,500
pretty luxurious way to learn.
You know, you're getting paid
1711
01:51:04,500 --> 01:51:06,700
for it and you're in a nice shop
and all that stuff.
1712
01:51:06,700 --> 01:51:10,300
Like a lot of guys, I know they
borrow a console for two or
1713
01:51:10,300 --> 01:51:14,200
three days from a shop and they
just dive into it for 18 hours a
1714
01:51:14,200 --> 01:51:15,200
day.
Yeah.
1715
01:51:15,200 --> 01:51:20,000
And that's all yeah, I'm with
the offline visualizers.
1716
01:51:20,000 --> 01:51:21,700
It's yeah, it's doable.
Yeah.
1717
01:51:21,700 --> 01:51:25,900
But having an instructor there
to walk you through each and
1718
01:51:25,900 --> 01:51:28,800
every element of the console.
Yeah.
1719
01:51:28,900 --> 01:51:32,500
I mean now with a like a grand
in May that would be like a week
1720
01:51:32,600 --> 01:51:35,400
because it does so much so much.
Yeah.
1721
01:51:35,400 --> 01:51:39,700
And and then beyond that to
retain, all that information to
1722
01:51:39,700 --> 01:51:45,500
take it with you and do a job is
that in itself is Turtle.
1723
01:51:45,500 --> 01:51:50,200
Yeah, because if you aren't
doing job after job after job on
1724
01:51:50,200 --> 01:51:52,300
that platform, you're going to
lose.
1725
01:51:52,300 --> 01:51:54,100
You're not going to retain all
that information.
1726
01:51:54,100 --> 01:51:56,000
Yeah.
Muscle memory and all that
1727
01:51:56,000 --> 01:51:57,500
stuff.
Yeah, yeah.
1728
01:51:57,500 --> 01:52:00,700
I mean, that's, you know, I
talked to so many designers and
1729
01:52:00,700 --> 01:52:04,100
operators and directors and
stuff about, you know, the
1730
01:52:04,100 --> 01:52:08,800
switch to the ma3 from the ma2.
And to me, I, you know, I'm an
1731
01:52:08,800 --> 01:52:10,700
idiot.
Like, I just think, well, why
1732
01:52:10,700 --> 01:52:13,000
wouldn't you just do it.
It's got new stuff in it, right?
1733
01:52:13,000 --> 01:52:14,900
I love new stuff.
Who doesn't love new stuff?
1734
01:52:15,000 --> 01:52:17,200
Tough.
But the thing is like, I'm used
1735
01:52:17,200 --> 01:52:19,400
to all the buttons where they
are.
1736
01:52:19,700 --> 01:52:25,400
I'm used to certain tactile oil
and all of those tips and you're
1737
01:52:25,400 --> 01:52:29,500
moving so fast.
It's all like right from muscle
1738
01:52:29,500 --> 01:52:31,300
memory, right?
And now all of a sudden it's a
1739
01:52:31,308 --> 01:52:34,400
different syntax.
It's a different, you know, you
1740
01:52:34,400 --> 01:52:37,700
press this button twice instead
of once or you got to press this
1741
01:52:37,700 --> 01:52:40,400
one and then this one, instead
of this one and then this one or
1742
01:52:40,407 --> 01:52:44,300
whatever.
And so yeah, I mean that really
1743
01:52:44,300 --> 01:52:47,800
a trip to be A lot like that
made people pissed right off
1744
01:52:47,800 --> 01:52:51,200
like the guys pissed, right off,
you guys and girls?
1745
01:52:51,200 --> 01:52:55,500
Sorry, I'm not trying to be
sexist, but yeah.
1746
01:52:55,500 --> 01:52:59,500
So you know Ma has fought an
uphill battle on that and plus
1747
01:52:59,800 --> 01:53:02,700
they got the worst timing in the
world because they launched the
1748
01:53:02,700 --> 01:53:05,600
ma3 and then covid hits, you
know?
1749
01:53:05,600 --> 01:53:08,700
Oh yeah.
So it's not like people could
1750
01:53:08,700 --> 01:53:12,200
immediately go out and learn the
thing and use it because they
1751
01:53:12,200 --> 01:53:14,900
had a year off or almost two
years in some cases.
1752
01:53:15,000 --> 01:53:18,000
Cases so weird.
Well, the Lucky Guy's.
1753
01:53:18,000 --> 01:53:21,900
It has a board that home that
was our chance to learn it.
1754
01:53:22,000 --> 01:53:24,200
Yeah.
There were a couple of them that
1755
01:53:24,200 --> 01:53:27,700
did, you know.
And I've talked to him about
1756
01:53:27,800 --> 01:53:31,800
about the whole ma3 thing and
it's a different Beast.
1757
01:53:31,800 --> 01:53:37,000
It's so but I will have to learn
eventually if I want to continue
1758
01:53:37,000 --> 01:53:39,700
to run these boards.
Yeah, yeah, I mean it's where it
1759
01:53:39,700 --> 01:53:43,500
is well and then I know some
guys that are like up there in
1760
01:53:43,500 --> 01:53:47,600
years who are like, Screw it.
You know, I'm not going to learn
1761
01:53:47,600 --> 01:53:49,000
it.
I don't want to learn another
1762
01:53:49,000 --> 01:53:52,800
board right now, that's just
where I'm at, you know, and I
1763
01:53:52,800 --> 01:53:55,400
get it, you know, it's like me
with snowboarding, you know.
1764
01:53:55,400 --> 01:53:56,700
I don't want to learn to
snowboard.
1765
01:53:57,100 --> 01:54:00,700
I've been skiing since I was
eight or nine years old, I don't
1766
01:54:00,700 --> 01:54:04,100
feel like, falling down and
hurting myself at this point,
1767
01:54:04,100 --> 01:54:07,800
you know, doesn't make sense.
Well, we didn't really get to
1768
01:54:07,800 --> 01:54:10,800
touch our know about.
We have to, we got to talk about
1769
01:54:10,800 --> 01:54:15,000
Racing for a few other sports.
Yeah, we would be remiss to not.
1770
01:54:15,100 --> 01:54:18,000
At least touch on racing because
I know that you're I know you
1771
01:54:18,000 --> 01:54:21,300
love the autocross stuff.
Have you Advanced Beyond
1772
01:54:21,300 --> 01:54:23,300
autocross or do you still do
autocross?
1773
01:54:23,800 --> 01:54:28,300
Well, you know, about six seven
years ago.
1774
01:54:28,600 --> 01:54:32,000
My wife bought me a package to
the Porsche sports driving
1775
01:54:32,000 --> 01:54:35,500
school barber.
Yeah, for a weekend.
1776
01:54:35,500 --> 01:54:39,100
Barber to good Lord.
Yeah, let's let's go.
1777
01:54:39,200 --> 01:54:42,100
That's for school at Barber is
unbelievable.
1778
01:54:42,500 --> 01:54:45,000
Let's let's drive a 911s.
Yeah.
1779
01:54:45,200 --> 01:54:51,400
Or a caiman as or let's get in a
four-door Panamera S and go 130
1780
01:54:51,400 --> 01:54:54,200
miles an hour around that track
and do the e-cars to the
1781
01:54:54,200 --> 01:54:56,400
electric ones.
Oh yeah, they've got them out
1782
01:54:56,400 --> 01:55:00,400
there at the school and, you
know, it was such a cool
1783
01:55:00,400 --> 01:55:03,400
experience.
The you do the skid pad,
1784
01:55:04,000 --> 01:55:10,700
heel-toe shifting, launch
control, and a 911 turbo.
1785
01:55:10,800 --> 01:55:13,300
That is awesome.
When did you do that?
1786
01:55:13,900 --> 01:55:19,400
Oh, it was It's got a been seven
years ago at least and so for
1787
01:55:19,400 --> 01:55:22,800
people who don't know, Barber is
this track.
1788
01:55:22,800 --> 01:55:28,000
That's in Alabama, that is
unfreakin believable.
1789
01:55:28,000 --> 01:55:33,100
Like the guy who owns it must be
a trillionaire because he has
1790
01:55:33,100 --> 01:55:37,700
just, it's like a country club
for racing, but yes, but times
1791
01:55:37,700 --> 01:55:41,800
10, you know, it's like the
landscaping and The Hardscape is
1792
01:55:41,800 --> 01:55:44,100
just on.
It's it's like, you know,
1793
01:55:44,100 --> 01:55:46,300
Augusta.
That's sort of what it looks
1794
01:55:46,300 --> 01:55:48,700
like.
You know, it's so beautiful and
1795
01:55:48,700 --> 01:55:52,400
waterfall, you know, Jeremy, my
son the first time he drove
1796
01:55:52,400 --> 01:55:57,200
Barber, he goes Dad.
I said what he's like, you know,
1797
01:55:57,200 --> 01:56:00,100
I'm driving around the track.
And I'm seeing like waterfalls
1798
01:56:00,100 --> 01:56:02,200
and beautiful birds and trees
and stuff.
1799
01:56:02,200 --> 01:56:04,100
This place is nice and I'm like
what are you doing?
1800
01:56:04,100 --> 01:56:10,200
Looking at scenery, you know,
knucklehead but we we paid a
1801
01:56:10,208 --> 01:56:14,700
little extra and instructor
that's what we're doing.
1802
01:56:15,000 --> 01:56:16,900
We're doing follows on the
track, right?
1803
01:56:16,900 --> 01:56:21,700
The instructors in the GT3 you
know and say I'm in a 911s and
1804
01:56:21,700 --> 01:56:25,300
there's three or four was behind
the instructor instructor you
1805
01:56:25,300 --> 01:56:29,200
know you're following him and
you'll make a couple of laps and
1806
01:56:29,200 --> 01:56:31,600
then we'll move you up the next
car behind them.
1807
01:56:31,600 --> 01:56:33,700
Whatever.
And say me said, yeah, this guy
1808
01:56:33,700 --> 01:56:35,400
is in there, he's got one hand
on the wheel.
1809
01:56:35,400 --> 01:56:38,600
One hand on the walkie-talkie
because he's watching you in the
1810
01:56:38,600 --> 01:56:39,500
mirror.
Yeah.
1811
01:56:39,700 --> 01:56:42,000
Don't don't drive like mr.
Magoo.
1812
01:56:42,000 --> 01:56:47,400
Yeah hands you know.
He's going 130 miles an hour
1813
01:56:47,400 --> 01:56:49,800
around the track.
Not even really, even looking at
1814
01:56:49,800 --> 01:56:50,800
the track.
Yeah.
1815
01:56:50,900 --> 01:56:57,100
Is he knows it so well and
that's why it's a.
1816
01:56:57,600 --> 01:57:00,400
Did you ever get to break loose?
Or did you always have to do
1817
01:57:00,400 --> 01:57:02,500
lead follow?
Yeah, you always have.
1818
01:57:03,200 --> 01:57:04,000
Yeah, yeah.
Whoo.
1819
01:57:04,000 --> 01:57:04,300
Yeah.
Yeah.
1820
01:57:05,000 --> 01:57:07,200
Those brand-new Porsche has
they're not going to let.
1821
01:57:07,200 --> 01:57:10,700
Yeah.
Yeah that's that's sucks though.
1822
01:57:10,700 --> 01:57:14,000
That would have been fun if you
because I mean it's so amazing
1823
01:57:14,000 --> 01:57:15,700
to just go out and drive.
And Lead follow.
1824
01:57:15,700 --> 01:57:18,600
But when you have to figure out
where the lines are and
1825
01:57:18,600 --> 01:57:21,200
everything on your own, and
we're to break and where to
1826
01:57:21,200 --> 01:57:24,600
enter and exit the turn and all
that stuff, it's just a
1827
01:57:24,600 --> 01:57:28,600
different level.
Well, so it was pretty easy for
1828
01:57:28,600 --> 01:57:32,600
me after doing cuz I'd have been
doing autocross for five or six
1829
01:57:32,600 --> 01:57:35,200
years at least.
And so people who don't know
1830
01:57:35,200 --> 01:57:40,600
autocross is what it's
basically, a Time course, and a
1831
01:57:40,608 --> 01:57:47,600
large asphalt area could be a
parking lot or And use pylons or
1832
01:57:47,600 --> 01:57:54,100
cones to Define your course, the
courses by scca rules should not
1833
01:57:54,100 --> 01:57:57,400
exceed highway speed, so 70
miles per hour.
1834
01:57:57,600 --> 01:58:00,400
So you're probably never going
to get out of second gear and
1835
01:58:00,400 --> 01:58:03,800
it's all time.
That's not wheel the wheel and
1836
01:58:03,800 --> 01:58:07,500
the it's broken down into
different classes, so you'll be
1837
01:58:07,500 --> 01:58:12,600
competing against cars in the
same class, the horsepower
1838
01:58:12,800 --> 01:58:18,300
handling And then there's
prepared modified.
1839
01:58:21,100 --> 01:58:24,200
It's apples for apples, but it
really comes down to drivers
1840
01:58:24,200 --> 01:58:28,600
skill and because it's so
precise it comes down to a
1841
01:58:28,608 --> 01:58:33,900
thousandth of a second as far as
your you're standing and it's
1842
01:58:33,900 --> 01:58:38,600
relatively inexpensive.
Although some of the guys that
1843
01:58:38,600 --> 01:58:44,800
our way into it Ben 10's of 20
of 30, that's 1,000, anything a
1844
01:58:44,800 --> 01:58:47,800
motor sports is like that.
Like you're doing cheap or you
1845
01:58:47,800 --> 01:58:52,500
can go crazy, you know, and I
mean, the thing about autocross
1846
01:58:52,500 --> 01:58:55,000
it always turned me off was just
the amount of waiting.
1847
01:58:55,000 --> 01:58:58,400
Like you end up waiting in line
forever to get up and get your
1848
01:58:58,400 --> 01:59:01,600
chance to one run.
Run one lap around this, this
1849
01:59:01,600 --> 01:59:05,800
autocross track, did you not so
did you drive an autocross
1850
01:59:05,800 --> 01:59:08,600
course I did and like a mini or
something?
1851
01:59:08,600 --> 01:59:12,200
I think it was a mini, like,
literally probably 30 years ago,
1852
01:59:12,600 --> 01:59:15,800
did you not get this huge
Adrenaline Rush right when
1853
01:59:15,800 --> 01:59:18,700
you're leaving the line and
you're thinking about the course
1854
01:59:18,700 --> 01:59:22,700
and everything, You know
probably not.
1855
01:59:22,800 --> 01:59:24,900
No, I don't think so.
That's unfortunate.
1856
01:59:24,900 --> 01:59:28,200
So I did.
Yeah, yeah, no, I know how
1857
01:59:28,200 --> 01:59:30,800
people love it.
It just it never appealed to me
1858
01:59:30,800 --> 01:59:33,300
for some reason.
Like the whole one lap thing,
1859
01:59:33,300 --> 01:59:36,700
you know, I need 24 laps just to
get interested, you know, and
1860
01:59:36,700 --> 01:59:39,000
get excited.
And then start really hammer and
1861
01:59:39,000 --> 01:59:40,400
when the tires are warm, you
know?
1862
01:59:41,000 --> 01:59:44,300
So the difference for me, a
barber, I thought it was fun.
1863
01:59:44,300 --> 01:59:48,000
And challenging and exciting.
However, I got motion sickness.
1864
01:59:48,900 --> 01:59:53,000
Did you really in the driver's
seat kit was because I do in the
1865
01:59:53,000 --> 01:59:54,800
passenger seat, not in the
driver's seat.
1866
01:59:55,100 --> 01:59:58,300
I think it was a Contours
because Barbara's got a lot of
1867
01:59:58,300 --> 02:00:01,000
change.
What's the amount of adrenaline
1868
02:00:01,000 --> 02:00:03,900
and and stress and everything
else that you're going to?
1869
02:00:03,900 --> 02:00:06,200
Like I don't want to wreck this
hundred and fifty thousand
1870
02:00:06,200 --> 02:00:09,900
dollars.
Yeah did you go to the course
1871
02:00:09,900 --> 02:00:11,900
you probably went to the museum
at Barber?
1872
02:00:12,900 --> 02:00:15,300
I didn't have a chance for some
people.
1873
02:00:15,300 --> 02:00:19,200
They kept god, listen to what
are you doing?
1874
02:00:19,800 --> 02:00:22,800
Well is one thing after another
if you were not on the road
1875
02:00:22,800 --> 02:00:26,200
course, you were doing the skid
pad or they just kept on taking
1876
02:00:26,200 --> 02:00:28,200
out to go back and just go to
that museum.
1877
02:00:28,600 --> 02:00:30,900
It is unreal.
I mean there's like every
1878
02:00:30,900 --> 02:00:34,500
motorcycle that was ever made
like from the very first one,
1879
02:00:34,500 --> 02:00:37,100
which is like a bike with a tiny
little motor on it.
1880
02:00:37,500 --> 02:00:40,800
Yeah, you know, they have every
motor the like literally
1881
02:00:40,800 --> 02:00:44,400
thousands of staff Act up
motorcycles in this unbelievable
1882
02:00:44,400 --> 02:00:46,800
Museum.
Formula cars being in from the
1883
02:00:46,800 --> 02:00:49,400
ceiling and stuff because they
just got no more room left, you
1884
02:00:49,400 --> 02:00:53,400
know.
It's on with the the owner to
1885
02:00:53,400 --> 02:00:57,200
motorcycle guy, right?
Yeah, yeah, that's what I heard,
1886
02:00:57,400 --> 02:00:57,800
yeah.
I know.
1887
02:00:57,800 --> 02:01:03,500
It's a yeah, you know what else
up by you near Nashville, my son
1888
02:01:03,500 --> 02:01:07,100
went up there for for just some
testing before he was leaving
1889
02:01:07,100 --> 02:01:10,000
for England.
A couple years ago, he was going
1890
02:01:10,000 --> 02:01:12,100
to England to race in something
called the formula.
1891
02:01:12,300 --> 02:01:16,400
Festival.
And he had never driven in a
1892
02:01:16,400 --> 02:01:19,700
Formula Ford before, and so he's
going over to race.
1893
02:01:19,700 --> 02:01:23,600
The biggest Formula Ford race in
the world, which is a very
1894
02:01:23,600 --> 02:01:27,600
historic fifty-year-old race
that runs once a year and you
1895
02:01:27,600 --> 02:01:29,900
get formula.
You get Formula 1 drivers
1896
02:01:29,900 --> 02:01:31,600
driving in it and stuff.
It's crazy.
1897
02:01:31,600 --> 02:01:35,600
It's such a cool race in England
every year, but he was going to
1898
02:01:35,600 --> 02:01:38,700
race in that and he'd never
driven in a, he'd never even sat
1899
02:01:38,700 --> 02:01:43,700
in a Formula Ford.
And so, We actually bought a car
1900
02:01:43,700 --> 02:01:47,600
for real cheap, and we went to
do some testing in Tennessee at
1901
02:01:47,600 --> 02:01:52,600
a place called pole star.
I think it's called pole star.
1902
02:01:53,700 --> 02:01:55,800
It's like, yeah, you got to look
this place up.
1903
02:01:55,800 --> 02:01:59,100
I'm telling you it's a great
place that you will end up
1904
02:01:59,100 --> 02:02:01,500
spending the rest of your
retirement money there.
1905
02:02:01,600 --> 02:02:05,100
Yeah, but it's called pole star.
And they have a school there,
1906
02:02:05,100 --> 02:02:07,600
where you can race in
open-wheel, cars, or you can
1907
02:02:07,600 --> 02:02:11,500
drive in open-wheel cars in a
school and but you're not going
1908
02:02:11,500 --> 02:02:13,100
to lead follow.
You're actually out there
1909
02:02:13,100 --> 02:02:17,000
driving the thing.
And, of course, it's a course,
1910
02:02:17,000 --> 02:02:20,400
it's a track and it's a crazy
gnarly little the hard to drive
1911
02:02:20,400 --> 02:02:24,600
track, it's like a go-kart track
but for open-wheel cars Oh,
1912
02:02:24,600 --> 02:02:26,400
okay.
I mean, you can take other cars
1913
02:02:26,400 --> 02:02:31,300
out there to like, you know,
because so yeah, I would look
1914
02:02:31,300 --> 02:02:33,600
into that.
Like the people that run it or
1915
02:02:33,600 --> 02:02:36,700
really nice people, it seemed
like it was very moderately
1916
02:02:36,700 --> 02:02:39,200
priced and stuff.
It wasn't expensive and you can
1917
02:02:39,200 --> 02:02:43,200
drive their car and go out and
they'll they'll kind of show you
1918
02:02:43,200 --> 02:02:45,100
the ropes and then you just go
out and drive it.
1919
02:02:45,600 --> 02:02:50,500
And yeah, well I've never been
an open-wheel car.
1920
02:02:50,900 --> 02:02:56,400
You know I'm pretty much stuck.
Duck with the lappa dated
1921
02:02:56,400 --> 02:03:02,000
Porsches, mainly from the
eighties, you know, 944s 924.
1922
02:03:02,300 --> 02:03:05,100
Yeah, they're, they're they're
they're great old cars.
1923
02:03:05,300 --> 02:03:09,800
I can buy inexpensive and picks
him up and, you know, either
1924
02:03:10,400 --> 02:03:13,500
track them or just keep them on
the street, you know, and pass
1925
02:03:13,500 --> 02:03:17,100
them on to somebody else because
where I find them as in fields
1926
02:03:17,100 --> 02:03:20,700
and neglected, and I was like
Farm cars and stuff and then I
1927
02:03:20,700 --> 02:03:22,800
read them up.
And yeah, that's cool.
1928
02:03:23,900 --> 02:03:26,200
Little abandoned puppies to me,
you know?
1929
02:03:26,800 --> 02:03:28,400
Well, you know what, that's a
great hobby.
1930
02:03:28,400 --> 02:03:31,500
I've got a friend who does it
with, you know, old Cutlass and
1931
02:03:31,800 --> 02:03:37,100
like the 60s and 70s American
cars and he does very well.
1932
02:03:37,100 --> 02:03:42,000
He buys it, he cleans it up a
bit drives it for six months or
1933
02:03:42,000 --> 02:03:45,600
a year and then sells it usually
for a fairly handy profit.
1934
02:03:46,000 --> 02:03:48,600
So it does really really well
with them because he knows the
1935
02:03:48,600 --> 02:03:51,200
market like he's buying very
specific cars that he knows
1936
02:03:51,200 --> 02:03:55,100
everything about so yeah and
That's where I'm at with these,
1937
02:03:55,100 --> 02:03:58,000
I know, know my way around them,
so good.
1938
02:03:58,000 --> 02:04:00,600
Yeah, you know, I can go out
there and just kind of look the
1939
02:04:00,600 --> 02:04:04,400
thing over even though it's
covered with dirt and, you know,
1940
02:04:04,400 --> 02:04:07,100
my stropping zone, the interior
whatever.
1941
02:04:07,200 --> 02:04:08,400
Yeah.
You know, you can kind of, you
1942
02:04:08,400 --> 02:04:12,100
can see the signs of a Hidden
Gem.
1943
02:04:12,100 --> 02:04:13,600
Yeah in there.
Yeah.
1944
02:04:13,600 --> 02:04:15,100
What's it called?
When a great hobby?
1945
02:04:15,100 --> 02:04:17,000
I wish I knew how to do any of
that stuff.
1946
02:04:17,000 --> 02:04:20,000
But I don't I just need to.
I need to be the guy on the
1947
02:04:20,000 --> 02:04:23,600
other end that buys it from a
Han after you've fixed it up.
1948
02:04:23,600 --> 02:04:26,800
And Cleaned it and made it nice
and make a nice profit off of
1949
02:04:26,808 --> 02:04:28,500
me.
That's unfortunate.
1950
02:04:28,500 --> 02:04:31,900
You're when you're ready for
report when you're ready for a
1951
02:04:31,900 --> 02:04:33,500
Porsche be.
Come see me?
1952
02:04:33,500 --> 02:04:36,100
Yeah.
I'm not much of a guy.
1953
02:04:36,300 --> 02:04:39,400
I don't know why you could be.
Yeah.
1954
02:04:39,600 --> 02:04:41,400
All right, hon.
Will II appreciate you doing
1955
02:04:41,400 --> 02:04:43,600
this very much?
It's been fun and humor.
1956
02:04:43,600 --> 02:04:48,000
So here in your story and nice
to nice to see you, I haven't
1957
02:04:48,000 --> 02:04:52,500
seen you in a hundred years.
So thank thank you for your
1958
02:04:52,500 --> 02:04:55,000
support over the years.
You guys did make some really
1959
02:04:55,000 --> 02:04:59,500
good deals and supported my
business and, and others, you
1960
02:04:59,500 --> 02:05:01,600
know, Bob Warden, really helped
me.
1961
02:05:01,800 --> 02:05:07,500
Yeah, some of the guys that
freed sales, they helped me out.
1962
02:05:07,500 --> 02:05:10,700
You know, I was never a dealer,
but I still able to get that
1963
02:05:10,700 --> 02:05:13,100
pricing.
Yeah, so, you know, that's
1964
02:05:13,100 --> 02:05:15,100
that's that means a lot.
Well, you know what?
1965
02:05:15,100 --> 02:05:18,500
When you're a good, dude, most
people do want to help you and
1966
02:05:18,500 --> 02:05:21,800
you're going, you, I actually at
the front end of all of this.
1967
02:05:21,800 --> 02:05:25,000
I do a little intro and I
compared you to Bob Harmon, you
1968
02:05:25,008 --> 02:05:27,300
know, because you're just a guy
that's been around the business
1969
02:05:27,300 --> 02:05:29,700
of very long time, you'd never
screw anybody.
1970
02:05:29,700 --> 02:05:33,600
You're a good dude you work hard
and that's you and that's Bob
1971
02:05:33,600 --> 02:05:35,300
Harmon and you kind of look
similar to this.
1972
02:05:35,300 --> 02:05:38,600
Oh, ok.
Awesome.
1973
02:05:38,600 --> 02:05:40,400
All right hon, thank you very
much, buddy.
1974
02:05:41,100 --> 02:05:42,300
All right.
Have a great day sir.
1975
02:05:42,400 --> 02:05:42,900
Bye-bye.
00:00:00,700 --> 00:00:01,900
Hello.
And thank you for joining me
2
00:00:01,908 --> 00:00:06,300
today on geezers of Gear.
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www.aotw.tv you
Hello, and again, welcome to
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00:03:14,000 --> 00:03:17,100
episode number 197 pretty
excited today.
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00:03:17,100 --> 00:03:19,300
I've got Han henze on really
great guy.
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Been around the industry since I
believe the 70s long time, and
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really good guy.
Everybody knows.
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I'm everybody loves him.
He's just one of those guys kind
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of reminds me a little bit of
Bob.
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Harmon in Hawaii.
Speaking of Ayrton has anyone
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seen these light shows coming
out of Pro-Lite this past week
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00:03:39,200 --> 00:03:42,600
in Germany?
You know, Pro-Lite Ting and
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00:03:42,600 --> 00:03:45,000
sound is obviously a huge Stone
Frankfurt.
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Germany.
I've been there 10 times myself
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00:03:48,200 --> 00:03:51,300
but this Ayrton light show that
they did as part of their Booth
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00:03:51,300 --> 00:03:55,700
was incredible.
Robi also didn't an amazing
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amazing show and others.
I'm a huge fan of these trade
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00:04:00,800 --> 00:04:04,800
show lighting, show
extravaganzas and I'm happy to
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00:04:04,800 --> 00:04:07,800
see them in full force again I
mean for a while I think we went
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to these corporate sort of stand
still products on podium.
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Sort of booths.
And I'm not a fan of those.
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I understand you need to have
meeting tables and things like
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that, so that people can sit and
talk about, you know, the year
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00:04:21,399 --> 00:04:23,600
in business orders or whatever
it is.
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But at the end of the day, I
want to entertain people.
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I want people to be entertained
on a booth.
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I want to be entertained on a
booth when I'm there to look at
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stuff.
And I don't know.
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I've always been a fan of it.
I obviously put on a few of the
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really good ones.
I was a part of them.
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00:04:40,900 --> 00:04:43,400
I was lucky enough.
Enough to be in a position to to
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do those back in the 90s and so,
yeah, I love it.
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00:04:48,800 --> 00:04:52,400
I love that that they're back in
full force and again, I loved
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00:04:52,400 --> 00:04:55,100
the Ayrton one, I loved the
rob1.
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00:04:55,300 --> 00:04:57,800
I don't know that I've seen many
of the I saw some stuff from
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00:04:57,800 --> 00:05:00,100
clay Paki.
That looked pretty cool, but it
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00:05:00,100 --> 00:05:04,200
was more of sort of a as I
recall it was a more stationary
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00:05:04,200 --> 00:05:05,900
looking thing.
It wasn't a show.
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So yeah, check that stuff out.
I'm sure you can find it on
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00:05:09,600 --> 00:05:13,700
YouTube, Facebook, whatever.
Wherever, Get your video content
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00:05:14,200 --> 00:05:18,000
and speaking of trade shows and
speaking of pro light and sound,
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00:05:18,800 --> 00:05:21,500
I've been reading a lot of
comments online, talking about
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00:05:21,500 --> 00:05:24,600
pro light, being a much smaller
show this year, especially
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00:05:24,600 --> 00:05:29,500
particularly with regard to
audio companies who have bailed
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00:05:29,500 --> 00:05:31,800
on the show.
There apparently wasn't as much
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00:05:31,800 --> 00:05:34,800
of an audio presents this year
and it used to be a pretty big
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00:05:34,800 --> 00:05:37,000
audio show.
It was real big audio, real big
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00:05:37,000 --> 00:05:40,400
lighting.
And apparently this year, a lot
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00:05:40,400 --> 00:05:46,100
of the audio companies Moved
over to is in Spain and that has
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00:05:46,100 --> 00:05:49,000
become a much more significant
show from what I'm hearing.
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00:05:49,000 --> 00:05:52,300
It's more expensive.
It's a very expensive show for
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00:05:52,300 --> 00:05:54,200
manufacturers to do so it's
harder.
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00:05:55,600 --> 00:05:59,100
But, you know, I got a lot of
these sort of quality versus
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00:05:59,100 --> 00:06:01,800
quantity.
Visitors, sort of comments from
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00:06:01,800 --> 00:06:04,600
manufacturers this year which
tells me a show is shrinking
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00:06:05,200 --> 00:06:07,600
either that or it's a show being
done during covid because we
99
00:06:07,608 --> 00:06:11,800
used to hear that about ldi and
stuff when covid-19 on, but When
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00:06:11,800 --> 00:06:16,200
you hear a show post covid that
is that people are commenting,
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00:06:16,200 --> 00:06:19,100
you know, the it wasn't as many
people but they were good
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00:06:19,100 --> 00:06:21,900
people.
That to me is saying that a show
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00:06:21,900 --> 00:06:27,400
is in a bit of trouble and so it
looks like pro light and sound
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00:06:27,400 --> 00:06:30,600
or Lighting and Sound.
I'm not sure how they say it but
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00:06:30,600 --> 00:06:33,600
it looks like it might be in a
little bit of trouble.
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00:06:33,900 --> 00:06:36,700
I hope not because I think it's
a great show as much as
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00:06:36,700 --> 00:06:40,700
Frankfurt may not be my favorite
place to go for a show.
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00:06:41,500 --> 00:06:45,800
Ona kind of sounds like a better
place to go for a show but you
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00:06:45,800 --> 00:06:47,200
know, I've always loved that
show.
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00:06:47,200 --> 00:06:50,800
I think it's a great show and
and I hope they figure out
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00:06:50,800 --> 00:06:52,400
whatever.
This problem is with the audio
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00:06:52,400 --> 00:06:56,500
companies, ditching them and I
hope lighting companies continue
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00:06:56,500 --> 00:06:58,800
to support it as well.
So let's see what happens next
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00:06:58,800 --> 00:07:00,700
year.
If anyone has comments on that
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00:07:00,700 --> 00:07:02,600
or knowledge of it, please reach
out to me.
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00:07:02,600 --> 00:07:05,700
We can maybe do a follow-up
podcast and talk a little bit
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00:07:05,700 --> 00:07:07,600
about what's going on at
Pro-Lite.
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00:07:08,400 --> 00:07:12,000
Maybe even someone from pro-life
hears this and we Can do a quick
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00:07:12,000 --> 00:07:16,100
podcast about it, but yeah,
again, especially audio Brands.
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00:07:16,100 --> 00:07:18,200
Maybe I'll talk to an audio
brand and get them on the
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00:07:18,200 --> 00:07:22,700
podcast and we can talk about
that show and why is see has
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00:07:22,700 --> 00:07:28,100
been better for them.
We'll see another thing that I'm
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00:07:28,100 --> 00:07:31,800
going to be very careful to
tread through is without
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00:07:31,800 --> 00:07:35,000
mentioning any Brands.
I'm really disappointed to see
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00:07:35,000 --> 00:07:37,500
some of the blatant copying
going on again.
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00:07:37,500 --> 00:07:45,200
And it reminds me of The late
90s, maybe early 2000s.
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When people weren't even trying
to hide the fact that they were
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copying a product, pretty much
identical product.
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00:07:52,500 --> 00:07:54,200
It happened a lot, with the
Italians.
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00:07:54,200 --> 00:07:57,400
Italians were buying components
from the same suppliers and then
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00:07:57,600 --> 00:08:00,500
just sort of reshaping them into
a different, but the same
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00:08:00,500 --> 00:08:04,400
product, obviously a lot with
some of the Asian companies
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00:08:05,000 --> 00:08:08,800
Chinese manufacturers.
And but recently, I'm seeing
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00:08:09,100 --> 00:08:13,700
some stuff that You know, it's
just bothering me a bit and one
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00:08:13,700 --> 00:08:14,800
of the reasons it's bothering
me.
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00:08:14,800 --> 00:08:17,200
One of the things I've always
loved about our industry is the
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Innovation and really cool
development.
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00:08:20,400 --> 00:08:22,400
That goes on lots of cool
products.
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00:08:22,400 --> 00:08:26,600
Come out, lots of really, really
great designs and ideas go into
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00:08:26,600 --> 00:08:30,400
those products, you know, when
you see things that you just go.
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00:08:30,400 --> 00:08:32,900
Wow, that's really cool.
And I've seen a few of them
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00:08:32,900 --> 00:08:36,299
recently.
You know certainly again going
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00:08:36,299 --> 00:08:38,799
back to the Italians.
Clay pakhi has always been an
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00:08:38,799 --> 00:08:41,200
innovator, they've always been a
little more Pricey than most
145
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companies.
But there's a reason behind
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00:08:43,600 --> 00:08:44,800
that.
They're spending a huge amount
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00:08:44,800 --> 00:08:49,000
of money on R&D and Innovation.
And so, you know, one of the
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00:08:49,000 --> 00:08:53,200
most recent examples of this
problem that I've seen was a
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00:08:53,200 --> 00:08:57,200
clay Packy product, I'm not even
going to say what product it
150
00:08:57,200 --> 00:09:00,200
was, but it's a product that
they showed at ldi, I believe,
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00:09:00,200 --> 00:09:04,700
for the first time last year and
was really cool was very
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00:09:04,700 --> 00:09:09,300
different, very Innovative, a
very crazy, wrinkle on some
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00:09:09,300 --> 00:09:12,200
products that were already.
He's out on the market, but very
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00:09:12,200 --> 00:09:16,100
unique.
And suddenly this year, I saw at
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00:09:16,600 --> 00:09:20,800
Pro-Lite another rather large
manufacturer who has the same
156
00:09:20,800 --> 00:09:26,300
product and I've only seen it on
video and pictures and it looks
157
00:09:26,300 --> 00:09:31,300
identical to me.
So that concerns me.
158
00:09:31,300 --> 00:09:33,800
I mean again, because what do
companies do, when product start
159
00:09:33,800 --> 00:09:37,000
getting ripped off, they either
lawyer up and go to court, or
160
00:09:37,000 --> 00:09:39,500
they back off on Innovation.
And I think either one of those
161
00:09:39,500 --> 00:09:41,900
things is bad.
For us, bad for the market.
162
00:09:42,300 --> 00:09:46,600
And so, if you want Innovation
to continue happening, if you
163
00:09:46,600 --> 00:09:49,400
want new products and new
features to keep coming out at a
164
00:09:49,408 --> 00:09:52,300
high rate stuff that makes you
go.
165
00:09:52,300 --> 00:09:55,400
Wow, then you have to support
manufacturers who are coming out
166
00:09:55,400 --> 00:09:58,600
with those products, you have to
pay slightly higher prices and
167
00:09:58,600 --> 00:10:03,000
and pay for that Innovation.
Because when you pay for copies,
168
00:10:03,300 --> 00:10:05,900
what you're doing is, you're
supporting the other side of
169
00:10:05,900 --> 00:10:07,200
that, you're supporting the
side.
170
00:10:07,200 --> 00:10:09,100
That's not spending the money on
Innovation.
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00:10:09,600 --> 00:10:12,400
And so again, Again I'm not I'm
not pointing fingers at any
172
00:10:12,400 --> 00:10:14,800
particular manufacturer.
I think as an industry we've all
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00:10:14,800 --> 00:10:17,200
done it.
I think it's a problematic
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00:10:17,200 --> 00:10:18,700
thing.
I think it's why a lot of
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00:10:18,708 --> 00:10:20,700
companies end up in court.
I was talking to somebody
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00:10:20,700 --> 00:10:23,800
yesterday about a, I guess
there's something going on
177
00:10:23,800 --> 00:10:26,900
between Roscoe and etc' right
now.
178
00:10:26,900 --> 00:10:29,000
It's got something to do with ET
C.
179
00:10:29,000 --> 00:10:33,400
Putting the Rosco colors in
their console, and Rosco says
180
00:10:33,400 --> 00:10:37,200
that that's a breach of their
intellectual Properties by using
181
00:10:37,200 --> 00:10:39,300
the Rosco numbers in your
console.
182
00:10:39,700 --> 00:10:41,600
It's a funny one.
Because again I'm not taking
183
00:10:41,600 --> 00:10:43,900
sides on this and I'm not a
lawyer, I don't know anything.
184
00:10:43,900 --> 00:10:47,200
I'm just some dumb guy with a
big mouth and a microphone but
185
00:10:47,900 --> 00:10:51,300
to me, you know, Roscoe used to
be proud of the fact that people
186
00:10:51,300 --> 00:10:57,400
used our numbers on colors and
the thing was, I guess it's
187
00:10:57,400 --> 00:11:00,700
supported their revenue back
then because they were selling
188
00:11:00,700 --> 00:11:04,700
gel in those are colors and now
they're not selling gel.
189
00:11:04,700 --> 00:11:08,500
So they're trying to find a way
to I guess.
190
00:11:08,500 --> 00:11:14,600
Monetize that Rosco chart or the
the color swatch or whatever you
191
00:11:14,600 --> 00:11:17,600
want to call it.
And so maybe they're going to
192
00:11:17,700 --> 00:11:20,900
charge manufacturers, I guess to
put that in consoles which will
193
00:11:20,900 --> 00:11:23,900
probably just push manufacturers
to create another coloring
194
00:11:23,900 --> 00:11:28,700
system.
But anyways, again lawyers I've
195
00:11:28,700 --> 00:11:32,200
got a lot of experience, you
know, I have sued a couple of
196
00:11:32,200 --> 00:11:36,500
the largest companies in the
world and so sadly, I have some
197
00:11:36,500 --> 00:11:43,400
experience and nobody And, you
know, I hate to be, you know, to
198
00:11:44,800 --> 00:11:47,700
say something so silly and
generic, but nobody wins in that
199
00:11:47,700 --> 00:11:50,100
situation, you spend lots of
money and at the end of the day,
200
00:11:50,100 --> 00:11:53,300
the one who's got the, most
money, usually can Outlast the
201
00:11:53,300 --> 00:11:56,900
other one and ends up winning.
And in that case, everyone spent
202
00:11:56,900 --> 00:11:59,600
way too much money, the lawyers
got rich, and none of the
203
00:11:59,608 --> 00:12:02,000
problems were solved, so I don't
like it.
204
00:12:02,800 --> 00:12:05,400
So, anyways, let's move on to
today's episode.
205
00:12:05,400 --> 00:12:09,900
Number 197 with Han and Z.
Well, hello there, mr.
206
00:12:09,900 --> 00:12:11,400
Han.
Angie, how are you today?
207
00:12:12,500 --> 00:12:15,600
I'm well how are you?
I'm freaking fantastic.
208
00:12:15,800 --> 00:12:18,200
Any better.
They'd be a Wednesday or
209
00:12:18,200 --> 00:12:19,500
Thursday.
What day is it today?
210
00:12:19,500 --> 00:12:23,600
Wednesday.
Yes it is it bad that we both
211
00:12:23,600 --> 00:12:28,900
have to think about it.
Well I'm a little lost in the
212
00:12:28,900 --> 00:12:31,600
days of the week because I've
been recuperating from this
213
00:12:31,600 --> 00:12:36,300
workplace injury so a lot of my
time has been right here in our
214
00:12:36,300 --> 00:12:45,100
home and you know I fractured my
pelvis and my left arm I can't
215
00:12:45,100 --> 00:12:48,800
tell all imagine people say, I
fractured my pelvis like so
216
00:12:48,800 --> 00:12:54,200
easily and I think about where
the Bell Is what that might feel
217
00:12:54,200 --> 00:12:58,600
like you know it's like it's the
most searing pain.
218
00:12:58,600 --> 00:13:01,600
You can imagine.
How many think about it, what?
219
00:13:01,600 --> 00:13:05,800
So yeah, I was at the CMT Music
Awards in Austin.
220
00:13:05,800 --> 00:13:08,700
They decided to do that show an
Austin this year.
221
00:13:09,300 --> 00:13:14,200
And I'd actually finished my
part working with Tom, Kenny
222
00:13:14,800 --> 00:13:20,100
lighting director on an outdoor
stage and we shot that in the
223
00:13:20,108 --> 00:13:22,100
middle of the week.
And Then we also shot a
224
00:13:22,100 --> 00:13:25,800
Crossroads and then I came over
to the arena to do.
225
00:13:25,800 --> 00:13:31,400
The main show per se the the
content we produce Tan on the
226
00:13:31,400 --> 00:13:34,500
outdoor stage was going to be
inserted in the main show,
227
00:13:34,500 --> 00:13:37,500
right?
Anyway, I was up on the stage,
228
00:13:37,500 --> 00:13:41,100
you know, helping the gaffer
actually lighting director
229
00:13:41,100 --> 00:13:46,900
pickles, doing some Focus work
and I kind I was up stage and
230
00:13:46,900 --> 00:13:49,900
they were loading up, which band
was it?
231
00:13:49,900 --> 00:13:55,600
I think it was the Tribute band
for Skynyrd, which had all
232
00:13:55,600 --> 00:14:02,500
these, you know Pickers from way
back / was one some of the guys
233
00:14:02,500 --> 00:14:05,500
from scanner.
Anyway, it was like a all-star
234
00:14:06,200 --> 00:14:08,400
band set up.
I'm just kind of up there
235
00:14:08,400 --> 00:14:11,500
looking at this gear going.
Wow, that's that's a nice
236
00:14:11,600 --> 00:14:13,200
equipment.
You know, a lot of vintage
237
00:14:13,200 --> 00:14:16,800
equipment and then I realize I
found in the way and I turned to
238
00:14:16,800 --> 00:14:21,000
take a step to go kind of
further off stage.
239
00:14:21,100 --> 00:14:25,300
Age and upstage left and their
remember, there was a trust our
240
00:14:25,300 --> 00:14:31,600
there and a curtain.
And I look down at the curtain
241
00:14:32,400 --> 00:14:34,600
and usually the curtain lands on
the deck, right?
242
00:14:34,600 --> 00:14:38,400
So I took a step with my left
foot and there was no deck
243
00:14:38,400 --> 00:14:44,700
there, I fell off into a hole on
my left side and yeah, fractured
244
00:14:44,700 --> 00:14:49,800
my pelvis and my left arm and
I'm guessing you couldn't even
245
00:14:49,800 --> 00:14:52,600
move, right?
Like you couldn't get No, no,
246
00:14:52,600 --> 00:14:54,400
no.
They had to put me on a
247
00:14:54,500 --> 00:14:59,900
stretcher and went through the
University of Texas had like a
248
00:14:59,908 --> 00:15:02,900
medical team there and they kind
of evaluating then they
249
00:15:02,900 --> 00:15:05,200
transported me.
So, I was in the hospital for
250
00:15:05,200 --> 00:15:10,100
three days and Austin boy, and
then fortunately, where the
251
00:15:10,100 --> 00:15:15,800
pelvis was broken.
The doctors told me, it was a
252
00:15:15,808 --> 00:15:19,600
non load-bearing area.
So in other words, I could get
253
00:15:19,600 --> 00:15:22,300
up and walk if I could stand the
pain.
254
00:15:22,300 --> 00:15:23,900
Yeah.
And it wouldn't it wouldn't make
255
00:15:23,900 --> 00:15:25,900
him furniture at anything other
than nothing.
256
00:15:26,400 --> 00:15:27,300
Yeah.
Yeah.
257
00:15:27,300 --> 00:15:31,800
In fact, the next day here they
are the physical therapy.
258
00:15:31,800 --> 00:15:34,800
Nurses are trying to get me up
out of bed and walking and I
259
00:15:34,808 --> 00:15:44,100
think I cannot do this.
This this was the beginning of
260
00:15:44,100 --> 00:15:49,000
April 5 weeks and now you're
walking and stuff.
261
00:15:49,700 --> 00:15:53,200
I can walk pretty good, you
know, I transition from a
262
00:15:53,200 --> 00:15:58,900
wheelchair to a cane and my
steps are pretty smooth.
263
00:15:59,000 --> 00:16:03,700
You know, I don't look like one
of my PT therapists who are
264
00:16:03,700 --> 00:16:08,500
saying, don't walk like grandpa
in the old sitcom.
265
00:16:09,900 --> 00:16:12,100
Can't remember which one it was
but, you know, he kind of
266
00:16:12,100 --> 00:16:17,700
lurching around and yeah, but So
that's looking much better.
267
00:16:17,800 --> 00:16:23,700
Now, my left arm I haven't been
released to load it up, so that
268
00:16:23,700 --> 00:16:27,700
makes it really challenging, you
know, even using a computer,
269
00:16:27,700 --> 00:16:32,700
whatever they said, you can pick
up anything, nothing heavier
270
00:16:32,700 --> 00:16:34,700
than a cup of coffee.
No tea.
271
00:16:34,800 --> 00:16:40,300
So that's that's my reward.
You break your arm here in the
272
00:16:40,300 --> 00:16:44,700
elbow Rotator.
Yeah.
273
00:16:44,800 --> 00:16:48,700
Yeah, I think it's a bone.
It wraps around like that boy.
274
00:16:48,900 --> 00:16:51,400
So it's just, it's from what I
saw.
275
00:16:51,400 --> 00:16:54,200
The x-rays and pretty clean
fracture just sort of a
276
00:16:54,200 --> 00:16:57,000
straight.
Yeah, but if you will, and I
277
00:16:57,008 --> 00:17:02,700
don't think the bone actually
displays but, you know, they,
278
00:17:03,000 --> 00:17:06,400
the doctors just don't want me.
Loading it up and put pressure
279
00:17:06,400 --> 00:17:09,000
on.
So hopefully next week I'll be
280
00:17:09,000 --> 00:17:12,099
released to go back to light
duty work.
281
00:17:12,099 --> 00:17:14,200
At least I've got some projects
coming up.
282
00:17:14,500 --> 00:17:18,599
Yeah, And I want to get back on
location and damn, I'm sorry you
283
00:17:18,599 --> 00:17:22,099
had to go through that.
Does the I don't even know if
284
00:17:22,099 --> 00:17:23,800
this is a good question to ask
or not.
285
00:17:23,800 --> 00:17:26,200
But does the production take
care of you in that type of a
286
00:17:26,208 --> 00:17:27,900
situation?
Or are you just on your own
287
00:17:27,900 --> 00:17:30,600
insurance and stuff?
How does well?
288
00:17:30,600 --> 00:17:35,200
So, fortunately on this
production was on a pink
289
00:17:35,200 --> 00:17:38,800
contract through iatse, okay,
which you may be familiar with
290
00:17:39,300 --> 00:17:44,600
so that contract goes through
payroll.
291
00:17:44,800 --> 00:17:46,700
All company called cast and
crew.
292
00:17:46,900 --> 00:17:49,500
Okay.
So they are the responsible
293
00:17:49,500 --> 00:17:52,300
party as far as workman's comp
is concerned.
294
00:17:52,300 --> 00:17:55,700
Okay.
And I've had tremendous backup
295
00:17:55,700 --> 00:17:59,900
from not only the folks that are
work with its EMT.
296
00:18:00,200 --> 00:18:05,800
But also the people at casterly
crew, there's multiple like
297
00:18:06,200 --> 00:18:10,100
account managers and nurses and
everybody's following up on my
298
00:18:10,100 --> 00:18:13,900
progress and that's amazing.
And and frankly had I've had had
299
00:18:13,900 --> 00:18:17,700
to spend very Little money on my
own behalf and or said you have
300
00:18:17,700 --> 00:18:21,000
to know.
Yeah, no I mean it it's one of
301
00:18:21,000 --> 00:18:24,400
the things that, you know, you
hear horror stories in our
302
00:18:24,400 --> 00:18:28,300
industry of people with no
savings, no insurance, you know,
303
00:18:28,300 --> 00:18:31,500
the typical Gypsy, you know,
Roadie person, right?
304
00:18:31,800 --> 00:18:34,500
Yeah and it scares the hell out
of me, you know?
305
00:18:34,500 --> 00:18:38,400
Like I the last thing I want is
to see someone, you know, who
306
00:18:38,400 --> 00:18:43,200
can't afford to deal with some
sort of an illness or injury or
307
00:18:43,200 --> 00:18:46,300
whatever and I I've heard of
loads of people getting hurt on
308
00:18:46,300 --> 00:18:49,000
Productions that were just
basically, you know, flip the
309
00:18:49,000 --> 00:18:55,700
bird, you know, ya know, I can
relate to that because one of my
310
00:18:55,700 --> 00:18:59,300
early jobs after moving to
Nashville, I was basically told
311
00:18:59,300 --> 00:19:07,200
that when I went from a salaried
situation to like you know gig
312
00:19:08,700 --> 00:19:13,500
and the artist basically told us
look you don't, we don't I'm not
313
00:19:13,500 --> 00:19:16,800
going to carry any kind of
insurance on this you guys.
314
00:19:16,800 --> 00:19:20,100
So you need to go out and get
your own insurance which
315
00:19:20,100 --> 00:19:23,000
actually was a great thing
because it prompted me to seek
316
00:19:23,000 --> 00:19:30,000
health insurance which at the
time was When I was a younger
317
00:19:30,000 --> 00:19:34,400
man and I remember it took us a
while to kind of find it.
318
00:19:34,400 --> 00:19:38,200
Yes.
A this is back in the 80s and
319
00:19:38,200 --> 00:19:41,300
also in the insurance company
for an order for me to get to
320
00:19:41,800 --> 00:19:44,400
health insurance and made me
take out a life insurance
321
00:19:44,400 --> 00:19:48,000
policy, which I really didn't
want to do because I was so
322
00:19:48,000 --> 00:19:56,000
young and that I kept up all
those years and actually was
323
00:19:56,000 --> 00:19:59,500
able to cash it in for real.
The good return.
324
00:19:59,700 --> 00:20:03,000
Oh, well, good, yeah, this is
about 10 years ago.
325
00:20:03,100 --> 00:20:04,600
Okay, for you.
Good for you.
326
00:20:04,600 --> 00:20:07,200
I love when people can spend
their own life insurance while
327
00:20:07,200 --> 00:20:09,300
they're still alive.
Yeah.
328
00:20:09,600 --> 00:20:11,400
Yeah.
As long as there's money
329
00:20:11,400 --> 00:20:16,600
somewhere for someone to bury
you, you know, who we're not
330
00:20:16,600 --> 00:20:20,900
responsible to feed the people
around us for the rest of their
331
00:20:20,900 --> 00:20:22,600
lives.
They can go fend for themselves
332
00:20:22,600 --> 00:20:26,300
like we did, right?
So that's that's actually a
333
00:20:26,300 --> 00:20:30,100
really good segue to kind of
Lead in, if you want to talk
334
00:20:30,100 --> 00:20:33,200
about my early career, know I'd
love to because honestly I don't
335
00:20:33,200 --> 00:20:35,900
I you know I've known you
because we've done business for
336
00:20:35,900 --> 00:20:40,400
the last 10 years or so but I
don't go further back than that.
337
00:20:40,400 --> 00:20:47,800
Yeah, I don't need 800, I don't
really know, you know, where you
338
00:20:47,800 --> 00:20:50,900
started and how you started and
and you know, just given your
339
00:20:50,900 --> 00:20:54,300
age similar to mine.
I'm guessing, you know, you came
340
00:20:54,300 --> 00:20:59,000
from either you were a musician
and you know, realized Used, it
341
00:20:59,000 --> 00:21:02,000
wasn't going to pay well, see,
you found a different route or
342
00:21:02,000 --> 00:21:04,500
something?
Is that a familiar story?
343
00:21:04,800 --> 00:21:09,600
Pretty, pretty much.
Yeah, I played rock guitar and
344
00:21:09,600 --> 00:21:15,400
bands in high school, right?
And it was me, my Junior and
345
00:21:15,400 --> 00:21:20,200
Senior year and, you know,
started buying guitars and amps
346
00:21:20,200 --> 00:21:24,500
and all that stuff.
And when I graduated from high
347
00:21:24,500 --> 00:21:26,600
school, this was in San Antonio,
Texas.
348
00:21:27,200 --> 00:21:29,500
And that would have been the
It's 70s.
349
00:21:29,700 --> 00:21:35,300
You know I graduated in 75 it's
kind of Tonio at that period of
350
00:21:35,300 --> 00:21:40,100
time was like a test bed or hard
work Rock acts, they had a
351
00:21:40,800 --> 00:21:45,700
station down there, an FM
station Kiss radio which was
352
00:21:45,700 --> 00:21:51,300
actually the first Ki SS radio
and they would bring in a lot of
353
00:21:51,300 --> 00:21:54,800
Canadian acts.
Actually detest them in that
354
00:21:54,800 --> 00:21:59,800
market because of all the
Military bases.
355
00:21:59,800 --> 00:22:02,600
The demographics.
There were really good for
356
00:22:02,700 --> 00:22:05,200
testing out, new bands and
material.
357
00:22:05,200 --> 00:22:07,800
Wasn't it?
Triumph that kind of broken San
358
00:22:07,800 --> 00:22:11,200
Antonio rushing to remember that
from there?
359
00:22:12,100 --> 00:22:17,700
From that sort of biopic thing
that they did recently occupied.
360
00:22:17,900 --> 00:22:23,500
They broke them and San Antonio
Rush some other American acts
361
00:22:23,500 --> 00:22:27,900
you know that some of them
became Quite famous others.
362
00:22:27,900 --> 00:22:29,300
Not so much.
Yeah.
363
00:22:29,300 --> 00:22:37,600
So there was a really diverse
and lucrative market market for
364
00:22:37,700 --> 00:22:41,200
up-and-coming acts in San
Antonio that period of time
365
00:22:41,200 --> 00:22:46,700
thing.
So after a while I was playing
366
00:22:46,700 --> 00:22:52,200
in these bands, I decided to
start lighting my band.
367
00:22:52,200 --> 00:22:54,200
Right?
Cuz, you know, didn't have any
368
00:22:54,200 --> 00:22:59,700
lights and I saw were a couple
other groups and bars had used
369
00:22:59,700 --> 00:23:04,200
just like flood light fixtures,
you know, your regular screw
370
00:23:04,200 --> 00:23:06,400
base.
Flood lights had made these
371
00:23:06,400 --> 00:23:09,700
boxes.
With one end open, you can put
372
00:23:09,700 --> 00:23:13,900
three of those ceramic
floodlight receptacles in there.
373
00:23:14,500 --> 00:23:17,800
Go ahead and put your red was my
room with my lighting rig, when
374
00:23:17,800 --> 00:23:19,700
I was a kid too.
Absolutely.
375
00:23:20,100 --> 00:23:22,600
Exactly.
And you just ran what three
376
00:23:22,600 --> 00:23:26,500
Edison chords, right?
All the way back to something,
377
00:23:26,500 --> 00:23:31,200
whether It was a foot switch on
the stage for me for me, I
378
00:23:31,200 --> 00:23:36,000
actually made my own console
which was basically I think it
379
00:23:36,000 --> 00:23:40,700
had eight household switches and
they were gang together on two
380
00:23:40,700 --> 00:23:43,900
plugs because I knew I could get
you know if I could find the
381
00:23:43,900 --> 00:23:47,900
solid 15, 20 amp receptacle
somewhere I could plug just
382
00:23:47,900 --> 00:23:51,100
about anything.
I wanted in four on one side and
383
00:23:51,100 --> 00:23:57,400
four on another and so yeah made
my own board and Had those
384
00:23:57,400 --> 00:24:01,900
floodlights.
I acquired was, she's at term
385
00:24:01,900 --> 00:24:04,300
some theatrical fixtures along
the way.
386
00:24:04,300 --> 00:24:07,500
Yeah, they confirm a lure to, I
think I had.
387
00:24:08,900 --> 00:24:16,100
And so really what happened was
very soon.
388
00:24:16,100 --> 00:24:19,300
After high school, I was playing
in this band and we were pretty
389
00:24:19,300 --> 00:24:21,700
good.
I thought we were good and
390
00:24:21,700 --> 00:24:28,100
somebody had a Beer party said,
told me that I suck at Guitar,
391
00:24:28,600 --> 00:24:33,100
so it's kind of stuck with me.
I'm like, well, maybe I'm not as
392
00:24:33,100 --> 00:24:34,800
good as I think I am.
Yeah.
393
00:24:35,100 --> 00:24:44,000
And so, I kind of graduated from
playing into working for bands.
394
00:24:44,000 --> 00:24:47,900
Whether some bands, I was like,
the backline guy, but mostly
395
00:24:47,900 --> 00:24:55,200
doing lighting and eventually
actually got A house gig at one
396
00:24:55,200 --> 00:25:01,200
Club in San Antonio, so that had
been my first paying job doing
397
00:25:01,200 --> 00:25:02,800
lighting.
Well, then that would have been
398
00:25:02,800 --> 00:25:06,700
in those early days like that
was, you were such a rarity,
399
00:25:06,700 --> 00:25:08,800
right?
So like when, when people in
400
00:25:08,800 --> 00:25:14,100
town heard that this guy henze
had, you know, some experience
401
00:25:14,100 --> 00:25:16,800
or knowledge and lighting
suddenly, it was like, hey,
402
00:25:16,900 --> 00:25:21,000
aren't you that lighting guy,
you know, and suddenly you've
403
00:25:21,000 --> 00:25:24,000
got opportunities to work with
You want?
404
00:25:24,500 --> 00:25:27,900
Yeah.
It's, you know, some of the
405
00:25:27,900 --> 00:25:31,900
better bands, local bands would
have lining guides, others
406
00:25:31,900 --> 00:25:39,000
wouldn't, I'd say the vast
majority did and so I did that.
407
00:25:39,000 --> 00:25:42,200
And I also during that period of
time when I, when I got out of
408
00:25:42,200 --> 00:25:44,500
high school, in order to make a
living because that lighting
409
00:25:44,500 --> 00:25:49,300
stuff been paid crap, I was
running, heavy equipment, doing
410
00:25:49,300 --> 00:25:51,700
construction, work, running
loaders.
411
00:25:51,700 --> 00:25:56,700
And, you know, No track hoes and
graters and all that stuff
412
00:25:56,700 --> 00:25:59,000
during the day.
So I work at 10:00 hour 12 hour
413
00:25:59,000 --> 00:26:02,300
shift during the day and then go
work in the club not.
414
00:26:02,300 --> 00:26:05,200
Oh yeah.
Burning the candle at 0 to be a
415
00:26:05,200 --> 00:26:08,700
kid again, right?
Totally.
416
00:26:10,500 --> 00:26:17,500
I saw that was Challenging and I
didn't sleep much.
417
00:26:17,500 --> 00:26:20,800
Yeah.
And there may have been
418
00:26:20,800 --> 00:26:23,700
substances at the time.
Yeah, I don't know.
419
00:26:23,700 --> 00:26:30,700
Yeah.
But me either eventually this
420
00:26:30,700 --> 00:26:34,400
other lighting guy.
I had met approached me and said
421
00:26:35,400 --> 00:26:39,200
he said two things.
He said I need a guy to come run
422
00:26:39,200 --> 00:26:45,600
a follow spot.
And I was super show, and if
423
00:26:45,600 --> 00:26:49,000
you're good at it, I've got a
road job for you.
424
00:26:49,000 --> 00:26:51,400
So your sound cut out for a
second.
425
00:26:51,400 --> 00:26:53,000
Are you said in an Alice?
Cooper show.
426
00:26:53,700 --> 00:26:57,700
Yeah, propolis spot files,
powered our supership but a
427
00:26:57,700 --> 00:27:02,900
carbon Arc, which I did.
I had no idea, you know how
428
00:27:02,900 --> 00:27:07,700
carbon are well, many danger you
were getting yourself into, I
429
00:27:07,708 --> 00:27:13,500
was ready to try and What's
really interesting about this
430
00:27:13,500 --> 00:27:16,200
club?
And you can Google it.
431
00:27:16,200 --> 00:27:18,800
It was a club called Randy's
Rodeo.
432
00:27:18,800 --> 00:27:21,900
It's probably the biggest Club
in San Antonio, at the time, the
433
00:27:21,900 --> 00:27:25,800
Sex Pistols played one of their,
oh, few shows there.
434
00:27:26,400 --> 00:27:30,400
And here's another connection.
Before I talk to this fellow
435
00:27:30,400 --> 00:27:36,100
about these two jobs run, follow
spot in the subsequent wrote or
436
00:27:36,400 --> 00:27:40,400
I had gone down there and done a
rush show with some of my
437
00:27:40,400 --> 00:27:42,800
equipment.
Went and helped out another
438
00:27:42,800 --> 00:27:46,800
lighting guy from another local
band who was opening for Rush
439
00:27:47,000 --> 00:27:50,200
and guess who the LD was Howard
on the ladder.
440
00:27:50,800 --> 00:27:53,500
Yeah.
Now he, by the way, that's
441
00:27:53,500 --> 00:27:56,200
another really great podcasts.
He listened to.
442
00:27:56,300 --> 00:27:59,400
He tells a couple stories on
there that had me in stitches.
443
00:28:00,000 --> 00:28:05,800
One in particular, about a pony,
you got it here that I'm telling
444
00:28:05,800 --> 00:28:06,500
you.
It's a good one.
445
00:28:06,800 --> 00:28:13,900
Yeah. so, Anyway, I went, and I
did the Alice Cooper show
446
00:28:13,900 --> 00:28:17,400
learned how to run the fall spot
and keep the park in the right
447
00:28:17,400 --> 00:28:20,400
spot.
And, you know, when to change
448
00:28:20,400 --> 00:28:26,400
the rods and all that stuff.
And then I went from that, this
449
00:28:26,600 --> 00:28:30,100
can't remember his name for the
life of the sld for this local
450
00:28:30,100 --> 00:28:34,100
band that.
Okay, I'm going to train you To
451
00:28:34,100 --> 00:28:37,600
take my place as I don't want to
tour with these guys anymore.
452
00:28:37,600 --> 00:28:43,800
So the group was called the
American Peddlers and really
453
00:28:43,800 --> 00:28:47,300
interesting bunch of guys, they
were older you know in their
454
00:28:47,300 --> 00:28:54,700
mid-thirties here I would have
been 23 at the time 24 and we're
455
00:28:54,700 --> 00:29:04,400
talking this was at the
beginning of 1982 and These guys
456
00:29:04,400 --> 00:29:10,000
in this band could play, they
had a little rock show, that was
457
00:29:10,000 --> 00:29:12,600
like covers and they had their
own material.
458
00:29:13,200 --> 00:29:16,200
Then they also had they could do
a country show.
459
00:29:16,500 --> 00:29:18,700
I mean, they can play country
music, really decent.
460
00:29:18,700 --> 00:29:22,400
If they, if they were booked in
a country bar, they do that and
461
00:29:22,400 --> 00:29:24,700
put on that cowboy boots.
And nobody would know the
462
00:29:24,700 --> 00:29:28,100
difference even though they had
the long hair and everything and
463
00:29:28,100 --> 00:29:33,200
then they also had this like a
Trilogy that was more like
464
00:29:33,400 --> 00:29:37,900
Dinner Show where it was three
parts where you started off with
465
00:29:37,900 --> 00:29:40,900
the 50 and then they did the
60s, you know, with
466
00:29:40,900 --> 00:29:45,500
intermissions in between, and we
did curtains, you know, little
467
00:29:45,500 --> 00:29:50,800
black box, and had the lighting
and special effects and
468
00:29:50,800 --> 00:29:54,200
Mirrorball everything that
worked really well for the
469
00:29:54,200 --> 00:29:57,200
trilogy show.
So, they least guys they they
470
00:29:57,200 --> 00:30:00,600
knew what they were doing.
They knew how to put on a decent
471
00:30:00,600 --> 00:30:07,300
show and do.
So I think he trained me maybe
472
00:30:07,300 --> 00:30:09,800
one day.
And then I went out on the road
473
00:30:09,800 --> 00:30:14,300
with them and they actually had
some really decent equipment.
474
00:30:14,300 --> 00:30:18,900
They had cd80 Democrats.
I don't you remember those?
475
00:30:19,000 --> 00:30:21,700
Yeah, that's old, codger.
Yeah.
476
00:30:23,200 --> 00:30:30,400
And two of those packs 12-way
packs and they had the Strand
477
00:30:30,400 --> 00:30:33,100
board that would communicate
with them because it is a
478
00:30:33,100 --> 00:30:38,800
special protocol is a little
micro Flex connector and strand
479
00:30:38,800 --> 00:30:43,800
board was called a man tricks I
believe and to see.
480
00:30:43,800 --> 00:30:46,300
But you could actually program
looks on faders.
481
00:30:46,300 --> 00:30:51,400
I mean, it was state-of-the-art
stuff for that time and then
482
00:30:51,800 --> 00:30:55,900
they own to follow spots to
regular Troopers.
483
00:30:57,500 --> 00:31:01,800
They had some wrong time.
We're trusting and Park Hands,
484
00:31:02,500 --> 00:31:05,400
multi cable, which I've never
seen before.
485
00:31:05,800 --> 00:31:09,200
Like, this is wonderful.
You know, I could do six
486
00:31:09,200 --> 00:31:12,000
circuits also and so the band
owned, all the gear they toured
487
00:31:12,000 --> 00:31:14,000
with all their own gear.
Okay, cool.
488
00:31:14,800 --> 00:31:18,900
So and what else?
You know, special effects.
489
00:31:18,900 --> 00:31:22,800
They had pyro pack.
Flash pods with a little
490
00:31:22,800 --> 00:31:27,500
controller and all that stuff
and dry ice machine, you know
491
00:31:27,600 --> 00:31:31,900
everything you needed to.
To really do an interesting and
492
00:31:32,200 --> 00:31:40,800
full-featured type show.
So they generally toward at like
493
00:31:40,900 --> 00:31:46,500
military installations Air Force
clubs, especially some army
494
00:31:46,500 --> 00:31:50,500
bases, and then we would do
regular clubs on the side.
495
00:31:51,000 --> 00:31:57,500
And they had had a silver eagle
used bus that they got from
496
00:31:57,500 --> 00:32:00,400
another touring act with a big
trailer behind it.
497
00:32:00,900 --> 00:32:04,200
We had Genie Towers.
We used to put super Towers in
498
00:32:04,200 --> 00:32:10,000
The Bays of the bus.
His each other couldn't even
499
00:32:10,000 --> 00:32:12,800
close the doors on the bus
because the genie Towers were
500
00:32:13,600 --> 00:32:17,900
much too crazy.
But but Ron tower on top of the
501
00:32:17,900 --> 00:32:20,800
trailer and strap it down.
And was like, what kind of
502
00:32:20,808 --> 00:32:25,100
venues the airman's clubs could
be pretty big.
503
00:32:25,800 --> 00:32:30,300
Surprisingly.
I remember the one at Lackland,
504
00:32:30,300 --> 00:32:34,200
in San Antonio was huge Club.
Hold probably five, six hundred
505
00:32:34,800 --> 00:32:39,400
Air Force, you know, they're all
In training at that point and
506
00:32:39,400 --> 00:32:45,300
very enthusiastic.
Here's, I was think about this,
507
00:32:45,300 --> 00:32:49,700
they to get the power for the
dimmer packs, right?
508
00:32:49,700 --> 00:32:52,600
You know, because you're looking
at with the number instrument,
509
00:32:52,600 --> 00:32:58,000
they had maybe 200 amps and we
had feeder, but there was never
510
00:32:58,600 --> 00:33:03,700
a dedicated disconnect for that.
So they had one set of Cam locks
511
00:33:04,200 --> 00:33:08,400
with giant alligator clips.
It and they, we would open up a
512
00:33:08,400 --> 00:33:13,700
panel kid, you not open up the
panel, go on the line side and
513
00:33:13,700 --> 00:33:19,600
clamp pose as a Taylor Swift,
you'd be like doing this and
514
00:33:19,600 --> 00:33:21,700
Sparks Fly.
Oh my God.
515
00:33:25,800 --> 00:33:29,100
Yeah, you know, I mean, it might
explain some things, but when I
516
00:33:29,100 --> 00:33:32,600
was in bands, half the time, for
some reason, I was always the
517
00:33:32,600 --> 00:33:35,900
guy that had to go up to the
bartender and I was in the band,
518
00:33:35,900 --> 00:33:37,400
I was a member of the band,
right?
519
00:33:37,400 --> 00:33:40,200
But the lighting guy wouldn't do
it in the sound guy, wouldn't do
520
00:33:40,200 --> 00:33:41,500
it.
So I'd have to go up to the
521
00:33:41,500 --> 00:33:47,900
bartender and ask him to turn
off the power on the stage, you
522
00:33:47,900 --> 00:33:51,300
know, so that we could connect
to the to the thing on the
523
00:33:51,300 --> 00:33:54,400
stage, right?
And so I'd go do that.
524
00:33:54,500 --> 00:33:58,700
That and then I have to go and
connect to the onto the,
525
00:33:58,700 --> 00:34:02,400
whatever the hell it's called.
And of course, half the time it
526
00:34:02,400 --> 00:34:04,500
was still hot and I'd be like,
nah.
527
00:34:04,600 --> 00:34:08,300
Oh yeah.
Oh yeah, oh yeah, oh yeah, are
528
00:34:08,300 --> 00:34:10,100
you sure it's off?
Oh yeah, I'm sure.
529
00:34:10,900 --> 00:34:14,199
Yeah.
Well, you know, and then you
530
00:34:15,400 --> 00:34:18,900
know buddy I don't know that I
owned an amp probe.
531
00:34:19,300 --> 00:34:21,500
Not at that time.
You just basically turn
532
00:34:21,500 --> 00:34:25,300
everything on and you know, ask
him behind If you're using the
533
00:34:25,300 --> 00:34:28,000
same disconnect as far, okay.
Is everything on.
534
00:34:28,000 --> 00:34:29,500
Are we going to trip any
Breakers?
535
00:34:29,500 --> 00:34:31,400
Yeah I think I'm gonna catch on
fire.
536
00:34:32,500 --> 00:34:37,600
That's about all you could do.
But yeah, so these guys in this
537
00:34:37,600 --> 00:34:43,199
band they've been doing this
this touring for quite some time
538
00:34:43,199 --> 00:34:46,500
and that actually had made
themselves a little niche in San
539
00:34:46,500 --> 00:34:50,100
Antonio through the guys in the
band were promoters as well.
540
00:34:50,199 --> 00:34:52,199
Okay.
And they they would get
541
00:34:52,400 --> 00:34:55,699
contracts to do touring a
national touring Act.
542
00:34:57,100 --> 00:34:59,800
In the same venue that they work
with their group, right?
543
00:34:59,800 --> 00:35:04,000
And they would promote them and
those contracts would usually be
544
00:35:04,000 --> 00:35:07,600
buyer provides.
In other words, they the
545
00:35:07,800 --> 00:35:12,400
promoter would provide the gear
there for me and the sound guy,
546
00:35:12,500 --> 00:35:15,300
they would send us out to do
these other shows.
547
00:35:16,300 --> 00:35:24,000
We did shows for like dr.
Hook Eddie Raven was a country
548
00:35:24,000 --> 00:35:28,100
act Reba McEntire.
Fire back when she was a
549
00:35:28,100 --> 00:35:29,400
McIntyre.
Yeah.
550
00:35:29,600 --> 00:35:36,200
And then they landed.
For shows with Louise Mandrell,
551
00:35:36,700 --> 00:35:38,300
one of the mandrel assistance,
right?
552
00:35:38,300 --> 00:35:42,900
The brunette.
So we went out and took a U-Haul
553
00:35:42,900 --> 00:35:46,400
with all their gear and went out
and did these series of shows
554
00:35:47,100 --> 00:35:55,200
and the last one was in
Louisiana, I think and they the
555
00:35:55,300 --> 00:35:59,100
production guy and the guys in
the band had all been coming up
556
00:35:59,100 --> 00:36:02,000
to me after the show's Main, and
you do really good job working.
557
00:36:02,300 --> 00:36:03,700
Clyde's.
We don't have anybody.
558
00:36:03,700 --> 00:36:06,100
We need somebody.
Well, sure enough.
559
00:36:06,100 --> 00:36:11,900
If that last show they
approached me and the tour
560
00:36:11,900 --> 00:36:15,300
manager production, guys that
look come with me out the bus.
561
00:36:15,300 --> 00:36:18,000
Louise wants to talk to you, I
went out there and since I look
562
00:36:18,400 --> 00:36:20,600
really like you, you do a great
job.
563
00:36:21,000 --> 00:36:23,700
Move to Nashville.
You can work with us all the
564
00:36:23,700 --> 00:36:27,400
time, and I'm like, hell yeah.
There you go.
565
00:36:27,600 --> 00:36:30,100
There's your brake home.
Yeah.
566
00:36:30,100 --> 00:36:34,200
Big-time big-time Break Stuff.
And you were in your mid-20s and
567
00:36:34,400 --> 00:36:36,400
you got to go home and tell your
parents.
568
00:36:36,500 --> 00:36:39,700
I've got a real job.
Finally, whatever.
569
00:36:39,700 --> 00:36:42,800
Yeah, good news is, I've got a
job, the bad news is its in
570
00:36:42,800 --> 00:36:44,100
Nashville.
Yeah.
571
00:36:44,200 --> 00:36:45,000
Yeah.
Yeah.
572
00:36:45,000 --> 00:36:47,500
Pretty much.
And, you know, I think my
573
00:36:47,500 --> 00:36:52,500
parents had already they'd moved
out of San Antonio - oh, I was
574
00:36:52,500 --> 00:36:56,400
living had been living on my own
until, you know, it wasn't that
575
00:36:56,500 --> 00:36:58,900
part of a pill and of course.
Yeah.
576
00:36:59,400 --> 00:37:02,500
So you're just glad you've been
in Nashville, a long time, Then
577
00:37:03,100 --> 00:37:05,000
yeah.
Since Karen huh?
578
00:37:05,000 --> 00:37:06,600
An 82.
Wow.
579
00:37:07,700 --> 00:37:09,400
Before.
It was kind of a thing.
580
00:37:10,600 --> 00:37:11,600
Yeah.
Yeah.
581
00:37:11,600 --> 00:37:15,200
It wasn't much of a dragon went.
Yeah, yeah.
582
00:37:15,200 --> 00:37:19,700
Yeah.
I mean, the whole, the whole
583
00:37:19,700 --> 00:37:22,400
country touring thing has
changed so much because I
584
00:37:22,400 --> 00:37:27,000
remember like back in the day
when it was TLS or banded and,
585
00:37:27,200 --> 00:37:30,600
you know, a dozen intelli beams,
you know, and that was a pretty
586
00:37:30,600 --> 00:37:35,100
big country show, you know, was
Was, you know, yeah. 40 40 or 50
587
00:37:35,100 --> 00:37:40,100
pars and and and a dozen intelli
beams and that was pretty much
588
00:37:40,100 --> 00:37:42,000
everybody like all the big
country artist.
589
00:37:42,000 --> 00:37:43,300
That's what they were touring
with.
590
00:37:44,900 --> 00:37:50,400
You know, to me, it didn't
really lighting didn't rate with
591
00:37:50,400 --> 00:37:54,100
most of the groups, especially,
you know, lower level groups or
592
00:37:54,100 --> 00:37:57,700
even the mid-level group,
lighting wasn't that important
593
00:37:58,200 --> 00:38:01,600
to you.
Get really into the 2000.
594
00:38:02,000 --> 00:38:05,300
I mean, even prior that.
Now, some of the bigger groups.
595
00:38:05,300 --> 00:38:07,100
Yeah.
Oakridge Boys.
596
00:38:08,100 --> 00:38:13,100
You know in the 90s who else,
you know, some of the really big
597
00:38:13,100 --> 00:38:14,100
Acts.
They yeah.
598
00:38:14,100 --> 00:38:15,900
They had big rigs.
Yeah.
599
00:38:15,900 --> 00:38:19,000
And we can talk about those as
we get down the timeline.
600
00:38:19,000 --> 00:38:22,900
Yeah, it just didn't seem to be
that important.
601
00:38:22,900 --> 00:38:28,200
I used to really frustrate me
really did because, you know,
602
00:38:28,200 --> 00:38:32,200
especially when you go off to do
a like a one-off and you don't
603
00:38:32,200 --> 00:38:35,300
have your gear with you and the
promoter.
604
00:38:35,300 --> 00:38:39,100
You know it's buyer provides a
don't stuff is a bunch of junk
605
00:38:39,100 --> 00:38:42,700
and you expect, you know, yeah,
I'd like to do a good job, same
606
00:38:42,700 --> 00:38:46,800
time I think.
You know, like the nostalgic
607
00:38:46,800 --> 00:38:50,100
side of me, you know, as much as
I've made loads of money selling
608
00:38:50,100 --> 00:38:55,900
lighting for Big Country acts
and stuff, I think the rawness,
609
00:38:55,900 --> 00:38:59,600
and, and just the down and
dirty, rawness of a Country tour
610
00:38:59,600 --> 00:39:02,000
back.
Then compared to today, where
611
00:39:02,000 --> 00:39:04,300
they're just like rock and roll
shows or pop shows today.
612
00:39:04,300 --> 00:39:07,100
Right there, the same thing.
Basically, you know, big video
613
00:39:07,100 --> 00:39:11,000
screen, loads of moving lights,
probably bigger in most cases
614
00:39:11,000 --> 00:39:13,400
than the Rock shows, because
they're making so much money.
615
00:39:13,900 --> 00:39:17,800
But it was just quite a back
then, like, you know, it was
616
00:39:17,800 --> 00:39:19,800
just different, they were much
more raw.
617
00:39:19,800 --> 00:39:25,000
And it was about the music and,
and the sort of mood, not not
618
00:39:25,000 --> 00:39:29,300
necessarily the show and great.
Yeah.
619
00:39:30,100 --> 00:39:35,100
So the and another aspect of all
that is and I was very fortunate
620
00:39:35,100 --> 00:39:40,600
for my career, to take that path
is that you learn what I would
621
00:39:40,600 --> 00:39:43,500
call the meat and potatoes.
Early.
622
00:39:43,500 --> 00:39:47,400
You know I mean how to put a
system together with just
623
00:39:47,400 --> 00:39:52,300
conventionals and you know have
it interesting how not to give
624
00:39:52,300 --> 00:39:57,100
it all up on the first song and
how how to hook all that stuff
625
00:39:57,100 --> 00:40:01,100
up?
Make it work you know whenever
626
00:40:01,100 --> 00:40:05,300
you just walk into a gig and
it's in disarray or they unload
627
00:40:05,300 --> 00:40:08,300
the trucks and nothing's prep,
you know, that's what we had to
628
00:40:08,300 --> 00:40:10,300
do that all the time.
Right?
629
00:40:10,500 --> 00:40:15,300
So I thought, oh yeah.
I toured started touring with
630
00:40:15,300 --> 00:40:21,300
Louise.
And here's a funny note, one of
631
00:40:21,300 --> 00:40:24,500
the first things they asked me
they said, okay, we're going to
632
00:40:24,500 --> 00:40:28,400
go out and We're going to start
a run.
633
00:40:28,700 --> 00:40:33,900
We're going to travel from
Nashville to Los Angeles and do
634
00:40:33,900 --> 00:40:36,900
a show at Disneyland.
And they're going to have all
635
00:40:36,900 --> 00:40:38,900
the lights we need there, right?
Okay.
636
00:40:38,900 --> 00:40:41,000
Great.
And then, we're going to go from
637
00:40:41,000 --> 00:40:42,700
there to Portland.
Maine.
638
00:40:43,100 --> 00:40:47,200
I'm like, isn't that like all
the way across the country?
639
00:40:47,400 --> 00:40:52,300
And yeah, and they, you know,
production guy said what?
640
00:40:52,500 --> 00:40:55,700
And, you know, after that, we're
going to be doing a whole bunch
641
00:40:55,700 --> 00:41:00,300
of county fairs state fairs.
And you know, all the lights
642
00:41:00,300 --> 00:41:04,000
you'll need will be there.
What it would, what can you
643
00:41:04,000 --> 00:41:06,800
think of that?
You would need to do the best
644
00:41:06,800 --> 00:41:11,000
job?
And the first thing I thought of
645
00:41:11,000 --> 00:41:15,100
was intercom because in those
types of, you know, especially
646
00:41:15,100 --> 00:41:18,000
the fares, the intercom is
always crap, right?
647
00:41:18,000 --> 00:41:21,800
So say, yeah, give me a clear
calm system with two Bell packs
648
00:41:21,800 --> 00:41:25,300
and headsets for the follow
spots, some cable and my own
649
00:41:25,300 --> 00:41:30,300
headset that Helped tremendously
and then the other really good
650
00:41:30,300 --> 00:41:31,700
call.
I don't know that I would have
651
00:41:31,700 --> 00:41:34,400
thought of that one but that's a
good call very good.
652
00:41:34,400 --> 00:41:40,100
The other the other item was a
big 12-foot, A-frame ladder with
653
00:41:40,100 --> 00:41:42,100
the extension that goes up the
middle.
654
00:41:42,100 --> 00:41:46,200
So you can get that joker like
16 feet in it, you know.
655
00:41:46,200 --> 00:41:49,100
Yeah.
Because I knew those fairs,
656
00:41:49,400 --> 00:41:53,500
you're going to get some rickety
piece of junk, the ladder, you
657
00:41:53,500 --> 00:41:57,800
know, and not be able to reach
any that this is forget it.
658
00:41:57,800 --> 00:42:01,300
Yeah.
So and they went out and bought
659
00:42:01,300 --> 00:42:04,600
that stuff and they put us in
this truck.
660
00:42:05,000 --> 00:42:09,700
It was like a Castaway truck
from Statler Brothers.
661
00:42:09,700 --> 00:42:13,200
They, you know, that they had
grown out of it Mercedes-Benz.
662
00:42:13,500 --> 00:42:18,000
It was a Furniture truck, right?
With the overhang over the cab
663
00:42:18,000 --> 00:42:21,000
and they had cut it where you've
got sleeping quarters.
664
00:42:21,000 --> 00:42:23,200
Yeah.
Well it, what the, what they had
665
00:42:23,200 --> 00:42:27,800
neglected to do is to make a
pathway from Driver's
666
00:42:27,800 --> 00:42:32,500
compartment into the sleeper, so
when you got in the sleeper it
667
00:42:32,500 --> 00:42:36,900
was like it was like a door with
the latches that the latches
668
00:42:36,900 --> 00:42:40,200
were on the outside.
So when me and Dan, the
669
00:42:40,207 --> 00:42:43,300
production guy went and looked
at this truck were like, okay,
670
00:42:43,300 --> 00:42:48,100
you get in the sleeper, you go
on, you know, five 600 miles.
671
00:42:48,100 --> 00:42:51,100
He got some guy driving.
How the hell do you get his
672
00:42:51,100 --> 00:42:51,900
attention?
You know.
673
00:42:51,900 --> 00:42:53,800
No cell phones or anything like
that?
674
00:42:53,800 --> 00:42:57,100
We didn't we didn't have radios.
Yeah, how do you How do you get
675
00:42:57,100 --> 00:43:00,700
his attention?
If somebody is, you know, in
676
00:43:00,700 --> 00:43:04,600
trouble, or you got to stop, you
know, use the restroom or
677
00:43:04,600 --> 00:43:09,500
whatever.
So we put these it did have like
678
00:43:09,500 --> 00:43:12,800
those slap glass windows like
you see in old style campers,
679
00:43:12,800 --> 00:43:16,200
really crank them up and we
could just see reaching out
680
00:43:16,200 --> 00:43:18,700
through those and getting arms
all, cut the hell.
681
00:43:19,200 --> 00:43:22,900
So, we eliminated those and put
this Plexi on there, that way we
682
00:43:22,900 --> 00:43:25,800
could reach the latch on the
outside to open the door.
683
00:43:26,000 --> 00:43:28,700
And also We could wave at the
driver in the rearview mirror.
684
00:43:28,700 --> 00:43:30,900
Hey stop.
Oh my goodness.
685
00:43:31,700 --> 00:43:34,200
What a system that is.
We called it.
686
00:43:34,200 --> 00:43:35,700
The death Truck.
Yeah.
687
00:43:35,700 --> 00:43:40,400
And we put we will put white
Gaff tape on the side and put in
688
00:43:41,000 --> 00:43:45,000
Sharpie on their skull and
crossbones death truck and we
689
00:43:45,000 --> 00:43:47,800
were driving through weigh
stations and that was the one
690
00:43:47,800 --> 00:43:50,700
that you had to go from
California to Maine in.
691
00:43:51,500 --> 00:43:55,300
Holy shit.
When we left, welcome to Turin,
692
00:43:55,300 --> 00:43:59,800
son.
What's my first show with her?
693
00:43:59,800 --> 00:44:04,700
You know, as an employee there
Disneyland was, like, I went
694
00:44:04,700 --> 00:44:09,000
from, you know, meat and
potatoes lighting to this
695
00:44:09,100 --> 00:44:13,300
incredible set up the river
stage or everything pops out of
696
00:44:13,308 --> 00:44:17,400
these boxes, all these pars and
leak owes.
697
00:44:17,400 --> 00:44:21,800
And, you know, they got a
computer console and then
698
00:44:21,800 --> 00:44:26,400
Gladiators so far away, you
can't see the thing, you know.
699
00:44:26,900 --> 00:44:28,600
Do they all sort of much are
they?
700
00:44:29,200 --> 00:44:32,900
I've walked up there and I go
guys, you know, what do I do?
701
00:44:33,000 --> 00:44:36,900
How do how do you know I didn't,
you know, it was like trying to
702
00:44:36,900 --> 00:44:42,300
figure out how do I explain
them, you know what I do for her
703
00:44:42,300 --> 00:44:46,200
show and they're just like, you
know, just tell us the colors
704
00:44:46,200 --> 00:44:49,800
you want for the songs and then
Q the follow spot.
705
00:44:49,800 --> 00:44:54,900
So it'll be really easy and it
was it was super easy and and it
706
00:44:54,900 --> 00:44:57,100
was just amazing.
Variants.
707
00:44:57,100 --> 00:45:00,400
And, you know, I realize that
technology right there, could be
708
00:45:00,400 --> 00:45:03,500
your friend, you know, what the
proper guys in the right places,
709
00:45:03,600 --> 00:45:06,200
you know, they could work really
well.
710
00:45:06,200 --> 00:45:11,800
Yeah, so yeah, went from that to
Portland and then all those
711
00:45:11,800 --> 00:45:16,200
fairs now, eventually, I think
it was the following year,
712
00:45:18,700 --> 00:45:21,800
Louise and her husband Archie
been decided to do like this
713
00:45:21,800 --> 00:45:24,300
Vegas type stroke.
They really wanted to Jazz it
714
00:45:24,300 --> 00:45:30,000
up, they went out and had
risers, fabricated me, and Dan
715
00:45:30,000 --> 00:45:34,100
Waters, made the engineering
drawing for these risers,
716
00:45:34,100 --> 00:45:37,900
literally on a napkin, and their
truck stopped, and gave it to a
717
00:45:37,900 --> 00:45:40,400
local manufacturing company for
the risers.
718
00:45:40,400 --> 00:45:42,700
They would stand up on their
backs and roll off.
719
00:45:42,700 --> 00:45:47,200
They're really cool.
We had a plexiglass I On the
720
00:45:47,207 --> 00:45:50,600
front of the Riser.
Louise was backlit with many
721
00:45:50,600 --> 00:45:53,900
broads.
Had a couple of the old boys,
722
00:45:53,900 --> 00:45:56,800
the Rosco smoke machine.
The first one that came out.
723
00:45:56,800 --> 00:46:00,700
I remember, I can't remember how
the heck we were triggering
724
00:46:00,700 --> 00:46:03,200
those things though because it
was just a remote.
725
00:46:04,000 --> 00:46:11,000
And what else typically tubes?
You may have those original rope
726
00:46:11,000 --> 00:46:14,200
light.
Yeah, that goes all the way
727
00:46:14,200 --> 00:46:16,500
across the apron.
And then on the edging, on the
728
00:46:16,500 --> 00:46:21,600
rise, ER, I had a little little
controller for that we had pyro
729
00:46:23,400 --> 00:46:28,800
and what else confetti cannon.
So we had this whole special
730
00:46:28,800 --> 00:46:34,300
effects package that we could
come in and add, you know, using
731
00:46:34,300 --> 00:46:39,500
the house system and really make
it, you know, a cool show, you
732
00:46:39,500 --> 00:46:41,700
know.
And I mean we take this stuff
733
00:46:41,700 --> 00:46:45,400
into state fairs county fairs
and the people just, you know,
734
00:46:45,500 --> 00:46:46,800
they never seen anything like
it.
735
00:46:47,500 --> 00:46:51,900
They were just blown away.
Yeah, but controlling all that
736
00:46:51,900 --> 00:46:56,400
crap because this is, you know,
you didn't have a board back
737
00:46:56,400 --> 00:46:59,000
then that would control all
those different devices.
738
00:46:59,000 --> 00:47:02,800
So each one of those devices
that is separate controller for
739
00:47:02,800 --> 00:47:05,700
it, which got be pretty crazy.
Yeah.
740
00:47:05,700 --> 00:47:10,100
What up trying to trying to do
an on dim over here?
741
00:47:10,200 --> 00:47:14,800
Typically to changing great over
here and oh don't forget the
742
00:47:14,800 --> 00:47:16,800
Pyro Q, you know?
Yeah.
743
00:47:17,600 --> 00:47:19,500
So what was touring like back
then?
744
00:47:19,500 --> 00:47:22,000
From a, from a living
standpoint, like you weren't on
745
00:47:22,000 --> 00:47:25,800
tour buses where you were, you
staying in half decent hotels or
746
00:47:26,700 --> 00:47:28,000
well.
Most of the time we're on the
747
00:47:28,000 --> 00:47:30,500
truck oh really?
Well, yeah.
748
00:47:30,500 --> 00:47:35,500
I mean we did get hotel rooms,
you know, I would say maybe once
749
00:47:35,500 --> 00:47:39,700
a week but I mean, we were hit.
I think that that second year I
750
00:47:39,700 --> 00:47:42,100
was with, or we did almost 200
show.
751
00:47:43,200 --> 00:47:47,300
I mean, it was, it was crazy
him, by the way, remember I
752
00:47:47,300 --> 00:47:49,700
warned you about the roofing guy
above my head.
753
00:47:49,700 --> 00:47:53,500
So yeah, he's just decided to
come back and tweak some stuff
754
00:47:53,500 --> 00:47:56,200
apparently.
So he was gone an hour ago, but
755
00:47:56,200 --> 00:47:59,300
now he's back.
So I might mute my mic and
756
00:47:59,300 --> 00:48:08,900
between talk, okay, no worries.
So yeah, it was a great learning
757
00:48:08,900 --> 00:48:12,800
experience.
Plus it got you to Nashville.
758
00:48:13,700 --> 00:48:15,400
Yeah.
You know and it was well is that
759
00:48:15,400 --> 00:48:17,100
a cool place to come to
Nashville?
760
00:48:17,100 --> 00:48:19,900
Like what are a cool time to
come to Nashville or was that
761
00:48:19,900 --> 00:48:21,500
pretty sleepy at that point?
Still?
762
00:48:22,500 --> 00:48:25,400
It was kind of sleepy.
I mean, you know, Broadway was
763
00:48:25,400 --> 00:48:28,100
Broadway, a lot of honky-tonks
down there.
764
00:48:28,300 --> 00:48:33,700
Yeah the Ryman was in a very sad
State at that point they weren't
765
00:48:33,700 --> 00:48:39,000
even using In the Ryman, the
Opry show was over, at Opryland
766
00:48:39,000 --> 00:48:43,500
park in that what they call the
Opry today, which is the big
767
00:48:43,500 --> 00:48:49,200
stage and I believe TNN, the
Nashville network was already up
768
00:48:49,200 --> 00:48:55,500
and running, okay?
So that and that actually worked
769
00:48:55,600 --> 00:49:00,600
out really well for me.
Because at the end of that
770
00:49:00,800 --> 00:49:06,000
second year with Louise like
we're talking about earlier,
771
00:49:06,000 --> 00:49:10,100
she's laid us off from our
salary and said well you can
772
00:49:10,100 --> 00:49:14,800
come back next tour and I'll
hire you but you're done.
773
00:49:14,900 --> 00:49:17,300
And this was like in middle of
November.
774
00:49:18,000 --> 00:49:20,600
So here I was in Nashville
without a job.
775
00:49:20,600 --> 00:49:27,900
So I went to The union hall and
applied for a job and started
776
00:49:27,900 --> 00:49:31,800
working, you know, they didn't
give me a union card right away
777
00:49:31,800 --> 00:49:34,100
or anything like that.
You had to work certain amount
778
00:49:34,100 --> 00:49:37,900
of days or whatever, you know,
meet all their requirements, go
779
00:49:37,900 --> 00:49:41,000
up for the vote, all that stuff,
which I would really wasn't
780
00:49:41,000 --> 00:49:43,300
interested in all I wanted is
work.
781
00:49:43,400 --> 00:49:48,000
Yeah.
And so, while I was doing that,
782
00:49:48,100 --> 00:49:53,200
you know, I was exposed to some
really big shows in the
783
00:49:53,400 --> 00:50:00,000
Auditorium there, like Van Halen
1984, I worked at, so just a
784
00:50:00,000 --> 00:50:04,000
monster.
So when you say you work the
785
00:50:04,000 --> 00:50:08,000
show super you like a stagehand
at that point or yeah.
786
00:50:08,400 --> 00:50:09,500
On the lighting crew.
Yeah.
787
00:50:09,500 --> 00:50:12,500
Okay, basically.
Yeah, they started bringing in.
788
00:50:12,800 --> 00:50:16,000
They think that show pre-rigged
at six in the morning for a
789
00:50:16,008 --> 00:50:20,900
mother grid about an hour after
that.
790
00:50:21,000 --> 00:50:23,600
Trusted lighting truss is
started coming in when Other
791
00:50:23,600 --> 00:50:28,000
good would go up and Marcel from
that period on.
792
00:50:28,300 --> 00:50:33,200
They would bring in me tracks
with lamp bars, non-stop one
793
00:50:33,300 --> 00:50:38,600
right after the other, it was
like through lunch at like 3:00
794
00:50:38,600 --> 00:50:42,400
wasn't that the one where there
was like eight hundred pilot or
795
00:50:42,400 --> 00:50:44,700
something?
It's insane.
796
00:50:44,700 --> 00:50:47,300
I can't remember.
But it was a lot of a lot of
797
00:50:47,300 --> 00:50:49,000
land.
Oh yeah, yeah yeah.
798
00:50:49,900 --> 00:50:54,700
And and they lied.
The crew, they were working them
799
00:50:54,700 --> 00:50:57,200
and shift.
So you'd work the morning with
800
00:50:57,200 --> 00:51:00,600
one guy you know.
Hanging powerbars is one right
801
00:51:00,600 --> 00:51:03,200
after another trust and fly up.
Here's another one.
802
00:51:03,500 --> 00:51:07,100
Bam, bam, bam and also in this
guy would leave, you're going.
803
00:51:07,100 --> 00:51:11,800
Okay, where do you go?
Here comes another guy because
804
00:51:11,800 --> 00:51:15,300
you know they were doing, we're
literally working nonstop, you
805
00:51:15,300 --> 00:51:19,200
know, I mean there may have been
a break what a four or five hour
806
00:51:19,200 --> 00:51:21,500
break while they went from one
city to another.
807
00:51:21,500 --> 00:51:23,100
It's just crazy.
Yeah.
808
00:51:23,400 --> 00:51:32,900
What I was I was at the Genesis
tour in 1984 the big first
809
00:51:32,900 --> 00:51:36,300
moving light tour.
Yeah, and that that's where I.
810
00:51:36,700 --> 00:51:44,200
I'm pretty sure I first saw Bill
ones first time I saw any moving
811
00:51:44,200 --> 00:51:47,100
light.
Yeah, and I don't know if you've
812
00:51:47,100 --> 00:51:49,100
ever seen pictures of that rig,
of course.
813
00:51:49,100 --> 00:51:52,800
Yeah.
It's just yeah, it was wild.
814
00:51:53,300 --> 00:51:55,600
Yeah, that's what gives me
goosebumps.
815
00:51:55,600 --> 00:51:59,200
Because the crowd there, they
just stole it is.
816
00:51:59,200 --> 00:52:02,800
Didn't look at the light rig?
It just well, that was just such
817
00:52:02,800 --> 00:52:09,200
a big evolution for shows, like
just it was like, whoa, we just
818
00:52:09,200 --> 00:52:11,100
went to a whole different level
now.
819
00:52:11,400 --> 00:52:18,200
Yeah, yeah, yeah, we're sure.
And so, I was getting a good
820
00:52:18,200 --> 00:52:22,600
exposure to the other side of
the industry, you know, where
821
00:52:22,600 --> 00:52:28,900
the he was way out there and
scale with much larger doing
822
00:52:28,900 --> 00:52:32,800
those types of shows and then
also with the Union I started
823
00:52:32,800 --> 00:52:37,600
doing television stuff, you
know, at local venues with
824
00:52:38,000 --> 00:52:43,900
tienen lighting directors, you
know and you know at first I was
825
00:52:43,900 --> 00:52:48,000
kind of kind of sorted sort of
interested in it but yeah I
826
00:52:48,008 --> 00:52:50,700
really like a rock and roll
stuff you know you're glad
827
00:52:51,200 --> 00:52:54,400
that's okay, I'll go out, make a
few Bots or whatever.
828
00:52:54,400 --> 00:52:56,800
Right.
Didn't think there was much art
829
00:52:56,800 --> 00:52:58,400
to it per se.
Yeah.
830
00:52:58,400 --> 00:53:00,300
You know, was it?
Do you remember, was it a
831
00:53:00,300 --> 00:53:03,100
different pay scale or anything
or were you being paid the same?
832
00:53:03,100 --> 00:53:06,600
Whether you went on a TV on
those you knew calls.
833
00:53:06,600 --> 00:53:09,400
It could be all over the map.
Pretty much generally The Rock
834
00:53:09,400 --> 00:53:13,300
shows didn't pay as well.
Yeah, you know depending on what
835
00:53:13,300 --> 00:53:16,300
position you were in?
Yeah you know if that's what I
836
00:53:16,300 --> 00:53:18,900
was thinking like maybe it
wasn't as fun but you made more
837
00:53:18,900 --> 00:53:22,200
money.
No, The Rock stuff did not pay
838
00:53:22,200 --> 00:53:24,600
as well as TV.
Yeah, he there.
839
00:53:25,900 --> 00:53:28,700
But you know, I back then, I
didn't really care that much
840
00:53:28,700 --> 00:53:30,700
about the money.
Yeah, yeah.
841
00:53:32,800 --> 00:53:40,400
So let's getting starting to get
exposure to television and I
842
00:53:40,400 --> 00:53:44,200
think that the third year, I
looked worked for Louise, we
843
00:53:44,200 --> 00:53:49,100
ended up doing some bigger shows
where she was like a support
844
00:53:49,100 --> 00:53:51,200
act.
They used to have this big tour
845
00:53:51,200 --> 00:53:54,200
called Marlboro country music.
To her, okay?
846
00:53:54,600 --> 00:53:58,000
And every year they would go
out, you know, with a headliner
847
00:53:58,000 --> 00:54:03,100
and then pick up support acts,
you know, they do probably, I
848
00:54:03,100 --> 00:54:05,900
don't know, it's probably 30 or
40 shows around the country and
849
00:54:05,900 --> 00:54:12,000
it it was big production.
But remember Louise was booked
850
00:54:12,000 --> 00:54:17,800
on one and Someplace on the east
coast.
851
00:54:17,800 --> 00:54:22,000
And we were the very first brute
with the lowest group on the
852
00:54:22,000 --> 00:54:26,800
bill, right?
So when they brought her band
853
00:54:26,800 --> 00:54:31,300
here to the stage for sound
check, they literally had 15
854
00:54:31,300 --> 00:54:34,500
minutes and I walked out the
front of house.
855
00:54:35,100 --> 00:54:39,700
Here's this giant Park and and
it had vo ones on it rigged.
856
00:54:40,600 --> 00:54:43,700
And I'm going.
Fifteen minutes.
857
00:54:43,700 --> 00:54:46,200
What can I get done?
And guess who the programmer
858
00:54:46,200 --> 00:54:49,400
was?
It was Jim wait Jesus.
859
00:54:50,100 --> 00:54:54,600
Oh yeah.
And he said look, you need to
860
00:54:54,600 --> 00:54:59,600
look at these lights.
He's moving lights as what you
861
00:54:59,600 --> 00:55:04,300
need to find.
One or two, maybe three things
862
00:55:04,300 --> 00:55:08,300
that they'll do really well.
That maybe you don't have that
863
00:55:08,300 --> 00:55:12,900
particular kind of light in the
rig and use those likes to do
864
00:55:12,900 --> 00:55:15,100
that purpose.
Maybe another purpose.
865
00:55:16,300 --> 00:55:20,100
Let me program that today and
then the next time you come back
866
00:55:20,100 --> 00:55:25,200
we'll get a couple more end and
just build off of that and which
867
00:55:25,200 --> 00:55:30,400
was really kind of revolutionary
thing because, you know, most of
868
00:55:30,408 --> 00:55:34,500
the guys that I've seen that
when they walk in with moving
869
00:55:34,500 --> 00:55:36,600
lights with first-time, first
thing they do is try to make
870
00:55:36,600 --> 00:55:39,300
them value right there.
Moving little shit out of move
871
00:55:39,800 --> 00:55:42,700
Gotta Move.
Yeah, that was that was not what
872
00:55:42,700 --> 00:55:46,700
I think what I did was that,
that particular system Didn't
873
00:55:46,700 --> 00:55:51,200
have an audience wants on it
from some odd reason, okay?
874
00:55:51,300 --> 00:55:53,900
That's it.
Jim no audience license, use
875
00:55:53,900 --> 00:55:56,900
them for audience, like I said,
yeah, great bam.
876
00:55:57,600 --> 00:56:01,300
And that's what we did and then
each time we would pick back up.
877
00:56:01,400 --> 00:56:04,700
Same thing, we do it a little
bit more, do a stage wash, maybe
878
00:56:04,700 --> 00:56:09,800
do another stage wash and just
methodically work your way into
879
00:56:09,800 --> 00:56:14,100
it to where your they serve a
purpose rather than just
880
00:56:14,500 --> 00:56:17,400
willy-nilly.
You know, did it all begin for
881
00:56:17,400 --> 00:56:19,600
point where the artist was
saying to you?
882
00:56:19,600 --> 00:56:22,600
Hey why don't we have those
other lights this time?
883
00:56:22,600 --> 00:56:25,400
You know, I really like those
other lights or whatever like
884
00:56:26,300 --> 00:56:33,900
we're not at that time Louise
was always more conscious of the
885
00:56:33,900 --> 00:56:36,500
follow spot.
I remember that about her
886
00:56:36,500 --> 00:56:39,700
because man I tell you that
those follow spots weren't spot
887
00:56:39,700 --> 00:56:42,400
on.
Yeah, I would hear about it, you
888
00:56:42,400 --> 00:56:44,700
know, it's because she's old
school.
889
00:56:46,700 --> 00:56:49,400
I don't know if you've ever
recognize this is that the
890
00:56:49,400 --> 00:56:53,400
old-school performers Apollo
spots are their comfort zone,
891
00:56:53,600 --> 00:56:55,600
right?
And if that spot is not on them
892
00:56:55,600 --> 00:56:59,400
at the right time, sometimes is
even the right color, you know,
893
00:56:59,700 --> 00:57:02,400
they'll know it, you know, I'm
not supposed to be in red right
894
00:57:02,400 --> 00:57:05,900
now supposed to be pink.
Well, if you listen to smeaton's
895
00:57:05,900 --> 00:57:09,000
podcast, that he did with me, he
talks a lot about that.
896
00:57:09,000 --> 00:57:14,400
Like, because he dealt with a
lot of the, the Divas, you know.
897
00:57:14,600 --> 00:57:15,900
Yeah.
Oh yeah.
898
00:57:16,000 --> 00:57:19,200
And you know, like Diana Ross
and and whoever I don't even
899
00:57:19,200 --> 00:57:23,900
remember but, you know, he said
that was always sort of the
900
00:57:23,900 --> 00:57:27,900
thing, the follow spots and
especially you know, the color
901
00:57:27,900 --> 00:57:31,200
and the color that they didn't
want, like never put green on me
902
00:57:31,200 --> 00:57:32,900
or never put this on me or
whatever.
903
00:57:33,500 --> 00:57:36,600
And they were very, very
particular about that.
904
00:57:36,600 --> 00:57:38,700
If they ever saw a picture
anything of that.
905
00:57:38,700 --> 00:57:42,200
Yeah, with particular color or,
you know, whatever.
906
00:57:43,300 --> 00:57:45,900
So yeah, I can see it being
pretty.
907
00:57:46,100 --> 00:57:48,300
Pretty intense about the follow
spots for sure.
908
00:57:49,000 --> 00:57:51,100
Yeah.
Generally the more traditional
909
00:57:52,000 --> 00:57:54,900
artists, you know, they just
wanted them white, you know,
910
00:57:54,900 --> 00:58:00,100
open white and you know, I could
sometimes talk them into, you
911
00:58:00,100 --> 00:58:02,300
know, a Flesh Pink.
You know, that makes you look
912
00:58:02,300 --> 00:58:05,800
better, you know.
And then if it was some kind of
913
00:58:05,800 --> 00:58:09,800
real emotional ballad or
something, maybe get into a nice
914
00:58:09,800 --> 00:58:12,700
lavender, you know, you can
usually justify those kind of
915
00:58:12,700 --> 00:58:16,000
things.
But at that point, I never a
916
00:58:16,008 --> 00:58:19,000
really worked with anybody where
you get to truly saturated
917
00:58:19,000 --> 00:58:21,600
colors on your Paula spot.
I like watching.
918
00:58:24,200 --> 00:58:29,400
Film of the older rock shows,
where those of these had so much
919
00:58:29,400 --> 00:58:35,400
latitude on the follow spot
treatment of talent and with
920
00:58:35,400 --> 00:58:39,200
good film, I mean, the one that
really comes to mind.
921
00:58:39,300 --> 00:58:43,600
Think of, as Led Zeppelin Song,
Remains the saying where the LDS
922
00:58:43,600 --> 00:58:48,800
using super saturated colors and
it just looks so good.
923
00:58:48,900 --> 00:58:50,900
Yeah, you know?
Yeah, it's a cloud.
924
00:58:51,300 --> 00:58:55,500
That's a good one.
Yes, so great.
925
00:58:55,800 --> 00:58:59,800
Were you ever getting?
So I mean you were bouncing back
926
00:58:59,800 --> 00:59:04,000
and forth between being in LD
with, with Louise and and being,
927
00:59:04,400 --> 00:59:07,300
you know, doing shows as a hand
or a part of the lighting crew
928
00:59:07,300 --> 00:59:11,500
or whatever had you decided by
that point, basically, I want to
929
00:59:11,508 --> 00:59:13,700
be an LD.
Like this is like where you
930
00:59:13,700 --> 00:59:17,800
starting to try and develop a
tingle a little bit, and it was
931
00:59:17,800 --> 00:59:19,700
like a I don't want to go back
to that.
932
00:59:19,700 --> 00:59:23,500
I want to do this.
Well, it's funny because a
933
00:59:23,508 --> 00:59:28,100
couple more senior guys at that,
the union said we were out.
934
00:59:28,200 --> 00:59:32,400
Out on a called setting up some
big HMI lights for tienen and
935
00:59:32,400 --> 00:59:34,200
we're in the back of the truck,
you know?
936
00:59:35,100 --> 00:59:38,400
And they go hey hon, you know,
you can come work with us.
937
00:59:39,500 --> 00:59:43,600
And and do that all the time and
make plenty of money and not
938
00:59:43,600 --> 00:59:46,300
travel.
And I said no, no.
939
00:59:46,700 --> 00:59:50,100
I think I'd rather travel.
Yeah, you had the bug.
940
00:59:50,100 --> 00:59:53,200
I remember that specifically.
Yeah, yeah.
941
00:59:53,200 --> 01:00:00,600
So so I stuck it out with Louise
till the end of 84 and I think
942
01:00:00,600 --> 01:00:03,700
her career was starting to taper
off the venue's from Britain
943
01:00:03,700 --> 01:00:08,400
getting crappier and crappier, I
don't know what my reasons were
944
01:00:08,400 --> 01:00:11,500
but you know, I've walked away
from that.
945
01:00:11,500 --> 01:00:18,500
It ran its and yeah and then I
think probably through my
946
01:00:18,500 --> 01:00:22,800
connections and working with the
guys that tienen, there was a
947
01:00:22,800 --> 01:00:28,500
another lighting vendor and
natural colored lights up owned
948
01:00:28,500 --> 01:00:33,200
by a fellow named Bob roach who
recently passed?
949
01:00:33,200 --> 01:00:35,000
Yeah, yeah.
I remember.
950
01:00:35,000 --> 01:00:36,600
And Minion.
I knew Bobby.
951
01:00:36,600 --> 01:00:38,400
Yeah.
Did you?
952
01:00:38,500 --> 01:00:40,700
Yeah.
Unfortunate.
953
01:00:41,600 --> 01:00:48,800
But he heard me that would be
the beginning of 85 and he had
954
01:00:48,800 --> 01:00:52,800
just landed an account for this
Christian rock, group called
955
01:00:52,800 --> 01:00:56,000
Petra huh?
That was huge the original
956
01:00:56,000 --> 01:01:00,600
Christian rock group really?
Yeah well I think scriber came
957
01:01:00,600 --> 01:01:05,300
out maybe a year or two the same
time but yeah I just was I mean
958
01:01:05,300 --> 01:01:08,900
they leaned into the Christian
side a little more than striper.
959
01:01:09,400 --> 01:01:12,300
Didn't really hide the fact that
they were a Christian rock band
960
01:01:12,300 --> 01:01:14,500
but they went out as a heavy
metal.
961
01:01:14,800 --> 01:01:19,200
You know Glam band not as a
Christian band whereas Petra was
962
01:01:19,200 --> 01:01:28,500
a Christian band so very much so
and so Bob went out and he the
963
01:01:28,500 --> 01:01:30,700
gear that he had up to that
point.
964
01:01:31,100 --> 01:01:35,400
I think he had a little bit of
PRP trust had a lot of
965
01:01:35,500 --> 01:01:40,900
Television stuff.
And but he went out and bought.
966
01:01:42,200 --> 01:01:46,100
It must have been at least 30
sections of Thomas trust, you
967
01:01:46,100 --> 01:01:52,400
know, fully hum double-loaded.
He got voiced, probably two
968
01:01:52,400 --> 01:01:57,700
dozen hoist.
He bought three dimmer acts that
969
01:01:57,700 --> 01:02:04,800
he put on that show.
LM Iraq's color scrollers, which
970
01:02:04,800 --> 01:02:07,500
were the original color map
packs, right?
971
01:02:08,100 --> 01:02:14,600
He bought two um 500's which was
the state-of-the-art console at
972
01:02:14,600 --> 01:02:22,500
the time or Sith and I mean we
was all these really cool toys
973
01:02:22,600 --> 01:02:27,200
when they hired me, you know, to
whiting direct that show was
974
01:02:27,200 --> 01:02:31,100
going to take it over after
associate is designed it.
975
01:02:32,800 --> 01:02:37,200
I'm like, yeah, I'm on board and
they I was there, the day, they
976
01:02:37,200 --> 01:02:40,300
will those Stresses in the
warehouse and we started
977
01:02:40,300 --> 01:02:44,400
building that system.
I mean up I was like a total
978
01:02:44,700 --> 01:02:48,800
babe in Toyland you know I mean
this is great for you it's real
979
01:02:48,800 --> 01:02:53,500
gear.
Yeah yeah real gear and so we
980
01:02:53,500 --> 01:02:57,600
put that show together, you know
and it's like 350 lights you
981
01:02:57,600 --> 01:03:02,300
know it's big rig.
Some interesting.
982
01:03:04,600 --> 01:03:08,900
The gear we had, I remember we
had a it was the Democrats were
983
01:03:08,900 --> 01:03:11,900
DMX which was kind of knew at
that point, right?
984
01:03:12,200 --> 01:03:17,500
And we had a an, a to d
converter shoes will patch you
985
01:03:17,500 --> 01:03:22,800
ever remember that?
I don't know, but it would allow
986
01:03:22,800 --> 01:03:26,400
you to soft patch dimmers two
channels on the able board.
987
01:03:27,300 --> 01:03:32,600
So you came in with the 90
channels of analog and
988
01:03:32,600 --> 01:03:36,000
outputted.
IMX back to the demo rack.
989
01:03:36,900 --> 01:03:45,700
So, and we had three trust
follow spots and we hit the road
990
01:03:45,700 --> 01:03:50,800
with all that stuff.
I think we're in for trucks MSI,
991
01:03:50,800 --> 01:04:00,900
sound the bulk of the crew were
born again, Christian texts that
992
01:04:00,900 --> 01:04:04,900
okay, the band had picked up,
you know, subsequent Ooh, that.
993
01:04:05,600 --> 01:04:09,600
And here we were, we were
contractors working for the
994
01:04:09,607 --> 01:04:11,300
companies.
The MSI crew.
995
01:04:11,700 --> 01:04:14,200
They were their own thing lights
up.
996
01:04:14,200 --> 01:04:19,100
We were on thing, right?
We weren't it wouldn't expected
997
01:04:19,100 --> 01:04:24,400
of us too.
How should I say be born again
998
01:04:24,400 --> 01:04:26,700
or to pray at the beginning of
every show?
999
01:04:27,200 --> 01:04:32,700
Well, they did have prayer
meetings after load out, which
1000
01:04:32,700 --> 01:04:37,800
was actually quite nuts because
the poor Christian Roadies, they
1001
01:04:37,800 --> 01:04:41,500
never got any sleep, which was
dangerous, because they drove
1002
01:04:41,500 --> 01:04:48,500
trucks also.
But so, Because of the churches
1003
01:04:48,500 --> 01:04:51,200
and everything we had Wednesdays
and Sundays off.
1004
01:04:51,600 --> 01:04:53,700
Right?
And that would be our days and
1005
01:04:53,700 --> 01:04:56,900
basically what the production
manager told us was, look you
1006
01:04:56,900 --> 01:05:01,400
guys.
You secular gais on these days
1007
01:05:01,400 --> 01:05:03,200
off.
Just leave the hotel.
1008
01:05:03,300 --> 01:05:07,600
We don't want to see you.
Do your thing, go have your fun,
1009
01:05:07,900 --> 01:05:10,500
and then come back and be ready
to work the next morning.
1010
01:05:10,600 --> 01:05:16,300
But that's what we did.
And I had Pat Brennan was my
1011
01:05:16,900 --> 01:05:23,700
electrician done quite well.
I had Bobby care already and we
1012
01:05:23,700 --> 01:05:27,400
had, we have really good times
on Wednesdays and Sundays.
1013
01:05:27,500 --> 01:05:32,200
Yeah, I would, yeah, yeah, I
remember a friend of mine.
1014
01:05:32,600 --> 01:05:37,500
One of his first tours was he
went out with striper and he was
1015
01:05:37,500 --> 01:05:44,200
one of the guys who really early
got into sampling and adding
1016
01:05:44,200 --> 01:05:48,300
like sampled kick drums to the
Dram to make it like just have
1017
01:05:48,300 --> 01:05:52,400
that real fat and and clicky
kind of bass drum sound.
1018
01:05:52,900 --> 01:05:56,700
And so he got striper into using
these sample drum sounds.
1019
01:05:57,300 --> 01:06:02,000
And so, you know, he was like a
guy that they loved on the tour
1020
01:06:02,000 --> 01:06:04,300
and stuff.
But he was telling me that,
1021
01:06:04,300 --> 01:06:07,200
like, at the time, and I can't
remember when this was probably
1022
01:06:07,200 --> 01:06:12,500
late 80s, early 90s.
He was telling me that, you
1023
01:06:12,500 --> 01:06:16,300
know, it was very, very strict.
Like, no alcohol, no cursing.
1024
01:06:16,600 --> 01:06:20,500
No girls.
No like no no no no, no nothing,
1025
01:06:20,500 --> 01:06:23,600
right?
Yeah, no cussing, no smoking, no
1026
01:06:23,800 --> 01:06:26,800
drinking, no women, nothing.
No fun.
1027
01:06:26,800 --> 01:06:31,700
Oh yeah, no fun.
Yeah, Wednesday and Sunday.
1028
01:06:31,700 --> 01:06:38,400
Yeah, yeah, so yeah, it was.
Unfortunately, the tour didn't
1029
01:06:38,400 --> 01:06:45,500
do very well because the band
was relying on the churches, the
1030
01:06:45,500 --> 01:06:49,400
book The Show, So they weren't
going through regular promoters.
1031
01:06:50,000 --> 01:06:54,200
So if the church is dropping
off, oh yeah, we started out,
1032
01:06:54,200 --> 01:06:59,600
you know, selling Seven eight
thousand seats and then it just
1033
01:06:59,600 --> 01:07:01,300
started getting smaller and
smaller.
1034
01:07:01,300 --> 01:07:06,800
So bam wanted to put the system
back, kind of redesigned it did
1035
01:07:07,000 --> 01:07:10,000
you know, a stripped-down
version of it and kind of hang
1036
01:07:10,000 --> 01:07:13,600
up held onto it, you know, till
the summer time and eventually
1037
01:07:13,600 --> 01:07:16,900
at one point I'm like, this is
not for me.
1038
01:07:17,000 --> 01:07:19,200
Yeah.
You know, it's just become so
1039
01:07:19,800 --> 01:07:23,600
Troublesome and just not enough
meat on it.
1040
01:07:23,600 --> 01:07:25,200
They the truth.
Yeah.
1041
01:07:25,200 --> 01:07:30,300
So, That would have been the end
of 85.
1042
01:07:30,300 --> 01:07:35,200
And I went out, and I did some
television treats for Bob for
1043
01:07:35,200 --> 01:07:39,300
lights up, you know, with pnn
and got exposed to that a little
1044
01:07:39,300 --> 01:07:47,500
bit more, right?
And then at the end of 85 Bob
1045
01:07:47,600 --> 01:07:50,900
called me up, I was on the road
thinking Orlando.
1046
01:07:51,400 --> 01:07:53,600
He said, look, I need you to
come on back.
1047
01:07:54,500 --> 01:08:00,700
Because I've got a new door for
you and I said, well who's it
1048
01:08:00,700 --> 01:08:02,300
with?
And he goes The Judds.
1049
01:08:03,700 --> 01:08:08,700
I didn't know who they were.
He had no idea that's so came
1050
01:08:08,700 --> 01:08:14,900
back and it was a Kenny G.
Steve Cohen design which was
1051
01:08:14,900 --> 01:08:18,000
really cool.
And interesting had like
1052
01:08:18,200 --> 01:08:21,800
everything was based around this
kind of quarter pie shape.
1053
01:08:22,100 --> 01:08:28,899
We had pods with Par 46 ACLS and
them clustered.
1054
01:08:29,600 --> 01:08:35,399
For those, we had rollers a lot
of soft goods.
1055
01:08:35,399 --> 01:08:40,399
A pink carpet is all really soft
and feminine but it look just
1056
01:08:40,500 --> 01:08:43,399
gorgeous really good-looking
show.
1057
01:08:43,899 --> 01:08:47,000
But we had a lot of we had to
fabricate in the shop, you know,
1058
01:08:47,000 --> 01:08:49,100
the custom pods and stuff like
that.
1059
01:08:49,700 --> 01:08:55,899
And You know, once we got him to
rehearsal, I think it was about
1060
01:08:55,899 --> 01:08:58,500
the time I got on the bus to go.
Do the first tour.
1061
01:08:58,500 --> 01:09:01,300
I finally ask.
Okay, what's my deal there?
1062
01:09:02,000 --> 01:09:06,000
And they said oh you just got
hired by the band's management
1063
01:09:06,000 --> 01:09:09,300
you're on salary.
Oh yeah.
1064
01:09:09,399 --> 01:09:12,000
So you're already working and
you hadn't worked out a deal.
1065
01:09:12,000 --> 01:09:13,600
Yeah, you didn't know what
you're gonna be, okay.
1066
01:09:14,300 --> 01:09:20,000
You 12 little too much, huh?
Yeah again important.
1067
01:09:20,899 --> 01:09:22,399
Yeah.
I get it.
1068
01:09:22,399 --> 01:09:27,500
But I mean, ultimately, I know
those, those kind of deals are
1069
01:09:27,500 --> 01:09:32,600
still out there for the very
first, the top-level guys, you
1070
01:09:32,600 --> 01:09:35,800
know, get retainers to get full
salary year round.
1071
01:09:36,200 --> 01:09:40,300
They're just hard to come by and
I wrote I wrote that for 11
1072
01:09:40,300 --> 01:09:42,700
years.
Wow, yeah.
1073
01:09:43,100 --> 01:09:45,200
That's beautiful.
Yeah.
1074
01:09:45,200 --> 01:09:49,399
So what was what what what you
were LD or director?
1075
01:09:49,600 --> 01:09:54,000
I was 12.
So you kind of start to see a
1076
01:09:54,008 --> 01:09:57,600
pattern develop here, right?
You see where the band will
1077
01:09:57,600 --> 01:10:02,200
bring in a designer right
designers show, maybe Q, it
1078
01:10:02,200 --> 01:10:06,100
maybe not even cute or whatever
and off the design to a lighting
1079
01:10:06,300 --> 01:10:08,300
director, that was my role,
right?
1080
01:10:08,300 --> 01:10:14,100
So I think by the time I took
the over that first judge
1081
01:10:14,100 --> 01:10:19,600
design, I've kind of had it
ingrained in me as my job was to
1082
01:10:19,600 --> 01:10:23,500
replicate that design.
Sign as closely as possible
1083
01:10:23,600 --> 01:10:27,000
every night, right?
That's what I was there for, you
1084
01:10:27,000 --> 01:10:31,700
know, and if it meant using
other gear or whatever because
1085
01:10:31,700 --> 01:10:36,600
we couldn't use our gear, it was
incumbent on me to find a way to
1086
01:10:36,600 --> 01:10:39,100
recreate that.
Look a little back to that,
1087
01:10:39,200 --> 01:10:42,200
right, right.
So, you know, everyone
1088
01:10:42,200 --> 01:10:45,000
swallowed, I would bad a new
song.
1089
01:10:45,000 --> 01:10:48,700
Obviously, you got to got to do
something to make it.
1090
01:10:50,800 --> 01:10:53,400
To have a look.
So, you know, that, we're
1091
01:10:53,400 --> 01:10:56,200
designing of song or whatever.
Yeah.
1092
01:10:56,700 --> 01:11:04,200
So, you know it I guess you
could look at it as taking a
1093
01:11:04,200 --> 01:11:08,200
backseat, But ultimately, you're
out there doing a job here,
1094
01:11:08,500 --> 01:11:13,400
working with the audit artist
your, you know, what the crowd
1095
01:11:13,400 --> 01:11:16,900
is seeing, you know, with the
product that you've reproduced.
1096
01:11:17,100 --> 01:11:19,000
Yeah.
You know, every day, the way
1097
01:11:19,000 --> 01:11:23,500
this industry Works to is, you
know, the moment that you go in
1098
01:11:23,500 --> 01:11:28,200
and chop, the designers legs
out, you know, no, you don't do
1099
01:11:28,200 --> 01:11:30,000
that.
You've created and he won't for
1100
01:11:30,000 --> 01:11:31,600
life.
At that point, right?
1101
01:11:31,600 --> 01:11:34,000
Totally.
And there's a very recent story
1102
01:11:34,000 --> 01:11:36,700
that I'm quite aware of that I
won't share with you right now.
1103
01:11:36,700 --> 01:11:41,000
But yeah I mean it's you know if
you're there to support the
1104
01:11:41,000 --> 01:11:43,400
designer you don't go in there
and say, Hey, you know, you
1105
01:11:43,400 --> 01:11:46,100
could get rid of this guy and
I'll do it for you for half as
1106
01:11:46,100 --> 01:11:50,500
much money and yeah, no, no, no,
don't do that.
1107
01:11:50,500 --> 01:11:52,700
That is the sensible thing.
You know what I mean?
1108
01:11:52,700 --> 01:11:55,300
Like in many of these
situations, you don't need a
1109
01:11:55,300 --> 01:11:59,400
designer and a director
necessarily but and the director
1110
01:11:59,400 --> 01:12:02,600
half the time is As talented as
the designer, if not more.
1111
01:12:02,600 --> 01:12:06,100
So totally, but totally.
But yeah, but I mean, it's a
1112
01:12:06,400 --> 01:12:10,100
symbiotic, relationship, you
know, and it's a respect thing,
1113
01:12:10,100 --> 01:12:12,400
right?
So, yeah, absolutely.
1114
01:12:12,500 --> 01:12:15,000
Yeah.
So, yeah, you know, I thought
1115
01:12:15,000 --> 01:12:21,700
that that design was so unusual.
Interesting and cool that I
1116
01:12:21,700 --> 01:12:24,800
really wanted to use it as much
as possible.
1117
01:12:24,800 --> 01:12:29,500
Unfortunately, the contracts
that those, that their
1118
01:12:29,500 --> 01:12:32,600
management and Sighing initially
early in their career were
1119
01:12:32,600 --> 01:12:36,200
catching up and they were all
buyer provide fed system sat in
1120
01:12:36,200 --> 01:12:38,500
the truck three-quarters of the
time.
1121
01:12:39,000 --> 01:12:43,900
And unfortunately, that really
hurt lights up because they had
1122
01:12:43,900 --> 01:12:48,700
cut a deal where they only got
paid when we use the system boy.
1123
01:12:48,900 --> 01:12:53,600
That's a terrible deal.
Yeah, yeah, yeah, that is out of
1124
01:12:53,600 --> 01:12:57,300
our shop.
We can't use it on anything else
1125
01:12:57,400 --> 01:13:01,000
but we only get paid if, you
know, in the audience Chance
1126
01:13:01,000 --> 01:13:05,600
that the venue hasn't provided
boy, what a lousy deal.
1127
01:13:06,300 --> 01:13:09,800
And I frankly our production
manager wouldn't help in either
1128
01:13:09,800 --> 01:13:12,200
because just because he didn't
want to have to deal with it.
1129
01:13:12,400 --> 01:13:21,100
Yeah, so yeah, we we that first
year 86, you know, it got used,
1130
01:13:21,100 --> 01:13:24,800
rarely 87.
We changed it up a little Kenny
1131
01:13:24,800 --> 01:13:27,000
G.
Canaan in town, with change.
1132
01:13:27,000 --> 01:13:31,700
Some color went from paint, the
like some Purple or whatever.
1133
01:13:32,000 --> 01:13:35,500
And but it was more the same.
We're hardly ever used in the
1134
01:13:35,500 --> 01:13:42,700
system and it was at the
two-thirds of the way through
1135
01:13:42,700 --> 01:13:46,300
that tour, that lights up
holding.
1136
01:13:46,500 --> 01:13:50,300
Yeah, I mean, I guess, I guess,
yeah, yeah.
1137
01:13:50,500 --> 01:13:53,900
Unfortunately Bob God, Rest Your
Soul, you did a shitty deal
1138
01:13:53,900 --> 01:14:00,500
Jesus but uh, But what here's
here's the really interesting
1139
01:14:00,500 --> 01:14:04,600
thing, you know, a lot of that,
that equipment that he acquired
1140
01:14:04,800 --> 01:14:08,100
bought, you know, not only for
Petra before the judge later.
1141
01:14:08,400 --> 01:14:12,500
All kind of came through the
Bandit way Thomas and Bandit and
1142
01:14:12,500 --> 01:14:13,400
all that.
Yeah.
1143
01:14:13,400 --> 01:14:15,900
Well, guess who ended up with
the system in the company?
1144
01:14:16,500 --> 01:14:21,800
Who, and it lights?
I Really they literally came out
1145
01:14:22,700 --> 01:14:28,500
And Recent research, stencil the
cases from lights up abandoned
1146
01:14:28,500 --> 01:14:31,700
mines.
I kept the same Tech which by
1147
01:14:31,700 --> 01:14:35,400
that time was Donnie Lockridge.
It's just great.
1148
01:14:35,800 --> 01:14:38,200
It was no change.
It was just a different company.
1149
01:14:39,000 --> 01:14:43,100
So and so, they established a
relationship with the Jabs at
1150
01:14:43,100 --> 01:14:47,900
that time, went quite well for a
pretty long time.
1151
01:14:47,900 --> 01:14:52,600
So you are on payroll with The
Judds, for 11 years, you got Two
1152
01:14:53,200 --> 01:14:56,500
regular paycheck every month.
Whether they toured or not, they
1153
01:14:56,500 --> 01:14:58,100
probably toward most of the
time.
1154
01:14:58,600 --> 01:15:02,000
Yep.
Now that being said, was it
1155
01:15:02,000 --> 01:15:05,600
comparable to what a freelance
guy would get?
1156
01:15:05,600 --> 01:15:11,800
Ya freelance LD at the time,
maybe what 2,500 bucks a week or
1157
01:15:12,000 --> 01:15:16,500
so I've been at the top tier.
No yeah but it was a solid check
1158
01:15:16,500 --> 01:15:20,100
and he came every week.
Yeah well yeah you don't have to
1159
01:15:20,100 --> 01:15:23,100
go out and hunt for four gigs of
Time.
1160
01:15:23,100 --> 01:15:26,700
And yeah, yeah.
I mean, a lot of those gigs went
1161
01:15:26,700 --> 01:15:29,800
away.
If they still existed, they went
1162
01:15:29,800 --> 01:15:33,400
away during covid, you know.
Like, oh yeah, bands were just
1163
01:15:33,400 --> 01:15:36,600
like I'm out.
You know, they were tagging out
1164
01:15:36,600 --> 01:15:40,000
those deals real quick, a few of
them, like, I've heard of some
1165
01:15:40,000 --> 01:15:43,100
really good situations where
folks got paid all the way
1166
01:15:43,100 --> 01:15:48,000
through covid but not that many.
So so at what go?
1167
01:15:48,000 --> 01:15:51,000
Oh I'm sorry go on oh you're
right, go ahead.
1168
01:15:51,000 --> 01:15:54,800
No, so I'm I mean there's a lot
that happened in between there
1169
01:15:54,800 --> 01:15:59,700
and and and starting key light
and I want to get into key
1170
01:15:59,700 --> 01:16:01,500
light.
Oh, okay sure.
1171
01:16:01,500 --> 01:16:05,200
But what, what are we missing
between the mid-80s and and key
1172
01:16:05,200 --> 01:16:07,900
light because I think that was
around what two thousand two or
1173
01:16:07,900 --> 01:16:14,000
three or something.
Yeah, yeah well it's just judge
1174
01:16:14,700 --> 01:16:19,200
a couple of different designs
with, you know, I think candy
1175
01:16:19,200 --> 01:16:21,800
gram came back a couple of
times.
1176
01:16:22,500 --> 01:16:27,900
Designed with them.
A couple of times we transition
1177
01:16:28,300 --> 01:16:35,200
into moving lives and part of
that was, we would when we went
1178
01:16:35,208 --> 01:16:40,500
to the casinos to get a little
more bang for the buck, we'd
1179
01:16:40,500 --> 01:16:44,500
bring in a moving light system
and really at the time, very
1180
01:16:44,500 --> 01:16:49,300
light and and Orpheus, we're
pretty much comparable and cost
1181
01:16:49,500 --> 01:16:52,300
and equipment was pretty
comparable, you know, Pasquale.
1182
01:16:52,400 --> 01:16:59,300
Up to versus a v01 or what have
you, but what kind of push the
1183
01:16:59,300 --> 01:17:02,200
very light?
Way was a trucking actually, as
1184
01:17:02,200 --> 01:17:05,600
most of the keynote casinos, it
was cheaper to truck it from
1185
01:17:05,600 --> 01:17:09,800
Dallas than it was from the bay
area.
1186
01:17:10,500 --> 01:17:17,300
So I actually starting at that
time this have been like 88 I
1187
01:17:17,300 --> 01:17:21,400
started to get in training.
On very light equipment.
1188
01:17:21,700 --> 01:17:24,900
I was one, I was told I was one
of the first ld's to actually
1189
01:17:24,900 --> 01:17:28,600
run the v01 board because you
know, in the beginning, only
1190
01:17:28,600 --> 01:17:32,000
their guys are in that board.
Yeah, well we were so cheap, you
1191
01:17:32,000 --> 01:17:35,300
know, our management said we'll
use the system but you got to
1192
01:17:35,300 --> 01:17:40,800
let it home on run it.
So they trained me on that and
1193
01:17:42,400 --> 01:17:50,100
Let's see that went.
Well, we transition to Artisan
1194
01:17:50,200 --> 01:17:54,600
and later model l2s.
They hard?
1195
01:17:54,900 --> 01:17:57,200
Peter Morris become InDesign.
One year.
1196
01:17:57,200 --> 01:18:02,800
I think that would have been 89,
which was a blast I loved
1197
01:18:02,800 --> 01:18:06,800
working with Peter.
I still like, he's just such a
1198
01:18:06,808 --> 01:18:10,100
great great and he's never going
to come kick.
1199
01:18:10,100 --> 01:18:11,900
You off the board and say, let
me take over.
1200
01:18:12,000 --> 01:18:13,400
I'm going to show you what I
need.
1201
01:18:14,100 --> 01:18:19,000
You don't know how to turn the
boat on, but I've learned so
1202
01:18:19,000 --> 01:18:23,400
much working from Peter on his
methodology on how to break down
1203
01:18:23,400 --> 01:18:27,600
music and what to call the
pieces because I had no idea.
1204
01:18:27,900 --> 01:18:32,000
Yeah, this is a tag, this is,
you know, whatever.
1205
01:18:32,100 --> 01:18:35,900
Yeah, you know.
So all that was just a huge
1206
01:18:35,900 --> 01:18:39,200
learning experience for me and
something else I'll never
1207
01:18:39,200 --> 01:18:45,300
forget.
So, That led up to you know
1208
01:18:45,300 --> 01:18:54,200
Naomi's illness with hepatitis.
We went out to do the farewell
1209
01:18:54,200 --> 01:18:56,800
tour which actually lasted about
two years.
1210
01:18:58,100 --> 01:19:02,700
During that time without a
couple of videos, one of which
1211
01:19:02,700 --> 01:19:05,800
Alan Branton was involved in and
that's where I met Alan.
1212
01:19:08,000 --> 01:19:10,500
So talk about done some stuff,
huh?
1213
01:19:11,400 --> 01:19:15,100
Yeah.
When it came time to do the
1214
01:19:15,100 --> 01:19:22,100
final show in Murfreesboro
Allen, Brandon came in, brought
1215
01:19:22,100 --> 01:19:26,200
his team kept me on the
conventional board right for the
1216
01:19:26,200 --> 01:19:30,200
last show.
So big set, we added a ton more
1217
01:19:30,200 --> 01:19:35,000
Bearer light and you know that
was a great experience for me
1218
01:19:35,000 --> 01:19:38,500
super emotional, nobody knew
what was going to happen after
1219
01:19:38,500 --> 01:19:40,000
that with Wynonna and
everything.
1220
01:19:40,000 --> 01:19:42,000
The whole crew speaking out.
Yeah.
1221
01:19:42,000 --> 01:19:44,100
You know we don't know if we're
going to all get fired or
1222
01:19:44,100 --> 01:19:52,400
whatever so we get through that
at the huge success and You
1223
01:19:52,400 --> 01:19:55,300
know, Alan was super pleased.
I remember talking to him a
1224
01:19:55,300 --> 01:20:01,300
couple days later and then well,
what what's going to happen to
1225
01:20:01,300 --> 01:20:03,400
me?
And, you know, and he said,
1226
01:20:03,400 --> 01:20:08,900
well, their manager asked me
about you, what, you know, what
1227
01:20:08,900 --> 01:20:12,500
your skill set was, and I told
them you were the best in the
1228
01:20:12,500 --> 01:20:16,100
business.
So that was a huge and I was
1229
01:20:16,100 --> 01:20:17,800
helpful.
Yeah.
1230
01:20:18,200 --> 01:20:21,000
So we kept our jobs.
We rolled into Wynonna.
1231
01:20:21,700 --> 01:20:26,800
One designed her debut tour.
Of course I operated it
1232
01:20:28,500 --> 01:20:32,200
following.
That was the black and white or
1233
01:20:32,200 --> 01:20:34,900
which combination of black and
Wynonna, right?
1234
01:20:35,000 --> 01:20:40,700
Peter Moores design, Mike's,
Winterset, huge system.
1235
01:20:41,100 --> 01:20:47,000
OB system would tell us cans and
Vera life scrollers and just
1236
01:20:47,400 --> 01:20:56,200
everything you can think of And
that lasted for a year was
1237
01:20:56,900 --> 01:21:03,000
pretty successful and then what
would have followed that would
1238
01:21:03,000 --> 01:21:07,600
have been a sort of a cut down
here because she got pregnant,
1239
01:21:07,600 --> 01:21:11,100
she kept me on salary.
I went and did other stores
1240
01:21:11,100 --> 01:21:14,800
while I was on salary with her.
What's the stipulation?
1241
01:21:15,200 --> 01:21:20,600
The stipulation was if she says
jump I got to say how high I got
1242
01:21:20,600 --> 01:21:22,700
to come back and meet We drop
everything.
1243
01:21:23,200 --> 01:21:26,800
I did Little Texas, Tim McGraw
designed for little Texas.
1244
01:21:26,900 --> 01:21:32,400
That was a great tour 96.
I came back.
1245
01:21:32,400 --> 01:21:35,300
She came back, she done having
babies.
1246
01:21:35,300 --> 01:21:38,500
We did that a new album
Revelation store.
1247
01:21:38,500 --> 01:21:40,900
I designed it finally.
Oh, wow.
1248
01:21:40,900 --> 01:21:44,000
And yeah, it's really cool
system.
1249
01:21:44,000 --> 01:21:50,400
We had tracking pods and sixes
and fives Bo fives and sixes.
1250
01:21:50,900 --> 01:21:59,100
I used what were the HP?
He's not some are golden golden
1251
01:21:59,100 --> 01:22:01,800
tan.
Mike swynford set.
1252
01:22:02,200 --> 01:22:09,000
It was a beautiful show and At
the end of that tour.
1253
01:22:12,200 --> 01:22:15,500
We've been struggling to get
health insurance for ever from
1254
01:22:15,500 --> 01:22:18,000
her management company and they
just wouldn't do it.
1255
01:22:18,600 --> 01:22:24,400
So I cut a deal with very light
and at the end of that tour, I
1256
01:22:24,400 --> 01:22:30,100
trained being Spurlock who's one
of my ver like text operate that
1257
01:22:30,100 --> 01:22:34,200
show.
We redesigned the show slightly
1258
01:22:34,200 --> 01:22:37,000
different configuration.
It was quicker or whatever and
1259
01:22:37,000 --> 01:22:40,500
it off the dean and I went to
work Was time.
1260
01:22:40,500 --> 01:22:43,900
It very light, really just
because you couldn't get health
1261
01:22:43,900 --> 01:22:48,000
insurance Well, it's pretty
important because it was very
1262
01:22:48,000 --> 01:22:50,800
expensive.
Yeah, the time and and the very
1263
01:22:50,800 --> 01:22:52,500
light deal with it hasn't gone
down.
1264
01:22:52,500 --> 01:22:55,900
Any now I'll tell you that to
the very light bill was
1265
01:22:55,900 --> 01:22:58,100
comparable to what she was
paying.
1266
01:22:58,600 --> 01:23:01,400
So I it just was a win-win.
Yeah.
1267
01:23:01,400 --> 01:23:06,600
And there are some other factors
there had gotten sober and being
1268
01:23:06,600 --> 01:23:09,400
in that mix was probably not
going to help that.
1269
01:23:09,400 --> 01:23:14,600
Yeah.
So they're like sent me out on
1270
01:23:15,600 --> 01:23:19,700
Vince, Gill took over design
from Sparky.
1271
01:23:20,400 --> 01:23:23,300
Unfortunately, that didn't last
very long, he came back.
1272
01:23:24,400 --> 01:23:27,700
But that's whenever I started
doing a lot of TV with Alan
1273
01:23:27,700 --> 01:23:32,700
Bratton Peterson all that
violence award show and that's
1274
01:23:32,700 --> 01:23:37,400
when my really my exposure to
moving lights and television
1275
01:23:37,400 --> 01:23:40,200
really wants the moving lights.
Yeah, yeah.
1276
01:23:40,300 --> 01:23:44,600
So that was huge.
That's a great opportunity.
1277
01:23:44,800 --> 01:23:46,200
You know.
All those big shows.
1278
01:23:46,200 --> 01:23:49,700
The big award shows with Alan,
if I've been stuck on the road
1279
01:23:49,700 --> 01:23:53,000
doing concert touring, I would
have never gotten that exposure
1280
01:23:53,200 --> 01:23:56,300
right to it lighting, somebody's
face.
1281
01:23:56,400 --> 01:23:58,800
Yeah.
That's what that's all about.
1282
01:23:59,100 --> 01:24:02,800
Alan will tell you, it's not
about the wide shot, it's about
1283
01:24:03,200 --> 01:24:04,100
potential.
Yeah.
1284
01:24:04,300 --> 01:24:06,300
That's what that's what do.
You attribute?
1285
01:24:06,300 --> 01:24:09,200
Your success in staying
employed.
1286
01:24:09,200 --> 01:24:12,700
You know without big gaps in
between and all that stuff is it
1287
01:24:13,500 --> 01:24:17,200
is it like hard work and to now
NASA T is it you know just
1288
01:24:17,200 --> 01:24:21,200
always saying yes is it what is
it or is it just a combination
1289
01:24:21,200 --> 01:24:23,700
of all those?
Well I mean I used to think a
1290
01:24:23,708 --> 01:24:27,100
lot of it was just luck and in
the right place the right time
1291
01:24:27,100 --> 01:24:28,800
and knowing the right people is
and roll.
1292
01:24:31,300 --> 01:24:39,100
Yeah, skill set even within the
lighting realm, there are all
1293
01:24:39,100 --> 01:24:41,400
types of disciplines are
lighting, you know, concert
1294
01:24:41,400 --> 01:24:45,000
lighting you got special events.
You got caught.
1295
01:24:45,200 --> 01:24:47,700
Brittany.
Got television and there's some
1296
01:24:47,700 --> 01:24:50,300
guys that thought they do.
They all they do is Corporate?
1297
01:24:50,400 --> 01:24:51,900
Yes.
All they know how to do.
1298
01:24:52,100 --> 01:24:53,000
Yeah.
You know.
1299
01:24:53,100 --> 01:24:58,800
So it's having a good mix of all
that.
1300
01:24:58,800 --> 01:25:01,800
Yeah, I think it is really
important and there's a lot of
1301
01:25:01,800 --> 01:25:05,700
these out there that do Swiss
army knife of lighting guys.
1302
01:25:05,900 --> 01:25:12,400
Yeah, totally.
So the very light thing went
1303
01:25:12,400 --> 01:25:15,600
well, unfortunately, the
Nashville shop At which, you
1304
01:25:15,600 --> 01:25:18,100
know, it changed into vlps.
Yeah.
1305
01:25:18,400 --> 01:25:22,600
Right.
Virtuoso came out which I
1306
01:25:22,600 --> 01:25:27,500
actually was part of the demo
team for a while demonstrating
1307
01:25:27,500 --> 01:25:30,100
the virtuoso DX.
Great board.
1308
01:25:32,000 --> 01:25:36,300
Did some tours with Mary Chapin
Carpenter on the virtuoso DX,
1309
01:25:36,500 --> 01:25:39,400
some of them were a land-grant
institutions Ein last year was
1310
01:25:39,400 --> 01:25:45,700
my design and then at one point,
probably Lee.
1311
01:25:46,900 --> 01:25:54,600
Been 2000.
Maybe very light decided to take
1312
01:25:54,600 --> 01:25:59,800
all their Road staff that works
full-time and put them on as
1313
01:25:59,800 --> 01:26:04,300
needed basis or contract.
So they basically kind of kicked
1314
01:26:04,300 --> 01:26:07,800
us out the door, you know?
Maybe they will, they tell you,
1315
01:26:07,900 --> 01:26:09,200
you're going to make more money,
right?
1316
01:26:13,600 --> 01:26:17,500
Yeah, you know.
So, So that's when I form key
1317
01:26:17,500 --> 01:26:22,600
light.
And yeah, and my first piece of
1318
01:26:22,600 --> 01:26:27,300
equipment was a virtuoso DX that
I bought through Bandit whites
1319
01:26:27,300 --> 01:26:32,400
because they were very light
dealer and so kind of limped
1320
01:26:32,400 --> 01:26:36,600
along but that board, you know,
still getting calls from Allen
1321
01:26:36,600 --> 01:26:40,200
and all those guys to go out and
do shows, you know, mainly using
1322
01:26:40,200 --> 01:26:46,500
very light beer.
And then I finally got the
1323
01:26:46,500 --> 01:26:49,200
gumption to go out and buy some
lights in the first lines.
1324
01:26:49,200 --> 01:26:55,600
I bought from you for Turbo
sybers, that Chaz had put on
1325
01:26:55,600 --> 01:26:59,000
your site.
Oh, really remember that fibers?
1326
01:26:59,400 --> 01:27:04,300
Yeah, I don't fly.
Yeah.
1327
01:27:04,700 --> 01:27:09,600
It was 12 fixtures.
And so that kind of set that in
1328
01:27:09,600 --> 01:27:12,500
motion into the Moonlight world,
that's amazing.
1329
01:27:12,500 --> 01:27:19,600
So One thing this is a funny
story and it has a lot to do
1330
01:27:19,600 --> 01:27:21,900
with this.
The sex I had in my small
1331
01:27:21,900 --> 01:27:25,500
business, I drove up with this
little crappie jig and the
1332
01:27:25,500 --> 01:27:28,100
producer showed up.
It was had his own little
1333
01:27:28,100 --> 01:27:30,300
company.
I was sitting outside the arena
1334
01:27:30,700 --> 01:27:35,600
and my truck and he pulls up in
this big Hummer this giant
1335
01:27:35,600 --> 01:27:39,600
brand-new Hummer and you know,
George Bush has just done the
1336
01:27:39,600 --> 01:27:43,000
new tax cuts and all this stuff
I guess.
1337
01:27:43,100 --> 01:27:45,000
That would have been what?
Early 2000.
1338
01:27:45,000 --> 01:27:48,500
Yeah.
So this guy gets out you know
1339
01:27:48,500 --> 01:27:57,300
it's exact hey man I'm all this
and he knows you could have one
1340
01:27:57,300 --> 01:28:02,100
of these too.
George Bush will buy it for you
1341
01:28:04,300 --> 01:28:08,500
and he goes with the new
depreciation schedule.
1342
01:28:09,000 --> 01:28:12,700
You can buy this for business
purposes and write the whole
1343
01:28:12,700 --> 01:28:15,900
thing off.
At the end of the year, I'm like
1344
01:28:16,100 --> 01:28:21,200
that just doesn't make sense.
So I kind of got the wheels
1345
01:28:21,200 --> 01:28:26,700
turning right and Found out for
my tax account.
1346
01:28:26,700 --> 01:28:29,500
Yes.
You can do that.
1347
01:28:29,900 --> 01:28:34,800
However, if you ever sell that
truck that's capital gains and
1348
01:28:34,800 --> 01:28:37,500
you'll have to pay taxes on
every bit of that.
1349
01:28:38,200 --> 01:28:43,400
But what it said in motion was
Because of the different
1350
01:28:43,400 --> 01:28:46,500
depreciation levels.
There's three different
1351
01:28:46,500 --> 01:28:48,500
schedules at that time.
I don't know.
1352
01:28:48,800 --> 01:28:52,900
Now, you can play that from year
to year.
1353
01:28:52,900 --> 01:28:56,200
So if I bought another group of
Lights from you that I got 30
1354
01:28:56,200 --> 01:28:57,600
Studio colors.
Yeah.
1355
01:28:58,200 --> 01:29:00,600
Paid 50k or whatever.
Yeah.
1356
01:29:00,800 --> 01:29:04,300
Use those lights all year long,
make bunch of rental, money from
1357
01:29:04,300 --> 01:29:09,700
them, right?
I go, I take another
1358
01:29:09,700 --> 01:29:12,800
depreciation schedule, or it
Maps it out over five years or
1359
01:29:12,800 --> 01:29:16,100
whatever.
Then a couple years down the
1360
01:29:16,100 --> 01:29:17,600
line.
I stole them.
1361
01:29:17,800 --> 01:29:23,100
I can actually sell them at a
loss and come out ahead on my
1362
01:29:23,100 --> 01:29:26,100
taxes, that's wild.
Yeah.
1363
01:29:26,100 --> 01:29:29,600
And I remember when that was
kind of going crazy, because I
1364
01:29:29,608 --> 01:29:32,500
remember all the guys that were
buying, these Wicked, beautiful,
1365
01:29:32,500 --> 01:29:34,600
trucks and stuff.
Oh, yeah.
1366
01:29:34,800 --> 01:29:36,700
And they were just like Hey, I
gotta do it.
1367
01:29:36,700 --> 01:29:42,200
It's free what?
But missing the point I'm trying
1368
01:29:42,200 --> 01:29:44,800
to make is that that served me
really, really well.
1369
01:29:44,800 --> 01:29:47,900
Moving forward.
Yeah, being able to take those
1370
01:29:47,900 --> 01:29:51,400
groups of light and use the
depreciation.
1371
01:29:51,600 --> 01:29:57,400
Yeah, and I did that really well
until the flood hit.
1372
01:29:57,600 --> 01:29:59,500
Yeah.
And a skill in 2010.
1373
01:29:59,500 --> 01:30:01,900
So what happened?
How did that hit you so bad?
1374
01:30:02,500 --> 01:30:05,700
Well, I had my gear down at the
Mitchell Group.
1375
01:30:05,800 --> 01:30:11,100
Which is down on Cowan Street.
Just literally few steps away
1376
01:30:11,100 --> 01:30:18,900
from soundcheck and It came up
in the warehouse like 45 feet
1377
01:30:18,900 --> 01:30:22,700
high and I had just about all my
gear was in there and at the
1378
01:30:22,700 --> 01:30:31,000
time I think I had 60 60 heads.
I had consoles.
1379
01:30:31,000 --> 01:30:37,200
The only Council a lot was a
ma-1 light for that was 35 K
1380
01:30:37,200 --> 01:30:40,800
right there.
I knew I'd get you one for about
1381
01:30:40,800 --> 01:30:44,000
1,000 bucks now.
Maybe less.
1382
01:30:44,200 --> 01:30:48,100
But Yeah, I'm pretty much lost
everything.
1383
01:30:48,100 --> 01:30:53,600
Now, the good news out of all
that was So that's 2010.
1384
01:30:53,700 --> 01:31:00,000
Iams insured, at least.
It was but excluded for flood.
1385
01:31:01,000 --> 01:31:04,400
So when I called the insurance
agent up, right?
1386
01:31:04,700 --> 01:31:07,600
It was Hartford.
I said, okay, you know, this has
1387
01:31:07,600 --> 01:31:10,000
happened.
What am I going to get out of
1388
01:31:10,000 --> 01:31:11,900
this?
And he goes, he actually went
1389
01:31:11,900 --> 01:31:14,400
down there to look at the stuff
and then we talked and he said,
1390
01:31:15,100 --> 01:31:17,300
well unfortunately, you're
excluded for flood.
1391
01:31:17,300 --> 01:31:22,800
I'm like If I'm not going to get
coverage for flood, what do I
1392
01:31:22,800 --> 01:31:28,200
get coverage for?
He goes all well, sinkholes
1393
01:31:29,800 --> 01:31:33,800
think of us up on you?
Yeah, there you go.
1394
01:31:34,400 --> 01:31:40,400
Oh my God, nothing out of
insurance for that and you have
1395
01:31:40,400 --> 01:31:43,800
virtually 100% loss.
Yeah, yeah.
1396
01:31:43,800 --> 01:31:49,700
Only the only piece of equipment
that was out on tour was a Ma-1
1397
01:31:49,700 --> 01:31:52,900
full-size that was what 50,000
dollar board.
1398
01:31:52,900 --> 01:31:57,600
Yeah.
And The rest of the gear, I
1399
01:31:57,600 --> 01:32:02,200
brought it over my house.
I rented a shipping container
1400
01:32:02,200 --> 01:32:05,500
and put it in there and started
working on it trying to salvage.
1401
01:32:05,500 --> 01:32:09,900
It it was just awful but was
going to say was a good news.
1402
01:32:09,900 --> 01:32:16,000
Was I was Full-time, CMP, they
hired me in 2008 and Studio
1403
01:32:16,000 --> 01:32:21,200
lighting designer, okay?
And so that business was kind of
1404
01:32:21,400 --> 01:32:26,100
a side business at that point
and my house wasn't flooded.
1405
01:32:27,300 --> 01:32:31,200
I had a full-time job.
So in that regard, I was
1406
01:32:31,200 --> 01:32:33,600
fortunate because a lot of
people didn't have that.
1407
01:32:33,800 --> 01:32:37,600
Yeah, you know a lot of people
lost everything period.
1408
01:32:37,600 --> 01:32:41,000
Yeah, I was brutal time.
No good.
1409
01:32:41,100 --> 01:32:44,900
Buddy of mine.
How Mandy, you know him I do he
1410
01:32:44,900 --> 01:32:50,800
bought had some bl3 case spots
and he actually took those eight
1411
01:32:50,800 --> 01:32:53,400
lives and strip them down.
Completely replaced.
1412
01:32:53,400 --> 01:32:57,000
All the steppers and made good
money off of them.
1413
01:32:57,000 --> 01:33:00,200
For next 10 years, you want to
hear a quick crazy story.
1414
01:33:00,200 --> 01:33:09,500
So when Hurricane Katrina hit,
you know, New Orleans and and
1415
01:33:09,500 --> 01:33:15,700
Biloxi and all that stuff, We
got a call about six months
1416
01:33:15,700 --> 01:33:21,500
after Katrina, from a salver,
and the salver had taken over
1417
01:33:21,500 --> 01:33:27,900
The Grand Biloxi casino, and
they had the insurance had just
1418
01:33:27,900 --> 01:33:30,200
settled and everything.
But the stuff had been sitting
1419
01:33:30,200 --> 01:33:36,200
exposed in The Grand Biloxi
casino in Biloxi and so, like a
1420
01:33:36,200 --> 01:33:39,800
whole wall was gone out of the
place and it was just the Gulf
1421
01:33:39,800 --> 01:33:44,700
of Mexico right there, you know.
Oh and and so between actual
1422
01:33:44,700 --> 01:33:49,200
water coming into the venue and
just exposed to Salt Air and all
1423
01:33:49,200 --> 01:33:51,700
that stuff.
It was it was a bad situation.
1424
01:33:51,700 --> 01:33:55,500
So they called us and said look,
here's the situation, you know,
1425
01:33:55,500 --> 01:34:00,300
come and see what you can see
will give you 24 hours or will
1426
01:34:00,300 --> 01:34:04,400
give you a day of Daylight to
come in and take whatever you
1427
01:34:04,400 --> 01:34:08,500
want to take out of there.
Give me a price and so we worked
1428
01:34:08,500 --> 01:34:13,600
out a number and it was as I
recall it was probably 30 VL
1429
01:34:13,600 --> 01:34:19,300
3000's, maybe twenty four
washes, a v dusk sound system.
1430
01:34:19,300 --> 01:34:23,600
All the amp racks consoles, some
follow spots.
1431
01:34:23,900 --> 01:34:26,900
It was a lot of gear.
It was quite a bit of gear and
1432
01:34:26,900 --> 01:34:32,300
so you know we we had this this
side business that did these
1433
01:34:32,300 --> 01:34:35,900
types of liquidations cleaned
the gear up and then would put
1434
01:34:35,900 --> 01:34:38,300
it up for sale on gear Source
this stuff.
1435
01:34:38,300 --> 01:34:40,000
We had no idea what we were
getting into.
1436
01:34:40,000 --> 01:34:42,600
You couldn't plug in anything
and see if it I worked or
1437
01:34:42,600 --> 01:34:44,800
anything, right?
It was just it had literally
1438
01:34:44,800 --> 01:34:49,600
been sitting six months exposed
and so we bring it all back to
1439
01:34:49,600 --> 01:34:54,700
South Florida and I get a call
from David million.
1440
01:34:54,700 --> 01:34:56,700
He says, you got any vol 3
thousands?
1441
01:34:56,900 --> 01:34:59,000
And I said, no, and I go wait a
second.
1442
01:34:59,000 --> 01:35:03,400
Actually I have like, you know,
48 fixtures or whatever washes
1443
01:35:03,400 --> 01:35:06,900
in spots that just came out of
the Grand Biloxi.
1444
01:35:07,200 --> 01:35:10,200
We haven't even tested anything
yet and he said, well, do me a
1445
01:35:10,200 --> 01:35:12,900
favor just like plug-in like
Eight of them and tell me if
1446
01:35:12,900 --> 01:35:16,700
they turn on or not and we plug
in the first eight and I think
1447
01:35:16,700 --> 01:35:20,700
all eight of them turned on.
Yeah, and he goes, okay, I'll
1448
01:35:20,700 --> 01:35:23,500
take them from you for x amount
of dollars per light.
1449
01:35:24,000 --> 01:35:27,500
And I don't remember, I think at
the time vol 3 thousands were
1450
01:35:27,500 --> 01:35:30,200
the hottest thing and they were
selling for like 6 grand on the
1451
01:35:30,200 --> 01:35:33,800
used Market or 6500, BTUs
Market, I think I sold them to
1452
01:35:33,800 --> 01:35:38,100
him for 2,000 or 2,500 or
something, but he had to take
1453
01:35:38,100 --> 01:35:41,700
them all.
So he took all of them he used
1454
01:35:41,700 --> 01:35:44,000
out.
Of the call it 48 fixtures.
1455
01:35:44,100 --> 01:35:46,600
He used like 40 on a gig that
weekend.
1456
01:35:47,200 --> 01:35:49,900
Wow.
And so he used these for like a
1457
01:35:49,900 --> 01:35:53,400
year and then resold them on
gear source for like, you know
1458
01:35:53,400 --> 01:35:56,200
thirty five hundred or thousand
bucks each or something, right?
1459
01:35:56,200 --> 01:35:57,600
Yeah.
Because by then, he had
1460
01:35:57,600 --> 01:36:01,800
replaced, any Rusty screws or
Rusty parts, or separate or
1461
01:36:01,800 --> 01:36:04,300
whatever it was.
But I mean it was just a crazy
1462
01:36:04,300 --> 01:36:08,100
story like I the V task system
sold within a couple weeks and
1463
01:36:08,400 --> 01:36:13,900
it's sold to Claire Wing.
I think it was like 175 Grand or
1464
01:36:13,900 --> 01:36:16,400
something for like a three
hundred thousand three hundred
1465
01:36:16,400 --> 01:36:18,800
fifty thousand dollar.
Vetoes Greg, everything worked
1466
01:36:18,800 --> 01:36:21,800
perfectly, none of the speakers
were blown or anything it was
1467
01:36:22,400 --> 01:36:24,300
pretty cool.
I mean it was wildly.
1468
01:36:24,300 --> 01:36:28,800
What I went through I went I
heard stories that down at the
1469
01:36:28,800 --> 01:36:33,900
opera house, they had mostly
very light system and they were
1470
01:36:33,900 --> 01:36:37,500
taking down instruments that
were up, you know, the Opera
1471
01:36:37,500 --> 01:36:41,800
House, the stage, the water came
up to about the stage level.
1472
01:36:41,900 --> 01:36:46,000
And I believe his what I saw and
pictures do anything, that was
1473
01:36:46,000 --> 01:36:48,500
on the floor, whatever got
saturated.
1474
01:36:48,500 --> 01:36:51,700
However, they had all this
equipment up in the air, they
1475
01:36:51,700 --> 01:36:54,900
literally went in there and took
those instruments down and threw
1476
01:36:54,900 --> 01:36:59,000
them in dumpsters.
Yeah.
1477
01:36:59,900 --> 01:37:03,600
Wow that's crazy.
Yeah I didn't give anybody a
1478
01:37:03,600 --> 01:37:06,600
chance to.
I think there was this big
1479
01:37:06,600 --> 01:37:10,800
concern about the because that
flood you know, was the
1480
01:37:10,800 --> 01:37:14,200
Cumberland and all the effluent
that's in the Cumberland and
1481
01:37:14,200 --> 01:37:20,000
believe me, the mud and stuff I
found in my lights, it was bad
1482
01:37:20,000 --> 01:37:23,500
stuff and stuff.
Did you get your stuff working?
1483
01:37:25,200 --> 01:37:28,200
I like I said, how did I mean
myself?
1484
01:37:28,500 --> 01:37:33,600
And just got to the point Marcel
were, I would work a full shift
1485
01:37:33,700 --> 01:37:36,400
down at the studio, and come
back home and work on moving
1486
01:37:36,400 --> 01:37:39,000
lights for 45 hours after about
a week of that.
1487
01:37:39,000 --> 01:37:41,700
That's it.
I can't live like this, I can't
1488
01:37:41,700 --> 01:37:42,600
do it.
Yeah.
1489
01:37:42,600 --> 01:37:46,500
So you know I sold some other
lives to some other guys for
1490
01:37:46,500 --> 01:37:49,000
pennies on the dollar and yeah,
just got rid of that.
1491
01:37:49,000 --> 01:37:50,900
This one worth it.
I did.
1492
01:37:50,900 --> 01:37:53,700
I limped along like that a
little bit, I bought some more.
1493
01:37:54,200 --> 01:37:57,900
Fixtures from freed some
Malaysian spots.
1494
01:37:57,900 --> 01:38:04,400
Yeah and I've tried to run them
through through CMT but their
1495
01:38:04,400 --> 01:38:09,100
production was doing much.
So eventually it just got to the
1496
01:38:09,100 --> 01:38:13,200
point where kind of sold
everything off and, you know, I
1497
01:38:13,200 --> 01:38:16,500
could still use the name of the
business of doing my contract
1498
01:38:16,500 --> 01:38:20,300
work, but even that after a
while carrying the insurance and
1499
01:38:20,300 --> 01:38:22,900
then all the taxes associated
with small business.
1500
01:38:23,000 --> 01:38:25,300
Yeah, it's not With it, it's not
worth it.
1501
01:38:25,400 --> 01:38:27,700
You know.
So you just cry can just yeah,
1502
01:38:27,900 --> 01:38:31,300
with turned it off.
Didn't you end up at Morris at
1503
01:38:31,300 --> 01:38:32,800
some point?
I did.
1504
01:38:32,800 --> 01:38:37,600
I did 2019.
I work there all year.
1505
01:38:37,900 --> 01:38:43,300
Ahead of lighting department, it
was super intense.
1506
01:38:43,400 --> 01:38:48,500
We had some major clients Kenny
Chesney Old Dominion, Florida.
1507
01:38:48,500 --> 01:38:51,700
Georgia Line.
All those are 300-400 light
1508
01:38:51,700 --> 01:38:56,700
system.
Yeah, we Sent out BTS that year
1509
01:38:57,200 --> 01:39:03,900
or six shows around the world.
It was like 600 like system.
1510
01:39:05,500 --> 01:39:10,700
So you know I was managing at
one point I counted up all the
1511
01:39:10,700 --> 01:39:18,300
freelance and staff and permit
Lance workers I was were like 60
1512
01:39:18,300 --> 01:39:20,000
or reporting to me.
Wow.
1513
01:39:20,400 --> 01:39:26,100
And so, The only way I could
make my way through that Marcel
1514
01:39:26,100 --> 01:39:30,300
was you know fortunately I had
the background of running my own
1515
01:39:30,300 --> 01:39:35,400
small business but the whole
managing Personnel like that.
1516
01:39:35,400 --> 01:39:38,000
It's that's a lot.
Yeah.
1517
01:39:38,000 --> 01:39:39,900
So well you've been there.
Yeah.
1518
01:39:39,900 --> 01:39:41,500
I mean what's the most
employees?
1519
01:39:41,500 --> 01:39:46,300
You've had under your well I've
had a couple of companies but at
1520
01:39:46,300 --> 01:39:50,300
the same time maybe 50.
Yeah.
1521
01:39:50,400 --> 01:39:53,700
Just in gear Source.
I think we got up to about 20.
1522
01:39:53,900 --> 01:39:55,200
T.
At one point.
1523
01:39:56,100 --> 01:40:00,300
We're at about 14 right now
because we run a different ship
1524
01:40:00,300 --> 01:40:02,100
now.
So it we don't need quite as
1525
01:40:02,100 --> 01:40:06,700
many people but right.
But yeah, it's it's tough.
1526
01:40:06,700 --> 01:40:09,700
I mean, everyone thinks you're a
business owner, hon.
1527
01:40:09,700 --> 01:40:14,100
You got it may do you know, you
work twice as hard as anybody
1528
01:40:14,100 --> 01:40:17,000
else to, usually make half as
much as anybody else.
1529
01:40:17,000 --> 01:40:21,100
You get all the stress hardly
any of the, the joy.
1530
01:40:21,500 --> 01:40:23,800
And yeah, I mean, I'm not
complaining.
1531
01:40:23,900 --> 01:40:26,000
Planing because it's all I know
how to do anymore.
1532
01:40:26,000 --> 01:40:30,200
I don't know that I could be an
employee anymore, but you know,
1533
01:40:30,500 --> 01:40:34,000
it's certainly not as glamorous
as it appears, you know.
1534
01:40:34,700 --> 01:40:36,600
It's a lot of hard work and
stuff.
1535
01:40:36,600 --> 01:40:41,500
You know, we had the best year
that come in ever had at the end
1536
01:40:41,500 --> 01:40:44,700
of 2019.
We were prepping, Kenny Chesney
1537
01:40:44,700 --> 01:40:50,100
to go out yet again, when covid
hit and it just kind of turned
1538
01:40:50,100 --> 01:40:53,200
into.
Dumping, you know, with all the
1539
01:40:53,200 --> 01:40:56,400
zoom calls, you know, with no
business.
1540
01:40:56,400 --> 01:40:58,300
Yeah, I mean, you know what I
mean?
1541
01:40:58,300 --> 01:41:05,000
It's just got to be Surprisingly
more stressful to deal with than
1542
01:41:05,000 --> 01:41:08,800
actually being in the shop.
Yeah, it went weird.
1543
01:41:08,800 --> 01:41:11,900
They're like yeah, I bore they
sold to so low-tech.
1544
01:41:11,900 --> 01:41:15,700
It went weird and and, you know,
they were like I remember we got
1545
01:41:15,700 --> 01:41:17,900
a call from them and they said,
we want to sell I don't
1546
01:41:17,900 --> 01:41:20,300
remember.
I think it was like 400 clay
1547
01:41:20,300 --> 01:41:23,400
Paki.
I forget which fixture.
1548
01:41:23,400 --> 01:41:27,600
It was Meet those me.
So see ya at a price that was
1549
01:41:27,600 --> 01:41:31,500
like, 40% below the market price
and we went.
1550
01:41:31,800 --> 01:41:35,100
Those will sell pretty quick and
they did, we were selling them
1551
01:41:35,100 --> 01:41:37,800
as fast as they would let us
sell them.
1552
01:41:38,900 --> 01:41:42,900
And, and then all of a sudden,
you know, I started hearing
1553
01:41:42,900 --> 01:41:46,300
rumors about so low Tech coming
in and then, you know, we got a
1554
01:41:46,308 --> 01:41:49,100
call saying, hey guys, we don't
want to sell anything else, you
1555
01:41:49,100 --> 01:41:54,000
know, everything's off the
table, so then yeah, it quick.
1556
01:41:54,800 --> 01:41:59,300
So I just bailed out and
frankly, I went back The doing
1557
01:41:59,300 --> 01:42:01,500
something.
Totally different than the
1558
01:42:01,500 --> 01:42:04,100
lighting.
I did the heavy equipment thing
1559
01:42:04,100 --> 01:42:08,700
and it was really hard work.
Yeah, but I was, I was in a cab.
1560
01:42:08,800 --> 01:42:10,000
I myself.
Was that?
1561
01:42:10,000 --> 01:42:11,800
Because of covid was that?
Yeah.
1562
01:42:11,800 --> 01:42:14,800
Because colleges killed our
industry, so you had to Yeah.
1563
01:42:14,800 --> 01:42:17,800
Yeah, well, yeah.
And, and like you say it's
1564
01:42:17,800 --> 01:42:21,300
something I enjoy, you know, I
like running machine but, yeah,
1565
01:42:21,300 --> 01:42:24,400
just a lot of fun.
It's what every kid wants to do
1566
01:42:24,400 --> 01:42:27,100
is drive one of those things
with the big thing in the front
1567
01:42:27,100 --> 01:42:31,200
and, you know, Pick up a boulder
bigger than a car.
1568
01:42:31,200 --> 01:42:35,600
There's not many things more
masculine fun than that, right?
1569
01:42:35,800 --> 01:42:39,600
You know, you know but in the
meantime, I was still doing
1570
01:42:39,600 --> 01:42:44,500
gigs, you know, and I'd already
developed a really strong
1571
01:42:44,500 --> 01:42:47,900
relationship with Tom.
Kenny, why was that CMP we'd
1572
01:42:47,900 --> 01:42:51,700
already been doing you know,
artist of the year together and
1573
01:42:51,700 --> 01:42:55,700
Crossroads you know, me working
as a lot of director or gaffer
1574
01:42:55,700 --> 01:42:58,500
or whatever implementing his
designs doing.
1575
01:42:58,600 --> 01:43:02,600
His drawings.
So even even through all that
1576
01:43:02,700 --> 01:43:06,200
was, we maintain a good
relationship.
1577
01:43:06,900 --> 01:43:11,600
I would take as much time off as
I can take, you know, and do
1578
01:43:11,800 --> 01:43:14,000
gigs local gigs with them.
Yeah.
1579
01:43:14,000 --> 01:43:18,600
And make nice little lumps of
money, you know, which and and
1580
01:43:18,600 --> 01:43:20,800
plus keep one foot in the
business.
1581
01:43:20,800 --> 01:43:25,000
Yeah.
And so you know, and that's kind
1582
01:43:25,000 --> 01:43:28,900
of where I'm at now.
I mean it's interesting Somebody
1583
01:43:28,900 --> 01:43:31,100
made the comment.
I thought you were retired.
1584
01:43:31,300 --> 01:43:34,500
No, not really.
I don't know that I'll ever
1585
01:43:34,500 --> 01:43:38,800
retire.
Yeah, I'll keep doing this as
1586
01:43:38,800 --> 01:43:40,500
long as I can.
Yeah.
1587
01:43:40,500 --> 01:43:43,500
And you know, it's really
enjoyed.
1588
01:43:46,000 --> 01:43:49,600
I was so fortunate.
Last year was my best year ever
1589
01:43:50,100 --> 01:43:55,200
as just as for services work.
Yeah, you know, excluding key
1590
01:43:55,200 --> 01:43:58,400
light and rentals and all that.
Yeah, just do engage.
1591
01:43:59,100 --> 01:44:00,900
Last year was the best year
ever.
1592
01:44:00,900 --> 01:44:03,700
That's fantastic.
I actually designed three
1593
01:44:03,700 --> 01:44:09,000
television shows.
I did the tribute for Naomi
1594
01:44:09,000 --> 01:44:13,700
Judd, at the Ryman, another one
for Loretta Lynn at the upper
1595
01:44:13,700 --> 01:44:20,200
house and then kind of a really
full circle experience for me,
1596
01:44:20,400 --> 01:44:25,100
we went back to the Murphy
Center and did a another final
1597
01:44:25,100 --> 01:44:28,400
show with Wynonna in tribute to
Naomi.
1598
01:44:28,500 --> 01:44:32,800
Me.
So the pay-per-view that we did
1599
01:44:32,800 --> 01:44:36,500
what 30 years ago were basically
kind of doing it again.
1600
01:44:36,500 --> 01:44:42,500
So for CMT, with all these guest
artists and designed with pretty
1601
01:44:42,500 --> 01:44:46,000
large rig, I had Fuji their
programming.
1602
01:44:46,000 --> 01:44:50,500
Wonderful programming.
Can Hudson was on another board
1603
01:44:50,500 --> 01:44:55,900
and it just, I put everything I
had on the table to get it done
1604
01:44:55,900 --> 01:44:57,700
and it turned out really, really
good.
1605
01:44:57,700 --> 01:45:00,200
That's awesome.
It's really cool.
1606
01:45:00,900 --> 01:45:03,700
So, you know this year, are you
a heavy equipment guy or a
1607
01:45:03,708 --> 01:45:06,500
lighting guy?
What are you doing?
1608
01:45:06,500 --> 01:45:09,100
A mighty God.
I don't think I'll go back to
1609
01:45:09,100 --> 01:45:12,600
that.
I was so worried about getting
1610
01:45:12,600 --> 01:45:17,500
hurt out there on those machines
and that's incredible, isn't it?
1611
01:45:17,600 --> 01:45:20,800
Yeah, that's wild.
I mean you've done some
1612
01:45:20,800 --> 01:45:22,700
incredible stuff.
It's so cool.
1613
01:45:22,700 --> 01:45:26,600
And and I mean the longevity and
the fact that even through covid
1614
01:45:26,600 --> 01:45:28,500
you've never really been out of
work, you know?
1615
01:45:29,300 --> 01:45:33,600
So that to me, says, a lot like,
you know, the guys that I know
1616
01:45:33,600 --> 01:45:36,400
who are like, for six months,
trying to find a gig or
1617
01:45:36,400 --> 01:45:38,200
whatever.
There's a reason, you know,
1618
01:45:38,300 --> 01:45:41,100
they're sadly, there's no reason
you should probably change
1619
01:45:41,100 --> 01:45:43,300
something in the way that you're
doing things, you know.
1620
01:45:43,800 --> 01:45:48,100
And one of the one of the themes
that always seems to sort of
1621
01:45:48,100 --> 01:45:51,000
thread through everything.
Cosmo was one of the guys who
1622
01:45:51,000 --> 01:45:55,400
said it, most of the LDS and
people who come on my podcast,
1623
01:45:55,400 --> 01:45:59,500
say it is, is just say, yes, you
know, that's one of the The one
1624
01:45:59,500 --> 01:46:02,100
of the things that you need to
learn to do is just say yes to
1625
01:46:02,100 --> 01:46:03,700
everything.
And if you don't know how to do
1626
01:46:03,700 --> 01:46:05,800
it, go figure it out quickly,
you know.
1627
01:46:06,600 --> 01:46:10,300
And right, there's there's many
times when you actually have to
1628
01:46:10,308 --> 01:46:18,100
kind of Subjugate or come off of
your vision because the customer
1629
01:46:18,100 --> 01:46:21,700
wants something else.
I mean, you know what, I, you
1630
01:46:21,700 --> 01:46:24,700
know, a producer, a director,
you know, even though you've
1631
01:46:24,700 --> 01:46:28,900
created something, you think is
stunning and amazing and all
1632
01:46:28,900 --> 01:46:32,000
this.
And they have an idea that like,
1633
01:46:32,000 --> 01:46:34,300
who, yeah.
You know, you really don't want
1634
01:46:34,300 --> 01:46:39,100
to do that, sometimes you have
to do it, you know, boss,
1635
01:46:40,500 --> 01:46:45,400
exactly.
Some people seem to forget that,
1636
01:46:45,400 --> 01:46:47,600
you know, you're not the star.
You're not the boss.
1637
01:46:47,600 --> 01:46:48,600
They are.
Oh yeah.
1638
01:46:48,600 --> 01:46:49,600
Right.
You're just supposed to make
1639
01:46:49,600 --> 01:46:51,600
them look really good to their
Vision.
1640
01:46:51,600 --> 01:46:53,400
You know, they're the one with
the vision.
1641
01:46:53,400 --> 01:46:56,600
Not necessarily you, unless they
just say, I don't got anything.
1642
01:46:56,600 --> 01:46:59,500
Please tell me what I can do.
Tell me what I need to look
1643
01:46:59,500 --> 01:47:01,200
like, tell me which song to
sing.
1644
01:47:01,800 --> 01:47:03,600
Yeah.
Doesn't happen very often I
1645
01:47:03,600 --> 01:47:05,200
guess.
No, no, yeah.
1646
01:47:05,500 --> 01:47:08,800
So I like to, I like to end each
one of these with this, like go
1647
01:47:08,800 --> 01:47:11,200
to gear.
I'm a gear guy, obviously.
1648
01:47:11,400 --> 01:47:15,300
Yeah.
So what if you have to design a
1649
01:47:15,300 --> 01:47:19,000
show right now?
Give me your three pieces of
1650
01:47:19,000 --> 01:47:23,600
gear that you got to have for
every show whether it's specific
1651
01:47:23,600 --> 01:47:26,100
to manufacturer.
So, let's do that.
1652
01:47:27,000 --> 01:47:29,900
Okay.
So because I'm television guy,
1653
01:47:29,900 --> 01:47:31,400
we're going to start with the
key light.
1654
01:47:31,800 --> 01:47:40,200
And right now, I think.
For the long throw applications.
1655
01:47:42,900 --> 01:47:48,700
It's got to be the new Row.
V Forte is a stunning light.
1656
01:47:48,800 --> 01:47:52,100
Yes, really good.
I mean right behind it.
1657
01:47:52,100 --> 01:47:54,400
My second choice is a proteus
Maxima.
1658
01:47:56,800 --> 01:47:58,700
I mean they're both great
choices, they're both really
1659
01:47:58,700 --> 01:48:03,200
really, really really are.
Yeah and then as far as a
1660
01:48:03,200 --> 01:48:09,600
backlight, Same thing in a
longer Pro application, usually
1661
01:48:09,600 --> 01:48:12,500
don't need the Firepower that
you need from your key lines.
1662
01:48:14,000 --> 01:48:18,500
Although Fork again is a good
pic but if it's a shorter throw
1663
01:48:18,500 --> 01:48:26,300
application, I would use the
Spree or feel 2600, you know,
1664
01:48:26,400 --> 01:48:30,000
both to those are really good
lives that's in the profile.
1665
01:48:30,600 --> 01:48:33,100
Is, that's really where my realm
is.
1666
01:48:33,100 --> 01:48:36,500
Whenever an LD hires me, is the
lighting director on a
1667
01:48:36,500 --> 01:48:38,400
television job.
He expects me to light the
1668
01:48:38,400 --> 01:48:42,000
faces, anything that hits the
talent, I'm responsible for
1669
01:48:42,000 --> 01:48:46,600
that.
Yeah, and then, And then, all
1670
01:48:46,600 --> 01:48:48,500
the flashy stuff is somebody
else?
1671
01:48:48,600 --> 01:48:52,500
Yeah, that's yeah.
You know, but we got our key
1672
01:48:52,500 --> 01:48:54,200
light.
We got our backlight.
1673
01:48:54,900 --> 01:49:02,800
I have to pick a wash fixture
which What do you know what?
1674
01:49:02,800 --> 01:49:13,200
I really like the razor. 60, as
just as a wash picture.
1675
01:49:13,200 --> 01:49:15,600
I know it doesn't pixelate like
the other guy.
1676
01:49:16,200 --> 01:49:19,900
Did you raise their 760?
Because we do that for a second.
1677
01:49:20,300 --> 01:49:22,800
Yeah.
Razor 764 a relation.
1678
01:49:22,800 --> 01:49:24,400
Of course.
Yeah.
1679
01:49:24,900 --> 01:49:28,200
That's not really it.
The field and everything.
1680
01:49:28,500 --> 01:49:30,400
It's just it's really nice.
Yeah.
1681
01:49:31,200 --> 01:49:33,900
Oh that's a fantastic fixture.
What about control?
1682
01:49:33,900 --> 01:49:34,900
What do you use them for a
console?
1683
01:49:34,900 --> 01:49:36,800
These days.
Stone grinding.
1684
01:49:36,800 --> 01:49:41,700
Make three and ma2 mode.
I haven't totally taken the leap
1685
01:49:41,700 --> 01:49:47,600
into M83 mode yet.
I will eventually.
1686
01:49:47,800 --> 01:49:51,100
Yeah it's just learning a lot of
its or right.
1687
01:49:52,200 --> 01:49:55,300
Yeah it's tough to tell you
wouldn't believe how many boards
1688
01:49:55,300 --> 01:49:58,000
I've read?
Ya know, I would believe it, I
1689
01:49:58,000 --> 01:50:00,200
would believe it, but you gotta
do it right?
1690
01:50:00,200 --> 01:50:04,200
I mean it's like yeah you have
to I was doing my half-hour on
1691
01:50:04,200 --> 01:50:08,000
Facebook this morning at some
point and I saw some LD who's
1692
01:50:08,000 --> 01:50:11,100
out on shows somewhere in Europe
right now or something.
1693
01:50:11,100 --> 01:50:12,500
And he goes.
Hey everyone.
1694
01:50:12,500 --> 01:50:16,700
Quick who can tell me how to
learn a Cam sis board really
1695
01:50:16,700 --> 01:50:18,600
quickly.
What's the best way to dive into
1696
01:50:18,600 --> 01:50:21,500
a camps as board?
I've got a gig like next week or
1697
01:50:21,500 --> 01:50:25,700
whatever and I need to know how
to run that board and yeah.
1698
01:50:25,800 --> 01:50:29,800
I mean it's crazy but it is, I
mean, you gotta like I said, say
1699
01:50:29,800 --> 01:50:32,000
yes right?
And then go figure it out with a
1700
01:50:32,008 --> 01:50:33,200
board.
It's a little tougher.
1701
01:50:33,900 --> 01:50:37,500
I mean, well, I was spoiled
because in on the very light
1702
01:50:37,500 --> 01:50:40,900
consoles, we had the training
and they sent you down for two
1703
01:50:40,900 --> 01:50:43,600
or three days.
Yeah, and then you took a test
1704
01:50:43,800 --> 01:50:46,900
at the end they took, Played a
song say okay.
1705
01:50:46,900 --> 01:50:49,900
You design a show.
Yeah, with this console, but we
1706
01:50:49,900 --> 01:50:53,600
want you to do this this and
this we won't use macros and you
1707
01:50:53,600 --> 01:50:55,300
want to use effects here.
Yeah.
1708
01:50:55,400 --> 01:50:58,500
And you had all that laid out in
front of you and you've got to
1709
01:50:58,500 --> 01:51:01,800
step up to the plate, you know,
and they would rate, that's a
1710
01:51:01,800 --> 01:51:04,500
pretty luxurious way to learn.
You know, you're getting paid
1711
01:51:04,500 --> 01:51:06,700
for it and you're in a nice shop
and all that stuff.
1712
01:51:06,700 --> 01:51:10,300
Like a lot of guys, I know they
borrow a console for two or
1713
01:51:10,300 --> 01:51:14,200
three days from a shop and they
just dive into it for 18 hours a
1714
01:51:14,200 --> 01:51:15,200
day.
Yeah.
1715
01:51:15,200 --> 01:51:20,000
And that's all yeah, I'm with
the offline visualizers.
1716
01:51:20,000 --> 01:51:21,700
It's yeah, it's doable.
Yeah.
1717
01:51:21,700 --> 01:51:25,900
But having an instructor there
to walk you through each and
1718
01:51:25,900 --> 01:51:28,800
every element of the console.
Yeah.
1719
01:51:28,900 --> 01:51:32,500
I mean now with a like a grand
in May that would be like a week
1720
01:51:32,600 --> 01:51:35,400
because it does so much so much.
Yeah.
1721
01:51:35,400 --> 01:51:39,700
And and then beyond that to
retain, all that information to
1722
01:51:39,700 --> 01:51:45,500
take it with you and do a job is
that in itself is Turtle.
1723
01:51:45,500 --> 01:51:50,200
Yeah, because if you aren't
doing job after job after job on
1724
01:51:50,200 --> 01:51:52,300
that platform, you're going to
lose.
1725
01:51:52,300 --> 01:51:54,100
You're not going to retain all
that information.
1726
01:51:54,100 --> 01:51:56,000
Yeah.
Muscle memory and all that
1727
01:51:56,000 --> 01:51:57,500
stuff.
Yeah, yeah.
1728
01:51:57,500 --> 01:52:00,700
I mean, that's, you know, I
talked to so many designers and
1729
01:52:00,700 --> 01:52:04,100
operators and directors and
stuff about, you know, the
1730
01:52:04,100 --> 01:52:08,800
switch to the ma3 from the ma2.
And to me, I, you know, I'm an
1731
01:52:08,800 --> 01:52:10,700
idiot.
Like, I just think, well, why
1732
01:52:10,700 --> 01:52:13,000
wouldn't you just do it.
It's got new stuff in it, right?
1733
01:52:13,000 --> 01:52:14,900
I love new stuff.
Who doesn't love new stuff?
1734
01:52:15,000 --> 01:52:17,200
Tough.
But the thing is like, I'm used
1735
01:52:17,200 --> 01:52:19,400
to all the buttons where they
are.
1736
01:52:19,700 --> 01:52:25,400
I'm used to certain tactile oil
and all of those tips and you're
1737
01:52:25,400 --> 01:52:29,500
moving so fast.
It's all like right from muscle
1738
01:52:29,500 --> 01:52:31,300
memory, right?
And now all of a sudden it's a
1739
01:52:31,308 --> 01:52:34,400
different syntax.
It's a different, you know, you
1740
01:52:34,400 --> 01:52:37,700
press this button twice instead
of once or you got to press this
1741
01:52:37,700 --> 01:52:40,400
one and then this one, instead
of this one and then this one or
1742
01:52:40,407 --> 01:52:44,300
whatever.
And so yeah, I mean that really
1743
01:52:44,300 --> 01:52:47,800
a trip to be A lot like that
made people pissed right off
1744
01:52:47,800 --> 01:52:51,200
like the guys pissed, right off,
you guys and girls?
1745
01:52:51,200 --> 01:52:55,500
Sorry, I'm not trying to be
sexist, but yeah.
1746
01:52:55,500 --> 01:52:59,500
So you know Ma has fought an
uphill battle on that and plus
1747
01:52:59,800 --> 01:53:02,700
they got the worst timing in the
world because they launched the
1748
01:53:02,700 --> 01:53:05,600
ma3 and then covid hits, you
know?
1749
01:53:05,600 --> 01:53:08,700
Oh yeah.
So it's not like people could
1750
01:53:08,700 --> 01:53:12,200
immediately go out and learn the
thing and use it because they
1751
01:53:12,200 --> 01:53:14,900
had a year off or almost two
years in some cases.
1752
01:53:15,000 --> 01:53:18,000
Cases so weird.
Well, the Lucky Guy's.
1753
01:53:18,000 --> 01:53:21,900
It has a board that home that
was our chance to learn it.
1754
01:53:22,000 --> 01:53:24,200
Yeah.
There were a couple of them that
1755
01:53:24,200 --> 01:53:27,700
did, you know.
And I've talked to him about
1756
01:53:27,800 --> 01:53:31,800
about the whole ma3 thing and
it's a different Beast.
1757
01:53:31,800 --> 01:53:37,000
It's so but I will have to learn
eventually if I want to continue
1758
01:53:37,000 --> 01:53:39,700
to run these boards.
Yeah, yeah, I mean it's where it
1759
01:53:39,700 --> 01:53:43,500
is well and then I know some
guys that are like up there in
1760
01:53:43,500 --> 01:53:47,600
years who are like, Screw it.
You know, I'm not going to learn
1761
01:53:47,600 --> 01:53:49,000
it.
I don't want to learn another
1762
01:53:49,000 --> 01:53:52,800
board right now, that's just
where I'm at, you know, and I
1763
01:53:52,800 --> 01:53:55,400
get it, you know, it's like me
with snowboarding, you know.
1764
01:53:55,400 --> 01:53:56,700
I don't want to learn to
snowboard.
1765
01:53:57,100 --> 01:54:00,700
I've been skiing since I was
eight or nine years old, I don't
1766
01:54:00,700 --> 01:54:04,100
feel like, falling down and
hurting myself at this point,
1767
01:54:04,100 --> 01:54:07,800
you know, doesn't make sense.
Well, we didn't really get to
1768
01:54:07,800 --> 01:54:10,800
touch our know about.
We have to, we got to talk about
1769
01:54:10,800 --> 01:54:15,000
Racing for a few other sports.
Yeah, we would be remiss to not.
1770
01:54:15,100 --> 01:54:18,000
At least touch on racing because
I know that you're I know you
1771
01:54:18,000 --> 01:54:21,300
love the autocross stuff.
Have you Advanced Beyond
1772
01:54:21,300 --> 01:54:23,300
autocross or do you still do
autocross?
1773
01:54:23,800 --> 01:54:28,300
Well, you know, about six seven
years ago.
1774
01:54:28,600 --> 01:54:32,000
My wife bought me a package to
the Porsche sports driving
1775
01:54:32,000 --> 01:54:35,500
school barber.
Yeah, for a weekend.
1776
01:54:35,500 --> 01:54:39,100
Barber to good Lord.
Yeah, let's let's go.
1777
01:54:39,200 --> 01:54:42,100
That's for school at Barber is
unbelievable.
1778
01:54:42,500 --> 01:54:45,000
Let's let's drive a 911s.
Yeah.
1779
01:54:45,200 --> 01:54:51,400
Or a caiman as or let's get in a
four-door Panamera S and go 130
1780
01:54:51,400 --> 01:54:54,200
miles an hour around that track
and do the e-cars to the
1781
01:54:54,200 --> 01:54:56,400
electric ones.
Oh yeah, they've got them out
1782
01:54:56,400 --> 01:55:00,400
there at the school and, you
know, it was such a cool
1783
01:55:00,400 --> 01:55:03,400
experience.
The you do the skid pad,
1784
01:55:04,000 --> 01:55:10,700
heel-toe shifting, launch
control, and a 911 turbo.
1785
01:55:10,800 --> 01:55:13,300
That is awesome.
When did you do that?
1786
01:55:13,900 --> 01:55:19,400
Oh, it was It's got a been seven
years ago at least and so for
1787
01:55:19,400 --> 01:55:22,800
people who don't know, Barber is
this track.
1788
01:55:22,800 --> 01:55:28,000
That's in Alabama, that is
unfreakin believable.
1789
01:55:28,000 --> 01:55:33,100
Like the guy who owns it must be
a trillionaire because he has
1790
01:55:33,100 --> 01:55:37,700
just, it's like a country club
for racing, but yes, but times
1791
01:55:37,700 --> 01:55:41,800
10, you know, it's like the
landscaping and The Hardscape is
1792
01:55:41,800 --> 01:55:44,100
just on.
It's it's like, you know,
1793
01:55:44,100 --> 01:55:46,300
Augusta.
That's sort of what it looks
1794
01:55:46,300 --> 01:55:48,700
like.
You know, it's so beautiful and
1795
01:55:48,700 --> 01:55:52,400
waterfall, you know, Jeremy, my
son the first time he drove
1796
01:55:52,400 --> 01:55:57,200
Barber, he goes Dad.
I said what he's like, you know,
1797
01:55:57,200 --> 01:56:00,100
I'm driving around the track.
And I'm seeing like waterfalls
1798
01:56:00,100 --> 01:56:02,200
and beautiful birds and trees
and stuff.
1799
01:56:02,200 --> 01:56:04,100
This place is nice and I'm like
what are you doing?
1800
01:56:04,100 --> 01:56:10,200
Looking at scenery, you know,
knucklehead but we we paid a
1801
01:56:10,208 --> 01:56:14,700
little extra and instructor
that's what we're doing.
1802
01:56:15,000 --> 01:56:16,900
We're doing follows on the
track, right?
1803
01:56:16,900 --> 01:56:21,700
The instructors in the GT3 you
know and say I'm in a 911s and
1804
01:56:21,700 --> 01:56:25,300
there's three or four was behind
the instructor instructor you
1805
01:56:25,300 --> 01:56:29,200
know you're following him and
you'll make a couple of laps and
1806
01:56:29,200 --> 01:56:31,600
then we'll move you up the next
car behind them.
1807
01:56:31,600 --> 01:56:33,700
Whatever.
And say me said, yeah, this guy
1808
01:56:33,700 --> 01:56:35,400
is in there, he's got one hand
on the wheel.
1809
01:56:35,400 --> 01:56:38,600
One hand on the walkie-talkie
because he's watching you in the
1810
01:56:38,600 --> 01:56:39,500
mirror.
Yeah.
1811
01:56:39,700 --> 01:56:42,000
Don't don't drive like mr.
Magoo.
1812
01:56:42,000 --> 01:56:47,400
Yeah hands you know.
He's going 130 miles an hour
1813
01:56:47,400 --> 01:56:49,800
around the track.
Not even really, even looking at
1814
01:56:49,800 --> 01:56:50,800
the track.
Yeah.
1815
01:56:50,900 --> 01:56:57,100
Is he knows it so well and
that's why it's a.
1816
01:56:57,600 --> 01:57:00,400
Did you ever get to break loose?
Or did you always have to do
1817
01:57:00,400 --> 01:57:02,500
lead follow?
Yeah, you always have.
1818
01:57:03,200 --> 01:57:04,000
Yeah, yeah.
Whoo.
1819
01:57:04,000 --> 01:57:04,300
Yeah.
Yeah.
1820
01:57:05,000 --> 01:57:07,200
Those brand-new Porsche has
they're not going to let.
1821
01:57:07,200 --> 01:57:10,700
Yeah.
Yeah that's that's sucks though.
1822
01:57:10,700 --> 01:57:14,000
That would have been fun if you
because I mean it's so amazing
1823
01:57:14,000 --> 01:57:15,700
to just go out and drive.
And Lead follow.
1824
01:57:15,700 --> 01:57:18,600
But when you have to figure out
where the lines are and
1825
01:57:18,600 --> 01:57:21,200
everything on your own, and
we're to break and where to
1826
01:57:21,200 --> 01:57:24,600
enter and exit the turn and all
that stuff, it's just a
1827
01:57:24,600 --> 01:57:28,600
different level.
Well, so it was pretty easy for
1828
01:57:28,600 --> 01:57:32,600
me after doing cuz I'd have been
doing autocross for five or six
1829
01:57:32,600 --> 01:57:35,200
years at least.
And so people who don't know
1830
01:57:35,200 --> 01:57:40,600
autocross is what it's
basically, a Time course, and a
1831
01:57:40,608 --> 01:57:47,600
large asphalt area could be a
parking lot or And use pylons or
1832
01:57:47,600 --> 01:57:54,100
cones to Define your course, the
courses by scca rules should not
1833
01:57:54,100 --> 01:57:57,400
exceed highway speed, so 70
miles per hour.
1834
01:57:57,600 --> 01:58:00,400
So you're probably never going
to get out of second gear and
1835
01:58:00,400 --> 01:58:03,800
it's all time.
That's not wheel the wheel and
1836
01:58:03,800 --> 01:58:07,500
the it's broken down into
different classes, so you'll be
1837
01:58:07,500 --> 01:58:12,600
competing against cars in the
same class, the horsepower
1838
01:58:12,800 --> 01:58:18,300
handling And then there's
prepared modified.
1839
01:58:21,100 --> 01:58:24,200
It's apples for apples, but it
really comes down to drivers
1840
01:58:24,200 --> 01:58:28,600
skill and because it's so
precise it comes down to a
1841
01:58:28,608 --> 01:58:33,900
thousandth of a second as far as
your you're standing and it's
1842
01:58:33,900 --> 01:58:38,600
relatively inexpensive.
Although some of the guys that
1843
01:58:38,600 --> 01:58:44,800
our way into it Ben 10's of 20
of 30, that's 1,000, anything a
1844
01:58:44,800 --> 01:58:47,800
motor sports is like that.
Like you're doing cheap or you
1845
01:58:47,800 --> 01:58:52,500
can go crazy, you know, and I
mean, the thing about autocross
1846
01:58:52,500 --> 01:58:55,000
it always turned me off was just
the amount of waiting.
1847
01:58:55,000 --> 01:58:58,400
Like you end up waiting in line
forever to get up and get your
1848
01:58:58,400 --> 01:59:01,600
chance to one run.
Run one lap around this, this
1849
01:59:01,600 --> 01:59:05,800
autocross track, did you not so
did you drive an autocross
1850
01:59:05,800 --> 01:59:08,600
course I did and like a mini or
something?
1851
01:59:08,600 --> 01:59:12,200
I think it was a mini, like,
literally probably 30 years ago,
1852
01:59:12,600 --> 01:59:15,800
did you not get this huge
Adrenaline Rush right when
1853
01:59:15,800 --> 01:59:18,700
you're leaving the line and
you're thinking about the course
1854
01:59:18,700 --> 01:59:22,700
and everything, You know
probably not.
1855
01:59:22,800 --> 01:59:24,900
No, I don't think so.
That's unfortunate.
1856
01:59:24,900 --> 01:59:28,200
So I did.
Yeah, yeah, no, I know how
1857
01:59:28,200 --> 01:59:30,800
people love it.
It just it never appealed to me
1858
01:59:30,800 --> 01:59:33,300
for some reason.
Like the whole one lap thing,
1859
01:59:33,300 --> 01:59:36,700
you know, I need 24 laps just to
get interested, you know, and
1860
01:59:36,700 --> 01:59:39,000
get excited.
And then start really hammer and
1861
01:59:39,000 --> 01:59:40,400
when the tires are warm, you
know?
1862
01:59:41,000 --> 01:59:44,300
So the difference for me, a
barber, I thought it was fun.
1863
01:59:44,300 --> 01:59:48,000
And challenging and exciting.
However, I got motion sickness.
1864
01:59:48,900 --> 01:59:53,000
Did you really in the driver's
seat kit was because I do in the
1865
01:59:53,000 --> 01:59:54,800
passenger seat, not in the
driver's seat.
1866
01:59:55,100 --> 01:59:58,300
I think it was a Contours
because Barbara's got a lot of
1867
01:59:58,300 --> 02:00:01,000
change.
What's the amount of adrenaline
1868
02:00:01,000 --> 02:00:03,900
and and stress and everything
else that you're going to?
1869
02:00:03,900 --> 02:00:06,200
Like I don't want to wreck this
hundred and fifty thousand
1870
02:00:06,200 --> 02:00:09,900
dollars.
Yeah did you go to the course
1871
02:00:09,900 --> 02:00:11,900
you probably went to the museum
at Barber?
1872
02:00:12,900 --> 02:00:15,300
I didn't have a chance for some
people.
1873
02:00:15,300 --> 02:00:19,200
They kept god, listen to what
are you doing?
1874
02:00:19,800 --> 02:00:22,800
Well is one thing after another
if you were not on the road
1875
02:00:22,800 --> 02:00:26,200
course, you were doing the skid
pad or they just kept on taking
1876
02:00:26,200 --> 02:00:28,200
out to go back and just go to
that museum.
1877
02:00:28,600 --> 02:00:30,900
It is unreal.
I mean there's like every
1878
02:00:30,900 --> 02:00:34,500
motorcycle that was ever made
like from the very first one,
1879
02:00:34,500 --> 02:00:37,100
which is like a bike with a tiny
little motor on it.
1880
02:00:37,500 --> 02:00:40,800
Yeah, you know, they have every
motor the like literally
1881
02:00:40,800 --> 02:00:44,400
thousands of staff Act up
motorcycles in this unbelievable
1882
02:00:44,400 --> 02:00:46,800
Museum.
Formula cars being in from the
1883
02:00:46,800 --> 02:00:49,400
ceiling and stuff because they
just got no more room left, you
1884
02:00:49,400 --> 02:00:53,400
know.
It's on with the the owner to
1885
02:00:53,400 --> 02:00:57,200
motorcycle guy, right?
Yeah, yeah, that's what I heard,
1886
02:00:57,400 --> 02:00:57,800
yeah.
I know.
1887
02:00:57,800 --> 02:01:03,500
It's a yeah, you know what else
up by you near Nashville, my son
1888
02:01:03,500 --> 02:01:07,100
went up there for for just some
testing before he was leaving
1889
02:01:07,100 --> 02:01:10,000
for England.
A couple years ago, he was going
1890
02:01:10,000 --> 02:01:12,100
to England to race in something
called the formula.
1891
02:01:12,300 --> 02:01:16,400
Festival.
And he had never driven in a
1892
02:01:16,400 --> 02:01:19,700
Formula Ford before, and so he's
going over to race.
1893
02:01:19,700 --> 02:01:23,600
The biggest Formula Ford race in
the world, which is a very
1894
02:01:23,600 --> 02:01:27,600
historic fifty-year-old race
that runs once a year and you
1895
02:01:27,600 --> 02:01:29,900
get formula.
You get Formula 1 drivers
1896
02:01:29,900 --> 02:01:31,600
driving in it and stuff.
It's crazy.
1897
02:01:31,600 --> 02:01:35,600
It's such a cool race in England
every year, but he was going to
1898
02:01:35,600 --> 02:01:38,700
race in that and he'd never
driven in a, he'd never even sat
1899
02:01:38,700 --> 02:01:43,700
in a Formula Ford.
And so, We actually bought a car
1900
02:01:43,700 --> 02:01:47,600
for real cheap, and we went to
do some testing in Tennessee at
1901
02:01:47,600 --> 02:01:52,600
a place called pole star.
I think it's called pole star.
1902
02:01:53,700 --> 02:01:55,800
It's like, yeah, you got to look
this place up.
1903
02:01:55,800 --> 02:01:59,100
I'm telling you it's a great
place that you will end up
1904
02:01:59,100 --> 02:02:01,500
spending the rest of your
retirement money there.
1905
02:02:01,600 --> 02:02:05,100
Yeah, but it's called pole star.
And they have a school there,
1906
02:02:05,100 --> 02:02:07,600
where you can race in
open-wheel, cars, or you can
1907
02:02:07,600 --> 02:02:11,500
drive in open-wheel cars in a
school and but you're not going
1908
02:02:11,500 --> 02:02:13,100
to lead follow.
You're actually out there
1909
02:02:13,100 --> 02:02:17,000
driving the thing.
And, of course, it's a course,
1910
02:02:17,000 --> 02:02:20,400
it's a track and it's a crazy
gnarly little the hard to drive
1911
02:02:20,400 --> 02:02:24,600
track, it's like a go-kart track
but for open-wheel cars Oh,
1912
02:02:24,600 --> 02:02:26,400
okay.
I mean, you can take other cars
1913
02:02:26,400 --> 02:02:31,300
out there to like, you know,
because so yeah, I would look
1914
02:02:31,300 --> 02:02:33,600
into that.
Like the people that run it or
1915
02:02:33,600 --> 02:02:36,700
really nice people, it seemed
like it was very moderately
1916
02:02:36,700 --> 02:02:39,200
priced and stuff.
It wasn't expensive and you can
1917
02:02:39,200 --> 02:02:43,200
drive their car and go out and
they'll they'll kind of show you
1918
02:02:43,200 --> 02:02:45,100
the ropes and then you just go
out and drive it.
1919
02:02:45,600 --> 02:02:50,500
And yeah, well I've never been
an open-wheel car.
1920
02:02:50,900 --> 02:02:56,400
You know I'm pretty much stuck.
Duck with the lappa dated
1921
02:02:56,400 --> 02:03:02,000
Porsches, mainly from the
eighties, you know, 944s 924.
1922
02:03:02,300 --> 02:03:05,100
Yeah, they're, they're they're
they're great old cars.
1923
02:03:05,300 --> 02:03:09,800
I can buy inexpensive and picks
him up and, you know, either
1924
02:03:10,400 --> 02:03:13,500
track them or just keep them on
the street, you know, and pass
1925
02:03:13,500 --> 02:03:17,100
them on to somebody else because
where I find them as in fields
1926
02:03:17,100 --> 02:03:20,700
and neglected, and I was like
Farm cars and stuff and then I
1927
02:03:20,700 --> 02:03:22,800
read them up.
And yeah, that's cool.
1928
02:03:23,900 --> 02:03:26,200
Little abandoned puppies to me,
you know?
1929
02:03:26,800 --> 02:03:28,400
Well, you know what, that's a
great hobby.
1930
02:03:28,400 --> 02:03:31,500
I've got a friend who does it
with, you know, old Cutlass and
1931
02:03:31,800 --> 02:03:37,100
like the 60s and 70s American
cars and he does very well.
1932
02:03:37,100 --> 02:03:42,000
He buys it, he cleans it up a
bit drives it for six months or
1933
02:03:42,000 --> 02:03:45,600
a year and then sells it usually
for a fairly handy profit.
1934
02:03:46,000 --> 02:03:48,600
So it does really really well
with them because he knows the
1935
02:03:48,600 --> 02:03:51,200
market like he's buying very
specific cars that he knows
1936
02:03:51,200 --> 02:03:55,100
everything about so yeah and
That's where I'm at with these,
1937
02:03:55,100 --> 02:03:58,000
I know, know my way around them,
so good.
1938
02:03:58,000 --> 02:04:00,600
Yeah, you know, I can go out
there and just kind of look the
1939
02:04:00,600 --> 02:04:04,400
thing over even though it's
covered with dirt and, you know,
1940
02:04:04,400 --> 02:04:07,100
my stropping zone, the interior
whatever.
1941
02:04:07,200 --> 02:04:08,400
Yeah.
You know, you can kind of, you
1942
02:04:08,400 --> 02:04:12,100
can see the signs of a Hidden
Gem.
1943
02:04:12,100 --> 02:04:13,600
Yeah in there.
Yeah.
1944
02:04:13,600 --> 02:04:15,100
What's it called?
When a great hobby?
1945
02:04:15,100 --> 02:04:17,000
I wish I knew how to do any of
that stuff.
1946
02:04:17,000 --> 02:04:20,000
But I don't I just need to.
I need to be the guy on the
1947
02:04:20,000 --> 02:04:23,600
other end that buys it from a
Han after you've fixed it up.
1948
02:04:23,600 --> 02:04:26,800
And Cleaned it and made it nice
and make a nice profit off of
1949
02:04:26,808 --> 02:04:28,500
me.
That's unfortunate.
1950
02:04:28,500 --> 02:04:31,900
You're when you're ready for
report when you're ready for a
1951
02:04:31,900 --> 02:04:33,500
Porsche be.
Come see me?
1952
02:04:33,500 --> 02:04:36,100
Yeah.
I'm not much of a guy.
1953
02:04:36,300 --> 02:04:39,400
I don't know why you could be.
Yeah.
1954
02:04:39,600 --> 02:04:41,400
All right, hon.
Will II appreciate you doing
1955
02:04:41,400 --> 02:04:43,600
this very much?
It's been fun and humor.
1956
02:04:43,600 --> 02:04:48,000
So here in your story and nice
to nice to see you, I haven't
1957
02:04:48,000 --> 02:04:52,500
seen you in a hundred years.
So thank thank you for your
1958
02:04:52,500 --> 02:04:55,000
support over the years.
You guys did make some really
1959
02:04:55,000 --> 02:04:59,500
good deals and supported my
business and, and others, you
1960
02:04:59,500 --> 02:05:01,600
know, Bob Warden, really helped
me.
1961
02:05:01,800 --> 02:05:07,500
Yeah, some of the guys that
freed sales, they helped me out.
1962
02:05:07,500 --> 02:05:10,700
You know, I was never a dealer,
but I still able to get that
1963
02:05:10,700 --> 02:05:13,100
pricing.
Yeah, so, you know, that's
1964
02:05:13,100 --> 02:05:15,100
that's that means a lot.
Well, you know what?
1965
02:05:15,100 --> 02:05:18,500
When you're a good, dude, most
people do want to help you and
1966
02:05:18,500 --> 02:05:21,800
you're going, you, I actually at
the front end of all of this.
1967
02:05:21,800 --> 02:05:25,000
I do a little intro and I
compared you to Bob Harmon, you
1968
02:05:25,008 --> 02:05:27,300
know, because you're just a guy
that's been around the business
1969
02:05:27,300 --> 02:05:29,700
of very long time, you'd never
screw anybody.
1970
02:05:29,700 --> 02:05:33,600
You're a good dude you work hard
and that's you and that's Bob
1971
02:05:33,600 --> 02:05:35,300
Harmon and you kind of look
similar to this.
1972
02:05:35,300 --> 02:05:38,600
Oh, ok.
Awesome.
1973
02:05:38,600 --> 02:05:40,400
All right hon, thank you very
much, buddy.
1974
02:05:41,100 --> 02:05:42,300
All right.
Have a great day sir.
1975
02:05:42,400 --> 02:05:42,900
Bye-bye.